In Depth Cine
Kodak Released A New Film Stock: Kodak Verita 200D
updated
There is one basic trick which I often like to use when shooting close ups. I like to call it: framing on the shadow side.
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ANBR - 'Youth'
Falcxne - 'Patios'
Falcxne - 'Puddles'
Sero - 'Mid August'
Joe Sunrise - 'Blunted'
Joley - 'Pine'
Chill Winston - ‘The Truth’
0:00 Introduction
1:19 Positioning The Key Light
4:29 Squarespace
5:50 Framing On The Shadow Side
6:47 Why Do This Trick?
8:28 Positioning Actors
9:34 Filming Exteriors
10:58 Conclusion
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In this episode let's take a look at the cinematography of Bruno Delbonnel.
Source: theasc.com/magazine/dec04/engagement/page1.html
Source: fdtimes.com/2019/05/22/delbonnel
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Semo - 'Chemtrails'
Enzalla - 'Shy'
Kyle Preston - 'Polarity'
Sero - 'Mid August'
Thomas James White - 'Without A Word'
Joley - 'Pine'
Offworld - 'Downtown Binary'
Chill Winston - ‘The Truth’
0:00 Introduction
0:49 Philosophy
5:26 Squarespace
6:45 Gear
13:43 Conclusion
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Unbelievably, this four episode series directed by Philip Barantini and shot by Matthew Lewis, decided to attempt the impossible and shoot each of these approximately 60 minute episodes in one, single take. In real time without any post production trickery that moulded different shots together. Let's break down how they did it.
Source: American Cinematographer, July 2025
Source: cookeoptics.com/news-and-events/cinematographer-matthew-lewis-on-choosing-cooke-sp3s-for-adolescence
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ANBR - ‘Youth’
Norvik - ‘Windifts’
Otis Galloway - ‘Lowkey God Mischief’
Dear Gravity - ‘The Kingdom’
Sero - ‘Mid August’
Am Beef - ‘Teche We’
Lavito - ‘Escapes’
Raquel Castro - ‘Bedroom’
Chill Winston - ‘The Truth’
0:00 Introduction
0:57 Camera Setup
3:52 Camera Movement & Grips
5:19 Squarespace
6:23 Camera Movement
10:02 Lighting
11:21 Exposure
12:41 Conclusion
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Let’s explore the technical evolution and history of Technicolor, and look at how this groundbreaking process brought hues to life, transforming filmmaking forever.
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Anbr - ‘Youth’
Ian Post - ‘Just Jump’
Skygaze - ‘Calm Down’
Jesse Gallagher - ‘The Golden Present’
Sero - ‘Mid August’
When Mountains Move - ‘The Take Away’
Liquid Memoirs - ‘Shimmer’
Sun Wash - ‘Where I Find Rest’
Skygaze - ‘Strings & Textures’
Chill Winston - ‘The Truth’
0:00 Introduction
0:57 2-Colour Additive Process
4:03 2-Colour Subtractive Process
5:59 Squarespace
7:02 3-Strip Process
10:30 Disadvantages
12:57 The Death Of Technicolor
14:06 Conclusion
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In this episode let's break down five popular focal lengths that famous filmmakers love: how they shape the image, why they’re used, and what they reveal about the filmmaker behind the camera.
Source: cookeoptics.com/news-and-events/wes-anderson-and-robert-yeoman-asc-straight-shooting-imagineers
Source: kodak.com/en/motion/blog-post/call-me-by-your-name
Source: stopsmilingonline.com/story_detail.php?id=884
Source: sensesofcinema.com/2008/the-new-wave-remembered-focus-on-charles-bitsch/orson-welles-bazin-bitsch
Source: theasc.com/articles/children-of-men-humanitys-last-hope
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Raquel Castro - ‘Bedroom’
Norvik - ‘Windrifts’
Otis Galloway - ‘Lowkey God Mischief’
Mee - ‘Bathtub Of A Monk’
Sero - ‘Mid August’
Falcxne - ‘No One Left’
Joe Sunrise - ‘Blunted’
Dear Gravity - ‘The Kingdom’
Chill Winston - ‘The Truth’
0:00 Introduction
0:35 What Is Focal Length?
2:20 50mm
4:22 40mm
6:49 Squarespace
7:50 35mm
9:43 27mm
12:31 18mm
14:56 Conclusion
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One director whose work has exceedingly powerful visual trademarks bound by order and objectivity is Yasujirō Ozu. What are some of the characteristics of his cinematography and how do they influence how we experience the content of his movies?
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Port George - 'Glenn'
ANBR - 'Youth'
Liquid Memoirs - 'Waking Up In Limbo'
Mee - 'Bathtub Of A Monk'
Sero - 'Mid August'
Joley - 'Pine'
Enzalla - 'Shy'
Chill Winston - ‘The Truth’
0:00 Introduction
1:15 Order
5:38 Squarespace
6:40 Objectivity
11:25 Conclusion
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Rather than focusing on how phones can be used to shoot projects, let's look at how they are more often used by professional filmmakers - not for their filming ability but rather by using various apps as cinematography tools.
Source: theasc.com/articles/lighting-the-day-of-the-jackal
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Am Beef - 'Teche We'
Ottom - 'Sunny Meadow'
When Mountains Move - 'The Take Away'
Sero - 'Mid August'
Liquid Memoirs - 'Shimmer'
Skygaze - 'Rising Sun'
Ottom - 'Beam'
Chill Winston - ‘The Truth’
0:00 Introduction
0:36 1. Viewfinder
3:12 2. Lighting Diagram
6:01 Squarespace
6:58 3. Film Equipment
8:50 4. Weather
10:58 5. Creative Treatments
12:40 Conclusion
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Each production should follow a standard process which can be broken down into five easy steps: blocking, technical setup, rehearsal, final checks, and shooting.
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Romeo - 'Fragility'
Lavito - 'Escapes'
Liquid Memoirs - 'Distant Dream'
Otis Galloway - 'Lowkey God Mischief'
Wide Waters - 'Kindness'
Sero - 'Mid August'
Jenny Penkin - 'Yellow Sip'
Wide Waters - 'Garden'
Raquel Castro - 'Bedroom'
Am Beef - 'Takama No Hara'
Port George - 'Ellen'
Chill Winston - ‘The Truth’
0:00 Introduction
0:50 1.Blocking
3:45 2. Technical Setup
6:58 Squarespace
7:55 3. Rehearsal
10:00 4. Final Checks
11:00 5. Shooting
14:57 Conclusion
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Gregg Toland wasn’t just a cinematographer - he was a technical pioneer who helped invent many aspects of the visual language of modern cinema. Let’s examine his influence by going over some of his philosophical ideas and his technical execution of them in today’s Cinematography Style.
Source: theasc.com/articles/gregg-toland-asc-an-enduring-legacy
Source: theasc.com/articles/realism-for-citizen-kane
Source: cookeoptics.com/news-and-events/the-legendary-mitchell-bnc-a-cinema-revolution-now-on-display-at-the-cooke-gallery-london
Source: eastman.org/technicolor/technology/two-color-process
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Boreis - 'Antoinetta'
Sun Wash - 'Glistening Snow'
Wide Waters - 'Garden'
Skygaze - 'Rising Sun'
Am Beef - 'Takama No Hara'
Port George - 'Ellen'
Be Still The Earth - 'In The Clouds'
Skygaze - 'Strings And Textures'
Chill Winston - ‘The Truth’
0:00 Introduction
1:11 Background
2:33 Philosophy
5:42 Squarespace
6:31 Gear
13:49 Conclusion
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While flat (1.85:1) and scope (2.40:1) formats dominate the cinematic landscape, some filmmakers like to use more unconventional aspect ratios. Let's explore 5 of these unusual frame sizes in this video.
Source: youtube.com/watch?v=TGwXT4tt_iw
Source: The Hateful Eight Featurette
Source: youtube.com/watch?v=D1nK0M7T4Iw
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Marco Martini - 'The Madrigal'
Am Beef - 'Teche We'
Lavito - 'Escapes'
Liquid Memoirs - 'Distant Dreams'
Otis Galloway - 'Lowkey God Mischief'
Ottom - 'Boulevard'
Sero - 'Mid August'
Raquel Castro - 'Bedroom'
Joley - 'Pine'
Chill Winston - ‘The Truth’
0:00 Introduction
0:59 DCP Aspect Ratios
2:35 1. Univisium
4:58 2. Ultra Panavision 70
7:51 Squarespace
8:53 3. Fullscreen
11:36 4. European Widescreen
13:06 5. Imax
14:39 Conclusion
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No matter the scope of the movie, there will always be two constraints that every filmmaker will need to fight against: time and money.
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The David Roy Collective - ‘A Tender Heart’
Am Beef - ‘Teche We’
Otis Galloway - ‘Lowkey God Mischief’
Ottom - ‘Boulevard’
Sero - ‘Mid August’
Raquel Castro - ‘Bedroom’
Ottom - ‘Sunny Meadow’
Sun Wash - ‘Moonlight’
Skygaze - ‘Rising Sun’
Liquid Memoirs - ‘Shimmer’
Chill Winston - ‘The Truth’
0:00 Introduction
0:39 Time
3:16 Money
5:26 Squarespace
6:25 Setup Time
8:38 Camera Movement
10:07 Pre-Lighting
10:41 Prep
11:14 Shot List
11:38 Post Production
13:18 Conclusion
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Brady Corbet’s The Brutalist is shot on a host of different analogue formats - from 35mm Vista Vision all the way to Betacam tape. What are these formats and why did they use them?
Source: youtube.com/watch?v=d342-st5dvg
Source: thefilmstage.com/it-was-worth-the-hassle-the-brutalist-editor-david-jancso-on-deliberate-pacing-multiple-formats-and-crying-at-venice
Source: kodak.com/en/motion/blog-post/the-brutalist
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Roie Shpigler - ‘Ancient Orchid’
We Dream Of Eden - ‘Ascension’
Rotem Cinamon - ‘Dreaming About Summer’
Kyle Preston - ‘Polarity’
Sero - ‘Mid August’
Liquid Memoirs - ‘Waking Up In Limbo’
Joley - ‘Night Stroll’
Chill Winston - ‘The Truth’
0:00 Introduction
0:59 Formats
3:10 Vista Vision
5:03 Squarespace
5:51 What Is Each Format Used For?
11:17 Conclusion
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In this video we’ll go down the crew hierarchy and break down every job in the camera department to show why they’re each essential to the magic of cinema.
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Ottom - ‘Hold On’
Kyle Preston - ‘Polarity’
Nuer Self - ‘Dawn’
Port George - ‘Glenn’
Aves - ‘Hot Chocolate’
Liam Thomas - ‘Don’t Leave Without Me’
Sero - ‘Mid August’
Lavito - ‘Escapes’
Liquid Memoirs - ‘Distant Dream’
Chill Winston - ‘The Truth’
0:00 Introduction
0:54 Director Of Photography
2:18 Camera Operator
3:10 Steadicam Operator
4:09 1st Assistant Camera
5:10 Squarespace
5:57 2nd Assistant Camera
7:27 Camera Trainee
7:59 Video Operator
9:05 Digital Imaging Technician
10:38 Types Of Camera Crew
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Let’s break down all the different factors that may influence what camera cinematographers decide to shoot on - and which may also help you to select a camera for your next film, whether it be a low budget, self funded short, or an industry level feature.
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Joe Sunrise - 'Blunted'
Joley - 'Pine'
Port George - 'Art'
The Soundkeeper - 'View From The Attic Window'
Liam Thomas - 'Don't Leave Without Me'
Sero - 'Mid August'
Kyle Preston - 'Polarity'
Lavito - 'Escapes'
Liquid Memoirs - 'Distant Dream'
Joley - Night Stroll'
Chill Winston - ‘The Truth’
0:00 Introduction
0:54 Budget
3:08 Format
5:19 Recording Specs
6:04 Squarespace
6:52 Practical Specs
8:19 ISO
9:51 Internal ND
11:31 Form Factor
12:31 Post-Production
13:52 Conclusion
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Let's take a look at the work of director of photography Jarin Blaschke.
Source: youtube.com/watch?v=0iaBe5ouveE Studio Binder
Source: teamdeakins.libsyn.com/robert-eggers-and-jarin-blaschke-director-cinematographer
Source: theasc.com/articles/stormy-isle-the-lighthouse
Source: theasc.com/articles/the-northman
Source: variety.com/2016/artisans/in-contention/the-witch-cinematographer-jarin-blaschke-natural-light-1201716424
Source: indiewire.com/features/craft/nosferatu-night-time-cinematography-1235082030
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Marco Martini - ‘The Madrigal’
Lavito - ‘Escapes’
Liquid Memoirs - ‘Distant Dream’
Joley - ‘Night Stroll’
Joley - ‘Pine’
Sero - ‘Mid August’
Falcxne - ‘Puddles’
Enzalla - ‘Shy’
Chill Winston - ‘The Truth’
0:00 Introduction
0:55 Background
2:13 Philosophy
7:15 Squarespace
8:11 Gear
15:29 Conclusion
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Today let’s break down five of the biggest technical pitfalls new filmmakers face - and, more importantly, diagnose how you can avoid making them.
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Andreas Arvidsson - 'Something New'
Ian Post - 'Be The Best'
Cong Fusion - 'Rush'
We Dream Of Eden - 'After The Storm'
Sero - 'Mid August'
Lance Conrad - 'Multitudes'
Datsunn - 'Mind 2 Mind'
Mozrt - 'Duality'
Chill Winston - ‘The Truth’
0:00 Introduction
0:46 1. Spatial Continuity
3:47 2. Inconsistent Exposure
6:25 Squarespace
7:25 3. Camera Settings
9:57 4. Audio
11:33 5. Colour Grading
14:06 Conclusion
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Interviews are the bread and butter of documentaries. With the rise in popularity of this format across streaming services, commercial content and corporate videos - it’s a technique which should be in every filmmaker’s toolbox. Let's take a look at how to set one up.
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Ramol - 'Ocean'
Liquid Memoirs - ‘Distant Dream’
Sero - 'Someone'
Joley ' Night Stroll'
Sero - 'Mid August'
Joley - 'Pine'
Port George - 'Art'
0:00 Introduction
0:46 Camera Setup
2:43 Framing
5:14 Positioning Lights
7:53 Nanlite
8:55 Balancing Levels
10:00 Key Light
10:56 Fill Light
11:40 Backlight
12:06 Background Light
14:13 Sound
15:24 Conclusion
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In this latest video I've broken down how depth of field works and tried to answer a couple of questions. What makes one shot shallow and intimate, while another feels deep and expansive? What effect does this have on storytelling?
Source: theasc.com/articles/realism-for-citizen-kane
Source: moviemaker.com/if-beale-street-could-talk-dp-james-laxton-alexa-65
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Gregor - 'Morning Breeze'
Quelche - 'Sound Garden'
Datsunn - 'Mind 2 Mind'
Boreal - 'Asher Fulero'
Poetikiss - 'Be Me'
Sero - 'Mid August'
Mozrt - 'Duality'
EJRM - 'Regenerate'
Chill Winston - ‘The Truth’
0:00 Introduction
0:53 What Is Depth Of Field?
6:08 Squarespace
7:10 Deep Depth Of Field
12:11 Shallow Depth Of Field
14:54 Conclusion
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Today, I’m going to unpack five dazzling shots - where creative thinking and technical innovation paired up to create something special.
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Gregor - 'Morning Breeze'
Charlie Ryan - 'No Stone Unturned'
Aves - 'Hot Chocolate'
Liquid Memoirs - 'Shimmer'
Nuer Self - 'Dawn'
Sero - 'Mid August'
Tristan Barton - 'Wonder'
Bosnow - 'Brooklyn'
The Soundkeeper - 'The View From The Attic Window'
Chill Winston - ‘The Truth’
0:00 Introduction
0:37 1. Invisible Reflections
3:59 2. Gust Of Wind
7:38 Squarespace
8:44 3. Crane Step Off
10:59 4. Forced Perspective
13:38 5. Rotating Set
16:08 Conclusion
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Let's look at two different lighting packages I've created: one catered to lower budget jobs by solo shooters, and another full package the likes of which would be used on an indie level movie, commercial or music video.
The lists are available for download on Patreon.
Source: youtube.com/watch?v=7l6FjphZXsk
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Music I Use: bit.ly/3qCRt7u
Flint - 'Pointless Song'
Gregor - 'Morning Breeze'
Liquid Memoirs - 'Distant Dream'
Ottom - 'Worn Out'
Kooma - 'Wave After Wave'
Mozrt - 'Duality'
Ottom 'Hold On'
Chill Winston - ‘The Truth’
0:00 Introduction
0:47 Lamps
5:54 Modifiers
8:35 Textiles
11:51 Stands & Rigging
13:52 Power
14:43 MUBI
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Let's look at four challenges that come with starting a filmmaking career: financial difficulties, the lack of structure, a demanding work environment and the issue of time.
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Lalinea - 'Cup O' Tea'
Doug Kaufman - 'Preservation'
Joe Sunrise - 'Blunted'
Falcxne - 'No One Left'
Bosnow - 'Brooklyn'
Falcxne - 'Patios'
Liquid Memoirs - 'Waking Up In Limbo'
Chill Winston - ‘The Truth’
0:00 Introduction
1:23 1. Money
5:39 Squarespace
6:27 2. Structure
8:51 3. Work Environment
12:13 4. Time
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In the latest addition of this series, let's look at four different sets of cinema lenses used in the film industry: IronGlass Soviet Rehoused Lenses, Lomo Spherical Standard Speeds, Angénieux EZ Series Zooms and Zeiss Supreme Primes.
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Charlie Ryan - ‘No Stone Unturned’
Kevin Graham - ‘Curiosity’
Gregor - ‘Morning Breeze’
Bosnow - ‘Brooklyn’
Sun Rain - ‘Planets’
Joley - ‘Night Stroll’
Chill Winston - ‘The Truth’
0:00 Introduction
0:33 IronGlass Soviet Rehoused Lenses
3:50 Squarespace
4:46 Lomo Spherical Standard Speeds
7:48 Angénieux EZ Series
10:45 Zeiss Supreme Prime
13:32 Conclusion
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Let's break down what gear you should choose for your camera package and how to create a gear list for it.
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MUSIC:
Ramol - ‘Ocean’
Gregor - ‘Morning Breeze’
Mozart - ‘Duality’
Liquid Memoirs - ‘Distant Dream’
Sero - ‘Mid August’
Ottom - ‘Worn Out’
Bosnow - ‘Brooklyn’
The Soundkeeper - ‘The View From The Attic Window’
0:00 Introduction
0:41 Gear List
1:36 Camera
2:59 Batteries
4:23 Lenses
6:34 Filters
9:31 Squarespace
10:33 Mattebox
11:44 Follow Focus
12:59 Monitors & Transmission
14:41 Miscellaneous
15:08 Conclusion
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How does Wong Kar-Wai pull off his famous step printing technique in Chungking Express?
Source: youtube.com/watch?v=RoHg-RvcwzE&t=6s
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Music I Use: bit.ly/3qCRt7u
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MUSIC:
Music I Use: bit.ly/3qCRt7u
Kyle Preston - ‘Polarity’
Flint - ‘Pointless Song’
Kooma - ‘Wave After Wave’
Gregor - ‘Morning Breeze’
Liquid Memoirs - ‘Distant Dream’
Ottom - ‘Worn Out’
Bosnow - ‘Brooklyn’
Ottom - ‘Hold On’
Chill Winston - ‘The Truth’
0:00 Introduction
1:05 Two Stories
2:53 French New Wave Inspiration
3:39 Step Printing
5:52 Story One
10:55 Story Two
13:14 Conclusion
13:43 MUBI
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Let’s take a look at how different episodes of Pachinko, which used the same technical crew and locations, each took a unique creative approach based on having a different director and cinematographer team.
Source - Filmmaker U: youtube.com/watch?v=ypikKBct4JM
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Flint - 'Pointless Song'
Oli Jogvansson - 'Electric Fantasy'
Kooma - 'Wave After Wave'
Gregor - 'Morning Breeze'
Ottom - 'Worn Out'
Ottom - 'Sunny Meadow'
Datsun - 'Mind 2 Mind'
Bosnow - 'Brooklyn'
Liquid Memoirs - 'Distant Dream'
Joley - Night Stroll'
Chill Winston - ‘The Truth’
0:00 Introduction
1:09 Setting The Look
4:12 2 Approaches
5:55 Squarespace
7:07 Block 1: Koganada / Hoffmeister
11:55 Block 2: Chon / Cheng
15:24 Conclusion
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Let's evaluate what the most popular cinema camera is based on a study on what cameras were used to shoot the narrative movies at Sundance, Cannes and the Oscars from 2021 to 2024.
Source: indiewire.com/gallery/sundance-2024-cameras-arri-alexa-sony-venice
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Music I Use: bit.ly/3qCRt7u
Kooma - 'Wave After Wave'
Gregor - 'Morning Breeze'
Oli Jogvansson - 'Electric Fantasy'
Mozrt - 'Duality'
Josh Leake - 'Rain Saturdays'
Ottom - 'Worn Out'
Ottom - 'Hold On'
Chill Winston - ‘The Truth’
0:00 Introduction
1:11 Study
2:12 Results
4:10 Arri Alexa Mini Dominance
6:12 Super 35 Vs. Large Format
8:42 Film Vs. Digital
9:58 MUBI
11:22 Conclusion
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In this episode let's take a look at the cinematography of French DP Agnès Godard.
Source: youtube.com/watch?v=aYVyr6LoqUc
Source: youtube.com/watch?v=lxV3y67Q2WY
Source: filmcomment.com/blog/interview-agnes-godard
Source: youtube.com/watch?v=w7sS4314t8U
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Music I Use: bit.ly/3qCRt7u
Cooper Cannell - 'Bach Cello Suite No. 1'
Sun Wash - 'Moonlight'
Ottom - 'Sunny Meadow'
Gregor - 'Morning Breeze'
Sun Rain - 'Planets'
Bosnow - 'Brooklyn'
Josh Leake - 'Rain Saturdays'
Ottom - 'Worn Out'
Datsunn - 'Mind 2 Mind'
Chill Winston - ‘The Truth’
0:00 Introduction
0:55 Background
1:42 Philosophy
6:00 Squarespace
6:55 Gear
13:01 Conclusion
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Let’s take a look at 5 camera techniques used by Christopher Nolan and break down how he pulls them off.
Source: youtube.com/watch?v=2-5KCpEhHho
Source: youtube.com/watch?v=M57L-h61V6A
Source: youtube.com/watch?v=aHuDh3FdJG0
Source: youtube.com/watch?v=SuUFbvYO70s
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Music I Use: bit.ly/3qCRt7u
Tristan Barton - 'Wonder'
Liquid Memoirs - 'Distant Dream'
Joley - 'Night Stroll'
Liquid Memoirs - 'Shimmer'
Stephan Keech - 'Grand Design'
The Soundkeeper - 'The View From The Attic Window'
Bosnow - 'Brooklyn'
Sero - 'Mid August'
Ottom - 'Hold On'
Chill Winston - ‘The Truth’
0:00 Introduction
0:59 1 - Anamorphic & Imax
3:57 2 - Rolled Camera
5:19 3 - Arm Cars & Hard Mounts
7:54 4 - Kodak Film
9:43 5 - Handheld
11:14 MUBI
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What are diffusion filters and why are they used so often on professional film sets by cinematographers?
Do Cinematographers Like Lens Flares? Textured vs Clean Images Explained: youtube.com/watch?v=l21imjFeukk&feature=youtu.be
Source: vimeo.com/92660033
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Music I Use: bit.ly/3qCRt7u
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MUSIC:
Music I Use: bit.ly/3qCRt7u
Gregor - ‘Morning Breeze’
Sun Rain - ‘Planets’
Charlie Ryan - ‘No Stone Unturned’
Asher Fulero - ‘Night Snow’
Bosnow - ‘Brooklyn’
Ottom - ‘Beam’
Liquid Memoirs - ‘Shimmer’
Chill Winston - ‘The Truth’
0:00 Introduction
0:45 What Are Diffusion Filters?
03:02 Clean Vs. Diffused Look
03:41 Film Vs. Digital
04:47 Squarespace
05:43 Types Of Diffusion Filters
8:31 Digital Diffusion
9:47 When Not To Use Diffusion
11:00 Conclusion
DISCLAIMER: Some links in this description are affiliate links. If you purchase a product or service with these links I may receive a small commission without an additional charge to you.
Thank you for supporting my channel so I can continue to provide you with free videos!
MERCH:
Official IDC Merch: https://www.indepthcine.shop/
SOCIALS:
Instagram: instagram.com/indepthcine
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IDC Website: indepthcine.com
GEAR:
Music I Use: bit.ly/3qCRt7u
Editing Software I Use: bit.ly/41oeH2x
MUSIC:
Music I Use: bit.ly/3qCRt7u
Bosnow - ‘Brooklyn’
Datsunn - ‘Mind 2 Mind’
Liquid Memoirs - ‘Shimmer’
Ottom - ‘Beam’
Ottom - ‘Worn Out’
Sero - ‘Mid August’
Ottom - ‘Adrift’
Elijah Nang - ‘Oath’
Chill Winston - ‘The Truth’
0:00 Introduction
0:30 Tools Vs. Consumables
2:03 1. Gaffer Tape
4:30 2. T-Bar
5:33 3. Multi-Tool
6:20 4. Bongo Ties
7:09 Squarespace
8:10 5. Dust Off
9:26 6. Lens Cleaner
10:15 7. Allen Keys
11:16 8. Dual Lock
12:10 9. Croc Clips
13:11 10. Rain Cover
14:15 Conclusion
DISCLAIMER: Some links in this description are affiliate links. If you purchase a product or service with these links I may receive a small commission without an additional charge to you.
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In this video let me invite you behind the scenes and guide you through how exactly DPs select, rent gear, and allocate the camera budget based on my own experience as a cinematographer.
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Music I Use: bit.ly/3qCRt7u
Bosnow - 'Brooklyn'
Datsunn - 'Mind 2 Mind'
EJRM - 'Regenerated'
I Am Alex - 'Waves'
Sero - 'Mid August'
Ottom - 'Beam'
Ottom - 'Worn Out'
Chill Winston - ‘The Truth’
0:00 Introduction
0:42 Equipment Rental
1:17 Gear List
4:21 Writing A Gear List
6:39 Squarespace
7:44 Discounts
9:19 Package Deal
10:09 Rental House Vs. Crew Rental
10:24 Budget Considerations
11:37 Gear Availability
12:15 Consumables
12:47 Conclusion
DISCLAIMER: Some links in this description are affiliate links. If you purchase a product or service with these links I may receive a small commission without an additional charge to you.
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In this episode let's take a look at the cinematography of Rob Hardy.
Source: youtube.com/watch?v=eAKjTi6CD14&t=279s
Source: youtube.com/watch?v=5QzAnjoeN_g
Source: youtube.com/watch?v=kLvwMC-UG6s&t=1s
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MUSIC:
Music I Use: bit.ly/3qCRt7u
Ramol - 'Ocean'
Liquid Memoirs - ‘Distant Dream’
Joley ' Night Stroll'
Charlie Ryan - 'No Stone Unturned'
Kevin Graham - 'Curiosity'
Sero - 'Mid August'
Sun Rain - 'Planets'
I Am Alex - 'Bonfire'
Chill Winston - ‘The Truth’
0:00 Introduction
0:45 Philosophy
5:39 Squarespace
6:36 Gear
12:27 Conclusion
DISCLAIMER: Some links in this description are affiliate links. If you purchase a product or service with these links I may receive a small commission without an additional charge to you.
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Let’s take a look at warm and cool colour interview lighting and show how you can, very simply, create colour contrast by using only 1 LED film light.
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Music I Use: bit.ly/3qCRt7u
Ramol - 'Ocean'
Liquid Memoirs - 'Distant Dream'
Joley - 'Night Stroll'
Sero - 'Mid August'
Charlie Ryan - 'No Stone Unturned'
Gregor - 'Morning Breeze'
Chill Winston - ‘The Truth’
0:00 Introduction
0:41 Colour Temperature
2:51 White Balance
3:48 Colour Contrast
5:11 Nanlite
6:22 Tungsten Interview Setup
8:50 Daylight Interview Setup
10:47 Conclusion
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In this video let’s take a look at what makes long takes effective, why filming these shots can be challenging, and identify the various ways and pieces of equipment which can be used to pull them off.
Source: youtube.com/watch?v=-uUeJ9tlwos
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Music I Use: bit.ly/3qCRt7u
Ramol - 'Ocean'
Gregor - 'Morning Breeze'
Liquid Memoirs - 'Distant Dream'
Sero - 'Mid August'
The Soundkeeper - 'The View From The Attic Window'
Nuer Self - 'Dawn'
Kevin Graham - 'Curiosity'
Chill Winston - ‘The Truth’
0:00 Introduction
0:58 Immersion
2:46 Emotional Impact
3:55 Building The World
4:28 Subjective Vs Objective Long Takes
5:29 Stationary Camera
6:15 Camera Movement
9:10 Squarespace
10:06 Combined Camera Movements
12:46 Invisible Cut
14:37 Running Time
15:27 Wireless Transmission
16:19 Lighting
17:41 Conclusion
DISCLAIMER: Some links in this description are affiliate links. If you purchase a product or service with these links I may receive a small commission without an additional charge to you.
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Let’s take a look at five out of the ordinary frames and unpack how exactly each technique is pulled off and what gear is used to do so.
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Gregor - ‘Morning Breeze’
Sun Rain - ‘Planets’
Charlie Ryan - ‘No Stone Unturned’
Aves - ‘Hot Chocolate’
Sero - ‘Mid August’
Nuer Self - ‘Dawn’
Kyle Preston - ‘Polarity’
I Am Alex - ‘Bonfire’
Chill Winston - ‘The Truth’
0:00 Introduction
0:31 1. Split Diopter
4:31 2. Dutch Angle
7:18 Squarespace
8:16 3. Dolly Zoom
10:12 4. Snorricam
12:12 5. Periscope & Probe Lenses
14:16 Conclusion
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Let’s get into how Erik Messerschmidt does what he does, by unpacking his thoughts and philosophy on photography and looking at what gear he chooses in this episode of Cinematography Style.
Source: youtube.com/watch?v=NmCnE-SL1tU
Source: youtube.com/watch?v=_LA_gOyWVuY
Source: britishcinematographer.co.uk/erik-messerschmidt-asc-mank
Source: amplify.nabshow.com/articles/create-erik-messerschmidt-cinematography-the-killer
Source: sonycine.com/articles/shot-on-venice-2-dp-erik-messerschmidt-asc-paints-a-highspeed-vision-of-ferrari-with-michael-mann
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Music I Use: bit.ly/3qCRt7u
YouTube Gear I Use: kit.co/InDepthCine/youtube-gear
Editing Software I Use: bit.ly/41oeH2x
MUSIC:
Music I Use: bit.ly/3qCRt7u
Ottom - ‘Hold On’
Stephen Keech - ‘Grand Design’
Nuer Self - ‘Dawn’
Liquid Memoirs - ‘Distant Dream’
Joley - ‘Night Stroll’
I Am Alex - ‘Bonfire’
The Soundkeeper - ‘The View From The Attic Window’
Sero - ‘Mid August’
Chill Winston - ‘The Truth’
0:00 Introduction
1:04 Background
2:06 Visual Language & References
3:44 Perspective & Camera Movement
5:40 Post Production
7:15 Lenses
9:05 Cameras
10:51 Grips
11:33 Lighting
12:28 MUBI
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Let’s take a look Eastman’s 5247 100T II film stock, its characteristics, the new development process that it created, and why modern movies have a more diverse range of looks when compared to many of these films from the 70s and 80s.
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Music I Use: bit.ly/3qCRt7u
Charlie Ryan - ‘No Stone Unturned’
Kevin Graham - ‘Curiosity’
Gregor - ‘Morning Breeze’
Sun Rain - ‘Planets’
Sero - ‘Mid August’
Joley - ‘Night Stroll’
Liquid Memoirs - ‘Distant Dream’
Chill Winston - ‘The Truth’
0:00 Introduction
1:07 Look
3:42 Exposure Index
5:52 Colour Balance
7:12 Squarespace
8:14 Development
9:06 ECN-2 Processing
10:24 Printer Lights
11:42 Digital Intermediate
12:54 Conclusion
DISCLAIMER: Some links in this description are affiliate links. If you purchase a product or service with these links I may receive a small commission without an additional charge to you.
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Let’s go over three different techniques filmmakers can use to shoot handheld footage.
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Music I Use: bit.ly/3qCRt7u
Ramol - ‘Ocean’
I Am A Duo - ‘Smile’
Nuer Self - ‘Dawn’
I Am Alex - ‘Bonfire’
Sero - ‘Mid August’
Joley - ‘Night Stroll’
Liquid Memoirs - ‘Distant Dream’
Chill Winston - ‘The Truth’
0:00 Introduction
0:39 1. Shoulder Mounted Camera
2:23 2. Easyrig
4:48 3. Bungee Rig
7:18 Squarespace
8:15 Handheld Tips
13:44 Conclusion
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Let’s take a closer look at the cinematography and show how Dune achieved such bold, ambitious, epic visual storytelling.
Source: arrirental.com/en/about/overview/news/interview-on-dune-part-two-with-greig-fraser-acs-asc
Source: youtube.com/watch?v=39p8wPkhmtM
Source: theasc.com/articles/dune-hybrid-finishing-digital-to-film-and-back
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Music I Use: bit.ly/3qCRt7u
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Marco Martini - ‘The Madrigal’
The Soundkeeper - ‘The View From The Attic Window’
I Am Alex - ‘Bonfire’
Joley - ‘Night Stroll’
Nuer Self - ‘Dawn’
Sero - ‘Mid August’
Liquid Memoirs - ‘Distant Dream’
Port George - ‘Glenn’
Chill Winston - ‘The Truth’
0:00 Introduction
0:45 Visual Approach
1:54 Cameras & Formats
3:29 Lenses
4:34 Focal lengths
5:10 Grounded Photography
7:12 Squarespace
8:20 Black & White Infrared
10:50 Colour Palette
11:29 Lighting
12:41 Film Out
13:53 Conclusion
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What exactly is overhead ambience in film lighting and why does it help to make images feel a bit more cinematic?
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Sero - ‘Mid August’
Liquid Memoirs - ‘Distant Dream’
Sero - ‘Someone’
Kyle Preston - ‘Polarity’
Joley - ‘Night Stroll’
Kevin Graham - ‘Curiosity’
Enzalla - ’Shy’
Falcxne - ‘Puddles’
Chill Winston - ‘The Truth’
0:00 Introduction
0:35 Overhead Ambience
2:00 Bouncing Lights
4:00 Rigging Lights
5:33 Shooting 360 Degrees
7:13 Nanlite
8:31 Night Lighting Setup
11:00 Day Lighting Setup
12:43 Conclusion
#nanlite #nanlux
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Let's look at six different shots which Quentin Tarantino has used in many of his movies, show how they are done, what effect they have and how they can be used to elevate scenes.
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Marco Martini - ‘The Madrigal’
Sero - ‘Mid August’
Elliott Green - ‘New York’
Kevin Graham - ‘Curiosity’
Falcxne - ‘Puddles’
Doug Kaufman - ‘Preservation’
Kyle Preston - ‘Polarity’
Joley - ‘Pine’
Ottom - ‘Hold On’
Chill Winston - ‘The Truth’
0:00 Introduction
0:45 1. Circular Dolly
3:35 2. Trunk Shot
5:19 3. Crash Zoom
8:07 4. Spaghetti Western Close Up
9:57 5. ECU Insert
11:18 6. Cowboy Shot
13:06 MUBI
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Let’s dive a bit deeper into Rachel Morrison's cinematography by looking at how she got to where she is in her career, her philosophy on filmmaking and some of the technical film gear that she uses.
Source: youtube.com/watch?v=bCkr1APSp0w
Source: theasc.com/videos/mudbound-rachel-morrison-asc-part-1
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Music I Use: bit.ly/3qCRt7u
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Music I Use: bit.ly/3qCRt7u
Ramol - ‘Ocean’
Liquid Memoirs - ‘Distant Dream’
Sero - ‘Someone’
Joley - ‘Night Stroll’
Sero - ‘Mid August’
Joley - ‘Pine’
Port George - ‘Art’
Chill Winston - ‘The Truth’
0:00 Introduction
1:02 Background
2:11 Philosophy
4:46 Squarespace
5:50 Gear
11:16 Conclusion
DISCLAIMER: Some links in this description are affiliate links. If you purchase a product or service with these links I may receive a small commission without an additional charge to you.
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Let's break down how Jonathan Glazer used an anti-filmmaking style, that disregarded artificial lighting, fancy camera moves, close ups and even having on set crew members present during shooting - yet still managed to win an Oscar.
Source: youtube.com/watch?v=twTO_kfIwyo
Source: youtube.com/watch?v=7jd48jTsZYI
Source: leitz-cine.com/interview/lukasz-zal-psc
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MUSIC:
Music I Use: bit.ly/3qCRt7u
Liquid Memoirs - 'Waking Up In Limbo'
Turpak - 'Synergy'
Mee - 'Bathtub Of A Monk'
Lalinea - 'Cup O Tea'
Liquid Memoirs - 'Distant Dreams'
Blomma - 'Neon'
Chill Winston - ‘The Truth’
0:00 Objective Filmmaking
1:16 Reflection Of Ourselves
2:08 Reality TV Setup
3:13 Choosing A Camera
5:24 Squarespace
6:25 Hidden Cameras
8:26 No On Set Crew
9:53 Set Up
11:33 Anti-Filmmaking
13:11 What We Don't See
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5 REASONS YOU SHOULD SHOOT WITH A GIMBAL: youtube.com/watch?v=lyw_OO57Kp8&t=9s
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Ziv Moran - ‘Elastic Goodbye’
Kyle Preston - ‘Polarity’
Nuer Self - ‘Dawn’
Port George - ‘Art’
Aves - ‘Hot Chocolate’
Port George - ‘Glenn’
I Am Alex - ‘Bonfire’
Chill Winston - ‘The Truth’
0:00 Introduction
0:29 1. Precision
3:23 2. Balancing
5:25 Nanlite
7:03 3. Movement
9:35 4. Reliability
11:09 5. Rebuilding
12:50 Conclusion
#nanlite #nanlux #projectspark
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In this episode I’ll take a deeper look at what makes Autumn Durald Arkapaw's cinematography stand out by looking at some of her thoughts and ideas on the filmmaking process as well as delving a bit deeper into some of the gear and techniques that she uses to bring her ideas to life.
Source: youtube.com/watch?v=waJXXYSswmQ
Source: youtube.com/watch?v=WNR98mgax5Q
Source: youtube.com/watch?v=KEzqhp0eAtw
Source: web.archive.org/web/20140521071554/http://rockthetribes.com/2013/09/29/rock-the-tribes-meets-cinematographer-autumn-cheyenne-durald
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MUSIC:
Music I Use: bit.ly/3qCRt7u
Flint - 'Pointless Song'
Olmi - 'Amore'
Liquid Memoirs - 'Distant Dream'
Kicktracks - 'Fat Banana'
Joley - 'Pine'
Chill Winston - ‘The Truth’
0:00 Introduction
0:58 Background
1:59 Philosophy
5:05 Squarespace
6:09 Gear
11:36 Conclusion
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In this video I’ll break down how Alejandro González Iñárritu directed his first low budget feature Amores Perros, the mid budget Birdman up to the blockbuster level The Revenant.
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Romeo - ‘Heart Of The Universe’
Magiksolo - ‘Astra’
Dear Gravity - ‘Austere’
Lasii - ‘Time Travel’
The Original Orchestra - ‘The Swindler’
The Magnetic Buzz - ‘Shadows In Motion’
Adrian Berenguer - ‘Presto’
DaniHaDani - ‘Wandering Heart’
Ottom - ‘Hold On’
Chill Winston - ‘The Truth’
0:00 Introduction
1:04 Amores Perros
5:38 Birdman
10:49 The Revenant
15:19 MUBI
16:38 Conclusion
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Let’s look at five reasons why filmmakers use gimbals in both videography and on high end productions alike.
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Ziv Moran - 'Elastic Vibe'
Kyle Preston - 'Polarity'
Nuer Self - 'Dawn'
Port George - 'Glenn'
Kevin P Holt - 'The Warming Sunrise'
Aves - 'Hot Chocolate'
Port George - 'Art'
Chill Winston - ‘The Truth’
0:00 Introduction
0:40 1. Movement
3:27 2. Uneven Terrain
4:54 3. Time & Money Saver
7:06 Squarespace
8:09 4. Remote Head
10:13 5. Flexibility
12:39 Conclusion
DISCLAIMER: Some links in this description are affiliate links. If you purchase a product or service with these links I may receive a small commission without an additional charge to you.
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Official IDC Merch: https://www.indepthcine.shop/
SOCIALS:
Instagram: instagram.com/indepthcine
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IDC Website: indepthcine.com
My Website: graykotze.com
Discord: discord.gg/pxP8Yzc
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YouTube Gear I Use: kit.co/InDepthCine/youtube-gear
Editing Software I Use: http://bit.ly/2LZ60Lo
MUSIC:
Walz - 'Double'
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Let’s go over a more detailed explanation on what ‘crop factor’ is, how it works and a misconception about it.
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Magiksolo - 'Astra'
Ottom - 'Hold On'
Magiksolo - 'Anime'
Dear Gravity - 'Austere'
Steven Beddall - 'Ice Cream Social'
Lasii - 'Time Travel'
Walz - 'Double'
Chill Winston - 'The Truth'
0:00 Introduction
1:07 What Is Crop Factor?
3:33 The Crop Factor Myth
5:44 The Effects Of Focal Lengths
8:00 Crop Factors Of Different Sensors
11:48 MUBI
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What are some reasons that makes books difficult to adapt into movies?
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ANBR - 'Constellation'
Ardie Son - 'Footprints'
Liquid Memoirs - 'Distant Dream'
Ardie Son - 'The Art Of Connection'
Kevin P Holt - 'The Warming Sunrise'
Ardie Son - 'Jura'
Ardie Son - 'First Sunrise'
Ardie Son - 'Run With The Wolves'
David Morton - 'Finale'
Ardie Son - 'Fury'
Chill Winston - ‘The Truth’
0:00 Why Adapt Movies?
0:50 Different Imaginations
2:32 Expressing Internal Thoughts
4:03 Show Don't Tell
6:03 Squarespace
6:59 Story Structure
9:01 Creating Tone
10:48 Conclusion
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