Wolfenstein: The New Order music - Deathsheads keep (final level) tohopes 2016-11-01 | This track plays during the final level of the game, when B.J. returns to Deathshead's keep to finish him off.The only uploads of this track that I could find on YouTube had low volume or included in-game sounds, so I extracted the sections of this track from the game's resource files and stitched them together in Audacity.I do not know of any authoritative source of track names for the game's music other than those included in the released OST. Other people have uploaded recordings of this tune under the names "Kill Deathshead" and "Deathshead's Compound Main Halls".This tune is comprised by the following 5 files:sound/music/c16p1/mus_c16p1_battle_v2_start.wavsound/music/c16p1/mus_c16p1_battle_v2_s1.wavsound/music/c16p1/mus_c16p1_battle_v2_s2.wavsound/music/c16p1/mus_c16p1_battle_v2_s3.wavsound/music/c16p1/mus_c16p1_battle_v2_s4.wavRoughly:0:00 start2:25 s13:37 s24:48 s36:00 s4... s1 again... s2 again... s3 again... s4 again... fade-out over first 15 seconds of s1I extracted the files with QuickBMS using the instructions and script posted by spider91 on ZenHAX:http://zenhax.com/viewtopic.php?t=810The background image I used for this video is a wallpaper submitted to Alpha Coders Wallpaper Abyss by Deridder45:wall.alphacoders.com/big.php?i=419745from Wolfenstein: The New Order (2014)composers: Mick Gordon, Fredrik Thordendalgame developer: MachineGamesgame publisher: Bethesda Softworks
AI video: Robbie Rotten using a toilet and being frustrated that it is clogged. tohopes 2023-05-13 | generated by huggingface modelscope (index 1.4.2, model 1.1.0??) with prompt "Robbie Rotten using a toilet and being frustrated that it is clogged."
Initial D - Elisa - Lost Into The Night [loop 3x] tohopes 2019-01-12 | I edited this track in Audacity to have the main part loop 3 times.For the background, I took an Initial D pic from Internets and blended a few layers in GIMP with just a few color / filter operations.featured in Initial D (1998)
Initial D - Sara - Burning Up For You [loop 3x] tohopes 2019-01-12 | I edited this track in Audacity to have the main part loop 3 times.For the background, I took an Initial D pic from Internets and blended a few layers in GIMP with just a few color / filter operations.featured in Initial D (1998)
Cheetahmen Trance Remix by 鼻そうめんP/HanasoumenP[HSP] tohopes 2018-11-21 | original on niconico:nicovideo.jp/watch/sm1415549creator is 鼻そうめんP:nicovideo.jp/user/1159685youtube.com/channel/UCLww4xTaLWjpESsK2HzkkcAoriginal title and description (including MP3 download link):チーターマンをTranceにしてみた既に乗り遅れた感もありますが、比較的スタンダードなトランスっぽいノリしてみました。なんだかM.I.K.E.とAirbase足して割ったような変な感じに※追記：コメント沢山ありがとうございます。 MP3の要望がありましたのであげときますよー。http://eucaly.net/~k_hiro/mp3/cheetahmen2remix_trance.mp3 さらにリミックスできました→sm4440718
Roland CM-64 Service Notes tohopes 2018-09-03 | A full-color scan of Roland CM-64 LA/PCM Sound Module - Service Notes - First Edition, fifteen pages, dated Aug. 1989.This is the service manual, intended to inform maintenance and repair, as opposed to the owner's manual.Most of the information applies more-or-less directly to the CM-32L and CM-32P as well, as the CM-64 is a combination (with two circuit boards in one box) of those two devices.Much of the information is also applicable to the Roland MT-32 and LAPC-I, as they are all very similar devices.Everything should be legible at 4K resolution.
Still Life (2005) - trailer tohopes 2018-01-01 | Music and cinematics from the 2005 murder-mystery point-and-click adventure video game, Still Life, converted from the original OGG and Bink Video files.The cinematics make use of segments of Mozart's musical rendition of the Roman Catholic Requiem mass.Also included is the official trailer, which was included in Bink Video form with the playable demo.http://store.steampowered.com/app/46480gog.com/game/still_lifeplaylist: youtube.com/playlist?list=PLNXHw_ipV81jI1XlzMRNDUym36hW7mUi0
Still Life (2005) - music - Intro tohopes 2017-12-29 | Music and cinematics from the 2005 murder-mystery point-and-click adventure video game, Still Life, converted from the original OGG and Bink Video files.The cinematics make use of segments of Mozart's musical rendition of the Roman Catholic Requiem mass.Also included is the official trailer, which was included in Bink Video form with the playable demo.http://store.steampowered.com/app/46480gog.com/game/still_lifeplaylist: youtube.com/playlist?list=PLNXHw_ipV81jI1XlzMRNDUym36hW7mUi0
Still Life (2005) - music - Prague2 tohopes 2017-12-29 | Music and cinematics from the 2005 murder-mystery point-and-click adventure video game, Still Life, converted from the original OGG and Bink Video files.The cinematics make use of segments of Mozart's musical rendition of the Roman Catholic Requiem mass.Also included is the official trailer, which was included in Bink Video form with the playable demo.http://store.steampowered.com/app/46480gog.com/game/still_lifeplaylist: youtube.com/playlist?list=PLNXHw_ipV81jI1XlzMRNDUym36hW7mUi0
Still Life (2005) - music - BadFeeling tohopes 2017-12-29 | Music and cinematics from the 2005 murder-mystery point-and-click adventure video game, Still Life, converted from the original OGG and Bink Video files.The cinematics make use of segments of Mozart's musical rendition of the Roman Catholic Requiem mass.Also included is the official trailer, which was included in Bink Video form with the playable demo.http://store.steampowered.com/app/46480gog.com/game/still_lifeplaylist: youtube.com/playlist?list=PLNXHw_ipV81jI1XlzMRNDUym36hW7mUi0
Still Life (2005) - music - Chicago2_p2 tohopes 2017-12-29 | Music and cinematics from the 2005 murder-mystery point-and-click adventure video game, Still Life, converted from the original OGG and Bink Video files.The cinematics make use of segments of Mozart's musical rendition of the Roman Catholic Requiem mass.Also included is the official trailer, which was included in Bink Video form with the playable demo.http://store.steampowered.com/app/46480gog.com/game/still_lifeplaylist: youtube.com/playlist?list=PLNXHw_ipV81jI1XlzMRNDUym36hW7mUi0
Still Life (2005) - music - Chicago1 / Headquarters tohopes 2017-12-29 | Music and cinematics from the 2005 murder-mystery point-and-click adventure video game, Still Life, converted from the original OGG and Bink Video files.The cinematics make use of segments of Mozart's musical rendition of the Roman Catholic Requiem mass.Also included is the official trailer, which was included in Bink Video form with the playable demo.http://store.steampowered.com/app/46480gog.com/game/still_lifeplaylist: youtube.com/playlist?list=PLNXHw_ipV81jI1XlzMRNDUym36hW7mUi0
Still Life (2005) - music - MainMenu tohopes 2017-12-29 | Music and cinematics from the 2005 murder-mystery point-and-click adventure video game, Still Life, converted from the original OGG and Bink Video files.The cinematics make use of segments of Mozart's musical rendition of the Roman Catholic Requiem mass.Also included is the official trailer, which was included in Bink Video form with the playable demo.http://store.steampowered.com/app/46480gog.com/game/still_lifeplaylist: youtube.com/playlist?list=PLNXHw_ipV81jI1XlzMRNDUym36hW7mUi0
Still Life (2005) - music - Unsettling / A Very Dark Night tohopes 2017-12-29 | Music and cinematics from the 2005 murder-mystery point-and-click adventure video game, Still Life, converted from the original OGG and Bink Video files.The cinematics make use of segments of Mozart's musical rendition of the Roman Catholic Requiem mass.Also included is the official trailer, which was included in Bink Video form with the playable demo.http://store.steampowered.com/app/46480gog.com/game/still_lifeplaylist: youtube.com/playlist?list=PLNXHw_ipV81jI1XlzMRNDUym36hW7mUi0
Still Life (2005) - music - Credits tohopes 2017-12-29 | Music and cinematics from the 2005 murder-mystery point-and-click adventure video game, Still Life, converted from the original OGG and Bink Video files.The cinematics make use of segments of Mozart's musical rendition of the Roman Catholic Requiem mass.Also included is the official trailer, which was included in Bink Video form with the playable demo.http://store.steampowered.com/app/46480gog.com/game/still_lifeplaylist: youtube.com/playlist?list=PLNXHw_ipV81jI1XlzMRNDUym36hW7mUi0
Still Life (2005) - music - Prague1 / The Killer Lurks tohopes 2017-12-29 | Music and cinematics from the 2005 murder-mystery point-and-click adventure video game, Still Life, converted from the original OGG and Bink Video files.The cinematics make use of segments of Mozart's musical rendition of the Roman Catholic Requiem mass.Also included is the official trailer, which was included in Bink Video form with the playable demo.http://store.steampowered.com/app/46480gog.com/game/still_lifeplaylist: youtube.com/playlist?list=PLNXHw_ipV81jI1XlzMRNDUym36hW7mUi0
Still Life (2005) - music - Chicago2_p1 tohopes 2017-12-29 | Music and cinematics from the 2005 murder-mystery point-and-click adventure video game, Still Life, converted from the original OGG and Bink Video files.The cinematics make use of segments of Mozart's musical rendition of the Roman Catholic Requiem mass.Also included is the official trailer, which was included in Bink Video form with the playable demo.http://store.steampowered.com/app/46480gog.com/game/still_lifeplaylist: youtube.com/playlist?list=PLNXHw_ipV81jI1XlzMRNDUym36hW7mUi0
Still Life (2005) - ending cinematic (Confutatis) tohopes 2017-12-29 | Music and cinematics from the 2005 murder-mystery point-and-click adventure video game, Still Life, converted from the original OGG and Bink Video files.The cinematics make use of segments of Mozart's musical rendition of the Roman Catholic Requiem mass.Also included is the official trailer, which was included in Bink Video form with the playable demo.http://store.steampowered.com/app/46480gog.com/game/still_lifeplaylist: youtube.com/playlist?list=PLNXHw_ipV81jI1XlzMRNDUym36hW7mUi0
Still Life (2005) - opening cinematic (Dies Irae) tohopes 2017-12-29 | Music and cinematics from the 2005 murder-mystery point-and-click adventure video game, Still Life, converted from the original OGG and Bink Video files.The cinematics make use of segments of Mozart's musical rendition of the Roman Catholic Requiem mass.Also included is the official trailer, which was included in Bink Video form with the playable demo.http://store.steampowered.com/app/46480gog.com/game/still_lifeplaylist: youtube.com/playlist?list=PLNXHw_ipV81jI1XlzMRNDUym36hW7mUi0
Blood & Magic - Sound Canvas music - 7030 - Hernes Wood tohopes 2016-11-06 | The music of Blood & Magic, as played by the game running in DOSBox connected to a Roland Sound Canvas SC-55mkII via a USB MIDI interface.Roland's Sound Canvas units are MIDI romplers (which produce musical notes by playing built-in, prerecorded digital sound samples). They were some of the first General MIDI-compliant devices. GM, published in 1991, mandated a standard list of instruments, which simplified composition of music for computer games at a time when there was a proliferation of MIDI hardware devices from different manufacturers.This is in contrast to the earlier use by many computer games of non-General MIDI-compliant devices like the Roland MT-32, which had its own proprietary set of instrument sounds. (Of course, unlike the MT-32, the Sound Canvas is not really a synthesizer, forcing composers to use the built-in timbres rather than create new sounds.)The Roland Sound Canvas was a kind of standard of computer music during its heyday. Some composers of early/mid-90s computer games scored their games with the Roland Sound Canvas in mind. One set of FM voice patches, designed by Team Fat and used by many games to play music on AdLib and Sound Blaster cards, was designed to have the card's FM OPL chip mimic the sound of each instrument as played by a Roland Sound Canvas.Blood & Magic uses the Human Machine Interfaces MIDI framework to play music. The tracks are stored in HMP format within the MAIN.STF file. Each stored file is referenced by a resource number, which I've included in the title of each video.The game is composed of 15 levels which are arranged in 5 "stories" of 3 levels each, and there's a musical track for each of the 15 levels. Each story also has 4 short tracks for its cutscenes.This playlist:youtube.com/playlist?list=PLNXHw_ipV81hFwrXZNz2hdzUnXQLV1Qlifrom Blood & Magic (1996)Lead Music Composer: Ron SaltmarshMusic Composer: Andy WarrGame Developer: Tachyon StudiosGame Publisher: Interplay Productions
Blood & Magic - Sound Canvas music - 7016 - Old Stone Keep tohopes 2016-11-05 | The music of Blood & Magic, as played by the game running in DOSBox connected to a Roland Sound Canvas SC-55mkII via a USB MIDI interface.Roland's Sound Canvas units are MIDI romplers (which produce musical notes by playing built-in, prerecorded digital sound samples). They were some of the first General MIDI-compliant devices. GM, published in 1991, mandated a standard list of instruments, which simplified composition of music for computer games at a time when there was a proliferation of MIDI hardware devices from different manufacturers.This is in contrast to the earlier use by many computer games of non-General MIDI-compliant devices like the Roland MT-32, which had its own proprietary set of instrument sounds. (Of course, unlike the MT-32, the Sound Canvas is not really a synthesizer, forcing composers to use the built-in timbres rather than create new sounds.)The Roland Sound Canvas was a kind of standard of computer music during its heyday. Some composers of early/mid-90s computer games scored their games with the Roland Sound Canvas in mind. One set of FM voice patches, designed by Team Fat and used by many games to play music on AdLib and Sound Blaster cards, was designed to have the card's FM OPL chip mimic the sound of each instrument as played by a Roland Sound Canvas.Blood & Magic uses the Human Machine Interfaces MIDI framework to play music. The tracks are stored in HMP format within the MAIN.STF file. Each stored file is referenced by a resource number, which I've included in the title of each video.The game is composed of 15 levels which are arranged in 5 "stories" of 3 levels each, and there's a musical track for each of the 15 levels. Each story also has 4 short tracks for its cutscenes.This playlist:youtube.com/playlist?list=PLNXHw_ipV81hFwrXZNz2hdzUnXQLV1Qlifrom Blood & Magic (1996)Lead Music Composer: Ron SaltmarshMusic Composer: Andy WarrGame Developer: Tachyon StudiosGame Publisher: Interplay Productions
Blood & Magic - Sound Canvas music - 7013 - Serpent Valley tohopes 2016-11-05 | The music of Blood & Magic, as played by the game running in DOSBox connected to a Roland Sound Canvas SC-55mkII via a USB MIDI interface.Roland's Sound Canvas units are MIDI romplers (which produce musical notes by playing built-in, prerecorded digital sound samples). They were some of the first General MIDI-compliant devices. GM, published in 1991, mandated a standard list of instruments, which simplified composition of music for computer games at a time when there was a proliferation of MIDI hardware devices from different manufacturers.This is in contrast to the earlier use by many computer games of non-General MIDI-compliant devices like the Roland MT-32, which had its own proprietary set of instrument sounds. (Of course, unlike the MT-32, the Sound Canvas is not really a synthesizer, forcing composers to use the built-in timbres rather than create new sounds.)The Roland Sound Canvas was a kind of standard of computer music during its heyday. Some composers of early/mid-90s computer games scored their games with the Roland Sound Canvas in mind. One set of FM voice patches, designed by Team Fat and used by many games to play music on AdLib and Sound Blaster cards, was designed to have the card's FM OPL chip mimic the sound of each instrument as played by a Roland Sound Canvas.Blood & Magic uses the Human Machine Interfaces MIDI framework to play music. The tracks are stored in HMP format within the MAIN.STF file. Each stored file is referenced by a resource number, which I've included in the title of each video.The game is composed of 15 levels which are arranged in 5 "stories" of 3 levels each, and there's a musical track for each of the 15 levels. Each story also has 4 short tracks for its cutscenes.This playlist:youtube.com/playlist?list=PLNXHw_ipV81hFwrXZNz2hdzUnXQLV1Qlifrom Blood & Magic (1996)Lead Music Composer: Ron SaltmarshMusic Composer: Andy WarrGame Developer: Tachyon StudiosGame Publisher: Interplay Productions
Blood & Magic - Sound Canvas music - 7010 - Doegan Capital tohopes 2016-11-05 | The music of Blood & Magic, as played by the game running in DOSBox connected to a Roland Sound Canvas SC-55mkII via a USB MIDI interface.Roland's Sound Canvas units are MIDI romplers (which produce musical notes by playing built-in, prerecorded digital sound samples). They were some of the first General MIDI-compliant devices. GM, published in 1991, mandated a standard list of instruments, which simplified composition of music for computer games at a time when there was a proliferation of MIDI hardware devices from different manufacturers.This is in contrast to the earlier use by many computer games of non-General MIDI-compliant devices like the Roland MT-32, which had its own proprietary set of instrument sounds. (Of course, unlike the MT-32, the Sound Canvas is not really a synthesizer, forcing composers to use the built-in timbres rather than create new sounds.)The Roland Sound Canvas was a kind of standard of computer music during its heyday. Some composers of early/mid-90s computer games scored their games with the Roland Sound Canvas in mind. One set of FM voice patches, designed by Team Fat and used by many games to play music on AdLib and Sound Blaster cards, was designed to have the card's FM OPL chip mimic the sound of each instrument as played by a Roland Sound Canvas.Blood & Magic uses the Human Machine Interfaces MIDI framework to play music. The tracks are stored in HMP format within the MAIN.STF file. Each stored file is referenced by a resource number, which I've included in the title of each video.The game is composed of 15 levels which are arranged in 5 "stories" of 3 levels each, and there's a musical track for each of the 15 levels. Each story also has 4 short tracks for its cutscenes.This playlist:youtube.com/playlist?list=PLNXHw_ipV81hFwrXZNz2hdzUnXQLV1Qlifrom Blood & Magic (1996)Lead Music Composer: Ron SaltmarshMusic Composer: Andy WarrGame Developer: Tachyon StudiosGame Publisher: Interplay Productions
Blood & Magic - Sound Canvas music - 7096 - Kingdom of Nix tohopes 2016-11-05 | The music of Blood & Magic, as played by the game running in DOSBox connected to a Roland Sound Canvas SC-55mkII via a USB MIDI interface.Roland's Sound Canvas units are MIDI romplers (which produce musical notes by playing built-in, prerecorded digital sound samples). They were some of the first General MIDI-compliant devices. GM, published in 1991, mandated a standard list of instruments, which simplified composition of music for computer games at a time when there was a proliferation of MIDI hardware devices from different manufacturers.This is in contrast to the earlier use by many computer games of non-General MIDI-compliant devices like the Roland MT-32, which had its own proprietary set of instrument sounds. (Of course, unlike the MT-32, the Sound Canvas is not really a synthesizer, forcing composers to use the built-in timbres rather than create new sounds.)The Roland Sound Canvas was a kind of standard of computer music during its heyday. Some composers of early/mid-90s computer games scored their games with the Roland Sound Canvas in mind. One set of FM voice patches, designed by Team Fat and used by many games to play music on AdLib and Sound Blaster cards, was designed to have the card's FM OPL chip mimic the sound of each instrument as played by a Roland Sound Canvas.Blood & Magic uses the Human Machine Interfaces MIDI framework to play music. The tracks are stored in HMP format within the MAIN.STF file. Each stored file is referenced by a resource number, which I've included in the title of each video.The game is composed of 15 levels which are arranged in 5 "stories" of 3 levels each, and there's a musical track for each of the 15 levels. Each story also has 4 short tracks for its cutscenes.This playlist:youtube.com/playlist?list=PLNXHw_ipV81hFwrXZNz2hdzUnXQLV1Qlifrom Blood & Magic (1996)Lead Music Composer: Ron SaltmarshMusic Composer: Andy WarrGame Developer: Tachyon StudiosGame Publisher: Interplay Productions
Blood & Magic - Sound Canvas music - 7093 - Phantom Pass tohopes 2016-11-05 | The music of Blood & Magic, as played by the game running in DOSBox connected to a Roland Sound Canvas SC-55mkII via a USB MIDI interface.Roland's Sound Canvas units are MIDI romplers (which produce musical notes by playing built-in, prerecorded digital sound samples). They were some of the first General MIDI-compliant devices. GM, published in 1991, mandated a standard list of instruments, which simplified composition of music for computer games at a time when there was a proliferation of MIDI hardware devices from different manufacturers.This is in contrast to the earlier use by many computer games of non-General MIDI-compliant devices like the Roland MT-32, which had its own proprietary set of instrument sounds. (Of course, unlike the MT-32, the Sound Canvas is not really a synthesizer, forcing composers to use the built-in timbres rather than create new sounds.)The Roland Sound Canvas was a kind of standard of computer music during its heyday. Some composers of early/mid-90s computer games scored their games with the Roland Sound Canvas in mind. One set of FM voice patches, designed by Team Fat and used by many games to play music on AdLib and Sound Blaster cards, was designed to have the card's FM OPL chip mimic the sound of each instrument as played by a Roland Sound Canvas.Blood & Magic uses the Human Machine Interfaces MIDI framework to play music. The tracks are stored in HMP format within the MAIN.STF file. Each stored file is referenced by a resource number, which I've included in the title of each video.The game is composed of 15 levels which are arranged in 5 "stories" of 3 levels each, and there's a musical track for each of the 15 levels. Each story also has 4 short tracks for its cutscenes.This playlist:youtube.com/playlist?list=PLNXHw_ipV81hFwrXZNz2hdzUnXQLV1Qlifrom Blood & Magic (1996)Lead Music Composer: Ron SaltmarshMusic Composer: Andy WarrGame Developer: Tachyon StudiosGame Publisher: Interplay Productions
Blood & Magic - Sound Canvas music - 7090 - Vanesci Hamlet tohopes 2016-11-05 | The music of Blood & Magic, as played by the game running in DOSBox connected to a Roland Sound Canvas SC-55mkII via a USB MIDI interface.Roland's Sound Canvas units are MIDI romplers (which produce musical notes by playing built-in, prerecorded digital sound samples). They were some of the first General MIDI-compliant devices. GM, published in 1991, mandated a standard list of instruments, which simplified composition of music for computer games at a time when there was a proliferation of MIDI hardware devices from different manufacturers.This is in contrast to the earlier use by many computer games of non-General MIDI-compliant devices like the Roland MT-32, which had its own proprietary set of instrument sounds. (Of course, unlike the MT-32, the Sound Canvas is not really a synthesizer, forcing composers to use the built-in timbres rather than create new sounds.)The Roland Sound Canvas was a kind of standard of computer music during its heyday. Some composers of early/mid-90s computer games scored their games with the Roland Sound Canvas in mind. One set of FM voice patches, designed by Team Fat and used by many games to play music on AdLib and Sound Blaster cards, was designed to have the card's FM OPL chip mimic the sound of each instrument as played by a Roland Sound Canvas.Blood & Magic uses the Human Machine Interfaces MIDI framework to play music. The tracks are stored in HMP format within the MAIN.STF file. Each stored file is referenced by a resource number, which I've included in the title of each video.The game is composed of 15 levels which are arranged in 5 "stories" of 3 levels each, and there's a musical track for each of the 15 levels. Each story also has 4 short tracks for its cutscenes.This playlist:youtube.com/playlist?list=PLNXHw_ipV81hFwrXZNz2hdzUnXQLV1Qlifrom Blood & Magic (1996)Lead Music Composer: Ron SaltmarshMusic Composer: Andy WarrGame Developer: Tachyon StudiosGame Publisher: Interplay Productions
Blood & Magic - Sound Canvas music - 7076 - Hall of Wonder tohopes 2016-11-05 | The music of Blood & Magic, as played by the game running in DOSBox connected to a Roland Sound Canvas SC-55mkII via a USB MIDI interface.Roland's Sound Canvas units are MIDI romplers (which produce musical notes by playing built-in, prerecorded digital sound samples). They were some of the first General MIDI-compliant devices. GM, published in 1991, mandated a standard list of instruments, which simplified composition of music for computer games at a time when there was a proliferation of MIDI hardware devices from different manufacturers.This is in contrast to the earlier use by many computer games of non-General MIDI-compliant devices like the Roland MT-32, which had its own proprietary set of instrument sounds. (Of course, unlike the MT-32, the Sound Canvas is not really a synthesizer, forcing composers to use the built-in timbres rather than create new sounds.)The Roland Sound Canvas was a kind of standard of computer music during its heyday. Some composers of early/mid-90s computer games scored their games with the Roland Sound Canvas in mind. One set of FM voice patches, designed by Team Fat and used by many games to play music on AdLib and Sound Blaster cards, was designed to have the card's FM OPL chip mimic the sound of each instrument as played by a Roland Sound Canvas.Blood & Magic uses the Human Machine Interfaces MIDI framework to play music. The tracks are stored in HMP format within the MAIN.STF file. Each stored file is referenced by a resource number, which I've included in the title of each video.The game is composed of 15 levels which are arranged in 5 "stories" of 3 levels each, and there's a musical track for each of the 15 levels. Each story also has 4 short tracks for its cutscenes.This playlist:youtube.com/playlist?list=PLNXHw_ipV81hFwrXZNz2hdzUnXQLV1Qlifrom Blood & Magic (1996)Lead Music Composer: Ron SaltmarshMusic Composer: Andy WarrGame Developer: Tachyon StudiosGame Publisher: Interplay Productions
Blood & Magic - Sound Canvas music - 7073 - Puzzle Palace tohopes 2016-11-05 | The music of Blood & Magic, as played by the game running in DOSBox connected to a Roland Sound Canvas SC-55mkII via a USB MIDI interface.Roland's Sound Canvas units are MIDI romplers (which produce musical notes by playing built-in, prerecorded digital sound samples). They were some of the first General MIDI-compliant devices. GM, published in 1991, mandated a standard list of instruments, which simplified composition of music for computer games at a time when there was a proliferation of MIDI hardware devices from different manufacturers.This is in contrast to the earlier use by many computer games of non-General MIDI-compliant devices like the Roland MT-32, which had its own proprietary set of instrument sounds. (Of course, unlike the MT-32, the Sound Canvas is not really a synthesizer, forcing composers to use the built-in timbres rather than create new sounds.)The Roland Sound Canvas was a kind of standard of computer music during its heyday. Some composers of early/mid-90s computer games scored their games with the Roland Sound Canvas in mind. One set of FM voice patches, designed by Team Fat and used by many games to play music on AdLib and Sound Blaster cards, was designed to have the card's FM OPL chip mimic the sound of each instrument as played by a Roland Sound Canvas.Blood & Magic uses the Human Machine Interfaces MIDI framework to play music. The tracks are stored in HMP format within the MAIN.STF file. Each stored file is referenced by a resource number, which I've included in the title of each video.The game is composed of 15 levels which are arranged in 5 "stories" of 3 levels each, and there's a musical track for each of the 15 levels. Each story also has 4 short tracks for its cutscenes.This playlist:youtube.com/playlist?list=PLNXHw_ipV81hFwrXZNz2hdzUnXQLV1Qlifrom Blood & Magic (1996)Lead Music Composer: Ron SaltmarshMusic Composer: Andy WarrGame Developer: Tachyon StudiosGame Publisher: Interplay Productions
Blood & Magic - Sound Canvas music - 7036 - Edenvale Castle tohopes 2016-11-05 | The music of Blood & Magic, as played by the game running in DOSBox connected to a Roland Sound Canvas SC-55mkII via a USB MIDI interface.Roland's Sound Canvas units are MIDI romplers (which produce musical notes by playing built-in, prerecorded digital sound samples). They were some of the first General MIDI-compliant devices. GM, published in 1991, mandated a standard list of instruments, which simplified composition of music for computer games at a time when there was a proliferation of MIDI hardware devices from different manufacturers.This is in contrast to the earlier use by many computer games of non-General MIDI-compliant devices like the Roland MT-32, which had its own proprietary set of instrument sounds. (Of course, unlike the MT-32, the Sound Canvas is not really a synthesizer, forcing composers to use the built-in timbres rather than create new sounds.)The Roland Sound Canvas was a kind of standard of computer music during its heyday. Some composers of early/mid-90s computer games scored their games with the Roland Sound Canvas in mind. One set of FM voice patches, designed by Team Fat and used by many games to play music on AdLib and Sound Blaster cards, was designed to have the card's FM OPL chip mimic the sound of each instrument as played by a Roland Sound Canvas.Blood & Magic uses the Human Machine Interfaces MIDI framework to play music. The tracks are stored in HMP format within the MAIN.STF file. Each stored file is referenced by a resource number, which I've included in the title of each video.The game is composed of 15 levels which are arranged in 5 "stories" of 3 levels each, and there's a musical track for each of the 15 levels. Each story also has 4 short tracks for its cutscenes.This playlist:youtube.com/playlist?list=PLNXHw_ipV81hFwrXZNz2hdzUnXQLV1Qlifrom Blood & Magic (1996)Lead Music Composer: Ron SaltmarshMusic Composer: Andy WarrGame Developer: Tachyon StudiosGame Publisher: Interplay Productions
Blood & Magic - Sound Canvas music - 7050 - Realm of Tides tohopes 2016-11-05 | The music of Blood & Magic, as played by the game running in DOSBox connected to a Roland Sound Canvas SC-55mkII via a USB MIDI interface.Roland's Sound Canvas units are MIDI romplers (which produce musical notes by playing built-in, prerecorded digital sound samples). They were some of the first General MIDI-compliant devices. GM, published in 1991, mandated a standard list of instruments, which simplified composition of music for computer games at a time when there was a proliferation of MIDI hardware devices from different manufacturers.This is in contrast to the earlier use by many computer games of non-General MIDI-compliant devices like the Roland MT-32, which had its own proprietary set of instrument sounds. (Of course, unlike the MT-32, the Sound Canvas is not really a synthesizer, forcing composers to use the built-in timbres rather than create new sounds.)The Roland Sound Canvas was a kind of standard of computer music during its heyday. Some composers of early/mid-90s computer games scored their games with the Roland Sound Canvas in mind. One set of FM voice patches, designed by Team Fat and used by many games to play music on AdLib and Sound Blaster cards, was designed to have the card's FM OPL chip mimic the sound of each instrument as played by a Roland Sound Canvas.Blood & Magic uses the Human Machine Interfaces MIDI framework to play music. The tracks are stored in HMP format within the MAIN.STF file. Each stored file is referenced by a resource number, which I've included in the title of each video.The game is composed of 15 levels which are arranged in 5 "stories" of 3 levels each, and there's a musical track for each of the 15 levels. Each story also has 4 short tracks for its cutscenes.This playlist:youtube.com/playlist?list=PLNXHw_ipV81hFwrXZNz2hdzUnXQLV1Qlifrom Blood & Magic (1996)Lead Music Composer: Ron SaltmarshMusic Composer: Andy WarrGame Developer: Tachyon StudiosGame Publisher: Interplay Productions
Blood & Magic - Sound Canvas music - 7033 - Web Mountains tohopes 2016-11-05 | The music of Blood & Magic, as played by the game running in DOSBox connected to a Roland Sound Canvas SC-55mkII via a USB MIDI interface.Roland's Sound Canvas units are MIDI romplers (which produce musical notes by playing built-in, prerecorded digital sound samples). They were some of the first General MIDI-compliant devices. GM, published in 1991, mandated a standard list of instruments, which simplified composition of music for computer games at a time when there was a proliferation of MIDI hardware devices from different manufacturers.This is in contrast to the earlier use by many computer games of non-General MIDI-compliant devices like the Roland MT-32, which had its own proprietary set of instrument sounds. (Of course, unlike the MT-32, the Sound Canvas is not really a synthesizer, forcing composers to use the built-in timbres rather than create new sounds.)The Roland Sound Canvas was a kind of standard of computer music during its heyday. Some composers of early/mid-90s computer games scored their games with the Roland Sound Canvas in mind. One set of FM voice patches, designed by Team Fat and used by many games to play music on AdLib and Sound Blaster cards, was designed to have the card's FM OPL chip mimic the sound of each instrument as played by a Roland Sound Canvas.Blood & Magic uses the Human Machine Interfaces MIDI framework to play music. The tracks are stored in HMP format within the MAIN.STF file. Each stored file is referenced by a resource number, which I've included in the title of each video.The game is composed of 15 levels which are arranged in 5 "stories" of 3 levels each, and there's a musical track for each of the 15 levels. Each story also has 4 short tracks for its cutscenes.This playlist:youtube.com/playlist?list=PLNXHw_ipV81hFwrXZNz2hdzUnXQLV1Qlifrom Blood & Magic (1996)Lead Music Composer: Ron SaltmarshMusic Composer: Andy WarrGame Developer: Tachyon StudiosGame Publisher: Interplay Productions
Blood & Magic - Sound Canvas music - 7053 - Realm of Lands tohopes 2016-11-05 | The music of Blood & Magic, as played by the game running in DOSBox connected to a Roland Sound Canvas SC-55mkII via a USB MIDI interface.Roland's Sound Canvas units are MIDI romplers (which produce musical notes by playing built-in, prerecorded digital sound samples). They were some of the first General MIDI-compliant devices. GM, published in 1991, mandated a standard list of instruments, which simplified composition of music for computer games at a time when there was a proliferation of MIDI hardware devices from different manufacturers.This is in contrast to the earlier use by many computer games of non-General MIDI-compliant devices like the Roland MT-32, which had its own proprietary set of instrument sounds. (Of course, unlike the MT-32, the Sound Canvas is not really a synthesizer, forcing composers to use the built-in timbres rather than create new sounds.)The Roland Sound Canvas was a kind of standard of computer music during its heyday. Some composers of early/mid-90s computer games scored their games with the Roland Sound Canvas in mind. One set of FM voice patches, designed by Team Fat and used by many games to play music on AdLib and Sound Blaster cards, was designed to have the card's FM OPL chip mimic the sound of each instrument as played by a Roland Sound Canvas.Blood & Magic uses the Human Machine Interfaces MIDI framework to play music. The tracks are stored in HMP format within the MAIN.STF file. Each stored file is referenced by a resource number, which I've included in the title of each video.The game is composed of 15 levels which are arranged in 5 "stories" of 3 levels each, and there's a musical track for each of the 15 levels. Each story also has 4 short tracks for its cutscenes.This playlist:youtube.com/playlist?list=PLNXHw_ipV81hFwrXZNz2hdzUnXQLV1Qlifrom Blood & Magic (1996)Lead Music Composer: Ron SaltmarshMusic Composer: Andy WarrGame Developer: Tachyon StudiosGame Publisher: Interplay Productions
Blood & Magic - Sound Canvas music - 7056 - Realm of Fire tohopes 2016-11-05 | The music of Blood & Magic, as played by the game running in DOSBox connected to a Roland Sound Canvas SC-55mkII via a USB MIDI interface.Roland's Sound Canvas units are MIDI romplers (which produce musical notes by playing built-in, prerecorded digital sound samples). They were some of the first General MIDI-compliant devices. GM, published in 1991, mandated a standard list of instruments, which simplified composition of music for computer games at a time when there was a proliferation of MIDI hardware devices from different manufacturers.This is in contrast to the earlier use by many computer games of non-General MIDI-compliant devices like the Roland MT-32, which had its own proprietary set of instrument sounds. (Of course, unlike the MT-32, the Sound Canvas is not really a synthesizer, forcing composers to use the built-in timbres rather than create new sounds.)The Roland Sound Canvas was a kind of standard of computer music during its heyday. Some composers of early/mid-90s computer games scored their games with the Roland Sound Canvas in mind. One set of FM voice patches, designed by Team Fat and used by many games to play music on AdLib and Sound Blaster cards, was designed to have the card's FM OPL chip mimic the sound of each instrument as played by a Roland Sound Canvas.Blood & Magic uses the Human Machine Interfaces MIDI framework to play music. The tracks are stored in HMP format within the MAIN.STF file. Each stored file is referenced by a resource number, which I've included in the title of each video.The game is composed of 15 levels which are arranged in 5 "stories" of 3 levels each, and there's a musical track for each of the 15 levels. Each story also has 4 short tracks for its cutscenes.This playlist:youtube.com/playlist?list=PLNXHw_ipV81hFwrXZNz2hdzUnXQLV1Qlifrom Blood & Magic (1996)Lead Music Composer: Ron SaltmarshMusic Composer: Andy WarrGame Developer: Tachyon StudiosGame Publisher: Interplay Productions
Blood & Magic - Sound Canvas music - 704x - Tartyron Unbound (cutscenes) tohopes 2016-11-05 | The music of Blood & Magic, as played by the game running in DOSBox connected to a Roland Sound Canvas SC-55mkII via a USB MIDI interface.Roland's Sound Canvas units are MIDI romplers (which produce musical notes by playing built-in, prerecorded digital sound samples). They were some of the first General MIDI-compliant devices. GM, published in 1991, mandated a standard list of instruments, which simplified composition of music for computer games at a time when there was a proliferation of MIDI hardware devices from different manufacturers.This is in contrast to the earlier use by many computer games of non-General MIDI-compliant devices like the Roland MT-32, which had its own proprietary set of instrument sounds. (Of course, unlike the MT-32, the Sound Canvas is not really a synthesizer, forcing composers to use the built-in timbres rather than create new sounds.)The Roland Sound Canvas was a kind of standard of computer music during its heyday. Some composers of early/mid-90s computer games scored their games with the Roland Sound Canvas in mind. One set of FM voice patches, designed by Team Fat and used by many games to play music on AdLib and Sound Blaster cards, was designed to have the card's FM OPL chip mimic the sound of each instrument as played by a Roland Sound Canvas.Blood & Magic uses the Human Machine Interfaces MIDI framework to play music. The tracks are stored in HMP format within the MAIN.STF file. Each stored file is referenced by a resource number, which I've included in the title of each video.The game is composed of 15 levels which are arranged in 5 "stories" of 3 levels each, and there's a musical track for each of the 15 levels. Each story also has 4 short tracks for its cutscenes.This playlist:youtube.com/playlist?list=PLNXHw_ipV81hFwrXZNz2hdzUnXQLV1Qlifrom Blood & Magic (1996)Lead Music Composer: Ron SaltmarshMusic Composer: Andy WarrGame Developer: Tachyon StudiosGame Publisher: Interplay Productions
Blood & Magic - Sound Canvas music - 7070 - Konigheim tohopes 2016-11-05 | The music of Blood & Magic, as played by the game running in DOSBox connected to a Roland Sound Canvas SC-55mkII via a USB MIDI interface.Roland's Sound Canvas units are MIDI romplers (which produce musical notes by playing built-in, prerecorded digital sound samples). They were some of the first General MIDI-compliant devices. GM, published in 1991, mandated a standard list of instruments, which simplified composition of music for computer games at a time when there was a proliferation of MIDI hardware devices from different manufacturers.This is in contrast to the earlier use by many computer games of non-General MIDI-compliant devices like the Roland MT-32, which had its own proprietary set of instrument sounds. (Of course, unlike the MT-32, the Sound Canvas is not really a synthesizer, forcing composers to use the built-in timbres rather than create new sounds.)The Roland Sound Canvas was a kind of standard of computer music during its heyday. Some composers of early/mid-90s computer games scored their games with the Roland Sound Canvas in mind. One set of FM voice patches, designed by Team Fat and used by many games to play music on AdLib and Sound Blaster cards, was designed to have the card's FM OPL chip mimic the sound of each instrument as played by a Roland Sound Canvas.Blood & Magic uses the Human Machine Interfaces MIDI framework to play music. The tracks are stored in HMP format within the MAIN.STF file. Each stored file is referenced by a resource number, which I've included in the title of each video.The game is composed of 15 levels which are arranged in 5 "stories" of 3 levels each, and there's a musical track for each of the 15 levels. Each story also has 4 short tracks for its cutscenes.This playlist:youtube.com/playlist?list=PLNXHw_ipV81hFwrXZNz2hdzUnXQLV1Qlifrom Blood & Magic (1996)Lead Music Composer: Ron SaltmarshMusic Composer: Andy WarrGame Developer: Tachyon StudiosGame Publisher: Interplay Productions
Blood & Magic - Sound Canvas music - 706x - Nuts and Bolts (cutscenes) tohopes 2016-11-05 | The music of Blood & Magic, as played by the game running in DOSBox connected to a Roland Sound Canvas SC-55mkII via a USB MIDI interface.Roland's Sound Canvas units are MIDI romplers (which produce musical notes by playing built-in, prerecorded digital sound samples). They were some of the first General MIDI-compliant devices. GM, published in 1991, mandated a standard list of instruments, which simplified composition of music for computer games at a time when there was a proliferation of MIDI hardware devices from different manufacturers.This is in contrast to the earlier use by many computer games of non-General MIDI-compliant devices like the Roland MT-32, which had its own proprietary set of instrument sounds. (Of course, unlike the MT-32, the Sound Canvas is not really a synthesizer, forcing composers to use the built-in timbres rather than create new sounds.)The Roland Sound Canvas was a kind of standard of computer music during its heyday. Some composers of early/mid-90s computer games scored their games with the Roland Sound Canvas in mind. One set of FM voice patches, designed by Team Fat and used by many games to play music on AdLib and Sound Blaster cards, was designed to have the card's FM OPL chip mimic the sound of each instrument as played by a Roland Sound Canvas.Blood & Magic uses the Human Machine Interfaces MIDI framework to play music. The tracks are stored in HMP format within the MAIN.STF file. Each stored file is referenced by a resource number, which I've included in the title of each video.The game is composed of 15 levels which are arranged in 5 "stories" of 3 levels each, and there's a musical track for each of the 15 levels. Each story also has 4 short tracks for its cutscenes.This playlist:youtube.com/playlist?list=PLNXHw_ipV81hFwrXZNz2hdzUnXQLV1Qlifrom Blood & Magic (1996)Lead Music Composer: Ron SaltmarshMusic Composer: Andy WarrGame Developer: Tachyon StudiosGame Publisher: Interplay Productions
Blood & Magic - Sound Canvas music - 708x - Harvest of Horrors (cutscenes) tohopes 2016-11-05 | The music of Blood & Magic, as played by the game running in DOSBox connected to a Roland Sound Canvas SC-55mkII via a USB MIDI interface.Roland's Sound Canvas units are MIDI romplers (which produce musical notes by playing built-in, prerecorded digital sound samples). They were some of the first General MIDI-compliant devices. GM, published in 1991, mandated a standard list of instruments, which simplified composition of music for computer games at a time when there was a proliferation of MIDI hardware devices from different manufacturers.This is in contrast to the earlier use by many computer games of non-General MIDI-compliant devices like the Roland MT-32, which had its own proprietary set of instrument sounds. (Of course, unlike the MT-32, the Sound Canvas is not really a synthesizer, forcing composers to use the built-in timbres rather than create new sounds.)The Roland Sound Canvas was a kind of standard of computer music during its heyday. Some composers of early/mid-90s computer games scored their games with the Roland Sound Canvas in mind. One set of FM voice patches, designed by Team Fat and used by many games to play music on AdLib and Sound Blaster cards, was designed to have the card's FM OPL chip mimic the sound of each instrument as played by a Roland Sound Canvas.Blood & Magic uses the Human Machine Interfaces MIDI framework to play music. The tracks are stored in HMP format within the MAIN.STF file. Each stored file is referenced by a resource number, which I've included in the title of each video.The game is composed of 15 levels which are arranged in 5 "stories" of 3 levels each, and there's a musical track for each of the 15 levels. Each story also has 4 short tracks for its cutscenes.This playlist:youtube.com/playlist?list=PLNXHw_ipV81hFwrXZNz2hdzUnXQLV1Qlifrom Blood & Magic (1996)Lead Music Composer: Ron SaltmarshMusic Composer: Andy WarrGame Developer: Tachyon StudiosGame Publisher: Interplay Productions
Blood & Magic - Sound Canvas music - 700x - Howl of Vengeance (cutscenes) tohopes 2016-11-05 | The music of Blood & Magic, as played by the game running in DOSBox connected to a Roland Sound Canvas SC-55mkII via a USB MIDI interface.Roland's Sound Canvas units are MIDI romplers (which produce musical notes by playing built-in, prerecorded digital sound samples). They were some of the first General MIDI-compliant devices. GM, published in 1991, mandated a standard list of instruments, which simplified composition of music for computer games at a time when there was a proliferation of MIDI hardware devices from different manufacturers.This is in contrast to the earlier use by many computer games of non-General MIDI-compliant devices like the Roland MT-32, which had its own proprietary set of instrument sounds. (Of course, unlike the MT-32, the Sound Canvas is not really a synthesizer, forcing composers to use the built-in timbres rather than create new sounds.)The Roland Sound Canvas was a kind of standard of computer music during its heyday. Some composers of early/mid-90s computer games scored their games with the Roland Sound Canvas in mind. One set of FM voice patches, designed by Team Fat and used by many games to play music on AdLib and Sound Blaster cards, was designed to have the card's FM OPL chip mimic the sound of each instrument as played by a Roland Sound Canvas.Blood & Magic uses the Human Machine Interfaces MIDI framework to play music. The tracks are stored in HMP format within the MAIN.STF file. Each stored file is referenced by a resource number, which I've included in the title of each video.The game is composed of 15 levels which are arranged in 5 "stories" of 3 levels each, and there's a musical track for each of the 15 levels. Each story also has 4 short tracks for its cutscenes.This playlist:youtube.com/playlist?list=PLNXHw_ipV81hFwrXZNz2hdzUnXQLV1Qlifrom Blood & Magic (1996)Lead Music Composer: Ron SaltmarshMusic Composer: Andy WarrGame Developer: Tachyon StudiosGame Publisher: Interplay Productions
Blood & Magic - Sound Canvas music - 702x - Matchmaker Mayhem (cutscenes) tohopes 2016-11-05 | The music of Blood & Magic, as played by the game running in DOSBox connected to a Roland Sound Canvas SC-55mkII via a USB MIDI interface.Roland's Sound Canvas units are MIDI romplers (which produce musical notes by playing built-in, prerecorded digital sound samples). They were some of the first General MIDI-compliant devices. GM, published in 1991, mandated a standard list of instruments, which simplified composition of music for computer games at a time when there was a proliferation of MIDI hardware devices from different manufacturers.This is in contrast to the earlier use by many computer games of non-General MIDI-compliant devices like the Roland MT-32, which had its own proprietary set of instrument sounds. (Of course, unlike the MT-32, the Sound Canvas is not really a synthesizer, forcing composers to use the built-in timbres rather than create new sounds.)The Roland Sound Canvas was a kind of standard of computer music during its heyday. Some composers of early/mid-90s computer games scored their games with the Roland Sound Canvas in mind. One set of FM voice patches, designed by Team Fat and used by many games to play music on AdLib and Sound Blaster cards, was designed to have the card's FM OPL chip mimic the sound of each instrument as played by a Roland Sound Canvas.Blood & Magic uses the Human Machine Interfaces MIDI framework to play music. The tracks are stored in HMP format within the MAIN.STF file. Each stored file is referenced by a resource number, which I've included in the title of each video.The game is composed of 15 levels which are arranged in 5 "stories" of 3 levels each, and there's a musical track for each of the 15 levels. Each story also has 4 short tracks for its cutscenes.This playlist:youtube.com/playlist?list=PLNXHw_ipV81hFwrXZNz2hdzUnXQLV1Qlifrom Blood & Magic (1996)Lead Music Composer: Ron SaltmarshMusic Composer: Andy WarrGame Developer: Tachyon StudiosGame Publisher: Interplay Productions
Wolfenstein: The New Order music - Nightmare! (dream of Wolfenstein 3D) tohopes 2016-11-01 | This music plays when B.J. dreams of fighting through a level of Wolfenstein 3D.This track is from the following file:sound/music/c05/dream/mus_c05_dream_getthem.wavI extracted the files with QuickBMS using the instructions and script posted by spider91 on ZenHAX:http://zenhax.com/viewtopic.php?t=810The background image I used for this video is a wallpaper submitted to Alpha Coders Wallpaper Abyss by Deridder45:wall.alphacoders.com/big.php?i=419745from Wolfenstein: The New Order (2014)composers: Mick Gordon, Fredrik Thordendalgame developer: MachineGamesgame publisher: Bethesda Softworks
Wolfenstein: The New Order music - Baltic Monitor (Stomper) tohopes 2016-11-01 | This is the music (or effect) that plays when B.J. confronts the Baltic Monitor, or "stomper", in the introductory level of the game.There's a 39-second "riser_intro" track over which are played several "hit" tracks. I've composed them manually (in Audacity) for this recording.This effect uses the following files:sound/music/c01p2/mus_c01p2_monitor_riser_intro.wavsound/music/c01p2/mus_c01p2_monitor_hit_01.wavsound/music/c01p2/mus_c01p2_monitor_hit_02.wavsound/music/c01p2/mus_c01p2_monitor_hit_03.wavsound/music/c01p2/mus_c01p2_monitor_hit_04.wavsound/music/c01p2/mus_c01p2_monitor_hit_05.wavsound/music/c01p2/mus_c01p2_monitor_hit_06.wavsound/music/c01p2/mus_c01p2_monitor_hit_07.wavsound/music/c01p2/mus_c01p2_monitor_hit_08.wavI left out the last "hit" track (08) because "riser_intro" isn't long enough to span across all 8 "hit"s.I extracted the files with QuickBMS using the instructions and script posted by spider91 on ZenHAX:http://zenhax.com/viewtopic.php?t=810The background image I used for this video is a wallpaper submitted to Alpha Coders Wallpaper Abyss by Deridder45:wall.alphacoders.com/big.php?i=419745from Wolfenstein: The New Order (2014)composers: Mick Gordon, Fredrik Thordendalgame developer: MachineGamesgame publisher: Bethesda Softworks
RoboCop 3 (PC) - Roland LA music - Delta City tohopes 2016-08-30 | The music of RoboCop 3, as played by the game running in DOSBox connected to a Roland CM-64 via a USB MIDI interface.The CM-64, like the MT-32, CM-32L, and LAPC-I, is one of Roland's "Linear Arithmetic" synthesizers, which produce musical tones by combining PCM samples with synthesized waveforms. These devices, marketed to amateur musicians and players of computer games, were less expensive, less powerful relatives of Roland's D-50 Linear Arithmetic synthesizer which was used by professional musicians in the late 80s and 90s.These videos include a photo of the LA32 synthesis chip in my CM-64 which produced the sound recorded in the videos. The date code printed on it indicates that it was produced in the 13th week of 1989.In some of this game's music tracks, the various parts get noticeably out of sync with one another, meaning that some parts/instruments/voices play during parts of the tune when they're clearly not supposed to. This suggests that the game's music playback was more complex (and buggier) than simply streaming all parts together as a single MIDI sequence, as is done in many games.Also interesting is that instruments are not re-set when gameplay transitions from a mission to the subsequent mission briefing, causing the music for "Media Break" scenes and cutscenes to sound different depending on which mission was just played.RoboCop 3 uses the Roland LA synth for sound effects as well as for music, for example playing Low Timbale (a drum) from the MT-32's rhythm set when the player kills an enemy and playing Explosion (exclusive to later CM-units and LAPC cards) when a character fires a gun.Some of the tracks use extreme channel volume and velocity controls, causing horrible distortion when played on my CM-64, so I wrote some code to intercept and reduce the channel volume values in real-time. You could probably avoid this distortion on an MT-32 by turning down the master volume (unfortunately not so on the CM-64, whose master volume control is analog as opposed to digital).Recording all of the game's music tracks was made easier by the fact that the game engine is controlled by interpreted (uncompiled) script which can be found (and modified) in plain-text form within the ROBO.DAT file. There is a line like "#TUNE 1" that sets the music for each mission or stage of the game. Editing the "TUNE" number for a particular mission makes it easy to record each of the 10 tracks.I took the title of each track directly from a listing within the ROBO.DAT file, and tracks are ordered in this playlist according to that listing.This playlist (RoboCop 3 (PC) - Roland LA music):youtube.com/playlist?list=PLNXHw_ipV81jGXNH-G_0T2-TKHEMIk6uqfrom RoboCop 3 (1992)Audio: Barry LeitchGame Developer: Digital Image DesignGame Publisher: Ocean
RoboCop 3 (PC) - Roland LA music - Death tohopes 2016-08-30 | The music of RoboCop 3, as played by the game running in DOSBox connected to a Roland CM-64 via a USB MIDI interface.The CM-64, like the MT-32, CM-32L, and LAPC-I, is one of Roland's "Linear Arithmetic" synthesizers, which produce musical tones by combining PCM samples with synthesized waveforms. These devices, marketed to amateur musicians and players of computer games, were less expensive, less powerful relatives of Roland's D-50 Linear Arithmetic synthesizer which was used by professional musicians in the late 80s and 90s.These videos include a photo of the LA32 synthesis chip in my CM-64 which produced the sound recorded in the videos. The date code printed on it indicates that it was produced in the 13th week of 1989.In some of this game's music tracks, the various parts get noticeably out of sync with one another, meaning that some parts/instruments/voices play during parts of the tune when they're clearly not supposed to. This suggests that the game's music playback was more complex (and buggier) than simply streaming all parts together as a single MIDI sequence, as is done in many games.Also interesting is that instruments are not re-set when gameplay transitions from a mission to the subsequent mission briefing, causing the music for "Media Break" scenes and cutscenes to sound different depending on which mission was just played.RoboCop 3 uses the Roland LA synth for sound effects as well as for music, for example playing Low Timbale (a drum) from the MT-32's rhythm set when the player kills an enemy and playing Explosion (exclusive to later CM-units and LAPC cards) when a character fires a gun.Some of the tracks use extreme channel volume and velocity controls, causing horrible distortion when played on my CM-64, so I wrote some code to intercept and reduce the channel volume values in real-time. You could probably avoid this distortion on an MT-32 by turning down the master volume (unfortunately not so on the CM-64, whose master volume control is analog as opposed to digital).Recording all of the game's music tracks was made easier by the fact that the game engine is controlled by interpreted (uncompiled) script which can be found (and modified) in plain-text form within the ROBO.DAT file. There is a line like "#TUNE 1" that sets the music for each mission or stage of the game. Editing the "TUNE" number for a particular mission makes it easy to record each of the 10 tracks.I took the title of each track directly from a listing within the ROBO.DAT file, and tracks are ordered in this playlist according to that listing.This playlist (RoboCop 3 (PC) - Roland LA music):youtube.com/playlist?list=PLNXHw_ipV81jGXNH-G_0T2-TKHEMIk6uqfrom RoboCop 3 (1992)Audio: Barry LeitchGame Developer: Digital Image DesignGame Publisher: Ocean
RoboCop 3 (PC) - Roland LA music - Driving tohopes 2016-08-30 | The music of RoboCop 3, as played by the game running in DOSBox connected to a Roland CM-64 via a USB MIDI interface.The CM-64, like the MT-32, CM-32L, and LAPC-I, is one of Roland's "Linear Arithmetic" synthesizers, which produce musical tones by combining PCM samples with synthesized waveforms. These devices, marketed to amateur musicians and players of computer games, were less expensive, less powerful relatives of Roland's D-50 Linear Arithmetic synthesizer which was used by professional musicians in the late 80s and 90s.These videos include a photo of the LA32 synthesis chip in my CM-64 which produced the sound recorded in the videos. The date code printed on it indicates that it was produced in the 13th week of 1989.In some of this game's music tracks, the various parts get noticeably out of sync with one another, meaning that some parts/instruments/voices play during parts of the tune when they're clearly not supposed to. This suggests that the game's music playback was more complex (and buggier) than simply streaming all parts together as a single MIDI sequence, as is done in many games.Also interesting is that instruments are not re-set when gameplay transitions from a mission to the subsequent mission briefing, causing the music for "Media Break" scenes and cutscenes to sound different depending on which mission was just played.RoboCop 3 uses the Roland LA synth for sound effects as well as for music, for example playing Low Timbale (a drum) from the MT-32's rhythm set when the player kills an enemy and playing Explosion (exclusive to later CM-units and LAPC cards) when a character fires a gun.Some of the tracks use extreme channel volume and velocity controls, causing horrible distortion when played on my CM-64, so I wrote some code to intercept and reduce the channel volume values in real-time. You could probably avoid this distortion on an MT-32 by turning down the master volume (unfortunately not so on the CM-64, whose master volume control is analog as opposed to digital).Recording all of the game's music tracks was made easier by the fact that the game engine is controlled by interpreted (uncompiled) script which can be found (and modified) in plain-text form within the ROBO.DAT file. There is a line like "#TUNE 1" that sets the music for each mission or stage of the game. Editing the "TUNE" number for a particular mission makes it easy to record each of the 10 tracks.I took the title of each track directly from a listing within the ROBO.DAT file, and tracks are ordered in this playlist according to that listing.This playlist (RoboCop 3 (PC) - Roland LA music):youtube.com/playlist?list=PLNXHw_ipV81jGXNH-G_0T2-TKHEMIk6uqfrom RoboCop 3 (1992)Audio: Barry LeitchGame Developer: Digital Image DesignGame Publisher: Ocean
RoboCop 3 (PC) - Roland LA music - Flying tohopes 2016-08-30 | The music of RoboCop 3, as played by the game running in DOSBox connected to a Roland CM-64 via a USB MIDI interface.The CM-64, like the MT-32, CM-32L, and LAPC-I, is one of Roland's "Linear Arithmetic" synthesizers, which produce musical tones by combining PCM samples with synthesized waveforms. These devices, marketed to amateur musicians and players of computer games, were less expensive, less powerful relatives of Roland's D-50 Linear Arithmetic synthesizer which was used by professional musicians in the late 80s and 90s.These videos include a photo of the LA32 synthesis chip in my CM-64 which produced the sound recorded in the videos. The date code printed on it indicates that it was produced in the 13th week of 1989.In some of this game's music tracks, the various parts get noticeably out of sync with one another, meaning that some parts/instruments/voices play during parts of the tune when they're clearly not supposed to. This suggests that the game's music playback was more complex (and buggier) than simply streaming all parts together as a single MIDI sequence, as is done in many games.Also interesting is that instruments are not re-set when gameplay transitions from a mission to the subsequent mission briefing, causing the music for "Media Break" scenes and cutscenes to sound different depending on which mission was just played.RoboCop 3 uses the Roland LA synth for sound effects as well as for music, for example playing Low Timbale (a drum) from the MT-32's rhythm set when the player kills an enemy and playing Explosion (exclusive to later CM-units and LAPC cards) when a character fires a gun.Some of the tracks use extreme channel volume and velocity controls, causing horrible distortion when played on my CM-64, so I wrote some code to intercept and reduce the channel volume values in real-time. You could probably avoid this distortion on an MT-32 by turning down the master volume (unfortunately not so on the CM-64, whose master volume control is analog as opposed to digital).Recording all of the game's music tracks was made easier by the fact that the game engine is controlled by interpreted (uncompiled) script which can be found (and modified) in plain-text form within the ROBO.DAT file. There is a line like "#TUNE 1" that sets the music for each mission or stage of the game. Editing the "TUNE" number for a particular mission makes it easy to record each of the 10 tracks.I took the title of each track directly from a listing within the ROBO.DAT file, and tracks are ordered in this playlist according to that listing.This playlist (RoboCop 3 (PC) - Roland LA music):youtube.com/playlist?list=PLNXHw_ipV81jGXNH-G_0T2-TKHEMIk6uqfrom RoboCop 3 (1992)Audio: Barry LeitchGame Developer: Digital Image DesignGame Publisher: Ocean
RoboCop 3 (PC) - Roland LA music - MEDIA Break Music tohopes 2016-08-30 | The music of RoboCop 3, as played by the game running in DOSBox connected to a Roland CM-64 via a USB MIDI interface.The CM-64, like the MT-32, CM-32L, and LAPC-I, is one of Roland's "Linear Arithmetic" synthesizers, which produce musical tones by combining PCM samples with synthesized waveforms. These devices, marketed to amateur musicians and players of computer games, were less expensive, less powerful relatives of Roland's D-50 Linear Arithmetic synthesizer which was used by professional musicians in the late 80s and 90s.These videos include a photo of the LA32 synthesis chip in my CM-64 which produced the sound recorded in the videos. The date code printed on it indicates that it was produced in the 13th week of 1989.In some of this game's music tracks, the various parts get noticeably out of sync with one another, meaning that some parts/instruments/voices play during parts of the tune when they're clearly not supposed to. This suggests that the game's music playback was more complex (and buggier) than simply streaming all parts together as a single MIDI sequence, as is done in many games.Also interesting is that instruments are not re-set when gameplay transitions from a mission to the subsequent mission briefing, causing the music for "Media Break" scenes and cutscenes to sound different depending on which mission was just played.RoboCop 3 uses the Roland LA synth for sound effects as well as for music, for example playing Low Timbale (a drum) from the MT-32's rhythm set when the player kills an enemy and playing Explosion (exclusive to later CM-units and LAPC cards) when a character fires a gun.Some of the tracks use extreme channel volume and velocity controls, causing horrible distortion when played on my CM-64, so I wrote some code to intercept and reduce the channel volume values in real-time. You could probably avoid this distortion on an MT-32 by turning down the master volume (unfortunately not so on the CM-64, whose master volume control is analog as opposed to digital).Recording all of the game's music tracks was made easier by the fact that the game engine is controlled by interpreted (uncompiled) script which can be found (and modified) in plain-text form within the ROBO.DAT file. There is a line like "#TUNE 1" that sets the music for each mission or stage of the game. Editing the "TUNE" number for a particular mission makes it easy to record each of the 10 tracks.I took the title of each track directly from a listing within the ROBO.DAT file, and tracks are ordered in this playlist according to that listing.This playlist (RoboCop 3 (PC) - Roland LA music):youtube.com/playlist?list=PLNXHw_ipV81jGXNH-G_0T2-TKHEMIk6uqfrom RoboCop 3 (1992)Audio: Barry LeitchGame Developer: Digital Image DesignGame Publisher: Ocean
RoboCop 3 (PC) - Roland LA music - Ninja tohopes 2016-08-30 | The music of RoboCop 3, as played by the game running in DOSBox connected to a Roland CM-64 via a USB MIDI interface.The CM-64, like the MT-32, CM-32L, and LAPC-I, is one of Roland's "Linear Arithmetic" synthesizers, which produce musical tones by combining PCM samples with synthesized waveforms. These devices, marketed to amateur musicians and players of computer games, were less expensive, less powerful relatives of Roland's D-50 Linear Arithmetic synthesizer which was used by professional musicians in the late 80s and 90s.These videos include a photo of the LA32 synthesis chip in my CM-64 which produced the sound recorded in the videos. The date code printed on it indicates that it was produced in the 13th week of 1989.In some of this game's music tracks, the various parts get noticeably out of sync with one another, meaning that some parts/instruments/voices play during parts of the tune when they're clearly not supposed to. This suggests that the game's music playback was more complex (and buggier) than simply streaming all parts together as a single MIDI sequence, as is done in many games.Also interesting is that instruments are not re-set when gameplay transitions from a mission to the subsequent mission briefing, causing the music for "Media Break" scenes and cutscenes to sound different depending on which mission was just played.RoboCop 3 uses the Roland LA synth for sound effects as well as for music, for example playing Low Timbale (a drum) from the MT-32's rhythm set when the player kills an enemy and playing Explosion (exclusive to later CM-units and LAPC cards) when a character fires a gun.Some of the tracks use extreme channel volume and velocity controls, causing horrible distortion when played on my CM-64, so I wrote some code to intercept and reduce the channel volume values in real-time. You could probably avoid this distortion on an MT-32 by turning down the master volume (unfortunately not so on the CM-64, whose master volume control is analog as opposed to digital).Recording all of the game's music tracks was made easier by the fact that the game engine is controlled by interpreted (uncompiled) script which can be found (and modified) in plain-text form within the ROBO.DAT file. There is a line like "#TUNE 1" that sets the music for each mission or stage of the game. Editing the "TUNE" number for a particular mission makes it easy to record each of the 10 tracks.I took the title of each track directly from a listing within the ROBO.DAT file, and tracks are ordered in this playlist according to that listing.This playlist (RoboCop 3 (PC) - Roland LA music):youtube.com/playlist?list=PLNXHw_ipV81jGXNH-G_0T2-TKHEMIk6uqfrom RoboCop 3 (1992)Audio: Barry LeitchGame Developer: Digital Image DesignGame Publisher: Ocean
RoboCop 3 (PC) - Roland LA music - OCP Tower tohopes 2016-08-30 | The music of RoboCop 3, as played by the game running in DOSBox connected to a Roland CM-64 via a USB MIDI interface.The CM-64, like the MT-32, CM-32L, and LAPC-I, is one of Roland's "Linear Arithmetic" synthesizers, which produce musical tones by combining PCM samples with synthesized waveforms. These devices, marketed to amateur musicians and players of computer games, were less expensive, less powerful relatives of Roland's D-50 Linear Arithmetic synthesizer which was used by professional musicians in the late 80s and 90s.These videos include a photo of the LA32 synthesis chip in my CM-64 which produced the sound recorded in the videos. The date code printed on it indicates that it was produced in the 13th week of 1989.In some of this game's music tracks, the various parts get noticeably out of sync with one another, meaning that some parts/instruments/voices play during parts of the tune when they're clearly not supposed to. This suggests that the game's music playback was more complex (and buggier) than simply streaming all parts together as a single MIDI sequence, as is done in many games.Also interesting is that instruments are not re-set when gameplay transitions from a mission to the subsequent mission briefing, causing the music for "Media Break" scenes and cutscenes to sound different depending on which mission was just played.RoboCop 3 uses the Roland LA synth for sound effects as well as for music, for example playing Low Timbale (a drum) from the MT-32's rhythm set when the player kills an enemy and playing Explosion (exclusive to later CM-units and LAPC cards) when a character fires a gun.Some of the tracks use extreme channel volume and velocity controls, causing horrible distortion when played on my CM-64, so I wrote some code to intercept and reduce the channel volume values in real-time. You could probably avoid this distortion on an MT-32 by turning down the master volume (unfortunately not so on the CM-64, whose master volume control is analog as opposed to digital).Recording all of the game's music tracks was made easier by the fact that the game engine is controlled by interpreted (uncompiled) script which can be found (and modified) in plain-text form within the ROBO.DAT file. There is a line like "#TUNE 1" that sets the music for each mission or stage of the game. Editing the "TUNE" number for a particular mission makes it easy to record each of the 10 tracks.I took the title of each track directly from a listing within the ROBO.DAT file, and tracks are ordered in this playlist according to that listing.This playlist (RoboCop 3 (PC) - Roland LA music):youtube.com/playlist?list=PLNXHw_ipV81jGXNH-G_0T2-TKHEMIk6uqfrom RoboCop 3 (1992)Audio: Barry LeitchGame Developer: Digital Image DesignGame Publisher: Ocean
RoboCop 3 (PC) - Roland LA music - The Church tohopes 2016-08-30 | The music of RoboCop 3, as played by the game running in DOSBox connected to a Roland CM-64 via a USB MIDI interface.The CM-64, like the MT-32, CM-32L, and LAPC-I, is one of Roland's "Linear Arithmetic" synthesizers, which produce musical tones by combining PCM samples with synthesized waveforms. These devices, marketed to amateur musicians and players of computer games, were less expensive, less powerful relatives of Roland's D-50 Linear Arithmetic synthesizer which was used by professional musicians in the late 80s and 90s.These videos include a photo of the LA32 synthesis chip in my CM-64 which produced the sound recorded in the videos. The date code printed on it indicates that it was produced in the 13th week of 1989.In some of this game's music tracks, the various parts get noticeably out of sync with one another, meaning that some parts/instruments/voices play during parts of the tune when they're clearly not supposed to. This suggests that the game's music playback was more complex (and buggier) than simply streaming all parts together as a single MIDI sequence, as is done in many games.Also interesting is that instruments are not re-set when gameplay transitions from a mission to the subsequent mission briefing, causing the music for "Media Break" scenes and cutscenes to sound different depending on which mission was just played.RoboCop 3 uses the Roland LA synth for sound effects as well as for music, for example playing Low Timbale (a drum) from the MT-32's rhythm set when the player kills an enemy and playing Explosion (exclusive to later CM-units and LAPC cards) when a character fires a gun.Some of the tracks use extreme channel volume and velocity controls, causing horrible distortion when played on my CM-64, so I wrote some code to intercept and reduce the channel volume values in real-time. You could probably avoid this distortion on an MT-32 by turning down the master volume (unfortunately not so on the CM-64, whose master volume control is analog as opposed to digital).Recording all of the game's music tracks was made easier by the fact that the game engine is controlled by interpreted (uncompiled) script which can be found (and modified) in plain-text form within the ROBO.DAT file. There is a line like "#TUNE 1" that sets the music for each mission or stage of the game. Editing the "TUNE" number for a particular mission makes it easy to record each of the 10 tracks.I took the title of each track directly from a listing within the ROBO.DAT file, and tracks are ordered in this playlist according to that listing.This playlist (RoboCop 3 (PC) - Roland LA music):youtube.com/playlist?list=PLNXHw_ipV81jGXNH-G_0T2-TKHEMIk6uqfrom RoboCop 3 (1992)Audio: Barry LeitchGame Developer: Digital Image DesignGame Publisher: Ocean
RoboCop 3 (PC) - Roland LA music - Sewers tohopes 2016-08-30 | The music of RoboCop 3, as played by the game running in DOSBox connected to a Roland CM-64 via a USB MIDI interface.The CM-64, like the MT-32, CM-32L, and LAPC-I, is one of Roland's "Linear Arithmetic" synthesizers, which produce musical tones by combining PCM samples with synthesized waveforms. These devices, marketed to amateur musicians and players of computer games, were less expensive, less powerful relatives of Roland's D-50 Linear Arithmetic synthesizer which was used by professional musicians in the late 80s and 90s.These videos include a photo of the LA32 synthesis chip in my CM-64 which produced the sound recorded in the videos. The date code printed on it indicates that it was produced in the 13th week of 1989.In some of this game's music tracks, the various parts get noticeably out of sync with one another, meaning that some parts/instruments/voices play during parts of the tune when they're clearly not supposed to. This suggests that the game's music playback was more complex (and buggier) than simply streaming all parts together as a single MIDI sequence, as is done in many games.Also interesting is that instruments are not re-set when gameplay transitions from a mission to the subsequent mission briefing, causing the music for "Media Break" scenes and cutscenes to sound different depending on which mission was just played.RoboCop 3 uses the Roland LA synth for sound effects as well as for music, for example playing Low Timbale (a drum) from the MT-32's rhythm set when the player kills an enemy and playing Explosion (exclusive to later CM-units and LAPC cards) when a character fires a gun.Some of the tracks use extreme channel volume and velocity controls, causing horrible distortion when played on my CM-64, so I wrote some code to intercept and reduce the channel volume values in real-time. You could probably avoid this distortion on an MT-32 by turning down the master volume (unfortunately not so on the CM-64, whose master volume control is analog as opposed to digital).Recording all of the game's music tracks was made easier by the fact that the game engine is controlled by interpreted (uncompiled) script which can be found (and modified) in plain-text form within the ROBO.DAT file. There is a line like "#TUNE 1" that sets the music for each mission or stage of the game. Editing the "TUNE" number for a particular mission makes it easy to record each of the 10 tracks.I took the title of each track directly from a listing within the ROBO.DAT file, and tracks are ordered in this playlist according to that listing.This playlist (RoboCop 3 (PC) - Roland LA music):youtube.com/playlist?list=PLNXHw_ipV81jGXNH-G_0T2-TKHEMIk6uqfrom RoboCop 3 (1992)Audio: Barry LeitchGame Developer: Digital Image DesignGame Publisher: Ocean
