CMajorEntertainment
Candy Canes from Tchaikovskys The Nutcracker | Choreography by George Balanchine
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On the occasion of the Bruckner bicentenary, the Wiener Philharmoniker recorded its first ever complete Bruckner cycle under the baton of Christian Thielemann. In addition to the well-known canon of nine symphonies, the two earliest Bruckner symphonies in F minor and D minor, which are a world premiere on DVD and Blu-ray, were also recorded for the first time in the orchestra's history. This uniquely complete edition from the Musikverein and Salzburg Festival, featuring 11symphonies, also includes extensive conversations with Christian Thielemann about each symphony and insights into his rehearsal work.
“Thielemann has found a symbiosis with the Vienna Orchestra that makes unrivalled interpretative statements possible, especially for this repertoire”. (Die Presse on Bruckner 3)
“This work has not often been heard like this: setting the highest standards, as part of the excellent Bruckner cycle that the Vienna Philharmonic recorded with Thielemann without competition”. (News on Bruckner 6)
BONUS: Discovering Bruckner with Christian Thielemann
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Wiener Philharmoniker, conducted & staged by Herbert von Karajan
Based, in part, on Shakespeare’s The Merry Wives of Windsor, Falstaff is Verdi’s last work for the stage – and only his second comic opera. And yet the humour in this multilayered masterpiece is distinctly wry, for all the main characters exhibit an array of human weaknesses that are implacably exposed by Verdi and his librettist Arrigo Boito. In this legendary performance from the Salzburg Festival, Herbert von Karajan is not only leading a stunning cast of singers featuring the Wiener Philharmoniker, he too directed the opera, in the amazing set design of Günther Schneider-Siemssen.
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John Cranko’s The Taming of the Shrew is one of the greatest ballet comedies of the 20th century. Inspired by William Shakespeare’s world-famous play, Cranko brings to vivid life the story of the shrewish Katherina whom no one wants to marry and the dashing and clever Petruchio who makes her his wife and “tames” her. Set to cheerful and boisterous music by Kurt-Heinz Stolze after Domenico Scarlatti and with colourful costumes and a charming set by Elisabeth Dalton, The Taming of the Shrew evokes the sunlit streets and gardens of Italy. The perfect ballet for the whole family, danced by the Stuttgart Ballet. “This company is world class.” (Tanznetz) / "Cranko’s adaption of Shakespeare’s comedy is an artistic gem." (FAZ)
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On the occasion of the Bruckner bicentenary, the Wiener Philharmoniker recorded its first ever complete Bruckner cycle under the baton of Christian Thielemann. In addition to the well-known canon of nine symphonies, the two earliest Bruckner symphonies in F minor and D minor, which are a world premiere on DVD and Blu-ray, were also recorded for the first time in the orchestra's history. This uniquely complete edition from the Musikverein and Salzburg Festival, featuring 11symphonies, also includes extensive conversations with Christian Thielemann about each symphony and insights into his rehearsal work.
“Orchestra and conductor impressed with Anton Bruckner's Second.” (Der Standard on Bruckner 2)
“Only the highest musical perfection sounds like this.” (Die Presse)
BONUS: Discovering Bruckner with Christian Thielemann
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Few musicians in the world are as intimately familiar with Beethoven’s piano sonatas as Daniel Barenboim, who has been exploring these works since the earliest days of his career - a musical novel in 32 chapters and an artistic cosmos in itself. Barenboim recorded the full cycle of Beethoven sonatas in the Pierre Boulz Saal in May 2020 and presents these works in chronological order of their creation - providing an exciting look at the composer’s artistic development. With this sonata cycle, Daniel Barenboim has set himself a legacy! The box includes 234 mins Bonus: a 42-minutes interview with Daniel Brenboim on Beethoven and 3 masterclasses with Daniel Barenboim, working with students of the Barenboim-Said Academy feat. Alexandre Kantorow (winner of the 1st price and gold medal at the Tschaikowsky Competition, working on Sonata No. 2), Nathalia Milstein on Sonata No. 15 “Pastoral” and Fabian Müller on Sonata No. 23 “Appassionata”).
“No matter how many times you play them there are always freshpersonal perspectives waiting to be discovered.” Daniel Barenboim
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Concentus Musicus Wien, conducted by Ivor Bolton, staged by Keith Warner
Triumphantly premiered in 1724 at the King’s Theatre in London, George Frideric Handel’s Giulio Cesare in Egitto masterfully combines human emotions: Triumph with sorrow, despair with happiness and love with profound melancholy in the face of the transience of all earthly life. Star director Keith Warner creates a production that imaginatively blends silent film and baroque opera, delightfully echoing Mankiewicz’s legendary Cleopatra with Elizabeth Taylor, Rex Harrison and Richard Burton. An excellent cast of singers is led by two of the world’s leading countertenors: Bejun Mehta and Christophe Dumaux. Louise Alder shines as the seductive Cleopatra. Patricia Bardon, Simon Bailey and Jake Arditti are further highlights in this extraordinary group of singers, while Ivor Bolton provides the appropriate soundtrack on the podium of the Concentus Musicus Wien. “Cheers for all involved” Kurier.
“A must for baroque opera fans.” Kronen Zeitung
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On the occasion of the Bruckner bicentenary, the Wiener Philharmoniker recorded its first ever complete Bruckner cycle under the baton of Christian Thielemann. In addition to the well-known canon of nine symphonies,
the two earliest Bruckner symphonies in F minor and D minor, which are a world premiere on DVD and Blu-ray, were also recorded for the first time in the orchestra's history. This uniquely complete edition from the Musikverein and Salzburg Festival, featuring 11symphonies, also includes extensive conversations with Christian Thielemann about each symphony and insights into his rehearsal work.
“With the First, they [...] provided an hour of happiness. [...] An overwhelming event, entirely of philharmonic sound”. (Kronen Zeitung)
“Thielemann conducted Bruckner's Seventh as a human drama in philharmonic splendour”. (Die Presse)
BONUS: Discovering Bruckner with Christian Thielemann
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Wiener Philharmoniker, conducted by Riccardo Muti
Since the death of Herbert von Karajan in 1989, the prestigious Vienna Philharmonic Orchestra’s concerts around Ascension Day (15 August) have firmly been in the hands of Riccardo Muti. Always sold out, they are among the highlights of every festival summer. For this year’s concert and on occasion of his 80th birthday, the maestro was acclaimed for his interpretation of Beethoven’s Missa solemnis, a piece he has never conducted before.
“Muti is a master in conveying extremes: monumentality, where it is compositionally intended, and highest internalization alternate with each other in a dense interplay.” FAZ
“Muti mastered the work and presented it as stringently as perhaps no one else can do it today.” Die Presse
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On the occasion of the Bruckner bicentenary, the Wiener Philharmoniker recorded its first ever complete Bruckner cycle under the baton of Christian Thielemann. In addition to the well-known canon of nine symphonies, the two earliest Bruckner symphonies in F minor and D minor, which are a world premiere on DVD and Blu-ray, were also recorded for the first time in the orchestra's history. This uniquely complete edition from the Musikverein and Salzburg Festival, featuring 11 symphonies, also includes extensive conversations with Christian Thielemann about each symphony and insights into his rehearsal work. “Two symphonies that document Bruckner's path to mastery quite excellently. (…) Conclusion: The next interesting Bruckner milestone in the cycle.” (Kurier) / “Masterly, kapellmeisterlike, dreamlike.” (Der Standard) / Beautiful to weep for and artistically accomplished. [...] The interpretation of the Fifth may be considered a milestone. The way the musicians realised this work was simply grandiose." (Kurier)
BONUS: Discovering Bruckner with Christian Thielemann
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“A stirring, long-lasting listening experience. At the end, standing ovations and boundless cheers.” (br-klassik.de)
“Fortunately, they still exist, the magical moments when time stands still, when music reaches and touches people.” (Die Presse)
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Wiener Philharmoniker, conducted by Herbert von Karajan
staged by Michael Hampe
When Herbert von Karajan conducted Mozart’s opera Don Giovanni at the Salzburg Festival in 1987 featuring an outstanding cast of singers, the fantastic Wiener Philharmoniker and staged by Michael Hampe, it became a legendary performance of the highest artistic level. This dream of artistic collaboration made it one of the best opera performances, which now is available for the first time on Blu-ray.
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Wiener Symphoniker, conducted by Andrés Orozco-Estrada
staged by Barbora Horáková Joly
Catalani’s masterpiece, first performed in 1892 at La Scala in Milan, is best known for its aria “Ebben? Ne andrò lontana”. With nuanced harmonies and colourful instrumentation, he pays great attention to the orchestra sound. He chose highly unusual material for his opera: the successful novel Die Geier-Wally by Wilhelmine von Hillern tells the story of a young woman who does not fit any of the gender clichés of the time. Unlike many earlier operatic heroines commanded to marry against their will, Wally does not look for a solution in society, but instead runs away to the mountains. Her husband must be her equal, someone unafraid to face both a bear and her father. “Izabela Matula - A Wagnerian hell of a woman with a great soprano.” (Kronenzeitung)
“Catalani’s highly dramatic music finds an intense advocate in Andrés Orozco-Estrada on the podium of the excellently disposed Wiener Symphoniker.” (Wiener Zeitung)
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The documentary Three Tenors – Voices for Eternity, tells the story of the most successful concert in the history of classical music, featuring recent interviews with José Carreras, Plácido Domingo, Zubin Mehta, Pavarotti‘s widow Nicoletta Mantovani, Lalo Schifrin, Brian Large, Mario Dradi, Paul Potts, Sir Bryn Terfel, Norman Lebrecht, Didier de Cottignies and many more. Behind-the-scenes-footage, showing the emotional highlights of the first concert and the sequel in Los Angeles offers a fascinating insight into what takes place beyond the spotlight and it includes excerpts from the legendary concert of the Original Three Tenors - José Carreras, Plácido Domingo and Luciano Pavarotti, conducted by Zubin Mehta at the Terme di Caracalla, Rome 1990 on the eve of the Football World Cup.
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Wiener Symphoniker, conducted by Dirk Kaftan
staged by Olivier Tambosi
Arrigo Boito's libretti, including those for Giuseppe Verdis's Otello and Falstaff, are some of the most outstanding achievements in operatic history and his own completed opera Mefistofele is present on the opera stages. On his opera Nerone Boito started working in 1862, but struggeled to complete it immediately, leaving it unfinished for several decades. It became his life's work and it was only after his death that the conductor Arturo Toscanini created a performable version. The world premiere was held at La Scala Milan in 1924. Boito´s opera Nerone is here available for the first time on DVD/Blu-ray "Musically it´s brilliant.“ (Wiener Zeitung) and "Rafael Rojas triumphs in the murderous role of Nero, Lucio Gallo (Mago) is a great prince of darkness“ (Süddeutsche Zeitung).
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Coro & Orchestra del Teatro Massimo, conducted by Omer Meir Wellber
staged by Graham Vick
In Palermo where Richard Wagner composed this monumental opera during a long stay, conductor Omer Meir Wellber makes a highly successful debut as music director of Palermo’s Teatro Massimo, architecturally and artistically one of Italy’s most impressive opera houses. “With the Teatro Massimo’s excellent orchestra he succeded in a reading that was absolutely straight forward” (Opera Today). The singers are excellently cast especially Julian Hubbard as Parsifal “who was a sensation” (neue musikzeitung). Stage director “Graham Vick strips Parsifal of mysticism to deliver a powerful indictment of divisive ideologies” (Musical America).
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Wiener Staatsoper, conducted by Matthias Pintscher
staged by Polly Graham
costumes by COMME des GARÇONS
“A vivid Orlando makes history in Vienna” (New York Times International): Olga Neuwirth’s opera Orlando, based on Virginia Woolf’s novel of the same name, is the first full-length opera work by a woman celebrating its premiere
at the Vienna State Opera. Olga Neuwirth, for a long time one of the great composers of the present, succeeds with this opera in creating a captivating arc across many musical genres. It’s an exciting, socially critical production by Polly Graham who puts a fantastically singing and playing Kate Lindsey in the center of the action. For Orlando Olga Neuwirth won the prestigious Grawemeyer Award, it became “world premiere of the year” by Opernwelt magazine and for Die Zeit it was “the premiere of the season”.
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Staatskapelle Berlin, conducted by Simon Rattle
staged by Damiano Michieletto
Jenufa is still Janácek’s most successful and most often performed opera, and the Berlin premiere at the Staatsoper in 1924 brought the work its final breakthrough on German stages. This performance from Berlin’s Staatsoper Unter den Linden is “artistically unsurpassable. There are three reasons for this. Firstly, the cast [...], secondly: the direction [...], thirdly: Simon Rattle, the Staatskapelle and the chorus of the Staatsoper” (BR Klassik). “Simon Rattle revs up the Staatskapelle Berlin with a passion as if he had to fill a melodrama by Giacomo Puccini with bursting sound life” (Süddeutsche Zeitung). “A beguiling mixture of speaking articulation and tonal roundness.” (Frankfurter Allgemeine Zeitung)
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Freiburger Barockorchester, conducted by Christopher Moulds
staged by Claus Guth
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ORF Radio-Symphonieorchester Wien, conducted by Constantin Trinks
staged by Andrea Breth
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Wiener Staatsoper, conducted by Tomáš Netopil
staged by Kasper Holten
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Wiener Staatsoper, conducted by Tomáš Netopil
staged by Christian Räth
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ORF Radio-Symphonieorchester Wien, conducted by Lukasz Borowicz
staged by Mariusz Treliński
At Theater an der Wien Stanisław Moniuszko’s Polish national opera Halka is performed by a superb cast including Corinne Winters (“devotedly”) , Piotr Beczała (“vocally outstanding - once again world class”) and Tomasz Konieczny (“his acting is piercing”) (Der Standard). The Polish leading team, above all director Mariusz Treliński, puts the plot into a supercooled crime aesthetic. The ORF Radio Symphonie-Orchester Wien under the baton of Łukasz Borowicz plays with perceptible delight. “A gripping opera evening” (Wiener Zeitung). “A musically and scenically stirring work of art” (Neue Musikzeitung)
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Star violinist David Garrett celebrates his ten-year spectacular crossover programme with thousands of fans in the extraordinary atmosphere of the Arena di Verona, Italy. Performing his Greatest Hits of brilliant interpretations of rock classics like “We Are The Champions” or “Smells Like Teen Spirit” and world-famous pop songs like “Viva La Vida” or “Hey Jude” and his arrangements of classical melodies like Beethoven’s 5th Symphony, David Garrett left a thrilled audience in the Arena.
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Wiener Philharmoniker, conducted by Christian Thielemann
Christian Thielemann is a compelling advocate for German music, and his Salzburg Festival 2020 programme with the Wiener Philharmoniker is smack-dab at the heart of his favoured repertoire. For his long-awaited return to the Summer Festival, he opens with Wagner's Wesendock Songs, considered musical sketches for the opera Tristan und Isolde, with terrific Latvian mezzo-soprano Elīna Garanča as soloist. The centerpiece is Bruckner’s Symphony No. 4, the Romantic. Storms of applause.
“Together with an orchestra that breathes with her, Elīna Garanča proved that she currently represents the non plus ultra in the mezzosoprano category. Grandiose the fusion of intensity and noble sound” Der Standard
“An event with goose bumps“ Kurier
PROGRAM
Wagner: Five Poems for female voice and piano “Wesendonck Lieder”
Bruckner: Symphony No. 4 “Romantic”
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The New Year´s Concert from the Golden Hall of the Musikverein Vienna with the Wiener Philharmoniker is always one of the best-selling classical albums each year. In 1987 Herbert von Karajan conducted his only performance of the New Year´s Concert performing famous pieces from Johann Strauss I, Johann Strauss II and Josef Strauss. As soloist in one piece you can hear the legendary soprano Kathleen Battle.
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Teatro Real, conducted by Ivor Bolton
staged by Christof Loy
Rusalka returns to Madrid “on an overwhelming level that will leave its mark”. (El Español) Mesmerizing soprano Asmik Grigorian, “already one of the most outstanding sopranos of her generation“ (Online Merker) stars with a
“voice, at its zenith of maturity“ (El Pais) in the title role of Christoph Loy’s timeless and evocative staging of Dvorák’s tragic take on the Little Mermaid fable. Especially „the direction of dancers and extras in the second act is a virtuoso performance by Loy and his choreographer.“ (El Pais) “Musically, this Rusalka is of immense quality, no doubt due to the spectacular work of Ivor Bolton.“ (El Español)
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ORF Radio-Symphonieorchester Wien, conducted by Stefan Soltész
staged by Christof Loy
With Ruggero Leoncavallo’s rarity Zazá, the Theater an der Wien scored a coup with the grandiose house debutante Svetlana Aksenova in the title role. Christof Loy delivers a striking staging of the Verismo drama and conductor Stefan Soltez spiritedly leads the ORF Radio-Symphonieorchester Wien through the highly acclaimed evening. “It would take a whole newspaper page to praise all the performers appropriately”, praises Der Standard. Of particular note is Svetlana Aksenova as Zazá who “suffers the whole spectrum from intimate affection to raging jealousy and mute despair”, Nikolai Schukoff (Milio) “shows himself as a daredevil and a depressed mourner”, Christopher Maltman as Cascart “leads energetically and touchingly his already lost fight for his beloved.” An evening worth seeing and hearing!
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BONUS:
Documentary: The Great World Theatre - Salzburg and it’s Festival
A high-quality docufiction about the dramas and unknown events behind the scenes, from its founding in 1920 to the present day showing unseen footage from 30 archives worldwide and numerous private films.
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Wiener Staatsoper, conducted by Marco Armiliato
staged by Margarethe Wallmann
Giacomo Puccini’s Tosca is one of the most dramatic thrillers in the history of opera. In the revived, legendary historic staging of Margarethe Wallmann, Piotr Beczała (“one of the extraordinary singers of our time”, Der Standard) celebrated his acclaimed role debut as Cavaradossi and is “overwhelming” (Wiener Zeitung). At his side is Karine Babajanyan as Primadonna Floria Tosca, making her house debut at the Vienna State Opera and Carlos Álvarez, whose “Scarpia is an ambassador of evil like no other.” (Wiener Zeitung) - a performance of unique and lasting quality!
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Vienna Radio Symphony Orchestra, conducted by Leo Hussain
staged by Peter Konwitschny
With the "Méditation", Jules Massenet probably wrote one of the most famous melodies of our time. It originates from his Comédie-lyrique "Thaïs", which – unlike Massenet's operas "Werther" or "Manon" – never made it into the international opera repertoire. Presumably because the two main roles of Thaïs and Athanaël demand something almost superhuman from the singers. In the new production by Peter Konwitschny at the Theater an der Wien, the American soprano Nicole Chevalier is one of the most exciting singers currently on stage in the title role. At her side, the young Austrian bass-baritone Josef Wagner celebrates his house debut. This is a fascinating and musically excellent performance of a timeless classic of the opera repertoire. “Gigantically well told (...) Grandiose!” (Der Kurier) //
“An acoustic delight” (Der Standard)
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This very special Blu-ray includes the legendary concert of the Original Three Tenors - José Carreras, Plácido Domingo and Luciano Pavarotti, conducted by Zubin Mehta at the Terme di Caracalla, Rome 1990 on the eve of the Football World Cup in Italy, watched by 1.6 billion spectators worldwide. For the first time available on Blu-ray, digitally remastered!
This edition includes the new documentary The Three Tenors - From Caracalla to the World featuring recent interviews with José Carreras, Plácido Domingo, Zubin Mehta, Pavarotti‘s widow Nicoletta Mantovani, Lalo Shifrin, Brian Large, Mario Dradi, Paul Potts, Sir Bryn Terfel, Norman Lebrecht, Didier de Cottignies and many more. Previously unpublished backstage material shows the tenors unadorned and offers a fascinating insight into what takes place beyond the spotlight in Rome, 1990 and the sequel in Los Angeles, 1994. The film takes a completely new look at the concert legends. For the first time, they talk about José Carreras‘ struggles with leukemia, their rivalries and friendships, their spectacular contract poker and life as an opera star.
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Les Arts Florissants, conducted by William Christie
staged by Robert Carsen
Jean-Jacques Rousseau hailed “Platée” as “the best musical play ever to be heard in our theatres.” In Robert Carsen’s production, the mythological events take place in the world of Parisian haute couture and Jupiter is portrayed as the fashion god Karl Lagerfeld (1933-2019) – who has now really been transferred up to Olympus. This ingeniously apt transposition of this satirical opera into the modern day has long been a hit! The renowned specialist in baroque music, William Christie, conducts his Les Arts Florissants, the Arnold Schoenberg Chor and a fantastic cast. “A candy-coloured baroque dream” (Salzburger Nachrichten) // “A must-see - and not only for fashion freaks!” (Bühne)
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A film by Holger Preusse & Philipp Quiring
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In 1977 John Neumeier created one of his most popular ballets for the Hamburg Ballet: A Midsummer Night’s Dream based on William Shakespeare. This production has been invited regularly for guest performances in Europe, Asia, North and South America. The Hamburg Ballet’s archives document more than 300 performances. In addition, the ballet has been produced by prestigious companies such as the Paris Opera Ballet and the Ballet of the Bolshoi.
Bonus film: The Artist´s Privilege - Interview with John Neumeier about “A Midsummer Night’s Dream”
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Wiener Philharmoniker, conducted by Franz Welser-Möst
staged by Krzysztof Warlikowski
In its 100th anniversary edition, the Salzburg Festival celebrates a real triumph with a mind-blowing new production of Elektra, one of the most famous masterpieces of opera history by the two festival founders Richard Strauss and Hugo von Hofmannsthal. The Lithuanian soprano Ausrine Stundyte as vengeful and traumatized Elektra turns the opening of the Festival into a real knockout performance! Her sister Chrysotemis is sung by her compatriot Asmik Grigorian, who made her international breakthrough as acclaimed Salome at the 2018 Salzburg Festival, and whose performance once again draws the audience into spell. Tanja Ariane Baumgartner as Klytämnestra, Derek Welton as Orest and Michael Laurenz as Ägisth complete an ensemble of top-notch singers. The staging by Krzysztof Warlikowski of this work about matricide, obsession, revenge and physical degradation is a deep psychological study of a broken family. Franz Welser-Möst brings his trademark flair to the pit where the brilliantly effervescent and then again heartrendingly gentle playing Wiener Philharmoniker create gloriously exultant Strauss moments.
“To have chosen Elektra of all pieces, was audacious – and to have brought it off so well, triumphant” The Times
“One Highlight of the centenary season” The Telegraph
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including arias from Roméo et Juliette by Charles Gounod as well as from Puccini´s Tosca, La bohème, Madama Butterfly and Verdi´s La traviata, all conducted by Plácido Domingo. Sonya Yoncheva has the full and vibrant timbre of a true lyrical soprano while Vittorio Grigolo, like Cavaradossi and Rodolfo, plays the cards of ardor and passion, with sweet and affectionate colors. An overall successful evening.
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Staatskapelle Berlin, conducted by Daniel Barenboim
staged by Mario Martone
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Les Musiciens du Prince – Monaco, conducted by Gianluca Capuano
staged by Christof Loy
At Salzburg Festival, Cecilia Bartoli shines as Ariodante with her dazzling coloratura in a highly acclaimed new production by the German director Christoph Loy, who is known for his clever psychological stagings. Loy turns Handel's splendid baroque opera into an exciting and differentiated reflection on gender roles. A high-class ensemble, first and foremost a brilliant Cecilia Bartoli in the trouser role of the knight Ariodante who effortlessly switches between cheerful and lamenting virtuoso singing makes the production a true triumph. At her side perform audience favourite Rolando Villazón as Lurcano and young American soprano Kathryn Lewek, praised by critics as a „true discovery“ (Neue Zürcher Zeitung). Gianluca Capuano at the podium of the Musiciens du Prince – Monaco „provides for elegance, richness of colour and a sensitive, stirring realisation of the ingenious score.“ (Kurier). „Cecilia Bartoli is a league of her own!" (Der Standard). "The singing was sensational" (LA Times)
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PART III: Cosi fan tutte + Documentary: Nikolaus Harnoncourt - Between Obsession and Perfection (Cosi fan tutte)
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A film by Gabriele Cazzola
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PART II: Don Giovanni + Documentary: Nikolaus Harnoncourt - Between Obsession and Perfection (Don Giovanni)
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