Cover of "Roygbiv" by Boards of Canada (from "Music Has the Right to Children" album).
From Wikipedia: "Roy G. Biv is an acronym for the sequence of hues commonly described as making up a rainbow: Red, Orange, Yellow, Green, Blue, Indigo and Violet. A rainbow spans a continuous spectrum of colors; the distinct bands are an artifact of human color vision."
I decided to keep the sound close to the original. It took a lot of work but I had a lot of fun too. Big respect to BoC for making up such a splendid melody and catching the uncatchable.
Everything is mixed in Reaper. I used a lot of VST processing, especially on piano.
Beat was made from various samples and I used a little bit of bit crusher effect to emulate the sound of 12bit samplers which BOC apparently love.
The sample of the kid saying "hey" was taken from the original with low pass and high pass filter applied.
If you try to emulate their sound you instantly know why they always say things in interviews like how they shape the sound of hihat for a few days and about all the hard processing job. Yes, indeed, this is the hardest part in this type of music.
Synths used: Yamaha DX100 for piano, KORG Volca Bass for bassline, Waldorf Blofeld for main melody and the melody at 0:35, Yamaha AN1X for the melody at 0:45.
Cover of "Roygbiv" by Boards of Canada (from "Music Has the Right to Children" album).
From Wikipedia: "Roy G. Biv is an acronym for the sequence of hues commonly described as making up a rainbow: Red, Orange, Yellow, Green, Blue, Indigo and Violet. A rainbow spans a continuous spectrum of colors; the distinct bands are an artifact of human color vision."
I decided to keep the sound close to the original. It took a lot of work but I had a lot of fun too. Big respect to BoC for making up such a splendid melody and catching the uncatchable.
Everything is mixed in Reaper. I used a lot of VST processing, especially on piano.
Beat was made from various samples and I used a little bit of bit crusher effect to emulate the sound of 12bit samplers which BOC apparently love.
The sample of the kid saying "hey" was taken from the original with low pass and high pass filter applied.
If you try to emulate their sound you instantly know why they always say things in interviews like how they shape the sound of hihat for a few days and about all the hard processing job. Yes, indeed, this is the hardest part in this type of music.
Synths used: Yamaha DX100 for piano, KORG Volca Bass for bassline, Waldorf Blofeld for main melody and the melody at 0:35, Yamaha AN1X for the melody at 0:45.Peter Carpenter - Late Night ChillPeter Carpenter2023-08-22 | petercarpenter.bandcamp.com
If you think summer is almost over, think again. Put your sunglasses on and play this on repeat. Stay on a sunset beach forever, bathed in dreamy melodies and themes intertwined in the 80s nostalgia.
Piotr Cieślik - synthesizers, composition, production, mixing, masteringPeter Carpenter feat. moonfield - Favorite Symphonies #shortsPeter Carpenter2023-03-05 | #shorts #video #newwave #newromanticsong #80s #retro #synth The song “Favorite Symphonies” comes as a joint effort by Peter Carpenter and two-thirds of the moonfield band, Jakub Struzik and Daniel Barnas.
The song “Favorite Symphonies” comes as a joint effort by Peter Carpenter and two-thirds of the moonfield band, Jakub Struzik and Daniel Barnas.
Bathed in the instantly recognizable sounds of the 80s and sprinkled with a modern, zesty electronica, “Favorite Symphonies” envelops you with dreamy vocals effortlessly gliding over longing guitar solos.
CREDITS:
Piotr Cieślik - synthesizers, production, backing vocals, mixing, mastering, concept Jakub Struzik - lyrics, vocals, co-production, concept Daniel Barnaś - guitars, co-production, video editing Kornelia Gac - backing vocals
LYRICS:
I’ve been travelling for years in this van And I’ve been struggling for years to find Someone Till I found you I found you last night Now we can’t stop though we could stop, oh I like the place where the dancing’s slow I like the place where the lights are low
And you know where it is They’ll always find a place for you They’ll always find a friend for you And we can listen to our favorite symphonies
There is another kind of loneliness And I’d never felt so blue in my life that time Till I found you, I found you last night Now we can’t stop though we could stop, oh I like the place where the dancing’s slow I like the place where the lights are low And we can listen to our favorite symphonies
And you know where it is They’ll always find a place for you They’ll always find a friend for you And we can listen to our favorite symphonies
And you know where it is They’ll always find a place for you They’ll always find a friend for you And we can listen to our favorite symphoniesDream Machine - analysing production & concept 💥Peter Carpenter2022-09-04 | Hi. Thank you for being here! If you are curious how we made our track 'Dream Machine' this video will shed some light on the process of production. Enjoy. If you have some questions don't hesitate to ask them in the comment section.
0:00 Introduction 1:08 Speech samples from commercials 2:38 Vocoder 4:29 Speech synthesis 5:05 Vocals 5:47 Intro and outro 8:34 Harmonies 10:07 Basses 11:27 Drums 12:59 Guitars 14:47 Arpeggio 14:59 Strings 15:16 Other elements 16:08 Final thoughts
Car commercial-inspired synthwave track. Recorded in collab with @crimsoid8592 who laid guitar tracks and co-produced it with me.
CREDITS: Piotr Cieślik - synthesizers, production, vocals, mixing, mastering, concept, video editing Daniel Barnaś - guitars, co-production, concept, video editing
LYRICS: America's most carefully built car You gotta have it! You got to have it!
Luxurious and spacious The very idea of the automotive masterpiece that it is (dreams) The response of its high performance engine and transmission (dreams) Brilliant, exciting! This is a car to be experienced
It's so strong It's so fast I wanna ride it now
Dream Machine You got to have it! Dream Machine You got to have it!
Got to ride it now Got to ride it now now Got to ride it now
It's so strong It's so fast I wanna ride it now
Got to ride it now now Got to ride it now now Got to ride it now now, my love I got to ride it now
There's a wonderful world of beauty and luxury Where the best of everything abounds Make fondest dreams come true Choose whatever you desire withOUT compromise
Dream Machine You got to have it Dream Machine Dream Machine Dream Machine You gotta have it You got to have it Got to have it Dream Machine Got to have it Dream Machine Got to have it
Everything is fresh and more luxurious than you imagined possibleDream Machine TeaserPeter Carpenter2022-08-18 | $Shorts Fresh track in collaboration with Crimsoid coming soon!Piotr Cieślik - Dwór Króla Wykwintnego (The Court of the Opulent King)Peter Carpenter2022-06-02 | My new-old track inspired by early music and pioneers of synthesizer music (Wendy Carlos comes to mind). More info about making of the track and it's intricate history soon...
The composition is performed and programmed mostly on analog synthesizers. Synths used: Novation Bass Station II, Behringer Model D, Behringer Cat, Yamaha AN1x. Enjoy!
Composed, performed, mixed and mastered by Piotr Cieślik. All rights reserved.Peter Carpenter - The EndPeter Carpenter2022-04-23 | "The End" is heavily inspired by 80s movies and soundtracks (especially early to mid 80s sound). I wanted to achieve convincing sound so most parts are played by hand and edited later a bit. However, the timing is intentionally humanised and floating. I wrote this piece literally in one day and took another day to fix arrangement and other issues.
"In the old days we used to control technology but today technology is starting to control us. At the same time human is slowly excluded by it." „L’ordinateur fait de la musique”.
The new single by Peter Carpenter is heavily inspired by late 70s French disco scene and 90s French touch. At the same time it is a statement about current state of things in music and the direction it takes. Will artificial intelligence soon take over the music and will we loose emotions we used to give and receive?
released July 10, 2021
Written, performed, produced and mixed by Piotr Cieślik Vocals: Joanna Roczniewska-Cieślik, Piotr Cieślik Bass Guitar, Remix: Wojtek Famielec Art Work: Emkade Mastering (digital version): Marcin Bors (Fonoplastykon)Sunset Rider limited edition cassette release - presentationPeter Carpenter2021-08-23 | Peter Carpenter's debut EP Sunset Rider on cassette! - Limited Edition of 25 copies (each copy is hand numbered with gold marker) - Each copy is recorded on high quality Pioneer deck straight from the source 1:1 speed including 'BLE' calibration procedure for each tape (Bias, Level, EQ) - superior clear sound quality - Includes bonus track exclusive for this release - Comes with double-sided 6-panel J-Card (Includes 3 additional panels that roll-fold inside the front panel); includes liner notes - Full Ep + bonus track recorded on both sides for your convenience - As this is extremely limited - please only one copy for one order - Would you like your copy to be autographed? Just let me know in your order message!
This is a complete DIY release perfected in every way possible.
This EP is heavily inspired by colorful neon 80s, 70s, movies like 'Vanishing Point' and movie soundtracks like the beloved John Carpenter's 'Escape from New York'.
The concept of this EP is taking you along the journey of an outcast with a noble cause, a solitary Sunset Rider.
Credits: Piotr Cieślik: synthesizers, guitars, percussion instruments, vocals, composition, arrangement, recording, editing, mixing, mastering Joseph Litherland (Jrel): mastering and mixing consultation facebook.com/Jrel1 Eduard Micu (Synthazor): cover art instagram.com/synthazor
This is a debut EP under the Peter Carpenter alias, a 150 hours+ labor of love. Heavily inspired by colorful neon 80s, 70s, movies like 'Vanishing Point' and movie soundtracks like the beloved John Carpenter's 'Escape from New York'.
The concept of this EP is taking you along the journey of an outcast with a noble cause, a solitary Sunset Rider.
Tracklist: 00:00 Mind Intruders 06:24 Violent Times 10:10 Sunset Rider
Credits: Piotr Cieślik: synthesizers, guitars, percussion instruments, vocals, composition, arrangement, recording, editing, mixing, mastering Joseph Litherland (Jrel): mastering and mixing consultation facebook.com/Jrel1 Eduard Micu (Synthazor): cover art instagram.com/synthazor
This is a debut EP under the Peter Carpenter alias, a 150 hours+ labor of love. Heavily inspired by colorful neon 80s, 70s, movies like 'Vanishing Point' and movie soundtracks like the beloved John Carpenter's 'Escape from New York'.
The concept of this EP is taking you along the journey of an outcast with a noble cause, a solitary Sunset Rider.
Cover art and animation by Synthazor (instagram: @synthazor)Peter Carpenter Mind Intruders - new track teaserPeter Carpenter2021-01-13 | The new track "Mind Intruders" entered the mixing phase, so it's the last lap. I present a fragment of a six-minute track. It will probably be part a of a new EP!
Music written by Piotr Cieślik. All rights reserved.
facebook.com/PeceFanPagePiotr Cieslik travels back to the 80s as Peter CarpenterPeter Carpenter2021-01-09 | Thanks to my DeLorean I could travel straight to 1983 and see how music was made back then. 🔮 Now I'm back with a brand new single recorded in Miami. ➿ 😅
It was great to be there. 🍹 The track was warmly received there and then (in 1983), as usual for a hot Miami. 🌞 🌴🌴 🏄♂️ 🌊
Listen to what they said about it in a local radio station. 📻
Performed on Novation Bass Station II exclusively and produced in Reaper. All patches were made specially for this cover.
Why am I doing this, you ask? 1. To express how I admire BoC! 2. To set a challenge to myself so I can learn something new in audio production. Even if you do it for about 20 years there's still something more to learn. 3. I love covers that are faithful to the original (as much as possible) and especially with BoC certain sound and emotion are two most crucial elements. Besides, you can not improve on perfection, so the best way is to totally immerse in the mood of original work.Boards of Canada - 5.9.78 (COVER DECONSTRUCTION)Peter Carpenter2019-12-20 | Just a quick video showing my session for Boards of Canada - 5.9.78 cover with tracks recorded on Yamaha AN1x (all pads, etc.), Kurzweil SP4-7 (Melotron flute) and beat.
I prepared to do this for some time, because it is a real gem in their crown. It took some time because I wanted to do it right and not modify their vision too much. Yes, I know "A Few Old Tunes" was intended for their friends only and it was released before they became well known but fortunately someone shared it once and I'm not sad because of this. ;) At first I wanted to make a cover of "5.9.78" only but then, when I progressed, it became clear to me that "5.9.78" can't live without "Boqurant" because both tracks are integral and the beautiful transition between them confirms it totally.
Why am I doing this, you ask? 1. To express how I admire BoC! 2. To set a challenge to myself so I can learn something new in audio production. Even if you do it for about 20 years there's still something more to learn. 3. I love covers that are faithful to the original (as much as possible) and especially with BoC certain sound and emotion are two most crucial elements. Besides, you can not improve on perfection, so the best way is to totally immerse in the mood of original work
I stress, it's not easy at all. I had to spend some time to tweak the patches and recreate the sound, it took many evenings.
All sounds were created on Yamaha AN1x, except the base intro patch (made on daHornet vst: http://nusofting.liqihsynth.com/freeplugins.html) and the mellotron type flute from Kurzweil SP 4-7. The beat was produced in Reaper. Everything was mixed in Reaper also. I used some wow and flutter effect, VHS tape emulation, the mix was even sent to my trustworthy AKAI cassette deck (without recording to tape but using cassette tape adaptor) and recorded again from its output. The tuning of the track is 31.3 cents higher from a standard A440 tuning.
Please become a patreon for even more in-depth stuff: patreon.com/PiotrCieslik This will keep me motivated and we can all learn something new in the process.
Please comment, rate and subscribe.
Cover of "Kids" by Kyle Dixon & Michael Stein (from Stranger Things OST).
Performed by Piotr Cieslik (Pece) on Yamaha AN1x, Novation Bass Station II. All tracks recorded one by one and mixed in Reaper. Patches were designed to match the original sound as close as possible.
Took about 12 hours to make (listening to the original many times to figure out all the parts, programming sounds and arp on the synths, creating midi sequence for bass line, practicing, recording audio and video, messing with the tripod in my narrow studio, mixing the sound, editing the video). I still could do it better but I had only one day for this. If you found any flaws please forgive me and remember: "Art is never finished, only abandoned."Piotr Cieślik - Journey into the Unknown LP PROMO MIXPeter Carpenter2016-07-09 | This is the promo of my brand new album. "Journey into the Unknown" is already available on generator.pl label's online shop. Shipping to all countries. http://www.eng.generator.pl/p,piotr-cieslik-journey-into-the-unknown,5513.html?_cr=14
I've been working on this track too long and it's ridiculous so it's time to release it. No real video this time but some simple visuals.
Credits:
Piotr Cieslik - arrangement, production, mix, mastering, vocals Wojciech Famielec - electric guitarMarek Biliński - Dom W Dolinie Mgieł (orchestral COVER by Piotr Cieślik)Peter Carpenter2015-06-07 | Utwór do pobrania za darmo (format FLAC) tutaj: http://bit.ly/1L7Z0mF
Polecam, jakość odsłuchu nieporównywalnie lepsza, niż w wersji skompresowanej przez Youtube.
Moja aranżacja utworu Marka Bilińskiego "Dom W Dolinie Mgieł" z płyty "E≠mc²". Pod względem harmonii jest dodatkowo inspirowana wersją "Dom w Dolinie Mgieł '93" z płyty "Mabi: Plays World Hits". Pozwoliłem sobie na pewne wariacje w aranżacji, melodii i na nieco bardziej kwaśne harmonie. Wielki szacunek dla Pana Marka Bilińskiego za dokonania, które tak bardzo inspirują.
Composed, produced, mixed and mastered by Piotr Cieslik (Pece).
Footage from silent film "Liberty" (1929) - Laurel and Hardy.Grisly Faye - Fall for Me (Pece Remix) / INSTRUMENTAL VERSIONPeter Carpenter2014-12-02 | FREE DOWNLOAD (FLAC): http://bit.ly/1Kk4DN4
My remix of Grisly Faye's song 'Fall for me' - instrumental version.
Vocals by Margaryta Kulichova Written by Grisly Faye (Margaryta Kulichova, Wojciech Szupelak) Rhodes piano by Piotr Cieslik (Pece) Remix, mix, mastering by Piotr Cieslik (Pece)Grisly Faye - Fall for Me (Pece Remix)Peter Carpenter2014-11-30 | FREE DOWNLOAD (FLAC): http://bit.ly/1Kk4DN4
Vocals by Margaryta Kulichova Written by Grisly Faye (Margaryta Kulichova, Wojciech Szupelak) Rhodes piano by Piotr Cieslik (Pece) Remix, mix, mastering by Piotr Cieslik (Pece)Piotr Cieslik - Indian WisdomPeter Carpenter2014-10-03 | Some 80s fun in between other projects. It took about four days to record and mix the song. By the way, don't forget to kill your TV.Piotr Cieslik - EscapePeter Carpenter2014-07-15 | SUPPORT here http://piotrcieslik.bandcamp.com/track/escape
Music production takes a lot of time, knowledge and extreme dedication. Composing, recording, producing, mixing, mastering just one song and music video can take hundreds of hours and even with no budget there are always costs to pay.
You can find a lot of my music for free and there is still more to come.
You can buy the 'Escape' track or donate any amount you feel is right if my music ever touched you.
Piotr Cieslik - keyboards, electric guitar, arrangement, production, mix, mastering, vocals Joanna Roczniewska - vocals Wojciech Famielec - classical guitarBoards of Canada - Over the Horizon Radar (COVER)Peter Carpenter2014-06-30 | Please become a patreon for even more in-depth stuff: patreon.com/PiotrCieslik This will keep me motivated and we can all learn something new in the process.
Please comment, rate and subscribe.
Cover of "Over the Horizon Radar" by Boards of Canada (from "Geogaddi" album).
I played the sound out of Reaper using Yamaha AN1X midi out. I used free soundfont called jRhodes3 (http://learjeff.net/sf/sf.html). Of course there is a lot of processing - delays, reverb, eq, filter with lfo, some compression and saturation.
Cover of "Olson" by Boards of Canada (from "Music Has the Right to Children" album).
Performed on KORG Volca Bass. Mixed in Reaper (EQ, compression, reverb, etc.). Final chords performed on Yamaha AN1X.
--- EDIT SETTINGS FOR VOLCA BASS USED IN THE VIDEO (because some people asked) Settings for the harmony are: Octave set to oct3, peak about 3 o'clock, cutoff about 10 o'clock, rate and int 9 o'clock, all three oscillators active (pitch 1: -12n, pitch 2: 04n, pitch3: 07n), lfo target set to cutoff, vco wave of oscillator 1 and 2 saw, oscillator 3 square, sustain on, amp eg on, attack 7 o'clock (0 time), decay 5 o'clock (full), cutoff eg int about 12 o'clock. Let me know if it helps you.Yamaha AN1x synthesizer JAM / SEQUENCER DEMOPeter Carpenter2013-12-26 | The patch is made by me. It took a while to make it right. 100% AN1x sound + vst limiter.
Yamaha DX100 is a little oldschool synth appropriate for lo-fi, squeaky sounds, special fx, simple mellow tones. It definitely has it's own character. It's a little barking doggy and it can bite your ass. No filter, arps, effects inside so you have to be creative.
100% Yamaha DX100 sound plus: - touch of TAL-Chorus-LX VST - some light reverb.
All patches programmed by me. Data entry slider doesn't always respond, gotta fix it someday.Piotr Cieslik (Pece) - We Used to Have Ideals / Yamaha AN1x ambientPeter Carpenter2013-12-21 | "We Used to Have Ideals" is a part of "Threads" VA released by Kahvi Collective. You can download the tune here: http://www.kahvi.org/releases.php?release_number=351
This is the idea I came up with today after fiddling with my synthesizer. It was a very very creative afternoon. Just me, my synth and low light lamp. I tend to produce songs for weeks or months. Today it was different. I wanted to be creative and minimalistic. No presets used.
Composition, arrangement, production, mix, keyboards, vocals by Piotr Cieślik
Bass guitar, electric guitar, arrangement, production by Wojciech Famielec
Mastering by Bartek Magdoń
Video directed and edited by Piotr Cieślik and Wojciech Famielec
------------------
LYRICS
I'll readily admit that we have made mistakes But time and time again And yet we have prevailed And yet we have prevailed
This time I'm not gonna get away with it This time I'm not gonna get away with it
We've landed awkwardly And something broke today I needed silence you needed words Broken beyond repair Broken beyond repair
This time I'm not gonna get away with it This time I'm not gonna get away with it
---
Emotion Generated Music is a composer duo consisting of Piotr Cieslik and Wojciech Famielec, Krakow-based musicians and producers known for their participation in a number of projects over the years. They compose music for trailers, games, TV and produce for music bands. Coherent musical vision stems from their common sonic fascinations, all visible in their previous musical endeavours.
"Emotion Generated Music" is an elaboration on the term "computer generated music". While not excluding digital music as such, the duo focuses on a humanized message.
The most important elements of their tracks are spatial layers, musical colors and controlled dissonances that come into existence in a spontaneous and natural way.Piotr Cieslik - Life is a ButterflyPeter Carpenter2013-09-30 | Love each other because life is a butterfly.
_Credits for 'Lullaby for Silence'_ Composed and performed by Wojciech Famielec Produced by Piotr Cieslik and Wojciech Famielec
Emotion Generated Music is a composer duo consisting of Piotr Cieslik and Wojciech Famielec, Krakow-based musicians and producers known for their participation in a number of projects over the years. They compose music for trailers, games, TV and produce for music bands. Coherent musical vision stems from their common sonic fascinations, all visible in their previous musical endeavours.
"Emotion Generated Music" is an elaboration on the term "computer generated music". While not excluding digital music as such, the duo focuses on a humanized message.
_Credits for 'Run Run'_ Performed and produced by Piotr Cieslik and Wojciech Famielec Composed by Piotr Cieslik Drums by Slawomir Puka Acoustic guitar, flute by Maciej Famielec
Emotion Generated Music is a composer duo consisting of Piotr Cieslik and Wojciech Famielec, Krakow-based musicians and producers known for their participation in a number of projects over the years. They compose music for trailers, games, TV and produce for music bands. Coherent musical vision stems from their common sonic fascinations, all visible in their previous musical endeavours.
"Emotion Generated Music" is an elaboration on the term "computer generated music". While not excluding digital music as such, the duo focuses on a humanized message.
_Credits for 'I Gave You Myself'_ Performed and produced by Piotr Cieslik and Wojciech Famielec Composed by Piotr Cieslik Vocals by Piotr Cieslik
Emotion Generated Music is a composer duo consisting of Piotr Cieslik and Wojciech Famielec, Krakow-based musicians and producers known for their participation in a number of projects over the years. They compose music for trailers, games, TV and produce for music bands. Coherent musical vision stems from their common sonic fascinations, all visible in their previous musical endeavours.
"Emotion Generated Music" is an elaboration on the term "computer generated music". While not excluding digital music as such, the duo focuses on a humanized message.
_Credits for 'In Her Mind'_ Performed and produced by Piotr Cieslik and Wojciech Famielec Composed by Piotr Cieslik Harp by Agnieszka Grela Vocals by Joanna Roczniewska
Emotion Generated Music is a composer duo consisting of Piotr Cieslik and Wojciech Famielec, Krakow-based musicians and producers known for their participation in a number of projects over the years. They compose music for trailers, games, TV and produce for music bands. Coherent musical vision stems from their common sonic fascinations, all visible in their previous musical endeavours.
"Emotion Generated Music" is an elaboration on the term "computer generated music". While not excluding digital music as such, the duo focuses on a humanized message.
The most important elements of their tracks are spatial layers, musical colors and controlled dissonances that come into existence in a spontaneous and natural way.Pece - Towards the House on the HillPeter Carpenter2013-09-29 | The song comes from my EP titled 'Riddle of the Universe'. You can get it here http://kahvi.org/artists2.php?artist=Pece
This is another track from my 'Retrograph' EP, available here: http://www.cdbaby.com/cd/pece and also on Amazon MP3, Emusic, Napster, iTunes, etc.
http://www.facebook.com/PeceFanPagePiotr Cieślik - Ciemna Strona Księżyca (Dark Side of the Moon)Peter Carpenter2013-09-05 | ENGLISH I present a piece that I composed for the International Competition for Young Composers of Film Music FMF YOUNG TALENT AWARD 2013. Suite was written specifically for a short animated film "Dark Side of the Moon" by Marek Gajowski. The film (with a different soundtrack) can be viewed at the following link: http://vimeo.com/14694292
The song took eleventh place out of thirty-two properly qualified applicants.
----------------------- POLSKI Przedstawiam utwór, który skomponowałem z myślą o Międzynarodowym Konkursie Dla Młodych Kompozytorów Muzyki Filmowej FMF YOUNG TALENT AWARD 2013. Suita została napisana specjalnie do krótkiego filmu animowanego Marka Gajowskiego pt. "Ciemna Strona Księżyca". Sam film (z inną ścieżką muzyczną) można obejrzeć pod poniższym linkiem: http://vimeo.com/14694292
"Sen" is a Polish game from 1995 with exceptional music theme. I decided to remake it using some of the original samples because I wanted to retain that lovely lo fi flavour of Amiga sound. Please feel free to comment.
You can download and listen to original music module by Artur Kaminski here http://www.modules.pl/index.php?id=modules&pid=312 and here youtube.com/watch?v=9TZU1MTLMggCropky Amiga game (2013) by C&A FanPeter Carpenter2013-05-11 | Cropky is an Amiga version of Dots - an abstract strategy game played by two people on a sheet of squared paper. The rules are a bit different from original Dots game - your aim is not to capture enemy dots but to link two dots together with a line drawn in any direction you want as long as you don't cross already existing lines or you have where to draw another line (the dot is visible not farther than one square distance - vertically, horizontally or diagonally). Cropky is a conversion of a game under the same title from Atari XL/XE. The original idea comes from Krzysztof "Kaz" Ziembik who was persuaded to give permission to create Amiga version by Mariusz "Ramos" Rozwadowski. With the abilities and knowledge of Adam Stach (programmer), Piotr "Piesiu" Radecki (graphics) and Piotr "Pece" Cieślik (music) they created a neat and not so easy game running on any Amiga with at least 1 MB of RAM. The game can be downloaded as an ADF file or LhA archive. There is also a Polish manual in PDF.
This is another track from my brand new EP 'Retrograph', available here: http://www.cdbaby.com/cd/pece and also on Amazon MP3, Emusic, Napster, iTunes, etc.
This is another track from my brand new EP 'Retrograph', available here: http://www.cdbaby.com/cd/pece and also on Amazon MP3, Emusic, Napster, iTunes, etc.
This is the second track from my brand new EP 'Retrograph', available here: http://www.cdbaby.com/cd/pece and also on Amazon MP3, Emusic, Napster, iTunes, etc.
http://www.facebook.com/PeceFanPagePiotr Cieslik (Pece) & Wojtek Szupelak @ Klub Kombinator PART 3/3Peter Carpenter2011-04-06 | Year 2009, Cracow, Poland. Piotr Cieslik and Wojtek Szupelak, active musicians and producers from Cracow, decided to make music project together. After few months of hard work three tracks were polished and ready to play live. Finally it was time to show it to the world..
Place: Klub Kombinator (Laznia Nowa Theatre, Cracow) Piotr Cieslik (a.k.a. Pece): production, synthesizer, Ableton + Korg nanoKONTROL Wojtek Szupelak: production, synthesizer, electronic sax, guitar effects, vocals