MusicProjectX
Moonlight Moods 1 Part 4/4
updated
Harmony Record 180-H. Composed by Tobias and Russell.
50 hits as of 4/3/12. This piece has had hits as of this date in Austria, Austrailia. Brazil, Britain, Canada, Egypt, France, Hong Kong. Jordan, Mexico, The Netherlands, New Zealand, Puerto Rico, Romania, The United Arab Emerates, and The United States, making it possibly the most international piece of music I have.
100 hits on 5/7/12
http://www.nps.gov/edis/photosmultimedia/audio-wangemann-1889-1890-european-recordings.htm
Transcript of the recording, in both German and English
1st Recording
Kreisau, on the, uh-
Silesia, on the twenty-first of October,
1889. (Announcer)
(Molkte)
This newest invention of Mister Edison is indeed astonishing. The telephone makes it possible for a man who has already rested long in the grave once again to raise his voice and greet the present.
This newest invention of Mister Edison is indeed astonishing. The phonograph makes it possible for a man who has already rested long in the grave once again to raise his voice and greet the present.
"Ye instruments, forsooth, but jeer at me
With wheel and cog, and shapes uncouth of wonder;
I found the portal, you the keys should be;
Your wards are deftly wrought, but drive no bolts asunder!
"Mysterious even in open day,
Nature retains her veil, despite our clamours:
That which she doth not willingly display
Cannot be wrenched from her with levers, screws, and hammers."
[Announcer:] Kreisau am, uh-
Schlesien, am einundzwanzigsten Oktober,
achtzehnhundertneunundachtzig.
[Moltke:] Diese neueste Erfindung des Herrn Edison ist in der Tat staunenswert. Das Telephon ermöglicht, dass ein Mann, der lange schon im Grabe liegt, noch einmal seine Stimme erhebt und die Gegenwart begrüßt.
Diese neueste Erfindung des Herrn Edison ist in der Tat staunenswert. Der Phonograph ermöglicht, dass ein Mann, der schon lange im Grabe ruht, noch einmal seine Stimme erhebt und die Gegenwart begrüßt.
"Ihr Instrumente spottet mein
Mit Rad und Kämmen, Walz' und Bügel;
Ich stand am Thor, ihr solltet Schlüssel sein;
Zwar euer Bart ist Kraus, doch hebt ihr nicht die Riegel.
"Geheimnissvoll am lichten Tag
Lässt sich Natur des Schleiers nicht berauben,
Und was sie deinem Geist nicht offenbaren mag.
Das zwingst du ihr nicht ab mit Hebeln und mit Schrauben."
2nd Recording
reisau, the 21st of October
1889.
"Give every man your ear, but few thy voice."
For if your mind turns round, immediately it comes back. General Field Marshall Count Moltke.
"Yet in each soul is born the pleasure
Of yearning onward, upward and away.
When o'er our heads, lost in the vaulted azure,
The lark sends down his flickering lay;
When over crags and piny highlands
The poising eagle slowly soars,
And over plains and lakes and islands
The crane sails by to other shores."
"Yet in each soul is born the pleasure
Of yearning onward, upward and away.
When o'er our heads, lost in the vaulted azure,
The lark sends down his flickering lay;
When over crags and piny highlands
The poising eagle slowly soars,
And over plains and lakes and islands
The crane sails by to other shores."
21st October, Kreisau, Count Moltke.
[Announcer:] Kreisau, den einundzwanzigsten Oktober achtzehnhundertneunundachtzig.
[Moltke:] "Dein Ohr leih Jedem, Wen'gen deine Stimme."
Denn dreht um dein Sinn, gleich kommt's zurück. Generalfeldmarschall Graf Moltke.
"Doch ist es jedem eingeboren
Dass sein Gefühl hinauf und vorwärts dringt,
Wenn hoch im blauen Raum verloren,
Ihr schmetternd Lied die Lerche singt;
Wenn über schroffen Fichtenhöhen
Der Adler in den Lüften schwebt,
Und über Flächen, über Seen
Der Kranich nach der Heimat strebt."
"Doch ist es jedem eingeboren
Dass sein Gefühl hinauf und vorwärts dringt,
Wenn hoch im blauen Raum verloren,
Ihr schmetternd Lied die Lerche singt;
Wenn über schroffen Fichtenhöhen
Der Adler in den Lüften schwebt,
Und über Flächen, über Seen
Der Kranich nach der Heimat strebt."
Einundzwanzigster Oktober, Kreisau, Graf Moltke.
[Another voice:] Achtzehnhundertneunundachtzig.
100 hits on 2/22/12
250 hits on 3/23/12
1000 hits on 8/2/12
5000 hits on 4/15/13
100 hits on 10/10/12
I believe this is an old piece of British music, either a folk song or a church song. If you can identify it please tell me what it is.
100 hits on 8/21/12
Level 7 music will be uploaded shortly. It's going to take some effort on my part to make an appropriate video for that music.
Level 2 music is still in the works-should be done in a few days at the most.
You can See the other parts of the music to this game at these locations (minus the boss music).
Level 1: (Also, the 'Unknown British Music' Theme located here.)
Level 2:
Level 3:
Level 4:
Level 5:
Level 6:
Level 7:
Keep up that olde tyme music spirit.
100 hits on 10/20/12
Here is the actual dialogue, for those who have trouble understanding the speaker. It's not so much that the recording is poor as the fact that the diction and vocabulary is very archaic, and most people don't recognize the words. The first few seconds are very scratchy and hard to interpret.
(?One day when I went down to the grocer last saturday?) the grocer behind the counter gave me a (?object?) wrapped in a sliver of silver paper which he told me was a piece of limberger cheese.
When I got outside the shot I opened the paper, and when I smelt what was inside I nearly expired!
I took it home and put it in the corn bin.
In the morning I went to see if it was still there...
Nobody had taken it!
I thought about what I could do.
Father and Mother were getting ready to go to church.
I put a piece in the back pocket of father's trousers, and another piece in the lining of ma's (archaic piece of clothing).
I walked behind them as we were headed to church, and it was beginning to get very warm...
When we got into the church, father looked anxious, and mother looked as though something had happened.
After the first hymn, mother told father not to sing, but to keep his mouth shut and breath through his nose.
After the Prayer, the first deacon threw 'out common stink?' and the people in the pew of ours got up and went out.
After the next hymn, 'Mrs Bricks who was a mother?' started to spin a bout and air herself out.
After the second lesson some of the church wardens came down to see if there were any dead rats in the building (HA).
Some more people in our pew got up and went out, putting their hankerchiefs to their noses as they went.
The pastor ended but a quarter of the prayer when moving the meeting outside where there were much more sanitary conditions than the church (HAHA!)
As for mother and father, mother told father they better go home and (???)
Father told mother to go immediately home and change before he gagged.
When they got home, they both went into the front room and the stink then came down.
Mother told father to put the cat out of the room. She thought she was going to be sick!
See was sick before father could get it out! HA HA HA!
Mother then turned round and muttered she thought the canary bird was dead.
She told her father not to stick so near the fire Because it made it worse.
Father told mother to go smother herself!
Just then our servants came in and asked if they should open a window, as the room smelled very close.
Father went upstairs and changed his clothes to have a hot bath.
Mother took father's clothes and fastened them to a dram to be ventilated somewhere that was too high for me!
Father came in about 10 o'clock in the evening to wish me good night, with a razor strap in his hand.
I got under the bed.
The people next door thought we were beating carpets in our house.
I can't tell just where it ended.
I had to take my cheese out to the farmer's field.
No more limberger jokes for me!
part 1/4 http://www.youtube.com/watch?v=fY4bplYYdMo
part 2/4 http://www.youtube.com/watch?v=h59zjFv9aBM
part 3/4 http://www.youtube.com/watch?v=rmdfJzSXs6w&feature=related
part 4/4 http://www.youtube.com/watch?v=guFnUo0NV6Q&feature=related
part 1/4 http://www.youtube.com/watch?v=fY4bplYYdMo
part 2/4 http://www.youtube.com/watch?v=h59zjFv9aBM
part 3/4 http://www.youtube.com/watch?v=rmdfJzSXs6w&feature=related
part 4/4 http://www.youtube.com/watch?v=guFnUo0NV6Q&feature=related
part 1/4 http://www.youtube.com/watch?v=fY4bplYYdMo
part 2/4 http://www.youtube.com/watch?v=h59zjFv9aBM
part 3/4 http://www.youtube.com/watch?v=rmdfJzSXs6w&feature=related
part 4/4 http://www.youtube.com/watch?v=guFnUo0NV6Q&feature=related
100 hits on 11/7/11
part 1/4 http://www.youtube.com/watch?v=fY4bplYYdMo
part 2/4 http://www.youtube.com/watch?v=h59zjFv9aBM
part 3/4 http://www.youtube.com/watch?v=rmdfJzSXs6w&feature=related
part 4/4 http://www.youtube.com/watch?v=guFnUo0NV6Q&feature=related
100 hits on 11/5/11
250 hits on 11/7/11
250 hits on 2/6/2013
100 hits on 3/29/12
250 hits on 3/11/12
500 hits on 10/12/12
I doubt these pieces were actually composed for the game, and were probably adaptations of earlier songs from the 1950s-give or take 5 years. You can skip to each one at these times:
Intro :0.00
Level 1: 0:32
Level 3: 1:35
Level 4: 2:33
Level 5: 4:00
Level 6: 5:24
Thanks for listening and please leave feedback.
100 hits on 11/20/11
One level of the game of Lemmings for your enjoyment.
Amiga Version is from 0:15-2:30
Atari Version is from 2:36-4:45
Midi Version is from 4:48-7:00
100 hits on 3/31/2013
Photo is of the Regents Club Dance Hall In Brighton, England. It was converted to a bingo hall in 1967 and then bulldozed in 1974, a victim of changing taste in dance music.
50 hits on 9/26/11
100 hits on 11/10/11
250 hits on 3/16/12
500 htis on 9/6/12
100 hits on 3/13/12
Dance title Modoribashi
Authors Kawatake Mokuami (lyrics)
Kishizawa Koshikibu V (music)
Hanayagi Jusuke I (choreography)
History
The dance-drama "Modoribashi" was premiered in October 1890 at the Kabukiza [casting].
Key words Shosagoto
Tokiwazu
Shinko Engeki Jûsshu
Summary
"Modoribashi" has for hero Watanabe Tsuna, who meets a beautiful woman and discovers she is a supernatural creature. He pursues her into the air, fights with her, and at last as a climax cuts off her arm, after which he drops down upon the roof of a temple. The play is full of demon lore.
The time of "Modoribashi" is a thousand years ago, and the place the Modori bridge of Kyôto by moonlight. Watanabe wears one of those exaggerated costumes so characteristic of shosagoto, and looks cautiously at the bridge which is supposed to be enchanted. The long branches of a willow tree move as though a ghostly wind was blowing, although the curious-minded wonder how many stage assistants are pulling the strings down below, and the quick beating of a drum announces the approach of something uncanny. The female demon is in the guise of a beautiful maiden brilliantly arrayed, and she immediately makes advances to the warrior, who does not seem to be very anxious to accept the amorous overtures. The attitude of the two is exactly opposite to the conventional love scenes on the Western stage, where the maiden refuses and is hard-hearted, while the lover tries to gain her favour. The demon uses all her arts, but the warrior cannot easily be won over. Watanabe's flirtation with the devil woman in disguise continues until he leads her upon the bridge, and then looking down into the water he catches the reflection of her face and knows that she is not a human maid, but that she is his enemy and would lure him to destruction. The gradual change from a charming woman into a terrible devil is effected by changes in face, voice, and posture, a transformation that gives an actor with the weird for specialty a good opportunity. While the hero and the uncanny creature attack each other in a posture dance, the bridge disappears, drawn off by invisible hands behind the scenes, and a red-lacquered shrine is pushed partly into view and completes the very striking stage picture. The dance between the two becomes wilder and more intense, reaching a climax as the maiden darts behind the scene. Almost immediately she returns in her true shape, wearing a grotesque mask, while her mane is light brown, with a white stripe down the middle and so long it trails over the stage. She dances wildly about in a fight with warriors, whose swords glint in the semi-darkness of the stage; storm clouds hurry across the sky as though scurrying before a cyclone. A curtain of gauze representing clouds shuts off the view. The warrior and the creature he pursues are in mid-air struggling together right over the roof of a temple. He cuts off one of her arms, and clutches it wildly in triumphant posture while the mutilated devil woman disappears into the aerial regions.
100 hits on 8/25/11
250 hits on 12/22/11
500 hits on 6/10/12
100 hits on 11/19/12
100 hits on 11/2/11. An almost totally appropriate date!
I'll post the rest if interest is high enough. Enjoy two more Lenny Dee instrumentals here:
Folsom Prison Blues: http://www.youtube.com/watch?v=DHCH1dktwu4
Hang Em' High!: http://www.youtube.com/watch?v=wYv1VXsucoI
100 hits on 10/17/11
250 hits on 4/27/12
I'll post the rest if people are interested-Please visit two more instrumental from Lenny Dee here:
Apologize: http://www.youtube.com/watch?v=3_gK-cQw-1A
Hang Em' High!: http://www.youtube.com/watch?v=wYv1VXsucoI
100 hits on 9/1/11
I'll post the rest of this album if interest is high enough. Please Visit Two more instrumentals from this album here:
Apologize:http://www.youtube.com/watch?v=3_gK-cQw-1A
Folsom Prison Blues: http://www.youtube.com/watch?v=DHCH1dktwu4&feature=player_embedded
100 hits on 12/22/11
Enjoy a couple really bad 'Dark Ambient' pieces of music while you watch.
100 hits on 8/31/11
250 hits on 5/7/12
Please see the video response (Other D force video) for music with a more realistic tone.
100 hits on 7/6/11
The three pieces of music featured are:
1. Sea Side
2. Desert
3. Ice World
I think the first two are military bugle tunes and the third one is a song of some sort. Please note the somber quality of these pieces of music, in relative contrast to the two previous pieces.
100 hits on 7/4/11
500 hits on 5/29/12
Part 1/4 http://www.youtube.com/watch?v=RmghYdIG6BA
Part 3/4 http://www.youtube.com/watch?v=fxFMq7bNnZg
Part 4/4 http://www.youtube.com/watch?v=7t4wpSrNbw0
And the other 2 tapes at these links
Tape 2 http://www.youtube.com/watch?v=qSbpoE0Z3Eo (part 1)
Tape 3 http://www.youtube.com/watch?v=n_xHujVEnRI (part 1)
This is also a part of a playlist.
These were Instrumental Themes (or renditions) of popular musical pieces when this was released in 1975 from the 30-40 years prior.
The Songs are (In Order)
Try a Little Tenderness (0:00-2:45)
I've Got You Under My Skin (2:47-5:53)
Lazy Afternoon (5:58-8:47)
Hey there (8:52-11:40)
By The Light of the Silvery Moon (11:45-14:08)
There are Such Things (14:12-17:00)
A Day In The Life of a Fool (17:02-20:22)
You and the Night and the Music from 'Revenge with Music' (20:24-24:03)
100 hits on 9/28/11
250 hits on 6/6/12


