VevoDSCVR
Aurora - Lucky - Vevo dscvr (Live)
updated
Director: Charlie Sarsfield
Vevo Executive Producer: Nick Calafato
Vevo Senior Producer: Yomi Ogunsola
Vevo Production Coordinator: Nancy Loud
Vevo Music & Talent: Alex Morley
Vevo Music & Talent Coordinator: Elton Riscosa
Vevo Senior Editor: Helena Duque
Vevo Post-Production Associate Manager/Editor: Scott Robson
Vevo Design Director: Charlee Twigg
1st AD: Marnz Brown
Director of Photography: Courtney J. Bennett
Steadicam Operator: Gary Kent
1st AC / Focus Puller: Jim McLean
2nd AC / Loader: Esther Edusi
Gaffer: Adam Buruncz
Light Director: Ben Mansfield
Stills: Abigail Morris
Sound Engineer: Alex Archer
Sound Assistant: Matt Facey
Runner: Bradley Salih
Runner: Nadine De Carvalho
http://vevo.ly/4g3GJD
“The next wave is the best wave,” goes the timeless surfing adage. Samaria knows a thing or two about the value of patience. The Bay Area R&B singer - who recently signed to RCA and dropped her first project, ‘Even Paradise Rains,’ with the label - has been making music for about a decade. In fact, she’s the rare prospect that has a nine year gap between full-length projects. Lifelong adoration of Lauryn Hill and Aaliyah is up front in early albums ‘The Story of Right Now’ and ‘Adventures of Lovergirl.’ Personal romantic failures could have derailed the next few years, but Samaria turned proverbial lemons into lemonade with 2022’s ‘Didn’t Start With You.’ Sonically, there’s a little more West Coast to the six-song EP, with a smattering of G-funk bounce and biting lyrics belied by breeziness; sample “Still Got 4ever” and “Out The Way” for a taste. Samaria’s music reflects the mind of any young person, a beehive in which anxieties and self doubt blend with self-assuredness and infinite feeling. “I have so much going in my head 24/7,” she says. Which is why most of the promo photos, and even the artwork, for ‘Even Paradise Rains’ contains surf imagery. She’s become an apostle for the sport and its culture. “For me, surfing’s probably more therapeutic than music.” With “3 Rings” and “serial recluse,” not only have you DSCVR'd your next favorite R&B artist, you’ve stumbled upon a moment of zen.
Watch Samaria’s music videos: youtube.com/@SamariaMusic
Follow Samaria:
Instagram: instagram.com/samaria
Twitter: twitter.com/findlovergirl
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#Samaria #EvenParadiseRains #VevoDSCVR
Music video by Samaria performing Introducing Samaria | Vevo DSCVR.
http://vevo.ly/niRRKq
"When you're all over him, I hope you're all over me/I got a king size bed just missing a queen..." That's the kind of couplet that helps a song plant a major foothold on a listener, and country upstart Josh Ross packs mucho emotion into those "Single Again" lines. In an instant, you know what it's like to stand in his shoes. The Ontario native was a sports head before he was a music head; he knows his way around a gridiron. But after earning some dap by co-leading a regional band called Silver Lining in the late 2010s, he started taking songs and songwriting a bit more seriously. 2022 gave us the impressive "First Taste of Gone," and then he made hay as a finalist in SiriusXM's 'Top Of The Country' contest. A 'Rising Star' nom by the Canadian Country Music Awards also proved he wasn't just spinnin' his wheels. When the start of 2023 brought the mighty "Trouble," and "Ain't Doin' Jack" hit last summer, he was on his way. Ross just dropped his first full project, 'Complicated.' We listened and listened and thought more folks should have him on their radar. His performances of "Single Again" and "Trouble" hit the bullseye. He knows how to captivate a crowd. Which means it would be wise to see him this summer. After a stop at the always-fun Stagecoach Festival in Cali, he heads to the UK, and then circles back home for dates in Canada and the US. Don't miss!
Stream & Download Josh's “Complicated” EP: https://JoshRoss.lnk.tt/complicatedRID
Sign-up for Josh’s exclusive email list: joshross.lnk.to/newsletterID
Add Josh to your contacts: my.community.com/joshross
to join Josh’s text list and receive updates on music, merch, tour and more!
Shop at Josh's official store for his merch: shop.joshrossmusic.com
Connect with Josh Ross:
Instagram: instagram.com/joshrossmusic
Facebook: facebook.com/joshrossmusic
TikTok: tiktok.com/@joshrossmusic
Twitter: twitter.com/musicjoshross
Website: joshrossmusic.com
Vevo
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Executive Producer: Chris Pereira
Director: Skyler Brown
Creative Director, Production: Liz Hart
Director, Line Production: Yanina Molina
Producer: Stacey Branson
Director of Photography: Jake Vriezelaar
Steadicam: Ryan Tousseing
AC: Josh Ruffner
Gaffer: Elliott Travis
Key Grip: Chris Angarone
A1: Sam Palumbo
A2: Jeremy Nakamura
Production Assistant: Kirsten Izzett
Senior Manager, Post Production: Dominic Siri
Editor: Kevin Rose
Photography, WMA: Sam Leviton
Music & Talent: Cynthia Todd + Gabby Prisciandaro + Jordan Ferree
Music video by Josh Ross performing Introducing Josh Ross | Vevo DSCVR. © 2024 The Core Entertainment/Universal Music Canada Inc.
http://vevo.ly/9K7yFt
Whether it be whisky, wine, or beer, musicians have a long history of booze-drenched lyrics. But can you recall one about Disaronno? Gabzy’s “Piano” might not be the first to tip the Italian amaretto, but his new track surely matches its taste. Every word from the Southeast Londoner goes down smooth, with just a hint of bite: “Girl, I see you/Don’t play games, I’ll read you/Follow me, I’ll lead you/Let me show you how we do.” One could be convinced that producer Lekaa Beats filtered the instruments through the amber-hued liquid. Raised by Nigerian parents, Gabzy reps a worldly vibe. For two years, he lived in the States and absorbed the country’s R&B on the radio. Mostly, the man who also goes by Mr. Malone - an “alter ego” - credits the “multicultural vibe” of Peckham, the London neighborhood where he resided the longest, with shaping his art. Music was always a first love; but his artistic career was sidetracked by his footballing talents. That was until some local rhymers caught wind of a freestyle and urged him back on course. The AyoJay fan often points to his 2019 EP, ‘Summers,’ as an artistic inflection point. It’s the project that solidified his creative partnership with American producer Melvitto. Recently Amaarae gave the duo a shoutout, joining Saweetie on the growing list of big names that have dapped up our man. Back to the Disaronno. We decided to do something a little special for the opening moments of his “Piano” performance, which opens tight on a rocks glass and decanter. Cheers to this cool glass of talent.
Watch Gabzy DSCVR Live Performances here: youtube.com/playlist?list=PLfpWqf0Dq32_ie9u_C8TR7puprTSUE8TE
Subscribe to Gabzy’s channel: youtube.com/@GabzyMalone
Follow Gabzy:
Instagram: instagram.com/itsgabzy
Twitter: twitter.com/itsgabzy
TikTok: tiktok.com/@itsgabzy
Vevo
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Band
MD/Keyboardist - Jola Aderibigbe
Drummer - Mickell Boswell
Guitarist - Josh Hawkins
Creative
Peter Famosa (Scary Town)
Eddie Frimpong (Juicebox Live)
Mixed & Mastered
melvitto
Femi Bello (Beloudio)
Director: Eleanor Gracehann and Nick Calafato
Vevo Executive Producer: Nick Calafato
Vevo Senior Producer: Yomi Ogunsola
Vevo Production Coordinator: Nancy Loud
Vevo Music & Talent: Chiara Bonarrigo
Vevo Programming & Editorial: Alessia Nosari
Vevo Senior Editor: Helena Duque
Vevo Post-Production Associate Manager/Editor: Scott Robson
Vevo Design Director: Charlee Twigg
1st AD: Marnz Brown
Director of Photography: Keith Gubbins
Steadicam Operator: Gary Kent
1st AC / Focus Puller: Jim McLean
2nd AC / Loader: Esther Edusi
Gaffer: Giovanni Mattei
Light Director: Ben Houghton
Stills: Aron Klein
Sound Engineer: Matt Facey
Sound Assistant: Ellis Cohen
Runner: Elizabeth Playle
Runner: Ismah Ansari
Makeup: Jo Merola
#Gabzy #Piano #VevoDSCVR
http://vevo.ly/m31ERv
Watch CLARA’S DSCVR SESSION here: youtube.com/playlist?list=PLkqz3S84Tw-T3HNvc6nKS9BLDInxAjrZ7
► Follow Vevo Italia:
Instagram: instagram.com/vevo_it
Facebook: facebook.com/VevoItalia
Twitter: twitter.com/Vevo_IT
► Follow CLARA:
Instagram: instagram.com/soccins
TikTok: tiktok.com/@soccins
Director: Eleanor Gracehann and Nick Calafato
Vevo Executive Producer: Nick Calafato
Vevo Senior Producer: Yomi Ogunsola
Vevo Production Coordinator: Nancy Loud
Vevo Music & Talent: Chiara Bonarrigo
Vevo Programming & Editorial: Alessia Nosari
Vevo Senior Editor: Helena Duque
Vevo Post-Production Associate Manager/Editor: Scott Robson
Vevo Design Director: Charlee Twigg
1st AD: Marnz Brown
Director of Photography: Keith Gubbins
Steadicam Operator: Gary Kent
1st AC / Focus Puller: Jim McLean
2nd AC / Loader: Esther Edusi
Gaffer: Giovanni Mattei
Light Director: Ben Houghton
Stills: Aron Klein
Sound Engineer: Matt Facey
Sound Assistant: Ellis Cohen
Runner: Elizabeth Playle
Runner: Ismah Ansari
Makeup: Jo Merola
Thanks to: Francesca Mauri, Sofia Antonelli, Andrea De Simone, Warner Music Italy
#Clara #DSCVR #Vevo
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▶️ youtube.com/watch?v=l1PE7xvjN94&list=PL9tY0BWXOZFuligDHfAuNYVrpnfMrf0oX&index=2
“Come to my shows lol” reads the caption of the blurry photo depicting EKKSTACY crowdsurfing, hands raised in triumph, at one of his club shows a couple years back. As the pop punk revival continues, Gen Zers such as Stacy who not only uphold its core tenets (mosh pits, lyrics about sadness bordering on nihilism, earworm guitar hooks, etc.) but also push it forward are enhancing the genre that gave the previous generation an identity and solace. Judging from photos and fan response, it’s def safe to say that the face-tatted 22-year-old is adept at fostering community at his gigs. In March he’ll traverse clubs across Europe; In May and July he’ll be rocking Stateside. Opportunity abounds. “No one is making music off of just their idea. It’s impossible. I like to be influenced,” says the Vancouver born and raised, LA based singer. He counts Beach House and $uicideboys among current fascinations, but has claimed that he “doesn’t listen” to artists who sound like him. Audiences initially learned about Stacy through 2021’s ‘NEGATIVE’ EP. Its subdued lofi mix gave it propulsion, but made way for his deeply angsty lyrics, so as not to be overwhelming. Fans really connected with the lyrics of “i walk this earth all by myself,” which tackle parental divorce and the terror of independence. While the production choices remain similar on this year’s self-titled debut album, evolution can be found in collaborators (fellow inked up sadboi Trippie Redd and genre hater The Kid LAROI) and subject matter. “Six are about girls, two mention death, and the rest vary,” he told FLOOD. Musing to our DSCVR team about performing he says “it’s the best feeling I think I know.” Time to plug in and let go with EKKSTACY.
Subscribe to EKKSTACY’s channel: http://bit.ly/46cZXGb
Listen to EKKSTACY’S new album: https://linktr.ee/ekkstacy
Follow EKKSTACY:
Instagram: instagram.com/ekkstacy
Soundcloud: soundcloud.com/ekkstacy
Twitter: twitter.com/ekkstacy
TikTok: tiktok.com/@ekkstacy
Vevo
facebook.com/Vevo
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Executive Producer: Chris Pereira
Director: Skyler Brown
Creative Director, Production: Liz Hart
Director, Line Production: Yanina Molina
Producer: Stacey Branson
Director of Photography: Jake Vriezelaar
Steadicam: Sawyer Oubre
AC: Josh Ruffner
Gaffer: Brandon Woodruff
Key Grip: Chris Angarone
A1: Sam Palumbo
A2: Jeremy Nakamura
Production Assistant: Arthur Joseph
Senior Manager, Post Production: Dominic Siri
Editor: Andrew Ros
Photography, WMA: Sam Leviton
Music & Talent: Gabby Prisciandaro + Jordan Ferree
#ekkstacy #vevodscvr #chicago
Music video by EKKSTACY performing Introducing EKKSTACY | Vevo DSCVR.
http://vevo.ly/JkCKfz
Descubre más vídeos de Daniel Sabater:
youtube.com/@daniel.sabater
Sigue a Daniel Sabater
Instagram: instagram.com/dddsabater
TikTok: tiktok.com/@dddsabater
Twitter: twitter.com/dddsabater
Sigue a Vevo España
Instagram: instagram.com/vevo_esp
Facebook: facebook.com/vevoespana
Twitter: twitter.com/VEVO_ESP
Director: Jim Wilmot
Vevo Executive Producer: Nick Calafato
Vevo Producer: Yomi Ogunsola
Vevo Production Coordinator: Nancy Loud
Vevo Senior Music & Talent: Chiara Hellquist
Vevo Programming & Editorial: Maria Duran Riera
Vevo Senior Editor: Helena Duque
Vevo Post-Production Associate Manager/Editor: Scott Robson
Vevo Design Director: Charlee Twigg
1st AD: Marnz Brown
Director of Photography: Keith Gubbins
Steadicam Operator: Beau Pritchard-James
1st AC / Focus Puller: Jim Mclean
2nd AC / Loader: Esther Edusi
Gaffer: Giovanni Mattei
Light Director: Ben Mansfield
Stills: Aron Klein
Sound Engineer: Alex Archer
Sound Assistant: Matt Facey
Runner: Elizabeth Playle
Runner: John McCaig
http://vevo.ly/ZXojNA
Every artist wields a certain amount of self-belief, but Anne Wilson has absolute faith. It stems from her devotion to God and, like a guiding light, floods into every corner of her life. The Lexington native has credited her mom for the strong Christian upbringing that girds her life journey, and thanked her with a song. “Mamas” is a prime example of the way Wilson blends elements of mystery and adoration that are key to faith-based music with a tasteful country touch that’s earned her plenty of crossover fans. But it ain’t the only one. Most of the 15 tracks of her ‘My Jesus’ debut could pour from speakers at a morning church service and blare from Nashville jukeboxes later in the night. “Sunday Sermons” is a stomping clapper with huge drums; “God Thing” runs on guitar riffs and a vocal performance that conjures the eloquence of Maren Morris. A little while back we interviewed Anne about “Seventh of June,” her utterly devastating tribute to her deceased brother. Again she was insightful when we chatted with her in the DSCVR studio, which she treated like something akin to a pulpit. The singer mused that she hopes listeners find “joy” and “perspective” in her tunes, and we’re thinking “REBEL” and “Rain in the Mirror” will open more than a couple hearts to both.
Watch music videos by Anne Wilson: youtube.com/@annewilson
Subscribe to Anne’s YouTube Channel: https://AnneWilson.lnk.to/SubscribeVD
Follow Anne on Spotify: https://AnneWilson.lnk.to/spotifyVD
Sign-up for Anne’s exclusive email list: https://AnneWilson.lnk.to/JoinTheListVD
Text ‘AnneWilson’ to +1-615-436-6352
to join Anne’s fan club text list and receive updates on music, merch, tour and more!
Follow Anne Wilson:
Instagram: instagram.com/annewilsonmusic
Facebook: facebook.com/annewilsonmusic
TikTok: tiktok.com/@annewilsonmusic
Twitter: twitter.com/annewilsonmusic
Website: http://www.annewilsonofficial.com
Follow Vevo
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instagram.com/vevo
tiktok.com/@vevo
Executive Producer: Chris Pereira
Director: Skyler Brown
Creative Director, Production: Liz Hart
Director, Line Production: Yanina Molina
Producer: Stacey Branson
Director of Photography: Jake Vriezelaar
Steadicam: Sawyer Oubre
AC: Riley Patterson
Gaffer: Elliott Travis
Key Grip: Chris Angarone
A1: Sam Palumbo
A2: Casey Graham
Production Assistant: Arthur Joseph
Senior Manager, Post Production: Dominic Siri
Editor: Kevin Rose
Photography, WMA: Sam Leviton
Music & Talent: Cynthia Todd + Shannon Pires
#AnneWilson #Vevo #VevoDSCVR
Music video by Anne Wilson performing Introducing Anne Wilson | Vevo DSCVR. Sparrow Records/EMI Records Nashville; © 2023 Capitol CMG, Inc.
http://vevo.ly/rqhfTK
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▶️ youtube.com/watch?v=DX2dR4xyDgw&list=PLfpWqf0Dq32-ovCIwUKMtWIbV0y0eEV17&index=2
If rural has a sound, and, further, has a soul, it just might be shaped like the swishes and swoops of Brenn!'s music. Last year's "Looking For" finds acoustic instruments riding a pounding beat that rockets the Tuscaloosa teen's voice into a plaintive bellow, a rather unique resonance to be sure. In 2002's "vintage tees," something similar happens, only there are a couple keybs added to provide texture. The minute you think the singer falls into the folky side of things, his pop personality blossoms to dominate the action. All good in that department, because communication, and a widely broadcast communication at that, seems to be where Brenn! is most comfortable. 2023 was an impactful year for this Southerner; he went from regional ripples to national impact on the power of the irresistible "4runner," which as he says, "went super viral," after he plopped it onto TikTok (although he did break two ankles doing a backflip for the camera on a Nashville street). We were part of that viral splash, seduced by Brenn's charms. So we had him in to explain himself in a short interview. Then we asked him to do "Revival." And it worked out fine. Lots of action, but all bones remained intact.
Watch music videos by Brenn!: youtube.com/channel/UCtn4JCPbth51kJlL3MWkipQ
Brenn!
tiktok.com/@brenn_music
twitter.com/brennmusic
facebook.com/events/loftus-hall/brenn/1930426627283835
instagram.com/brennnnnnnn
Vevo
facebook.com/Vevo
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tiktok.com/@vevo
twitter.com/Vevo
Executive Producer: Chris Pereira
Director: Tomas Alvear
Creative Director, Production: Liz Hart
Director, Line Production: Yanina Molina
Producer: Stacey Branson
Director of Photography: Jake Vriezelaar
Steadicam: Sawyer Oubre
AC: Carey Hu
Gaffer: Elliott Travis
Key Grip: Chris Angarone
A1: Sam Palumbo
A2: Jeremy Nakamura
Production Assistant: Arthur Joseph
Senior Manager, Post Production: Dominic Siri
Editor: Andrew Ros
Photography, WMA: Sam Leviton
Music & Talent: Parul Chokshi+ Gabby Prisciandaro + David McTiernan
#Brenn! #Revival #CountryLine
Music video by Brenn! performing Introducing Brenn! | Vevo DSCVR. © 2024 Darkroom Records
http://vevo.ly/lRlLAD
Some singer-songwriters reel off 14 verses and never have their point come across. For the last several years, Medium Build (aka Nick Carpenter) has made a good chunk of his lyrics turn your head immediately, usually while throwing in a little philosophy for good measure. “Why do we have to be something bigger than we were yesterday?” he queries on one song from his 2019 album, ‘Wild.’ And in the new “In My Room,” his portrait of a family in emotional disarray gets more and more vivid, and therefore increasingly poignant, with each new turn of phrase. The singer, from a kid’s POV, sits on his bed and wonders “if I’ll ever get so rich that I never feel alone when I’m at home?” A Georgia youth whose Tennessee college stint and subsequent search-for-self foray in Alaska, Carpenter’s world view centers on a search for deeper and wider perspective. Dude’s always writing. He currently has four albums and a live EP in his pocket. Last year he connected with X Ambassadors’ Sam Harris and commiserated about the frustrations of being in fledgling bands as kids in the heartfelt, “Friend For Life.” Carpenter has said he’s gone through phases of “ripping off” Bruce Springsteen, Mumford & Sons, and Paul McCartney, but pushed on with his songs because he wanted to find his true voice. We think he’s there, and as you can hear on these performances of “Crying Over U” and “In My Room,” his way with sculpting a lyric is just as captivating as his way of delivering its meaning.
Watch music videos by Medium Build: youtube.com/@ItsMediumBuild
Follow Medium Build
instagram.com/mediumbuild
facebook.com/mediumbuild
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Twitter: http://twitter.com/vevo
Instagram: http://instagram.com/vevo
TikTok: tiktok.com/@vevo
Director: Jim Wilmot
Vevo Executive Producer: Nick Calafato
Vevo Producer: Yomi Ogunsola
Vevo Production Coordinator: Nancy Loud
Vevo Music & Talent: Carl Young
Vevo Music & Talent Coordinator: Elton Riscosa
Vevo Editorial: Jaqueline Lockinger
Vevo Senior Editor: Helena Duque
Vevo Post-Production Associate Manager/Editor: Scott Robson
Vevo Design Director: Charlee Twigg
1st AD: Marnz Brown
Director of Photography: Stephen Dunn
Steadicam Operator: Beau Pritchard-James
1st AC / Focus Puller: Jim McLean
2nd AC / Loader: Esther Edusi
Gaffer: Al Bury
Light: Director Tourlite
Stills: Amran Abdi
Sound Engineer: Alex Archer
Runner: Elizabeth Playle
Runner: John McCaig
#MediumBuild #Vevo #VevoDSCVR
Music video by Medium Build performing Introducing Medium Build (Vevo DSCVR). slowplay; © 2024 Medium Build, LLC, , under exclusive license to Island Records, a division of UMG Recordings, Inc.
http://vevo.ly/2dORDG
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▶️ youtube.com/watch?v=jRETjTPRMn0&list=PL54XoldA77KpMUHcggcP25CH1JSrDxMpN&index=2
No hay duda de que Miami es el epicentro de la música latina. Una ciudad cuya vida nocturna y apertura al mar inspira tanto a raperos como ídolos de pop. Directo desde el 305 llega Gonzy, el reggaetonero cubano-americano cuyo estilo es una amalgama de sonidos prestados del R&B, dance-pop, bachata y, claro, el reggaetón, que persuaden a los escuchas a la pista de baile. Sus historias sobre corazones rotos, el orgullo, el sexo y el party hipnotizan y encandilan. Su primer álbum, ‘MI FANTASY’, posicionó al rapero como uno de los artistas más versátiles de la nueva escuela. Pero, fue su siguiente proyecto, ‘DESAHOGO’, que lo llevó a ser telonero de Myke Towers durante su concierto en Miami. “Me he pasado los últimos tres años cogiendo la ruta larga del estudio pa’ la casa para poder pasarle por delante al [Kaseya Center] y visualizarme cantando ahí”, dijo Gonzy tras el concierto. “Espero nunca perder esta emoción con mi trabajo porque esto se siente bien cabrón”. La humildad, el “Caribbean swagger” y el talento lírico de Gonzy, quién deslumbra tanto en inglés como español, son la receta perfecta para hacer del reggaetonero una de las próximas estrellas del género. Míralo matando la liga durante su presentación en vivo de su éxito viral “X’CLUSIVO” en el escenario de DSCVR de Vevo.
Miami is the epicenter of Latin music – a city whose nightclubs and ocean front rooftops inspire rappers and pop idols alike. Coming straight from the 305 is Gonzy, a Cuban-American reggaeton singer whose style is an amalgamation of borrowed sounds from R&B, dance-pop, bachata, and, of course, reggaeton that persuades fans to join the dancefloor. His stories about broken hearts, pride, sex and the all-consuming party really grab you. His first album, ‘MI FANTASY,’ positioned the rapper as one of the most versatile new school artists in the genre. It was his 2023 project ‘DESAHOGO’ which catapulted him directly into an opening spot for Myke Towers’ tour stop in Miami. “I’ve spent the last three years taking the long way home from the studio to cruise by the [Kaseya Center] arena and visualize myself there,” Gonzy said after the concert. “I hope I never lose this feeling because it’s fucking amazing.” His humility, Caribbean swagger and lyrical talent in both English and Spanish are the perfect combination to make Gonzy the next big reggaeton star. Watch him tear through his viral hit, “X’CLUSIVO,” on Vevo’s DSCVR stage.
Escuchar aquí: https://ffm.link/xclusivospotify
Join Gonzy Club / Únete al Club : https://ffm.link/gonzyclub
Suscríbete al canal/Subscribe to the channel: ffm.to/ytgonzy
Sigue a Gonzy / Follow Gonzy:
Spotify: ffm.to/spotifygonzy
Apple Music: ffm.to/applemusicgonzy
Instagram: www.instagram.com/gonzy
Watch music videos by Gonzy: youtube.com/@gonzyofficial
Follow Vevo
Facebook: http://facebook.com/vevo
Twitter: http://twitter.com/vevo
Instagram: http://instagram.com/vevo
TikTok: tiktok.com/@vevo
Executive Producer: Chris Pereira
Director: Skyler Brown
Creative Director, Production: Liz Hart
Director, Line Production: Yanina Molina
Producer: Stacey Branson
Director of Photography: Jake Vriezelaar
Production Designer: Tyler Jensen
Director, Post Production: Michael Colman
Project Manager: Dominic Siri
Editor: Kevin Rose
Music + Talent: Gabby Prisciandaro + Julie Fernandez
Steadicam: Sawyer Oubre
AC: Riley Patterson
Gaffer: Elliott Travis
Key Grip: Chris Angarone
A1: Sam Palumbo
A2: Casey Graham
Production Assistant: Arthur Joseph
Format Design & Motion Supervisor: Sydney Emery
Graphic Design: Hannah Damico
Photography, WMA: Dillon Matthew
#Gonzy #XCLUSIVO #VevoDSCVR
Music video by Gonzy performing Introducing Gonzy (Live) | Vevo DSCVR. Virgin Music Latin / Visonare Recordings, LLC; © 2024 Visonare Recordings, LLC, Distributed by Virgin Music US Latin
http://vevo.ly/iGIsa8
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▶️ youtube.com/watch?v=WPEwT07OHpI&list=PLfpWqf0Dq329_Oo8M8s-rx3Btz3D35yX0&index=2
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▶️ youtube.com/watch?v=mFZgxlVVGpc&list=PLfpWqf0Dq328F57H0GQRrH8AgEb19I1Vm&index=2
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▶️ youtube.com/watch?v=VyXe5Nz1fYA&list=PL9tY0BWXOZFvFQOOnoTjc48EaSVntrXd7&index=3
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▶️ youtube.com/watch?v=F1moEtBBzho&list=PLfpWqf0Dq32_yjXBEdagTY8XMhQl3wtHM&index=3
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▶️ youtube.com/watch?v=BkzOOjUus8I&list=PLfpWqf0Dq32-oBhJ7MdzIOoJ2HGgim2BY&index=3
Like many artists of her generation, Tamera studied at the University of Beyoncé. When listening to her Afrobeats-tinted R&B and scrolling through her well-manicured Insta page, it’s not hard to imagine that the rising Brit singer actually took classes in The Art of Sasha Fierce. Each move has been a wise one. Raised just outside of London in Kent, young Tamera was molded into a confident vocalist by her church minister grandma. “She would push me to sing in front of other people,” the appreciative granddaughter recalls. After navigating the wild world of competitive singing TV shows and an early label deal, the then-teenager emerged with an eye on the indie route. R&B is the “main thread” of her sound, she says, but early singles such as “Wickedest” revealed an inclination to mix son clave riddims and the various guitar sounds of West African pop into her intoxicating sonic potions. With only one EP to her name - 2021’s ‘Aphrodite’ - Tamera cultivated a community of like-sounding UK artists such as Tay Iwar (“Good Love,” “Honest”) and DSCVR Artists To Watch 2023 alum Nonso Amadi (“Shivers”). Not to mention, her 100k+ followers love the way she mixes positive vibes with lavish aesthetics on her socials; it’s all about manifesting success after all. To that point, “Poison” might be Tamera’s strongest release to date, a zephyr of soft keys, undulating percussion, and romantic tension. She put a bow on 2023 with her ‘L.I.T.’ EP. “Bamba” is its closing track, and a marker of great things to come.
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#Tamera #Bamba #DSCVR
http://vevo.ly/qoYN5K
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▶️ youtube.com/watch?v=VP0pbNNTd0c&list=PL54XoldA77KqlFhsCnt-mccvzDg8Qwe_0&index=3
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▶️ youtube.com/watch?v=JCJKq2-l0Z0&list=PL9tY0BWXOZFs0Sr6XQq1egWFzatLqU5PU&index=3
You definitely have to be music oriented if you’re trying to get a studio job at the age of 14. Then an eighth-grader who grew up in Germany and Nigeria before his fam settled in South London, Strandz’s priority wasn’t learning the particulars of recording equipment (although that’s a boon in these tech-savvy times). It was to shake a few hands and extend the number of names on his contact list - you know, to get in the game. That he did, and caught the fever along the way. Without any previous music skills, he learned to play the piano for his audition at the famed BRIT School, which was nearby his house in Croydon. He made the cut, and the education did what education does: broadens interests. After opting for a couple gap years from uni to concentrate on creative skill sets, and by 2017 and the arrival of “Paper,” things started rolling. Early tracks such as “A-List” and “Carla” hit in the spring of 2020. With a yen for ‘90s hip-hop and a love of Jhené Aiko and Feist, the young artist wanted to make a point of crafting music that was emotionally open. As it developed, it was marked by a vocal style that was both familiar and unique. Complex has said that Strandz’s “flow is anything but a throwback, opting for a slow-and-low delivery that fits well with that era of hip-hop while being right-up-the-minute new.” Dodging the dominance of drill is a tough assignment for a UK rapper in 2023, but last year’s “4 The Money” knows its way around funk, and this past February’s “Us Against the World,” a TikTok hit that put this fan of Fela and 50 Cent on a lot of party playlists, rides a Smokey Robinson & the Miracles sample. Yep, heads are usually noddin’ when it blasts from the box. With live instrumentalists and singers in mind, Strandz has said that the upcoming months are ones that will be about “breaking boundaries and trying crazy stuff.” We’re here to support that vision, regardless how it might shift. These performances of “An Idea Was Born” and “Us Against The World” have us hooked forever.
Subscribe to Strandz’ channel: youtube.com/@StrandzFL
Watch Strandz performances here: youtube.com/playlist?list=PL7Eoq8I4SVE1HcV-wgKnN6V5u7SDHeJ1N
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#Strandz #DSCVRATW2024
http://vevo.ly/cxyE1o
Start with 2019’s “LEVEL” and work your way towards this year’s “Tonight,” and you see how Libianca’s early promise has morphed into her current maturity, the kind that makes its mark with emotional candor, musical vision, and augmented stature. We appreciated Complex positing that the Cameroonian-American singer/songwriter behind last year’s rather incredible “People” “defied the algorithmic odds.” Meaning that the singer who also brought a gentle passion to her cover of Billie Eilish’s “Everything I Wanted” started hot, but instead of flaming out, made a deeper impact with each new move. Impact that has secured her ubiquity. Happily so, because the 22-year-old fan of Keyshia Cole and Shakira has been working on this pop dream for almost a decade. Critical huzzahs, a Viewer’s Choice win in the International Act category at this year’s BET Awards, and an opening slot on Alicia Keys’ recent world tour are the results of childhood choir practice, a decade’s-worth of studies, plenty of teen performances, learning how to engineer her own recordings, and a 2021 stint on ‘The Voice.’ “People” is approaching a half-billion Spotify streams and its vid has surpassed 200 million views in nine months. Like Ayra Starr, Tiwa Savage, and Tems, the Minneapolis native blends R&B, Afrobeats, soul - calling the intersection of all three “my sweet spot.” Its introspective vibe comes from an honest recollection of a down evening when the singer, who lives with the mood disorder Cyclothymia, had imbibed a bit and dipped out of a social gathering to her studio. There she drove around the Web, found a gorgeous instrumental by Mage The Producer, and let her lyrical talends flow. “I closed my eyes and it just came out really,” she said. “I didn’t necessarily write it. It was exactly how I was feeling.” Check her performances of her hit and the new “angeldemon.” All that poetic sincerity is right up front.
Watch videos by Libianca: youtube.com/@IAMLIBIANCA
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Vevo Executive Producer: Nick Calafato
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Director of Photography: Rick Joaquim
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1st AC / Focus Puller: Jim McLean
2nd AC / Loader: Esther Edusi
Gaffer: Giovanni Mattei
Light Director: Sam Jones
Stills: Aron Klein
Sound Engineer: Alex Archer
Sound Assistant: Alex Lewis
Runner: Elizabeth Playle
Runner: Dominic Foster
Editor: Jed Finkeistein
#Libianca #DSCVR #DSCVRATW2024
http://vevo.ly/SDHR6g
Earlier this year the Vevo team hosted Fridayy at the Brooklyn location of our ctrl series. To get there requires a quick drive up interstate 95 from the Philly dude’s home city, and we could tell he was really comfortable on the mic that day. Not just comfortable. Totally in his bag. This was right around the release of his self-titled debut, which is less of a conventional R&B tape and something more like a 40 minute seminar in spirituality, resilience, and community. Almost at 2 million views as of now, those ctrl takes of “Stand By Me” and “Done For Me” are an undeniable metric of the crooner’s gravity and growing cache in pop and R&B. DJ Khaled obviously saw the potential when he tapped the son of Haitian immigrants for the title track on ‘GOD DID.’ And check the way he brings a little gospel to Lil Baby’s “Forever.” That one got him a spot on SNL and another chance to woo audiences with his live skills. Fridayy - born Francis LeBlanc - is also a multi-instrumentalist. So it wasn’t a surprised that when we invited him to come to our studios, this time for Artists To Watch 2024, he had drums, bass, and guitar in tow. Backup singers too. “Lost My Way” tiptoes through a dembow riddim. “When It Comes To You” is an R&B love song that leaves ego at the door (spend some time with its nuptial video). We truly can’t wait to see where he goes from here.
Watch videos by Fridayy: youtube.com/@fridayyofficial
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Executive Producer: JP Evangelista
Executive Producer: Chris Pereira
Director: Skyler Brown
Creative Director, Production: Liz Hart
Director, Line Production: Yanina Molina
Line Producer: Stacey Branson
Senior Producer, Editorial: Ronni Leverich
Director of Photography: Jake Vriezelaar
Production Designer: Tyler Jensen
Director, Post Production: Michael Colman
Project Manager: Dominic Siri
Editor: Kevin Rose
Music + Talent: Cynthia Todd + Jordan Ferree
Steadicam: Kevin Jacobsen
AC: Josh Ruffner
Gaffer: Elliot Travis
Key Grip: Chris Angarone
DIT: Dominic Siri
A1: Sam Palumbo
A2: Jeremy Nakamura
Production Assistant: Alyssa Lash
Format Design & Motion Supervisor: Sydney Emery
Artist To Watch Graphic Design Leads: Charlee Twigg, Brian Parisi
Graphic Design team: Nick Resnicow, Keith Wright, Bee Clark, Hannah Damico, Aaran Thoofer, Ollie Freeman
Photography, WMA: Sam Leviton
#Fridayy #DSCVR #DSCVRATW2024
Music video by Fridayy performing Introducing Introducing Fridayy | Vevo DSCVR Artists to Watch 2024. © 2023 Lost In Melody, LLC / Def Jam Recordings, a division of UMG Recordings, Inc.
http://vevo.ly/QZA3dF
“I don’t feel the pressure to change myself. I’m here because I am myself.” That kind of self-realization lies at the core of Lu Kala’s ethos; it was there from the very beginning with her first release, “DCMO (Don’t Count Me Out).” Over glossy snaps, claps, and trap hats, she delivered her first sermon about body positivity. “I know I’m big girl/And you are afraid to claim me… I’ll never be that picture baby/But I lie when I say that I don’t care what you think.” It’s that last line that really makes the difference, because it’s important to acknowledge that self-doubt and self-confidence aren’t mutually exclusive. Life ain’t always sunshine and roses. Lu simply wants to lead listeners towards more moments of inner peace. “Inspiring people keeps me motivated,” the Rihanna fan told us. “I just feel like I didn’t see a lot of Black pop stars growing up.” Thanks to the Lizzos and The Weeknds of the world, representation has improved in the past decade or two. But Lu’s ready to take it a step further. She talks dental insecurities on “Love Shit.” On her new single “Hotter Now,” she claims that what doesn’t kill you makes you, in fact, hotter. Basically, if you need a cheerleader in your life, this former songwriter for Jennifer Hudson awaits you with pom poms in hand. You just gotta press play. The funked out “Pretty Girl Era” has been a staple on pop playlists since it arrived last winter. Listen to it when you’re in front of the vanity. Lu promises it’ll help make you feel like the “baddest bitch” when you go out. By the way, if you like the groove of that one, you’ll love her “Lottery” collab with Latto - which shot into the top 20 of the Billboard Hot 100. These performances of “PGE” and “Hotter Now” are prime examples of what it looks like when a pop artist is totally in their bag.
Watch videos by LU KALA: youtube.com/@LUKALAmusic
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Executive Producer: JP Evangelista
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Director: Skyler Brown
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Director, Line Production: Yanina Molina
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Senior Producer, Editorial: Ronni Leverich
Director of Photography: Jake Vriezelaar
Production Designer: Tyler Jensen
Director, Post Production: Michael Colman
Project Manager: Dominic Siri
Editor: Niki Murphy
Music + Talent: Cynthia Todd + Shannon Pires
AD: Sarah Schutzki
Steadicam: Kevin Jacobsen
AC: Josh Ruffner
Gaffer: Brandon Woodruff
Key Grip: Charlie Diserens
DIT: Dominic Siri
A1: Sam Palumbo
A2: Jeremy Nakamura
Production Assistant: Em Wallace
Format Design & Motion Supervisor: Sydney Emery
Artist To Watch Graphic Design Leads: Charlee Twigg, Brian Parisi
Graphic Design team: Nick Resnicow, Keith Wright, Bee Clark, Hannah Damico, Aaran Thoofer, Ollie Freeman
Photography, WMA: Sam Leviton
#LU KALA #DSCVR #DSCVRATW2024
Music video by LU KALA performing Introducing LU KALA. (P) 2023 LVK / Amigo Records
http://vevo.ly/mGp6kp
“La puissance vient d’chez nous,” says Harley in his hit, “Supalife 4.” It’s a philosophy that’s hard to refute. “The power comes from within us.” The French rapper with the playful flow and the crisp beats certainly doesn’t show any weakness when he’s on the mic. He introduced himself to fans with 2020’s moody “NWAR,” but his “Supalife” track (or should we say his “Supalife” tracks - iterations of the original comprised a small tsunami) not only turned lots of heads on the streets of Paris, but made their way to many Western Europe dance clubs. If a track can be rough and smooth at the same time, this is it. With a mix of Afrobeats and amapiano riddims driving the action, Harley sounded like he was riding the bullet train. Those flexes that come so quickly from the rapper’s mouth have clout, which is one reason that taken in total, the four “Supalife” chapters became a candid look into the artist’s perspective of the culture that nurtures his sound as well as his promise to keep things real as he progresses. Harley also likes to keep things short and sweet when he delivers the goods. That way they have more impact. “Supalife 1” was a mere :62 seconds long, and its third cousin only stretched to 1:20. Nevertheless a portrait emerged as the agile rapper unpacked poetic opinions of his life. From Villeneuve-Saint-Georges - just 15 kilometers down the snaking Seine from the Latin Quarter - he’s making plenty of inroads towards a true cosmopolitan scene. It’s a long way from “NWAR” to the deep finesse of the six tracks on October’s ‘Loading’ EP (13:28 if anyone’s counting). Here, with blazing records like “T’malade” with its Didi B feature, and “Trop intense” with its biking-the-streets-of-Ivory-Coast video, Harley solidifies all the promise of his earlier work. When he arrived in our DSCVR studio for performances of “Plus de tristesse” and “Mula,” he lived up to the message on the top of his Instagram page: ENERGY ENERGY.
Watch videos by Harley: youtube.com/@HarleySupa
►Follow Harley
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#Harley #DSCVR #DSCVRATW2024
Vevo Executive Producer: Nick Calafato
Vevo Producer: Yomi Ogunsola
Vevo Production Coordinator: Nancy Loud
Vevo Music & Talent: Lyva Corvo
Vevo Editorial: Léa Saiz
Vevo Senior: Editor Helena Duque
Vevo Post-Production Coordinator: Scott Robson
Vevo Design Lead: Charlee Twigg
Director: Jim Wilmot
1st AD: Marnz Brown
Director of Photography: Rick Joaquim
Steadicam Operator: Beau Pritchard-James
1st AC / Focus Puller: Jim McLean
2nd AC / Loader: Esther Edusi
Gaffer: Giovanni Mattei
Light Director: Sam Jones
Stills: Aron Klein
Sound Engineer: Alex Archer
Sound Assistant: Ellis Cohen
Runner: Elizabeth Playle
Runner: Dominic Foster
Editor: Jed Finkeistein
http://vevo.ly/1QopvV
You don’t have to dig too far past Khamari’s handsome exterior and honeysweet vocals for his deep and abiding musical curiosity to reveal itself. That the R&B dude from Dorchester, Massachusetts has a song called “Doctor, My Eyes,” for instance, will certainly make Jackson Browne fans do a double take. “That’s where I got the title,” he has said. “It’s about him being desperate to make any sense of his life and experiences.” Later in that interview he tips '90s rock crew Incubus as further inspiration for the single that would ultimately lead to debut album ‘A Brief Nirvana.’ But let’s rewind a little farther back to his decision to join the legendary list of Berklee School of Music dropouts. Mad skills are required to get into that institution, and the Boston native checks the boxes of vocalist, producer, and multi-instrumentalist. With school in the rearview, this Beatles, Kid Cudi, and Stevie Wonder fan flexed his muscles and crafted ‘El Dorado.’ It’s a dynamic thesis statement that dabbles in pop funk (“The Heat”), but mostly offers up R&B soaked in enough ennui it’d make even Frank Ocean concerned (“Jealous” is a proper example). After a yearlong gestation, Khamari returned with a trickle of tunes that would lead to his debut album. For a work that nominally aims to be a snapshot of surreal joy, ‘A Brief Nirvana’ traffics in vivid realism. He compares himself to Picasso and Kendrick. Eats French toast and bacon with a lover. Drifts to sleep listening to Portishead. Each detail brings listeners deeper into his delicate world. Reviewing the album, UPROXX called him a “fresh voice in the game.” We agree, and invited the now LA-based singer onto the ATW 2024 team. He tells us he still gets “really nervous” before performing, but you’d never know it watching the promising R&B talent glide through “Wax Poetic” and “These Four Walls” with quiet confidence and the poise of a guy who knows he belongs here.
Watch videos by Khamari: youtube.com/@Khamari
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Website: https://www.khamari.online/
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Executive Producer: JP Evangelista
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Director: Skyler Brown
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Producer: Tim McBride
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Director, Post Production: Michael Colman
Project Manager: Dominic Siri
Editor: Niki Murphy
Music + Talent: Gabby Prisciandaro + Annie Shapiro + Jordan Ferree
Steadicam: Kevin Jacobsen
AC: Carey Hu
Gaffer: Brandon Woodruff
Key Grip: Chris Angarone
DIT: Dominic Siri
A1: Sam Palumbo
A2: Jeremy Nakamura
Production Assistant: Arthur Joseph
Format Design & Motion Supervisor: Sydney Emery
Artist To Watch Graphic Design Lead: Charlee Twigg, Brian Parisi
Graphic Design team: Nick Resnicow, Keith Wright, Bee Clark, Hannah Damico, Aaran Thoofer, Ollie Freeman
Photography, WMA: Sam Leviton
#Khamari #DSCVR #DSCVRATW2024
Music video by Khamari performing Introducing Khamari | Vevo DSCVR Artists to Watch 2024.
http://vevo.ly/f5Y4fp
“Maybe you wanted to be a DJ/Maybe you didn't have gear/Maybe you wanted to be an artist/But everybody called you weird.” That’s Teezo Touchdown countering the occasional disinterest the world doles out to creatives - especially those who boast a spectrum of stylistic interests and have numerous plans on the ways to nurture each of them. Touchdown has gone through such stretches, but these days he’s not only being heard, he’s being supported. It’s because his talent is as obvious as it is deep. Take the 40 minutes needed to have his ‘How Do You Sleep At Night?’ debut wash over you. We’re betting its zig-zag attack draws you in as often as it makes you scratch your head. The Beaumont, Texas native has had a handful of personas as he’s grown from a regional cool cat to a national buzz dude, Aye Tee and Teezo Suave among them. Growth and change are the dominant m.o. for the singer/rapper who earned himself some cred for his unique visual slant as well. Nails in your hair and shoulderpads around your neck will do that. "SUCKA!," "Strong Friend" and "Careful" suggested talent a few years ago. A nod from Tyler, The Creator nudged him even further. He was a feature on Travis Scott’s ‘UTOPIA’ album, and the crazed breadth of genre approaches offered along the way started to track a broad vision rather than confuse fans with endless variety. Touchdown’s recent ‘How Do You Sleep At Night?’ debut album delivers that variety while offering a through-line of logic… and catchiness. Whether waxing forlorn on “Daddy Mama Drama,” delivering the drone pop of “Familiarity,” or blasting the Joan Jett rap of “OK,” our guy sounds authentic and animated. The title of the retro funk workout “Mood Swings” says it all - energy shifts are what Teezo is all about. Maybe that’s why Drake called it “some of the best music ever.” However it shakes out, we knew we wanted our guy to be part of DSCVR Artists To Watch 2024 because he’s a genuine performer. See for yourself on these hype spins of “UUHH” and “Neighborhood.”
Watch music videos by Teezo Touchdown: youtube.com/@teezotouchdown
Teezo Touchdown
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facebook.com/teezotouchdown409
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tiktok.com/discover/Teezo-Touchdown
Vevo
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Executive Producer: JP Evangelista
Executive Producer: Chris Pereira
Director: Luis G. Santos
Creative Director, Production: Liz Hart
Director, Line Production: Yanina Molina
Line Producer: Stacey Branson
Senior Producer, Editorial: Ronni Leverich
Director of Photography: Jake Vriezelaar
Production Designer: Tyler Jensen
Director, Post Production: Michael Colman
Project Manager: Dominic Siri
Editor: Niki Murphy
Music + Talent: Annie Shapiro + Jordan Ferree
Steadicam: Kevin Jacobsen
AC: Josh Ruffner
Gaffer: Brandon Woodruff
Key Grip: Chris Angarone
DIT: Dominic Siri
A1: Sam Palumbo
A2: Jeremy Nakamura
Production Assistant: Arthur Joseph
Format Design & Motion Supervisor: Sydney Emery
Artist To Watch Graphic Design Lead: Charlee Twigg, Brian Parisi
Graphic Design team: Nick Resnicow, Keith Wright, Bee Clark, Hannah Damico, Aaran Thoofer, Ollie Freeman
Photography, WMA: Sam Leviton
#TeezoTouchdown #DSCVR #DSCVRATW2024
http://vevo.ly/VD9KNq
Everyone knows that talent only gets you so far. It’s when perseverance and correct guidance get involved that the world receives an artist on the level of Florentina. The Kosovo native grew up with a musician father, who encouraged her craft early. By 6 she was a chirping songbird in her own right; ensuing years at music workshops hosted by the nearby Popakademie Baden-Württemberg advanced her skills and her network. Opportunities arose. Soon the precocious youngster was singing in a chorus at a sold out Pink Floyd arena show, and tracking background vocals for Casper's triple-gold Top 1 album "Hinterland." The first Florentina original songs - released around 2018 - were composed with Albanian and English lyrics. Later, this Ariana Grande and Rihanna fan switched to mostly singing in German, predicated on the language’s straightforwardness. “I’ve noticed how directly I can express myself. I don't want to hide my feelings,” she’s said about the creative move. Certainly no one would accuse the green-haired pop parvenu of holding her tongue after listening to glossy bangers “I Hate You, I Love You” and the explicitly-titled “F*** You.” And she totally held her own when popular German rhymers Nisa and Ary came calling for her vocal prowess. Like those collabs, “Über dem Himmel” has racked up seven digit streams. With its soaring vocals and unshakeable confidence, this performance of the 2023 release is a great introduction to Florentina. Kudos to team Vevo, who really captured her essence. As Florentina knows - it takes a village.
Watch videos by Florentina: youtube.com/@florentina2948
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TikTok: tiktok.com/@florentinaofficial
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Vevo Executive Producer: Nick Calafato
Vevo Producer: Yomi Ogunsola
Vevo Production Coordinator: Nancy Loud
Vevo Music & Talent: Anna Allertz
Vevo Editorial: Jaqueline Lockinger
Vevo Senior: Editor Helena Duque
Vevo Post-Production Coordinator: Scott Robson
Vevo Design Lead: Charlee Twigg
Director: Jim Wilmot
1st AD: AK
Director of Photography: Rick Joaquim
Steadicam Operator: Beau Pritchard-James
1st AC / Focus Puller: Jim McLean
2nd AC / Loader: Esther Edusi
Gaffer: Giovanni Mattei
Light Director: Sam Jones
Stills: Aron Klein
Sound Engineer: Alex Archer
Sound Assistant: Alex Lewis
Runner: Elizabeth Playle
Runner: Dominic Foster
Editor: Jed Finkeistein
#Florentina #SorryMamaPapa #UberdenHimmel #DSCVR #ATW
http://vevo.ly/63UWUe
The ability to slide multiple emotional layers under the hood of a catchy tune is one major sign of a promising pop musician. Olly had that gift from the jump. Check “Il Primo Amore,” the Genoese rhymer’s breakout hit from a couple years back. It’s an impressively wide-ranging portrait of young romance, starting with the butterflies and ending with the inevitable goodbyes. Similar to the songs of fellow husky-voiced loverboy Bad Bunny, listeners don’t need to speak the language to identify with the passion. The accompanying heart-wrenching video grabbed more than 100,000 views in its first week, by the way. 2020’s ‘lo sono’ saw the beginning of his creative partnership with producer JVLI, who Olly credits with introducing electronic and pop to his musical palette. The four-to-the-floor oomf of the JVLI-produced “Quando Piove” definitely stands out from the hip-hop stylings of the four songs on the EP that were helmed by Yanoni, Olly’s other go-to producer at the time. The next year the duo drove further down the EDM path with “Lego,” a fist-pumping club banger replete with triumphant horns and singalong falsettos. But as mentioned at the top, remember, Olly’s got layers. He followed up “Lego” with an Instagram cover of “La notta,” a ballad originally sung by fellow Liguran coast singer Arisa; in fact, she liked it so much that she hopped on the official version. More recognition has come this year. Before donning the DSCVR Artists To Watch 2024 jacket, he won the regional section of Italy’s annual popular television contest Sanremo. Fans and critics alike are fawning over his ‘Gira, il mondo gira’ album, both contingents hailing it as another step forward in craft. Needless to say, Olly rolled into our studio with plenty of momentum. “I loved the energy on set,” he told us afterwards. “It is a great opportunity for me to showcase my music and connect with new and beautiful realities outside of Italy.” With these performances of “A Squarciagola” and “Tutto male,” now the whole world can unpeel Olly’s layers.
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Vevo Executive Producer: Nick Calafato
Vevo Label, Music & Talent: Chiara Bonarrigo
Vevo Producer: Yomi Ogunsola
Vevo Production Coordinator: Nancy Loud
Vevo Senior Editor: Helena Duque
Vevo Post-Production Coordinator: Scott Robson
Vevo Editorial: Alessia Nosari
Vevo Design Lead: Charlee Twigg
Director: Jim Wilmot
Assistant Director: AK
Director of Photography: Stephen Dunn
Steadicam Op: Beau Pritchard-James
1st AC / Focus Puller: Jim McLean
2nd AC / Loader: Esther Edusi
Gaffer: Giovanni Mattei
Light Director: Sam Jones
Stills: Aron Klein
Sound Engineer: Alex Archer
Sound Engineer: Marco Gorini
Sound Assistant: Ellis Cohen
Guitar: Julien Boverod aka JVLI
Drums: Dalila Murano
Keyboard: Pierfrancesco Pasini
Violin: Stefan Stancic
Runner: Elizabeth Playle
Runner: Dominic Foster
Thanks to: Paolo Ceresoli, Matteo De Bernardi, Veronica Vezzoli, Epic Records Italy, Sony Music Italy
#Olly #VevoItaly #DSCVRATW2024
http://vevo.ly/rAQ0Ak


