The Old Days of the World
Early Sound Footage of Kyoto Japan, 1929
updated
My father, Kurt Bernardo Wolf, filmed the trip he made in 1961 from Mexico to Israel with his father. In 2018 we scanned and uploaded the first hour of this film, but we missed this reel with the trip through Jerusalem.
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📝1960's
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📝Travel
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📝Israel
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My father, Kurt Bernardo Wolf, filmed the trip he made in 1961 from Mexico to Israel with his father:0: Introduction 00:35: Passage through New York 03:05: Wall Street 05:35: The ship "Haifa" 06:11: Atlantic and Mediterranean - Madeira - French-Algerian immigrants - Marseilles - Naples - Stromboli - Piraeus and Athens - Israeli dances on board 18:50: Arrival in Israel. Mount Carmel. 19:20: Haifa 20:10: Falafel 21:11: Walk through the Galil - Natzeret - El Kineret - Kefar Nahum - El Jordan - Kibbutz Degania 26:30: Acco 27:45: The Mosque 29:30: Tel Aviv 30:30: Jaffa 33:10: Caesaria 35:40: Druze Village in Carmel 36:45: Natanya 40:00: Weizmann Institute 41:20: Beer Sheva 44:50: The Dead Sea 45:30: Sdom 47:00: The Negev 48:05: Eilat 50:37: King Solomon's Mines 51:30: Timna 52:30: Premilitary Camp Ber Ora
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📝1960's
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📝Travel
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📝Israel
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This film features highlights from the 19th annual Israel Dance Festival that took place in the Felt Forum of Madison Square Garden in New York City, NY.
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📝1970's
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📝United States of America
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Declassified footage of the Tsar Bomba
The detonation is at 22:37
English subtitles included.
---
Archived by runner_up
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Original color film Nagasaki atomic bomb in 1945.
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National Archives description: "LS Building 4 approx. 325 feet from zero at 330o showing the effect of blast and subsequent gutting of the building by fire, as seen from bridge 22.
LS Looking W side of building 4 from point just N of the western part of bridge 22.
LS The W side of building 4 (Commercial Display Hall) as seen from southern end of the T bridge.
MS Different angle.
CU The SW corner of building 4 showing the effect of blast on a brick load bearing structure with reinforced concrete frame.
MS Interior of building 4 looking up at the underside of the undistorted steel frame which framed the dome of the hall. Circular pan L to R interior building 4 showing absence of radial cracks in brick wall of the circular tower. The structure steel strengthening members collapsed as a result of fire.
M Pan shot from the tip of the circular tower of building 4 to the base showing that the blast had relatively little effect on the circular brick tower. The W side of the base of the tower on building 4 showing two decorative columns which probably had a tendency to weaken the structure.
MS Pan show NW corner of building 4 and the manner in which it failed.
MS Pan showing the N side of building 4.
MS Showing W side of building 12 located approx. 625 feet from zero at 153o.
MS Showing the S side of building 12.
LS W side of building 22 located approx. 1075 feet from zero at 133o. LS W side of building 23 located approx. 1075 feet from zero at 133o. LS Building 24 located approx. 1250 feet from zero at 147o showing NW side of the building.
LS Showing the E side of building 4.
LS Showing SE corner of building 4.
MLS Building 12, located approx. 625 feet from zero at 153o, showing the complete collapse of the roof, second floor, and the entire N wall as a result of the blast. This view is looking SW from the top of building 11.
MCU Pan along the upper section of building 12 showing the manner in which the structure failed and the completeness of its collapse.
MCU Looking SW showing the NE corner of building 12.
MCU NW corner of building 12 showing the collapsed N wall and exposed and displaced vertical reinforced concrete column.
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National Archives description "MS Hiroshima Red Cross Hospital in background as graduating class of nurses, march onto parade grounds. MS From within grounds, graduating class march into hospital grounds. MCU Same as above. MCU Same as above, reverse angle. MCU High spot as last two rows move into position at speaker's stand. MS High shot, pan down from Red Cross Hospital arch to assembled nurses' graduation ceremonies. MS Graduating class ceremonies. Many facial scars, burns and glass wounds are visible on faces of nurses. MCU Angle shots of nurses. MS Graduation ceremonies. MS Graduating class of nurses in foreground, dean presents diplomas. CU Regular and graduating nurses perform ceremonies. MS Graduation ceremonies. Nurses leave grounds. MS Reverse of above. MCU Graduation scenes. MS Graduation scenes. CU Dean and nurses at ceremonies. MS Nurses leave grounds toward Hiroshima. CU Red Cross symbol on Hospital. MS Atomic bomb victim entering and leaving Hiroshima Communication Hospital. MS Woman flash burn victim. MS Two doctors attending woman patient. Doctors attended many cases of flash burn victims. CU Patient, Misako Okada, aged 31, examined by doctor. CU Keloid formation, patient's face, flash burn. CU Doctor removing bandages from burn area on neck and shoulders. MS Keloid formation, arm, neck, and face. Flash burn. CU Right arm showing stricture from keloid formation. MS Sadae Seo, flash burn on right arm, breast. Nurse removes bandage. CU Stricture on right arm. MCU Patient's right hand and arm. keloid formation on flash burn area. Complete successful operation has been performed to renew movement of hand. MS Flash burn on hands, arms, face, chest, and right ear lobe. MS Yukie Okubo shows left arm and hand burns. CU Immobilized arm with dressing removed. CU Head showing keloid formation. CU Right arm and hand showing protection afforded by double sleeve on otherwise flash burned area on arm of woman. MS Showing Chiyoko Yukawa who lost her left eye from flying glass fragment. MCU Doctor and nurse attending eye injury patient. CU Glass eye removed from patient to show injury. MCU Flash burn patient, Machiyo Takinoto, burns on breast, shoulders and both arms. CU Left shoulder and arm. CU Right shoulder and arm. CU Right hand flash burn. MCU Left side of face, showing flash burn area. MS Left arm pit. Cu Flash burned face. MS Patient - Kimiko Towamato. CU Left side of face, flash burn. MS Left shoulder, arm, and face of Kimiko Towamato. CU Left arm of patient. MCU Suzuko Numato, aged 24, whose left leg was amputated because of bone deep injuries sustained as result of flying glass fragments. CU Amputated leg. MS Hisa Saiki lost right arm due to flying glass. CU Amputated arm and other wounds. MS Seichuni Kanemitsu reconstructing prone position he occupied at time of blast. MCU Hands and wrists. Patient, Seichuni Kanemitsu. Reverse angle of above scene to show areas protected by wrist watch. MS Flash burn on back. MS Back of patient showing healed wounds. MS Boy's flash burn victim's arms. MCU Same as above. MCU Takihiko Shibasaki, flash burns on his face. MCU Doctor and patient. MS Doctor Hachiya and Chiyoko Morimoto. Patient has lost both eyes due to flying glass. CU Doctor examining girl patient's eyelids. MS Doctor disrobes displaying his body to show glass wound he suffered. Window was five feet from where he stood. Distance was 5300 feet at 45 degrees from zero. CU Scar tissue over glass wounds. CU Doctor Hachiya's right leg showing flying glass wound scars. MS Yoneichi Mosoro, showing flash burns on back, head, shoulders and scar line of demarcation. CU Left arm, right arm, back of head of flash burned patient. MS Showing the door of room 303, located on the third floor. This door faces NW and opens onto a corridor. From the door to opposite wall which contained glass windows with a distance of 11 feet 5 inches. From the wall of the corridor to the steel casement windows on the outside of the building facing NW with a distance of 15 feet 2 inches. This door is located approx. 4450 feet from zero at 179 degrees. MCU Showing frequency, distribution, and size of glass fragment. The depth of penetration into door. original glass on door replaced by straw mattress.
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Original color film Nagasaki atomic bomb, 1945
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📝1940's
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📝War
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AAF stock footage from the Academy Award-nominated documentary, which shows the 21st Bombing Command and its role in the B-29 bombing of Japan and the Pacific Theater of Operations (PTO).
National Archives "This film shows aerial and ground scenes of B-29s over the Pacific and on various islands. Included are several scenes at Boeing Aircraft's plant, showing the planes as they were assembled and tested.
Reel 1: Medium Shot (MS) of B-29s lined up, taxiing past camera -- several different angles. Long Shot (LS) and MS paint crew spraying bottom of B-29 fuselage black.
Reel 2: LS and MS of armament men loading 1,000 lb. bombs in B-29. ADS (Aerial Down Shot) of terrain and bombs bursting. LS to MS of island and runway -- aircraft landing (camera in nose of aircraft). LS B-29 on ground. Close Up (CU) tail of B-29 showing most of rudder and part of vertical stabilizer shot away. MS of B-29 aircraft taxiing as crew chief directs it into hardstand. A number of scenes of presentation of medals.
Reel 3: Long Down Shot (LDS) of coastline -- many ships at anchor. MS of archway, sign on top reads "Fifth Marine Division;" in background (bg) can be seen crosses in cemetery. CU sign "Suribachi Highway, Constructed by 31st Seabees."
Reel 4: Airmen in flight clothing and "Mae Wests" (life vests) walking into building, sign over doorway reads: Iwo Jima Spa." Aerial Medium Shot (AMS) Side View (SV) F-51 in flight, Right to Left (R to L). ALS of white clouds, F-51 flies through frame, R to L. Scene is repeated, then F-51 comes in and holds in frame. Scene repeated three times. Several scenes of aircraft traveling, R to L, over and by white clouds. LS to MS of two B-29s taking off directly over camera. Miscellaneous footage of B-29s taxiing, starting, and taking off.
Reel 5: First two-thirds of the reel is taken at Boeing Aircraft plant and shows assembly of B-29s, installation of instruments, testing of turrets and equipment, cafeteria scenes, and scenes of people leaving the plant. LS to MS B-29 taxiing toward camera. B-29 being towed away from assembly plant. Front View (FV) and SV B-29 taking off over camera.
Reel 6: MS SV nose of B-29 with drawing of peculiar looking bird. LDS of staging area for B-29s. "
National Archives Identifier: 5923140
Full movie at archive.org/details/TheLastBomb1945
As always, any error or typo is mine and if you enjoy my uploads or if you intend to make $ or otherwise profit from these files, please consider making a donation to a veteran's charity of your choice and/or Archive.org itself. Thanks. :)
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📝1940's
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📝War
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📝Japan
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National Archives description "MS Japanese male searching through the brick and mortar rubble. MLS Japanese male pasting election posters on telephone pole. Dolly shots - vessels, boating and fishing craft in the Hiroshima Harbor. Shows general activity in the harbor. Most all scenes static - no action - Scows, barges, fishing boats at anchor. MLS MS CU A series of shots of a small group of Japanese women praying outside a makeshift Buddhist Temple which was built amongst the ruins. A father pulls a heavily-loaded cart out from their yard which is surrounded by rubble. A young son follows behind his father. MLS Two Japanese males stand in front of a carpenters and wheelwright shop in Hiroshima. They are talking. MS A country road, outskirts of Hiroshima traffic travels both to and from the city. Trucks, carts drawn by oxen, people on cycles and on foot. MS A country road, outskirts of Hiroshima travels both into and out of city. Three fertilizer carts drawn by oxen pass down the narrow road. Last cart is drawn by a pony. MS Narrow roadway exit out of Hiroshima - rear end of cart, loaded with logs, moves along road en route out of the city. MC Two Japanese children sit on edge of wall talking. MLS Street scene. Group of three Japanese males chatting. MS Street scene. Medium-sized Japanese truck moves through street. MS Several angles of people, carts and cyclist coming into city. MS Wagonload of household goods enters Hiroshima. MS Young Japanese male, around 14 years old, wears a gunny sack and tattered shirt. MS Group of Japanese people sitting on their haunches waiting in a ration line. Another group stands, close up of faces. MLS Pan R to L establishing shot showing crowds of Japanese citizens of Hiroshima gathered in an open air market near Hiroshima Station. Pan shot is followed by a series of stationary scenes showing general activity as follows: a. Groups gathered around a stand selling shoes and knick knacks. b. Group gathered around a stall selling Kimonos. c. Group gathered around a stall selling rubber overshoes. MS Japanese woman cooking fish. This is typical of outdoor restaurant facilities in Hiroshima. CU Pan and fish frying. MC Seed merchant. MS A kimono stand and a salesman using a lot of gestures to the amusement of laughing spectators. MS A woman fishmonger sells her fish while a customer stands by. CU Woman selling fish, shows type of scales used. MS Fish cake merchant and his stand. In foreground a Japanese woman makes a purchase. CU A Japanese woman makes a purchase. Reverse shot shows the customer being handed her purchase. Small child nearby. MS A Japanese butcher at her stand. She cuts meat into small pieces. (Not much meat shown). MS Huge columns of smoke from a burning barracks, formerly a Japanese Army barracks, which caught on fire. MS CU Same as above. Scene of fire in a series of shots. Japanese firemen fighting the blaze spraying water on burning building. "Miyajima" - Shrine Island. MLS The famous Torii in the waters off Miyajima. MLS Another Torii in the waters off Miyajima. MLS The famous shrine on the island of Miyajima. MS A deer grazing on the island. LS The famous Torii in the waters of the island Miyajima. This Torii differs to the others as it rises out of the seas some 53 feet. MLS Japanese sightseers walking past the sacred shrine. MLS Pan L to R showing the Shrine and a few of the many bronze and stone idols. MS Same as above, pan down from corner of shrine to bronze idol. MLS Same as above, another view of the shrine. MLS Another view of the Torii in the water (this is a well composed frame shot). LS The ferryboat which takes the sightseers from the mainland to the island of Miyajima. MLS Same as above, closer shot of the landing as the ferryboat makes its return trip. MLS Through the trees looking at spire of the five-storied pagoda. MLS Establishing shot. Entrance to the Red Cross Japanese Hospital in Hiroshima; action in foreground consists of Atomic Bomb casualties walking into hospital entrance, some on crutches, most of them wearing bandages. MS Same as above. Lone atomic bomb casualty (f) leaves the hospital. Another female on crutches, entering the hospital, walks alongside her daughter. Pedestrians pass by (mother and child). MS Same as above, high shot. MC Establishing shot. Two doctors operate on arm of a girl. (Red Cross Hospital in Hiroshima).
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youtube.com/embed/ZXU3Her8yGY?list=PLihUJHp5w13Xlm9SOJe1b9VU8RkK-pgac
📝War
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📝Japan
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Listed in the National Archives as "342-USAF-11077 FLASH BURN AND SHADOW DETAIL 03/13/1946 - 04/08/1946."
Description from the National Archives: "MLS Establishing shot NW corner of roof wall building 64 showing flash-burn shadow. location approx. 4875 feet from zero.
MS Closer shot of flash burn.
MS MC Establishing shot. Cylindrical column located northern roof wall of the Communications Hospital building shows flash burn shadow detail.
MS Flash burn shadow cast by a bolt on the west side of a desulfurization tank located on the western side of Gas tank. The bolt is moved upwards to show shadow cast on side of tank. Located approx. 6555 feet from zero at 153 degrees.
MCU Same location; portion of a block and tackle used to lift the top of desulfurization tank. View shows cogs of the wheel, a true shadow of the cogs, also shows the flash-burn shadow.
MS Same location as above. Iron ladder leaning against a boiler shows shadow cast by the sun.
MS Iron ladder shown above is now removed by a Japanese workman in order to reveal shadow detail caused by flash burn. Several angles were taken in order ti show clearly the difference between Atomic shadow and Sun shadow...."
Detailed shot list continues at the link below.
National Archives Identifier: 64525
As always, any error or typo is mine and if you enjoy my uploads or if you intend to make $ or otherwise profit from these files, please consider making a donation to a veteran's charity of your choice and/or Archive.org itself. Thanks :)
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📝1940's
youtube.com/embed/ZXU3Her8yGY?list=PLihUJHp5w13Xlm9SOJe1b9VU8RkK-pgac
📝War
youtube.com/embed/a0q07cvAl6U?list=PLihUJHp5w13XkR-6qAwW2BHOQYuEqdXZ1
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National Archives Identifier 5716258 no description at the National Archives.As always, any error or typo is mine and if you enjoy my uploads or if you intend to make $ or otherwise profit from these files, please consider making a donation to a veteran's charity of your choice and/or Archive.org itself. Thanks. :)
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youtube.com/embed/ZXU3Her8yGY?list=PLihUJHp5w13Xlm9SOJe1b9VU8RkK-pgac
📝War
youtube.com/embed/a0q07cvAl6U?list=PLihUJHp5w13XkR-6qAwW2BHOQYuEqdXZ1
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National Archives description "MS High angle interior of gutted church, as the scene opens a Catholic priest walks from underneath the choir loft, at his side are four Japanese children. Priest removes his cap and kneels in prayer. MLS Pan down from SE corner of church tower to floor of church, where same action takes place. MS priest looks around the gutted interior while at his side stand the four children. MLS Pan low angle showing SE corner of church tower; then slow pan down past choir loft to priest and four children. MS Low angle, priest looks around interior of church. MCU Small Japanese child shyly clings to priest's hand. Pan to priest. MS Small barley patch amid the ruins along the SE section of Hiroshima being tended by owner. MLS looking N-NE showing a group of newly constructed (yellow pine) homes built on the former site of Japanese Transport Regiment Barracks which is located N of the Gokuko Shrine in Hiroshima. MS Pan L to R of same as above. MS Typical example of a yellow pine house complete with shrubbery. MS Miscellaneous shots showing general activity of people and their new home. Same as above. MS Cemetery N from zero, showing tombstone with small crypt stone displaced and human bones scattered around. MC Same as above, closer shot of crypt and bones. MS Same cemetery as above. E end shows another crypt and small wooden box containing bones. Miscellaneous bones scattered about. MLS Establishing shot shows the rows of small boxes, containing the remains of relatives, stacked along the wall. The Virgin kneels in front of the boxes in prayer. MC Reverse angle of the girl shown in previous scene, praying. Implements used in the ceremony are on the table and consist of candle, prayer book and incense. MC Pan R to L showing rows of boxes containing the remains. MS Pan R to L same as above, different lot of boxes. MS Interior - girl seated at table in foreground. Table contains several religious articles used in ceremony. Relative enters to pick up remains of his beloved one, bows to the official, hands official his identification slip, who in turn looks through the file, then walks to the large stock pile of small wooden boxes containing the remains, selects the proper one and hands it to the relative. MS Relative brings box containing the remains to the Virgin for the necessary prayers. A Father, Mother and Son, in the rubble of Hiroshima searching for roof tile to be used in their new home. As the scene opens, the son moves across the frame (L-R); in his hand he holds a few intact pieces of tile, his mother also finds some and motions to her son and his father to come and fetch it. MS A Japanese male searches through ruins of his former home for salvageable items. In the background can be seen the ruins of the Catholic Church. MS Four Japanese boys searching through rubble for salvage. MC Same as above. CU Two Japanese boys salvage tile from what was once the kitchen sink of a home. MLS Establishing shot of a cemetery. A woman passes through lines of headstones carrying in her right hand a bouquet of flowers, she moves closer towards the camera, then a shot follows the woman as she passes through lines of headstones. She reaches the gravestone of her son, kneels slowly, places the flowers in the two stone flower vases on each side, clasps her hands in prayer and meditates for a few moments. LS Looking N showing a woman walking S along a road through rubble in front of building 13. MLS Showing the entrance to the Savings Bank which is set up doing business in a light wooden structure built inside the shell of the original bank building. MS Showing a cart a several individuals walking along a road, which has been partially cleared, among debris, just N of building 14. MS Showing a man walking through debris of a collapsed red structure building 13. MLS Japanese male cleaning away rubble from his property, preparatory to planting his garden and erecting his new home. MS Looking up at a Japanese telephone maintenance man repairing lines on telephone pole. MLS Group of Japanese children collecting sea shells along fringe of Motoyasu River, near bridge 20. MS Same as above, closer shot of two children. Interior of Japanese Newspaper Office. MS Several Japanese reporters at work. Main character, center making a cigarette, starts to write his "big story".
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youtube.com/embed/ZXU3Her8yGY?list=PLihUJHp5w13Xlm9SOJe1b9VU8RkK-pgac
📝War
youtube.com/embed/a0q07cvAl6U?list=PLihUJHp5w13XkR-6qAwW2BHOQYuEqdXZ1
📝Japan
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National Archives description: "MS Looking NE in a window in the N side of building 59, Higashi Police Station, showing the effect of blast 1/8" roll-type steel shutters. Their entire frames were forced by blast into the interior of the building. This is the only incident observed in which the interior of a modern building was not destroyed by fire. This building is located approx. 4050 feet from zero at 89 degrees. MCU Showing the distorted roll-type shutter, displaced window frame and the flash burned area of the shutter. The shutters which were closed at the time of bombing absorbed impact of the blast with the result that the "chicken" wire glass cracked but did not shatter. The point inside of the steel shutters blistered (large bubbles 1/2" in diameter) as result of the heat transmitted through the steel. MLS Establishing shot. Tree suspended in the crotch of another tree. Located approx. 1375 feet from zero at 307 degrees. MS Closer shot to show base of tree from which the upper portion is now suspended in the crotch. MS Tombstone in cemetery located 1325 feet from zero (near above scene) shows effect of blast powerful enough to move cope stone, while far background tree with another tree suspended in crotch. MLS Another tombstone, 1325 feet from zero. MS Shows effect of compression on concrete well cover. Each slab on concrete approx. 3" thick which was suspended on an "I" beam. The diameter of well is 7 feet downward displacement at the point of greatest displacement is 6-1/2". Location of well approx. 3375 feet from zero at 246 degrees. MS Closer shot. MLS Building 289, located approx. 8425 feet from zero at 216 degrees, a two-story wooden structure with stucco like interior. Blast wave hit the N end as shown. LS Building 1, SW corner of the two-story structure of reinforced concrete with brick panels, located 700 feet from zero at 336 degrees (slight over-exposed). MLS Same as above. Shows the S corner of building in a state of collapse. The wood frame which formed the southern extension has completely disappeared. CU Same as above, looking at interior showing horizontal beams and reinforced concrete. MLS Looking NE western side of building 3 fromer transformer station, located approx. 875 feet from zero at 335 degrees. LS Same as above, mass of twisted steel and rubble. LS Building, located approx. 700 feet from zero at 335 degrees, shows effect of downward blast to concrete roof. LS Looking E west side of building 7, two-story reinforced concrete frame structure with brick load bearing walls, located 500 feet from zero at 105 degrees. LS Looking E west side of building 8, located approx. 500 feet from zero at 115 degrees. Reinforced concrete frame structure effected by blast and subsequently gutted by fire. LS Looking E west side of a two-story brick load bearing wall structure which was structurally damaged by blast, located approx. 600 feet from zero at 136 degrees. A series of shots of building 10, located approx. 600 feet from zero at 136 degrees, shows effect of blast to entire building. LS Building 2, located approx. 750 feet from zero at 346 degrees, two shots showing effect of blast. LS Building 9, located 775 feet from zero at 104 degrees, looking N showing the S and E face of a 2-1/2 story reinforced concrete frame structure with brick panels which was superficially effected by blast and destroyed by fire. LS Building 6, located 550 feet from zero at 83 degrees, showing concrete frame with brick panels which was only superficially effected by blast. MLS Building 7, located 500 feet from zero at 105 degrees, showing the S and E faces of the building whose W wall was displaced by blast which resulted in structural damage to the second floor. MC Building 7 collapse of second floor as seen when looking at the S and W walls. MC Pan R to L showing the failure of the SE and W wall. The intact N wall still standing. LS Looking at building 8, 500 feet from zero at 115 degrees, showing the S and E faces of the building which was structurally damaged by blast. CU Interior of the building, 2nd floor showing the collapse of the main steel member which supported the reinforced concrete roof.
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National Archives description "MLS High angle close up looking down at a Dodge Sedan completely bowed in by blast. Locatede 20 feet NW of building 24 on Main Street. LS Pan L to R (NW to N) shows blast effect to S and E wall of building 68 which formerly served as a warehouse for a Japanese FA Battalion. LS E end of building 69. Same as above. LS S side of building 69. Same as above. MLS Pan R to L (N-NW) shows N end of building 69 with E wall crumpled by blast. Pan continues to S end of building. LS Looking S-SW showing N end of building 69. MLS Pan R to L looking NW shows S and E face of Brick Wall on E end of building 68. MS Same as above shows firebreak walls of building 68 intact. MLS Pan R to L looking NE shows blast effect to S brick wall. Pan ends at W wall. MC Same as above. Closer shot. MC Same as above. Closer pan shot. MLS Pan L to R (W-NW). S and E face of building 68B. MS Pan R to L. Same as above. MS Collapsed steel roof building 68B. MS Pan R to L (N-NW). Same as above. Closer shot of central portion. LS Pan R to L (N-NW). General view of building 68, S and E face. MS Showing failure of the reinforced concrete floor located within building 12 (W side). MS Pan L to R. Interior building 12. Showing complete collapse of reinforced concrete 2nd floor as results of blast. MLS Pan across rubble to E side of building 5 located approx. 75 feet from zero at 350 degrees. MS Showing S side of a small reinforced concrete structure which is located just E of building 5 approx. 175 feet from zero at 58 degrees. Shows partial failure of concrete panel as result of blast. MLS Looking SW brick wall which runs E and W on N side of building 5 shows manner in which it failed, while E portion remained standing since building 5 afforded protection from blast. The wall collapsed towards the N. MLS Same as above. Looking NW along W portion of brick wall. MLS Looking at SW corner of building 5 showing completeness of collapse. CU Brick wall showing the thickness. MS A partially collapsed wall running E and W which is located just S of building 11. This view is looking W. MS Same wall looking E. MCU Showing the manner in which the wall started to fall. MCU Showing the displacement of the wall from its base. MLS Pan R to L. Lloking N across zero area in Hiroshima (slight edge fog). Part of steel mast and building 4 in background. MS Pan up from area established zero (approx. 100 feet from zero S) showing steel mast (located 100 feet NW of zero) and building 4. LS Looking NE as viewed from E end of bridge No. 22 showing steel mast and building 4 and zero area. MLS Pan R to L. View from E end of bridge No. 22 showing the E bank of Matoyasu River where the masonry wall and Macadam Road were partially destroyed by blast. Located approx. 200 feet from zero at 265 degrees. MS Pan up from base to top of steel mast in background building 4. This steel mast was not affected since the pressure wave at this point was almost vertical and the steel mast presented very little exposed surface. Object lying on side of mast is piece of corrugated iron roofing. CU Corrugated iron roofing blown against steel mast located NW of zero. MLS Pan up from base to top of one of the two smaller masts in the immediate vicinity of zero which was not affected by the blast. MS Small reinforced concrete structure located approx. 230 feet from zero which withstood the blast. MLS Looking SE from zero at building 12 located approx. 325 feet from zero at 153 degrees. Quick cuts of building 12. Quick cuts of building 24. MLS Looking Se from zero to building 10 (also building 11) located approx. 600 feet from zero at 105 degrees. LS Looking E from zero at building 7 (also building 8) located approx. 500 feet from zero at 105 degrees. MLS Building 7. MLS Building 8. MLS Looking NE from zero at building 6, located approx. 550 feet from zero at 83 degrees. MS Building 6. MS Looking N-NE at E end of bridge 22 located approx. 200 feet from zero at 250 degrees. Showing displacement of stone lanterns in different directions. LS Looking S to building 13 located approx. 1125 feet from zero at 173 degrees. MS Building 13.
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Very short film about the Enola Gay, from the Department of Energy record group at the National Archives. No description listed. Not sure the origin of this film - couldn't find any film of that title in any catalogs. The original film has become a green color (?) so I also have uploaded a black and white version as well.
National Archives Identifier: 88425 Listed as "E-6 10 SEC (INSIDE THE ENOLA GAY)"
As always, any error or typo is mine and if you enjoy my uploads or if you intend to make $ or otherwise profit from these files, please consider making a donation to a veteran's charity of your choice and/or Archive.org itself. Thanks. :)
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From the Dick Finnegan Collection at History San Jose. The majority of the film is a kids Halloween costume parade that appears to have been filmed in a local park or school field. At the end of the film is a clip of the exterior of the former Mark Thomas Inn in Monterey, California, which was purchased by Hyatt in 1971 (1 Old Golf Course Road, Monterey).
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Ground Level footage of the Witch Hanging, various shots around the amusement park and the opening of the Elvira show during the 1986 Halloween HauntWritten on tape case: "Witch Hanging and Elvira Opening. #3"For additional information see California Revealed.
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Halloween Parade in Topeka, Kansas in 1958. Probably children from Potwin School.
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Halloween Party at Lowell School in 1959. Transferred from 8mm film.
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HALLOWEEN PARTY ( 1953) Ephemera
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This disturbing film records the successful experiments in the resuscitation of life to dead animals (dogs), as conducted by Dr. S.S. Bryukhonenko at the Institute of Experimental Physiology and Therapy, Voronezh, U.S.S.R. Director: D.I. Yashin. Camera: E.V. Kashina. Narrator: Professor Walter B. Cannon. Introduced by Professor J.B.S. Haldane.
Shotlist
[Educational Screen] "The film records the successful experiments in the resuscitation of life to dead animals, as conducted by Dr. S.S. Bryukhonenko at the Institute of Experimental Physiology and Therapy, Voronezh, U.S.S.R. According to the New York Times, the experiments are hailed by American biologists as promising a new epoch in medical science, 'bringing closer the day when operations now incompatible with life will be possible'."
Ken Smith sez: It's a fake! This film is a fake! It's ostensibily about a machine (it looks like a piston assembly out of a Model T) that miraculously brings dogs back to life that have been killed (or decapitated) -- but what it REALLY is is some sort of weird British/American WWII propaganda sop designed to make the Russians look intelligent(?). The dead dogs aren't really dead (at least, not those that are revived in this film) and the dismembered "live" dog's head isn't really dismembered (you can see it sticking through a cardboard backdrop). "After the experiment the dogs live for years, put on weight, and have families." Very weird.
blood (running out of a tube into a glass) dogs (drinking water) stopwatch
Safety Danger Lurks
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These Girls Are Fools was also released as Hell is a Place Called Hollywood (1950) and reissued in 1956, but may have been filmed in the '40s. This is both a time capsule and an ironic oddity. A Hollywood exploitation film about the dangers of exploitation in Hollywood. A naive girl with dreams of stardom lands her first role in a dubious "art film". (You may want to avert your eyes during the skinny dipping sequence.) Unable to get any more film offers, she is forced to work as a nude model for cheap girlie magazines. The last session shows her in bondage with whip marks on her back to illustrate a fetishistic story. Quite daring for its time. This was most likely made for independent theaters that ran seedy B-movies about drug addiction, prostitution, female wrestling, and so forth. This talky 20-minute short subject has been mercifully edited down to its essential scenes.
To see more clips and trailers in this series, search for "exploitation", "fetish film", "stag film", "sexploitation" and "nunsploitation". Other films in this series include: Olga's House of Shame, The Defilers, The Love Girls, Rent-A-Girl, Olga's Girls, Motel Confidential, Venus in Furs, Sweet Sugar, Cool It Baby, All Women are Bad, The Ramrodder, Honey, women in prison and '30s French fetish films, Irving Klaw, Bettie Page, et al.
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In this classic yet still creepy horror film, strangers hold up in a rural Pennsylvania farmhouse and battle constant attacks from dead locals who have been brought back to life by mysterious radiation.
Note: This item contains a user-contributed srt subtitle file. To use this file you must download an srt compatible player and point it at the correct video and srt files (google for srt subtitles). We include this file for advanced users who may wish to use it, however the Archive does not support any player that displays subtitles stored external to the video they are intended to be used with, nor can we vouch for the quality or completeness of the subtitling effort.
WARNING - This is a graphic horror film with some gory special effects.
You can find more information regarding this film on its IMDb page .
Credits
Directed by George A. Romero
Writing credits - George A. Romero, John A. Russo
Cast
Duane Jones - Ben
Judith O'Dea - Barbra
Karl Hardman - Harry Cooper
Marilyn Eastman - Helen Cooper/Bug-eating zombie
Keith Wayne - Tom
Judith Ridley - Judy
Kyra Schon - Karen Cooper/Upstairs body
Charles Craig - Newscaster/Ghoul
S. William Hinzman - Cemetery ghoul (as Bill Heinzman)
George Kosana - Sheriff McClelland
Frank Doak - Scientist
Bill 'Chilly Billy' Cardille - Field reporter
A.C. McDonald - Ghoul
Samuel R. Solito - Ghoul
Mark Ricci - Washington scientist
Lee Hartman - Ghoul/News reporter
Jack Givens - Ghoul
Rudy Ricci - Ghoul (as R.J. Ricci)
Paula Richards - Ghoul
John Simpson - Ghoul
Herbert Summer - Ghoul
Richard Ricci - Ghoul
William Burchinal - Ghoul
Ross Harris - Ghoul
Al Croft - Ghoul
Jason Richards - Ghoul
Dave James - Ghoul
Sharon Carroll - Ghoul
William Mogush - Ghoul
Steve Hutsko - Ghoul
Joann Michaels - Ghoul
Phillip Smith - Ghoul
Ella Mae Smith - Ghoul
Randy Burr - Ghoul
George A. Romero - Washington reporter (uncredited)
John A. Russo - Washington mililtary reporter/Ghoul in house (uncredited)
Russell Streiner - Johnny (uncredited)
Vincent D. Survinski - Vince, Posse gunman (uncredited)
Produced by Karl Hardman, Russell Streiner
Cinematography by George A. Romero
Film Editing by George A. Romero, John A. Russo
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Teenaged Mowgli, who was raised by wolves, appears in a village in India and is adopted by Messua. Mowgli learns human language and some human ways quickly, though keeping jungle ideas.
Influential Merchant Buldeo is bigoted against 'beasts' including Mowgli; not so Buldeo's pretty daughter, whom Mowgli takes on a jungle tour where they find a treasure, setting the evil of human greed in motion.
Nominated for 4 Oscars. Another 2 wins
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A team of astronauts crashes on the surface of Venus. Accompanied by their robot, they explore the surface and end up destroying the Venusian God. This film is also known as "The Gill Women" and "The Gill Women of Venus".
This film began life as a Soviet-produced work. An American producer then added some new footage and changed the credits to hide the film's Soviet origin. The original film, "Planeta Bur", is also known as "Cosmonauts on Venus", "Planet of Storms", "Planet of Tempests", "Planeta Burg", and "Storm Planet". Much of the film "Planeta Bur" was also incorporated into the "American" film "Voyage to the Prehistoric Planet".
This film was shown in "Pathe" color, which is essentially just a method of placing color filters over a black and white film. Consequently, the color that you see is not the true color of the sets but instead represents an "interpretation" of a black and white original.
This film can be downloaded as a Theora file. The file size is approximately 25% larger than the MPEG-2, with similar quality. Simply click on this link.
Credits
The Filmgroup
presents
Mamie Van Doren
Mary Marr
Paige Lee
in
Voyage to the Planet
of Prehistoric Women
with
Aldo Romani
Margot Hartman
Irene Orton
Pam Helton
Frankie Smith
James David
Judy Cowart
and
Roberto Martelli
Robin Smith
Cathie Reimer
Ralph Phillips
Murray Gerard
Adele Valentine
Production Manager
Gilles De-Turenne
Director of Photography
Flemming Olsen
Production Coordinator
Polly Platt
Special Effects
Giovanni de Palma
Don Jones
Gary Kent
Walter Robles
Art Director
Vittorio Ferroni
Costune Designer
Alice Mitchell
Editor
Bob Collins
Sound Editor
Burt Campbell
Costumes Executed by
Maureen of Hollywood
Hair Styles
Vergee
Make-up
Mary Jo Weir
Color by
Pathe
Special Props
Wah Chang
Re-recording
Producers Sound Service
Titles
Group One
Narrator
Peter Bogdanovich
Copyright 1967 by The Filmgroup, Inc.
Music Composed and Conducted by
Keith Benjamin
Screenplay
Henry Ney
Producer
Norman D. Wells
Director
Derek Thomas
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Considered THE archetypal sensationalized anti-drug movie, but it's really an exploitation film made to capitalize on the hot taboo subject of marijuana use. Like many exploitation films of the time, "Reefer Madness" tried to make a quick buck off of a forbidden subject while skirting the Motion Picture Production Code of 1930. The Code forbade the portrayal of immoral acts like drug use. (The illegal drug traffic must not be portrayed in such a way as to stimulate curiosity concerning the use of, or traffic in, such drugs; nor shall scenes be approved which show the use of illegal drugs, or their effects, in detail.)
The film toured around the country for many years - often being re-edited and re-titled ("Tell Your Children", "Dope Addict", "Doped Youth", "Love Madness", "The Burning Question"). It was re-discovered in the early 1970s by NORML (National Organization for the Reform of Marijuana Laws) and screened again as an example of the government's demonization of marijuana. NORML may have been confused about the film's sponsorship since one of the film's distributors, Dwain Esper, testified to the Arizona Supreme Court that "Reefer Madness" was not a trashy exploitation film but was actually sponsored by the U.S. Government - a convincing lie, but a lie nonetheless.
That being said, the film is still quick enjoyable since it dramatizes the "violent narcotic's ... soul destroying" effects on unwary teens, and their hedonistic exploits enroute to the bottom.
Credits
Screenplay: Arthur Hoerl
Original Story: Lawrence Meade
Additional Dialouge: Paul Franklin
Dorothy Short: Mary
Kenneth Craig: Bill
Lillian Miles: Blanche
Dave O'Brien: Ralph
Thelma White: Mae
Carleton Young: Jack
Warren McCollum: Jimmy
Pat Royale: Agnes
Joseph Forte: Dr. Carroll
Harry Harvey Jr.: Junior
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Four Chaplin shorts from 1917: The Adventurer, The Cure, Easy Street and The Immigrant, presented with music and sound effects.
You can find more information regarding this film on its IMDb page.
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"Broadcast Date: March 13, 1955 Orphans, convalescents and those who live too deep in the bush for day school: these are the students of the residential school in remote Moose Factory, Ont. For ten months a year, these native children — some taken from their homes — start each day with a religious service before heading to classes. A CBC Television crew visits the school to salute Education Week — and here, the education is all about how to integrate into mainstream Canadian society."
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Cape Canaveral flight of 2 monkeys Baker and Able in test of nose cone re-entry, night launch of rocket, capsule fished from waters of Caribbean, Navy tug makes recovery, opened, monkeys removed unharmed, Baker is tiny squirrel monkey and Able is rhesus monkey (partial newsreel).
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Describes the establishment of a rhesus monkey colony by the NIH on a 40-acre tropical island designed for the observation of social behavior and population ecology of the monkeys. Studies include feeding habits, social hierarchy and interactions, reproduction, family ties, and playing activities of the young
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📝1960's
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From the French actualities of October 10, 1941.
Source: https://www.ina.fr//video/AFE86001484
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Mass graves of Ukrainians in Ukraine, excavated in the summer of 1943. The victims were murdered by communists.
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Shot on October 14, 1888 by French inventor Louis Le Prince, the Roundhay Garden Scene is believed to be the first film ever made, or at least the oldest one in existence. The Film features Louis' eldest son Adolphe Le Prince, Sarah Robinson Whitley, Joseph Whitley and Harriet Hartley walking around in the garden. Roundhay Garden Scene was shot in Roundhay, Leeds, West Yorkshire, England, and, according to Adolphe, was filmed at Oakwood Grange, which was the home of Joseph and Sarah Whitley. Sarah Robinson Whitley, who was not only the Film's feature actress but also Le Prince's mother-in-law, died 10 days after the completion of this Film.
Although controversy and debate persists, Louis Le Prince, rather than Thomas Edison or the Lumiere brothers, is widely considered to be the inventor of the motion picture camera as well as the first person to record moving pictures on film. Louis Le Prince, who was born in August 1841, mysteriously vanished aboard a train bound for Paris in September 1890 and was never seen again. The nature and circumstances surrounding Le Prince’s disappearance remain contested to this day.
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📝1880's
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#Short
Arroyo Sanitarium, Livermore, California. CU boys in swimming pool; girls on swings, etc.
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Houdini Escapes from Straight Jacket, 1922
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Girls leave for Oakland Recreation Camp in Sierra Nevada mountains, California. They load gear on truck and wave goodbye as they depart.
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Black and white silent film with piano score released as a news reel in 1922 by Selznick. There is no title frame for this film or no closing titles for this film.
In short this is a film about the use of child labor and the changes that were being made to change the lives of children at the beginning of the 20th century.
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Boy Scouts dedicate flagpole at Scout Camp in Montclair, Oakland, California. Abe P. Leach, president of Oakland Council speaks; Horton McDonald receives Eagle Scout badge; sequence ends with CU of American flag atop 105-foot flagpole.
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Flagpole sitter climbs up and stands on top of flagpole, 1922
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"A MOMENT WITH JACK DEMPSEY" at his Oakland, California home. Jack poses on the stairs; house interiors; Dempsey waves at cameraman.
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Corporate film in which a cigar machine is demonstrated. A man named 'Otto' demonstrates his invention: a machine that can make cigars. The man in the picture may be Otto Roelofs, the general manager of the Otto Roelofs cigar factory in Amersfoort.
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A Film Poem Dedicated to the October Revolution, 1922
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Documentary about Zeist. This film by Willy Mullens shows the sights of Zeist. Filmed from a tram, we see the Utrechtseweg, with imposing villas on both sides of the street, including the country house Ma retraite'. The film also contains footage of the villa quarter, the town hall, the Hotel Figi on Het Rond, and the Donkerelaan, as well as Slot Zeist, surrounded by woods and water.Willy Mullens made his first Mooi Nederland (Beautiful Netherlands) film about The Hague and Scheveningen in 1915, which was commissioned by the Tourism Office. This documentary on Zeist is probably one of the later films in the series.
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Department of Agriculture. Federal Extension Service. (01/02/1954 - 04/13/1970)
ARC Identifier 7170 / Local Identifier 33.199. On the danger of forest fires. Reel 1, trees in the Pacific Northwest are felled and taken to saw mills and paper mills. Includes shots of forest ranger activities on Mt. Hood in the Oregon National Forest as a forest fire is discovered, Reel 2 shows various ways in which forest fires can be started. Includes many shots of fires raging.
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Kino-pravda no. 1, 1922
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Brazilian documentary made in São Paulo, with images of the factory and the daily life of the workers.
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More information at http://arkivkopia.se/sak/filmark-FASE10-01707.
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Kino-pravda no. 4, 1922
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Silent comedy short featuring costumed ducks.
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