Professor of Rock
TV CAST WAS SUPPOSED To Sing This Theme Song but They Were So Bad it Got CUT!-Professor of Rock
updated
#classicrock #90srock #vinylstory #weirdalyankovic
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Executive Producer
Brandon Fugal
Honorary Producers
Kelly Moan, Curtis Stoddard, Paul Duenas, Robert Hickerty, rondell m
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#classicrock #90srock #vinylstory #ozzyosbourne
Hey music junkies, Professor of Rock, always here to celebrate the greatest artists and the greatest songs of all time. if ever got a brain freeze from a slushee growing up. you’ll dig this channel of deep musical nostalgia subscribe below right now. I promise that you are going to love this channel. Also, check out our Podcast on Apple and Spotify.
it was a year marked by historical volcanoes… Clinton was the President, Hurricane Andrew raged and the year of the LA Riots. in music it was A year of musical reinventions, the rise of grunge, that breathed life into rock and roll … Today we count down the best hit songs of 1992 Before we begin our countdown, I want to acknowledge three songs that had a big resurgence in ’92.
Beginning with Motley Crue’s remix of “Home Sweet Home” titled “Home Sweet Home ’91” that they included in their Decade of Decadence album. In its original release in ’85, it was largely unnoticed, but the remixed version brought the song its much deserved attention. The music video for the song was one of the most popular clips on MTV in ’92: which Followed the 1985 video that ruled MTV for so song MTV made a new rule called the CRUERULE meaning that 30 days after a video premiere, the song would be pushed out of rotation to give other bands a chance.
The 2nd coming of “Layla” is another notable reworking that hit in 92. “Layla” first came out in ’71 with Eric Clapton’s band Derek and the Dominos, but in ’92, Eric revisited his epic song when he was planning his set for MTV Unplugged. The man they call ‘Slowhand’ viewed it as a fresh opportunity to reinterpret and explore new musical avenues. Rather than sticking to the original intensity and blues-rock feel, Clapton experimented with the song’s arrangement, adjusting the tempo and infusing it with a jazzy vibe. It was a complete overhaul. The ’92 interpretation didn’t have the slide guitar parts, famously played by the late Duane Allman, instead, on the new “Layla,” Clapton was accompanied by Andy Fairweather Low on acoustic rhythm guitar, The re-imagining gave “Layla” a sophisticated take on a beloved masterpiece.
’92 also saw the renaissance of another classic, Queen’s “Bohemian Rhapsody.” The groundbreaking track was discovered by a new generation of fans when it was featured in a memorable scene in Wayne’s World.
#classicrock #70srock #vinylstory #onehitwonder
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Executive Producer
Brandon Fugal
Honorary Producers
Norman Buchwald, Cliff Konstans, Steve DocPinko Cloutier, Jenny Blaxell, Jason Elliott, AArthriticGamer
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#classicrock #90smusic #vinylstory #onehitwonder
Hey Music Junkies, Professor of Rock always here to celebrate the greatest artists and the greatest songs of all time. If you remember waiting in line around the block for tickets to the great blockbuster movies of the 70s and 80s whether Star Wars, Indiana Jones or Back to the Future You’ll dig this channel of daily nostalgia Make sure to subscribe below right now and click the bell so that you always know when our new interviews drop click the bell. Also, check out our exclusive content on Patreon.
I’m excited to bring you another episode from our series Revelations, where featured artists go deep on their greatest songs and albums with fascinating insight you won’t find anywhere else. Today’s episode is pretty cool. Ya know, to me, mainstream music started to go downhill in the 90s. It pretty much went off a cliff after 1995. Well, just when I thought there was no hope, this band came out of nowhere in 1996… They weren’t grunge, they weren’t ‘pop, they really weren’t even alternative, though that’s where the tastemakers tried to categorize them. They stepped into a world full of post-grunge as Kurt Cobain had already passed away, and after a summer dominated by the Macarena and Mariah Cary the band Cake was a welcome arrival with their catchy and cool ditty The Distance.
It grabbed you from the opening line and seduced you with Greg Brown’s crackling guitar and John McRea’s speak-sing one-liners…It was glorious. The Distance was unlike anything on the radio, and it has become a classic since. It was a hit across the globe, hitting #22 in the UK, #15 IN BELGIUM, #20 in Scotland, and #5 on the candid rock charts. Here in the US, it hit several charts. #38 on the rock charts, #4 on the Alternative charts, and #35 on the US Radio charts. Again, you couldn’t really categorize or label these guys. They did what they wanted…And they were beloved by all types, which is why their debut album Fashion Nugget went 2 x Platinum and was a hit clear into 97…and their follow-up was a hit as well, their cover of Gloria Gaynor’s hit I Will Survive. Well, I’m excited to share an interview I did with one of the most interesting frontmen in music, Mr. John McCrea of the band Cake, about this classic song and album. I was a little intimidated, I must admit… He’s a very smart guy. Well, let’s get into it.
Man, I gotta go listen to the distance again. It’s so good. This song will be a hit with every generation… My test is this. …I just let this song play while I was working in my office the other day, and within about 60 seconds, my son and his friends came in and said Who sings this? It’s a pretty cool song. That’s how The Distance is. It just hooks ya.
Leave us a comment about Cake and this cool classic. What do you remember about this song and album, and the end of 1996 going into 1997?
To get more of this interview and many others, click on our Patreon link below.
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Executive Producer
Brandon Fugal
Honorary Producers
Kimberley Rumburg, Brent Gephart, Glenn Beardmore, Jennifer Selvidge, Carl Curcuruto, Thomas Williams
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#classicrock #90srock #vinylstory #weirdalyankovic
Hey music junkies, Professor of Rock, always here to celebrate the greatest artists and the greatest songs of all time. if you ever created your own Weird Al style parody back in the day , you’ll dig this channel of deep musical nostalgia subscribe below right now. I promise that you are going to love this channel. Also, check out our Podcast on Apple and Spotify. Well I can’t lie, I absolutely love Weird Al Yankovic. So it’s no surprise that we’ve covered a lot of Weird Al on this channel through the years. We’ve hit the 80s hard with the stories behind Eat It, Fat, and Like a Surgeon. We’ve also done episodes on the artists who rejected Weird Al’s parody proposals. We’ve jumped into the 90s with the story of Smells Like Nirvana. And last year, I even had the privilege of sitting down with Al to dive into the first leg of his career.
It’s one of my favorite interviews of all time. Not only is the man a legend, but he’s a class act, a genuinely kind human being. At the time he was on a really tight schedule, but was gracious enough to talk with me for over an hour in person.. It was so much fun.
But here’s the thing, Al has had such a prolific career that even with an hour we barely scratched the surface. By the time we were done we had barely gotten out of the 80s… concluding with his Teen Spirit parody “Smell’s like Nirvana.” Well, we’re supposed to get together again for Round 2. But in the meantime, I didn’t want to leave you guys hanging. So for today’s episode I’m bringing you five of Weird Al biggest parodies from the last 35 years. There’s so many great ones in between our top 5 I’m gonna sneak in some honorable mentions as well.
Which is where we start: Our First Honorable mention comes from the 90s and Al’s Permanent Record compilation. It’s the Crash Test Dummies parody “Headline News.” Al wrote "Headline News" especially for his Permanent Record compilation. The original song is the provocative 1994 hit "Mmm Mmm Mmm Mmm.” Here Al breathes new life into some of the most over-exposed news stories of the day: including the Tonya Harding / Nancy Kerrigan Scandal and the “detachable King Missile-like” tale of Lorena Bobbit. The other memorable part of the song is how well Al mimics lead singer Brad Roberts’ vocals, giving his the bottom end of his vocal chords an impressive workout. Definitely check this one out if you haven’t heard it.
To kick things off at #5, we got to this little ditty: 1996’s Bad Hair Day.
#classicrock #shorts #80smusic #ozzyosbourne
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Executive Producer
Brandon Fugal
Honorary Producers
ZaffronStaghelm, Laurie Buckland, Dale Nadeau, Robert Taylor, Missy D
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Subscribe to the Professor of Rock Podcast
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#classicrock #60smusic #vinylstory #60srock
Hey music junkies, Professor of Rock, always here to celebrate the greatest artists and the greatest songs of all time. if you remember the awkward days of summer camp in all it’s gloryYou’ll dig this channel of deep musical nostalgia.. Make sure to subscribe below right now. I know you’ll dig this channel. Also check us out on Patreon for full interviews and other great content. That helps us keep it a daily channel.
Today, we have a very interesting story. It’s pretty hard to believe but completely true. So here goes: Although Jimi Hendrix was only 27 years old when he died on September 18th, 1970, there are heaps of debunked urban myths about the legend that won’t go away. For example, given the nature of his death, there is the myth that he was an interminable junkie who was always high on some kind of paraphernalia. The truth is... that near the time of his death, he had actually curbed his drug use to make sure that he was not controlled by a drug dependency.
Another drug-related myth about Hendrix was that he used to rub acid into the fabric of his headband and cut his forehead so the LSD would flow into his bloodstream when he wore the headband.
There was no evidence of that ever happening. On the lighthearted side, for a long time, it was believed that Hendrix was responsible for the proliferation of parakeets in the UK, when he released his two pet Parakeets, named Adam & Eve, in 1968, as a symbol of peace.
That, too, was proven to be fiction. There are thousands of fans that maintain that his highly publicized death was not an accident, but was actually a homicide. Yes, Jimi Hendrix remains a fascinating, somewhat mystical, rock icon. Even the origin & meaning of his songs are the source of wild speculation.
On this episode, we explore the provenance of one of Jimi’s most famous tracks…” Purple Haze.” A strange but true story for a mystical song.
Amidst many different accounts & theories about the inspiration behind “Purple Haze,” the genesis with the most credibility comes from Hendrix himself. When Jimi was asked how he came up with the lyrics for “Purple Haze, he responded that “imagination” was the key to his expression….the rest was "painted with a little science fiction.” He began writing “Purple Haze" the day after Christmas, back in 1966.
Jimi revealed that “Purple Haze” came to him in a technicolor, sci-fi dream, where he was walking underneath the sea, and suddenly engulfed in a thick haze of “purple smoke,” that obscured his vision and caused him to lose his way."
Hendrix stated that he fell asleep while reading from Night of Light, a science fiction novel, and began dreaming about the “Purple Haze.” He believed his mind was already in a 'supernatural state' when he fell asleep.
Coming up, I had a blast with my guest today, Walter Egan… a man who many call a one-hit wonder, but that’s too easy... Sure, he created a huge hit in the late 70s, Magnet and Steel, that became a pop culture fixture with 2 legends who sang background vocals on this classic hit from a band that was rock’s big soap opera of the time. One of these backing vocalists, Lindsey Buckingham, is one of the great guitarists of his time and helped produce the song. And the other one, Stevie Nicks, was so enchanting that Walter Egan fell in love with her, and that was a good thing because it’s what inspired today’s classic song… That and a license plate he happened to see on his way home from the studio at 3 in the morning. A custom license plate inspired him to run into his house and finish Magnet and Steel in minutes… So the question is, did he get the girl? Find out next on the Professor of Rock.
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Executive Producer
Brandon Fugal
Honorary Producers
Kimberley Rumburg, Brent Gephart, Glenn Beardmore, Jennifer Selvidge, Carl Curcuruto, Thomas Williams
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#classicrock #70srock #vinylstory #onehitwonder
Hey music junkies, Professor of Rock always here to celebrate the greatest artists and the greatest songs of all time. If you remember these toys, you’ll dig this channel of deep musical nostalgia. Make sure to Subscribe below right now to be a part of our daily celebration of the rock era. Also, check out our podcast
Today we have a hybrid show. Revelations where featured artists reveal rare stories about their greatest songs and bottled lightning about a song that ruled the roost for a time… Many call them one-hit wonders; we celebrate them as lightning in a bottle. Today, I have a man who rocked the late 70s with a classic song that has popped up in many iconic movies and shows, including Boogie Nights. And there’s a reason because it elicits a feeling of pure nostalgia, and it came from a license plate, and this artist’s crush on Stevie Nicks.
I’m talking about the 1978 soft rock lightning in a bottle smash Magnet and Steel by Walter Egan. Walter is hilarious, and I had a blast interviewing him…His song had backing vocals by Fleetwood Mac icons Lindsay Buckingham and Stevie Nicks, with Lindsay producing… He tells a great story about his crush on Stevie and what happened after he showed her the song… Did he get the girl… We also have an interesting conversation about the term yacht rock..IT’s one you won’t want to miss. Here’s the interview.
e.
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Executive Producer
Brandon Fugal
Honorary Producers
Holly Hammet, Remnarc, Kevin riley, Paul Moore II, CharleyAnne
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Subscribe to the Professor of Rock Podcast
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#classicrock #70smusic #vinylstory #70srock
For a few artists, the very traits that made them iconic also led them into controversy so deep, it overshadowed their talent. Some found themselves tangled in criminal allegations—others in full-blown legal battles. And whether or not they were ever found guilty in a court of law, the court of public opinion often delivered the harsher verdict. Doubt settled in. Reputations cracked. And in some cases, the music—once celebrated—was silenced, or as it is commonly referred to today, cancelled. In this episode of Professor of Rock, we dive into the stories of five artists whose legacies were stained by scandal. Artists who went from beloved to blacklisted. Including the song Rock and Roll Part 2 by Gary Glitter, which used to be played as Bohemian Rhapsody or Don’t Stop Believing, but because of its creator’s actions, is gone forever. These artists went from chart-toppers to cautionary tales, plus Jerry Lee Lewis' show was on top of the world till he married his cousin.
Hey music junkies, Professor of Rock, always here to celebrate the greatest artists and the greatest songs of all time. If you ever played mailbox baseball, you’ll dig this channel of deep musical nostalgia. Subscribe below right now. I promise that you are going to love this channel. Also, check out our Podcast on Apple and Spotify.
Alright, let’s get into today’s episode. And this will be tricky to talk about on this particular platform due to said platform punishing creators for saying a certain word, even though the way I am using it today is in a documentary news fashion, but if you’ll bear with me, I think we can make our way through these stories. First, we get into a legend who at one time was the biggest artist ever, and then he was a pariah… One of the most celebrated, yet controversial artists of the Rock Era is Michael Jackson, hailed as ‘the king of pop.’
After the release of the 2019 documentary Leaving Neverland, which featured detailed allegations of major abuse against Michael Jackson, many radio stations around the world reacted swiftly, pulling his music from their playlists almost overnight. It was a stark reminder of how public perception can shift in an instant, even for one of the most iconic figures in pop history.
But Michael was no stranger to controversy, even before those allegations surfaced.
#classicrock #shorts #vanhalen #70srock
#classicrock #shorts #vanhalen #70smusic
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Executive Producer
Brandon Fugal
Honorary Producers
David Roche, Bob Bell, Holly, W.T.F, James Dorsey, Bruce Suit
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Subscribe to the Professor of Rock Podcast
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#classicrock #60smusic #vinylstory #onehitwonder
Hey music junkies, Professor of Rock, always here to celebrate the greatest artists and the greatest songs of all time. if you ever played mailbox baseball, you’ll dig this channel of deep musical nostalgia subscribe below right now. I promise that you are going to love this channel. Also, check out our Podcast on Apple and Spotify.
Today, we fire up the time machine and head to a year of innocence and controversy. The year that we lost our beloved President and the year the Brits started invading the American charts…It’s 1963. Kicking off the countdown of the Top 10 Songs of ’63, it’s an artist who often heard music in his sleep, including his legendary hit “In Dreams,” coming in at #10:
Roy Orbison’s aching ballad has such a surreal vibe to it, it almost sounds like it is drifting in from an imaginary world, and I guess it kinda did. One night in late ’62, Roy awoke in the middle of the night with a full melody and story in his head. Most songwriters might scramble for a tape recorder or scribble down a few lines, but Roy didn’t need to. He got up, sat down with his nearby guitar, and in just 10 minutes, the entire song was finished. Music, lyrics, arrangement- all from a dream! That strange, cascading melody, the build-up to the soaring high notes, and the emotional gut punch of a man who finds love in his dreams, only to lose it when he wakes.
It was the purest expression of longing, and Roy delivered it with such operatic drama that it broke all the rules of pop structure. There was no conventional chorus… No repeated verse. Just a linear story, straight from the subconscious. Roy came up with the song almost entirely in that dream, even motivating a radio DJ to pre-announce it as a “new song by Elvis Presley.” In Roy’s dream, he saw a “candy colored clown,” which he cleverly tied into the folklore of the “sandman.” The character that tiptoes into your room at night, sprinkling stardust and whispering that “everything is going to be alright.”
The narrator falls asleep in a blissful dream state where he is with his lover, but when he wakes up, his lover…is gone. When Roy Orbison recorded “In Dreams”, backed by lush strings and The Candy Men, his vocal range pushed from a deep baritone up to a near falsetto—a stunning display that few singers could match. The song became a Top 10 hit, but it didn’t fully reveal its strange power until decades later. In 1986, director David Lynch resurrected “In Dreams” for a key scene in his cult classic Blue Velvet, where Dean Stockwell lip-syncs it in a nightmarish moment that reintroduced the song to a new generation. Roy wasn’t thrilled about how the song was used—but even he couldn’t deny that the dream had returned, hauntingly vivid as ever.
RICK BEATO VIDEO: youtube.com/watch?v=XmGOUf3AOwg&t=100s
JUSTIN HAWKINS VIDEO: youtube.com/watch?v=vPgAiTfe7Go&t=176s
RHETT SHULL VIDEO: youtube.com/watch?v=1AfOQ-LbyQc
#classicrock #80smusic #80srock #rickbeato
Also, if this content matters to you, make your voice heard! Tell these labels that you support YouTube creators. And that they have to stop threatening creators with fraudulent copyright claims, or they will lose your support. Start with the big three: Universal Music Group, Warner Music Group, and Sony Music. You can email, call, or message them on social media. Thank you again!
UNIVERSAL MUSIC GROUP
Corporate HQ: (310) 235‑4892
Rights & Compliance: conflictsofinterest@umusic.com
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WARNER MUSIC GROUP
Corporate HQ phone: (212) 275‑4000
Legal Department: warner-music-group.pissedconsumer.com/sendEmail.html?group=Legal
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SONY MUSIC
General Contact Form: sonymusic.com/feedback
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Transcript:
Welcome to the revolution… Ha ha… I just wanted to quickly recount the last few days of a crazy week here in YouTube land. So on Monday, I put up a video of the Top 10 albums of 1985, and I got three copyright claims since I covered multiple songs in the video. This has followed countless problems I’ve had over the last month, where it felt like open season from labels and 3rd party entities on my channel. And so I changed my title and let everyone know that it would be my last video on Album Top 10s if I couldn’t get this sorted. Then, Tuesday morning, I put out my interview with Michael Anthony (formerly of Van Halen), and it got BLOCKED by a label for using 5 seconds of an AC/DC song. So I did a live stream later that day that for some reason took 3 or 4 tries to get to go live due to errors. It was hard not to feel like my channel was under siege. I finally got it to work, and I explained what’s been happening. I was astounded at the support from all of you. In the first hour alone, I had 6000 comments from you in the community and 20,000 likes.
There were so many positive messages… ”keep fighting” and “you got this,” and you told me how much you enjoy the content… many of you shared possible solutions and advice. I had quite a few comments of people saying I should talk to other YouTubers like Rick Beato who’s been through this and more. And I was just humbled… I still am. I am very grateful, as it gave me a second wind and a strong resolve to fight on no matter what! So from my heart… THANK YOU! Truly, you guys… are the best. Then later that night, I saw a bunch of notifications on my Instagram. And one was from guess who… Rick Beato. I was smiling from ear to ear… I have a great respect for Rick and his content. To me, his level of excellence is virtually unparalleled in his field, which is why he has such a huge following. He said Adam, I heard about your struggles and I think I can help you. So we texted back and forth and set up a time to talk… We spoke the next day for about 45 minutes, and he told me what he’s faced. He’s fought thousands of claims and won all of them.
In person, he’s exactly the way he is on his channel: passionate, gracious, and an expert. And I was truly grateful for that expertise. We had some laughs about life on YouTube and what we’re trying to do in honoring music. And I may have mentioned that we should do a collaboration at some point… Since I’ve received thousands of requests for it from you all. So we’ll see… but the important thing is that Rick couldn’t have been nicer. He’s one of the good guys, and his support and advice, along with your support as a community, have made me feel 20 feet tall.
Rick told me it’s Fair Use, and I know that. We actually worked with Michael Donaldson for years before I had a YouTube channel.
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Executive Producer
Brandon Fugal
Honorary Producers
Robert Taylor, Missy D, Stan Summay, MG, David Fritz
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Subscribe to the Professor of Rock Podcast
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#classicrock #80smusic #vinylstory #fleetwoodmac
Hey music junkies, Professor of Rock, always here to celebrate the greatest artists and the greatest songs of all time. if you ever had a meal cooked for you in an easy back oven, you’ll dig this channel of deep musical nostalgia subscribe below right now. I promise that you are going to love this channel. Also, check out our Podcast on Apple and Spotify.
It’s time to count down the Greatest B-Sides in Rock—those overlooked flip-sides that started in the shadows but found their way into the spotlight. Some were written off by record execs, others by the bands themselves. But these tracks outlasted the naysayers to become fan obsessions, live staples, and even chart toppers. Let’s get into it. So kicking things off at #10, we’re basically starting with a hostage negotiation scenario. The song? It’s Queen’s Bohemian Rhapsody B-Side I’m in Love With My Car.
Here’s the story. “I’m in Love with My Car” was written by drummer Roger Taylor as a tongue-in-cheek tribute to roadsters and the gear-head lifestyle… supposedly inspired by Queen roadie Johnathan Harris and his Triumph TR4. Taylor played most of the instruments on the track himself and even sang lead vocals. The song revs up with engine sounds and explodes into a theatrical glam-rock anthem that could easily be a parody… if it weren’t delivered with such sincerity. Said Roger, “It was supposed to be a joke. But it wasn’t really—I really do love cars.” And Roger wanted to make it the B-side of their next single, which just so happened to be Bohemian Rhapsody.
But not everyone in Queen was on the same page. Compared to Freddie’s magnum opus, I’m In Love With My Car felt like a novelty track. Still, Taylor believed in the song so much that he locked himself in a cupboard at the studio… and refused to come out until the band agreed to release it as the B-side. in the end Taylor’s stubbornness paid off… big time. His car-obsessed rocker became the official flip side to one of the biggest hits in rock history. And because Queen split royalties evenly between A-sides and B-sides, Taylor collected a massive chunk of change, riding the coattails of Bohemian Rhapsody’s success.
The royalty split meant he earned just as much as Freddie did for the single. Understandably, that didn’t sit well with Mercury. The tension simmered for years, and “I’m in Love with My Car” became emblematic of the band’s internal rivalries. Freddie reportedly joked about it bitterly, and the incident was even dramatized in the 2018 Bohemian Rhapsody biopic.
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Executive Producer
Brandon Fugal
Honorary Producers
Moon Comix, Scratchers J Scratcherton esq, fakeaorta, Mark Thompson, skymech9
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Hey music junkies, Professor of Rock always here to celebrate the greatest artists and the greatest songs of all time. If you remember the first time you heard Van Halen on the radio, you’ll dig this channel of deep musical nostalgia. Make sure to subscribe below right now to be a part of our daily celebration of the rock era. Also, check out our podcast.
It’s time for another episode of our series Revelations, where featured artists reveal rare stories about their greatest songs. And if you haven’t guessed by now, today we have a founding member of my favorite rock band of all time… Van Halen. bassist and backing vocalist extraordinaire Michael Anthony. You gotta see this interview. Michael tells us the funny story of meeting Eddie and Dave for the first time, and they borrowed his PA for a gig, also how dozens of guitarists would go under cover to try to steal Eddie’s Genius… It got so bad they were sneaking around their rehearsal space, and Eddie had to turn his back to the audience to keep his secrets, and how the rookie band got sabotaged by other bands when they were coming up because they were afraid of this band’s ferocity and the story behind their perfect 1978 debut including, Running With the Devil, Aint talking Bout Love, Jamie’s Crying and Eruption. This one’s a can’t-miss next on Professor of Rock.
That was just part one… I actually got a chance to go in-depth on every Diamond Dave album with Michael Anthony, so stay tuned for future installments. Thanks for watching. Leave us a comment about Michael Anthony, and let’s have a great discussion. If you like our videos, we invite you to subscribe below to be a part of our community and to get even more content and insider access. Join us on Patreon. Help us keep the music alive until next time.
#classicrock #shorts #80smusic #hueylewis
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Executive Producer
Brandon Fugal
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Frank Kuna, zachery perry, Shayne Smith, Tom Stokes, Walter O. Wright II
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#classicrock #80smusic #vinylstory #heart
Hey music junkies, Professor of Rock, always here to celebrate the greatest artists and the greatest songs of all time. If you ever sang along to The Love Boat when it came on, you’ll dig this channel of deep musical nostalgia. Subscribe below right now. I promise that you are going to love this channel.
We’re gonna fire up the time machine and head back to the 80s to celebrate a great year in music. Reagan was our president, it was a turning point in the Cold War between the superpowers of the U.S.A. and the U.S.S.R., a worldwide effort to feed the world through a musical event called Live Aid, and some of the greatest albums of the Rock Era. The year was 1985. So as we got through these iconic albums, I’m going to give you the big hit from each one, my pick for the best song, and the best hidden gem…
Today, as we count down the 10 best albums of that year, we begin with R.E.M.’s Fables of the Reconstruction at #10: Fables of the Reconstruction has the deep substance that attracted me to R.E.M. in the first place, but that album was a little more focused on social roots and honest introspection than the previous R.E.M. material. The songwriting on Fables is particularly poetic and evocative. Michael Stipe’s lyrics delve into themes of Southern identity, history, and spirituality, often using imagery centered in the American South.
For me, the best song on Fables is the 2nd single from the record, “Driver 8.” Michael Stipe has mentioned that he was fascinated by the idea of trains as symbols of movement, connection, and sometimes escape. He was specifically singing about the Southern Crescent passenger train operated by the Southern Railroad. I definitely feel that freedom and sense of adventure when I listen to “Driver 8:” The Hidden Gem off Fables of the Reconstruction is "Life and How to Live It." That song is based on the true story of Brev Mekis, a schizophrenic man from Athens who went to extraordinary lengths to split his world into two separate realities.
He literally divided his home into two sides, each filled with its own distinct furniture, books, clothing, and even pets, creating a life where two completely different worlds existed side by side. The song captures the surreal, fragmented experience of mental illness, exploring themes of perception, reality, and the human desire for order amidst chaos. It’s a haunting reflection on the complexity of the mind and the lengths we go to find stability when everything feels… fractured.
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Executive Producer
Brandon Fugal
Honorary Producers
22Unchained, Thomas Halterman, Keith Novak, Yvonne Fus, Jeffrey Thorn
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#classicrock #90smusic #vinylstory #acdc
Hey music junkies, Professor of Rock, always here to celebrate the greatest artists and the greatest songs of all time. If you ever sang along to The Love Boat when it came on, you’ll dig this channel of deep musical nostalgia. Subscribe below right now. I promise that you are going to love this channel. Also, check out our Podcast on
Back in 1991, the big news stories were all about world-changing events. The Cold War was finally winding down, and the Soviet Union was breaking apart. At the same time, the Persian Gulf War—also known as Operation Desert Storm—came to a close, marking a huge moment in global history. It was a year of major shifts on the world stage, and a year of great music:
We’re opening our countdown of the Top 12 Songs of 1991 with “Walking In Memphis” by Marc Cohn at #12: Every now and then, an artist tells a story that is so unique, poignant, and heartfelt that the story enhances the song to an unparalleled level. It seems to deepen with every listen. This is the case with Marc Cohn’s hit Walking in Memphis... Most people thought this massive hit was a made-up homage to an artist, poetic license on steroids, but every part of this song actually happened. Marc Cohn was a struggling singer-songwriter trying to find that one hit that would get him his first big break, and he found it in one weekend. Here’s what he told me.
Marc won the Grammy for ‘Best New Artist’ and the single placed at #3 in Canada, #7 in Ireland, and on the U.S. Album Rock chart. It peaked at #13 on the Billboard Hot 100 and #12 on Adult Contemporary.
Landing at #11 on our countdown of the Top 12 Songs of ’91, it’s Tom Petty & the Heartbreakers with “Learning to Fly”: “Learning to Fly” was co-produced by Jeff Lynne, the legendary producer and ELO frontman. Jeff’s signature lush production style helped give "Learning to Fly" its soaring, expansive sound. It was originally conceived as part of a concept album that never happened, but it became a standalone hit after Tom & the Heartbreakers decided to release it as a single from the album Into the Great Wide Open:
Tom recalled that during the recording sessions, there was a lot of experimentation with the arrangement, including some improvisation on the guitar parts. That’s how the iconic opening riff was born—a simple yet powerful motif that captures the song’s essence of hope and discovery. The song’s chorus features a soaring vocal harmony that was achieved through a clever studio trick. Petty and Lynne layered multiple vocal tracks to create that epic, anthemic feel, making it sound like a song that’s meant to lift you up, even in the 4 walls of a recording studio:
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Executive Producer
Brandon Fugal
Honorary Producers
Junal Garnett, Samuel Cohen, Jeff Kolek, Steve, Anthony Fedora
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#classicrock #70smusic #vinylstory #70srock
Hey music junkies, Professor of Rock, always here to celebrate the greatest artists and the greatest songs of all time. If you remember the B-sides to all of your favorite singles, even today, you’ll dig this channel of deep musical nostalgia. Make sure to subscribe below right now. I know you’ll dig this channel. We also have a Patreon you'll want to check out. There you’ll find an additional catalog of exclusive content, and you can even become an honorary producer to help us curate this music history.
So it’s time for another edition of our series, The New Standards. This show takes an in-depth look into songs that transcend genre, decade, and fads - songs that are monumental touchstones in our culture and society. Just to give you a taste of what this show is all about, on previous episodes we have covered Cat’s in the Cradle by Harry Chapin, Sundown by Gordon Lightfoot, and Hey Jude by The Beatles. All phenomenal songs.
Today, we are giving you the story behind what is effectively the swan song for one of the biggest bands from the late 60s and early 70s. It’s none other than Creedence Clearwater Revival and their unforgettable hit ‘Have You Ever Seen the Rain?’ You know, during Creedence Clearwater Revival’s 1968 and 1972 run, they notched fourteen Top 40 singles in the US and released 7 albums… all of which would ultimately certify gold or platinum. In 1969 alone, CCR dropped three legendary records—Bayou Country, Green River, and Willy and the Poor Boys. A record pace that no one has really equaled since…
For those of you who may not be familiar, Creedence Clearwater Revival was comprised of John Fogerty on lead guitar and lead vocals, his brother Tom Fogerty on rhythm guitar and backing vocals, Stu Cook on bass, and Doug Clifford on drums. But as we’ll see later in today’s episode, it wouldn’t stay that way.
However, let’s get things rolling by going back to April 1970. Paul McCartney had just announced he was leaving the Beatles, which would in turn affect CCR. The Beatles’ shadow had loomed large over their shoulders throughout their career… As it had over everyone. But now with the breakup of the world’s biggest band, who would fill the void? For a hot minute, Creedence thought it could be them. And so did everyone else. They had already kicked out three Top 10 albums, and were racking up the Top 10 hits. And with the landmark success of Cosmo’s Factory, released just months later, could you blame him?
Cosmo's Factory hit the shelves in July 1970. And it would be Creedence’s commercial peak, featuring a stockpile of classic CCR hits…
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Executive Producer
Brandon Fugal
Honorary Producers
Jaimee Hammack, Dan Tierney, Sarge, Byrdman, Duff Gordon
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#classicrock #70smusic #vinylstory #mötleycrüe
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So recently, I was reading an article on my feed about a song that was cursed… And it got me thinking about the most cursed songs of all time… And all these songs and stories started running through my mind. Songs like DOA by Bloodrock. It’s one of the freakiest songs I’ve ever heard… There were people who had seizures when they listened to the song… Fainting and panic attacks… paranoid late-night drivers pulling off the road after hearing it. Anyway, I went down a rabbit hole of cursed songs and their creepy stories. It was so fascinating… I gotta share it. I’m going to give you my top 5 cursed songs, plus a couple of honorable mentions.
The idea of a cursed song dates way back into history. But today, I want to set things up with the story of Robert Johnson, a legendary blues pioneer who lived hard and died young. Born in early 1900s Mississippi, Johnson shunned the life of a field worker to pursue music… to the dismay of his religious in-laws. When Robert’s wife died in childbirth, her family blamed his “devil’s music.” And then the stories began. Fellow bluesmen like Son House remembered Johnson vanishing for a time—only to return with supernatural guitar skills. As the legend goes, Johnson met a “dark man” at the crossroads, who tuned his guitar in exchange for his soul.
Johnson’s 1936 song “Cross Road Blues” sealed the myth—and may have passed along more than just licks. Musicians who have covered the song seem to be followed by misfortune. Eric Clapton lost his son shortly after recording the song. Robert Plant’s 5-year-old son died not long after Led Zeppelin tackled Johnson’s material. Members of Lynyrd Skynyrd and the Allman Brothers Band perished in crashes near literal crossroads after performing them. Even Kurt Cobain, who reportedly planned a cover, died at 27—like Johnson. Now, those all could be strange Coincidences but…Wow. Today, Robert Johnson's death remains a mystery. But what’s certain is that he died at 27, long before fame caught up with him. That placed him at the eerie forefront of what would later be dubbed the “27 Club.” And whatever the explanation, Johnson's music—and the shadow that trails behind it—still haunts those who follow his path to the crossroads. So here’s my list of bands and musicians who tried to tap into a power bigger than themselves. And may have been.
#classicrock #shorts #vinylstory #80smusic
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Executive Producer
Brandon Fugal
Honorary Producers
Jude, Jase Bosarge, Chad Sites, Tim Muñoz, John Shoemaker
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Hey music junkies, Professor of Rock, always here to celebrate the greatest artists and the greatest songs of all time. If you remember this classic commercial, you’ll dig this channel of deep musical nostalgia. Make sure to subscribe below by clicking the white button. I promise that you are going to love this channel. Also, make sure to check out our podcast on Apple, Spotify, or wherever else you get your podcasts. Make sure to rate us and leave a comment!
It’s time for another episode of our series Revelations, where featured artists go deep on their greatest songs and albums. And get insights into the biggest hits of all time that you won’t find anywhere else. And we have two legends today… 2 of the 3 members of the police Lead singer and bassist sting, and Drummer Stewart Copeland on several of the The Police’s Best song, including the Most Eloquent Simple song ever that’s silly lyrics made it a classic. and the most complex bass line that would be impossible for any other singer to play and belt out at the same time. But hey, this is Sting we're talking about…. Plus, the Drummer that Stewart Copeland Always Finished second to when fans approach him. Great stories in these interviews… Let’s get into it.
Thanks for watching. Leave us a comment about Eagles. What are your memories of their music?
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Executive Producer
Brandon Fugal
Honorary Producers
Craig M, James Smith, Ardashir Lea, j lee, Michael Bedenbaugh
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#classicrock #nunobettencourt #ozzyosbourne
Hey Music Junkies, Professor of Rock always here to celebrate the greatest artists and the greatest songs of all time. If you remember trying not to rip a hole in your stomach on your own home-made slip and slide, you’ll dig this channel of musical memories. Make sure to subscribe below right now so you always get our latest interviews and stories. Click the bell, and make sure to check out our podcast!
I’m excited to bring you another episode from our series Revelations, where featured artists go deep on their greatest albums and songs. Insight you won’t find anywhere else. Today we are going to take to a finalist for the greatest living guitarist. He came of age as the 80s were ending and the 90s were beginning, and became a household name with an acoustic song instead of an all out rocker . I’m talking about Nuno Bettancourt of the band Extreme and their biggest hit More Than Words.
Up next Nuno tells us how the song was born and that he now it was something special even though the record label didn’t support it because it didn’t sound like anything on the radio at the time of Big Power Ballads and Dance Pop whereas this song sounded more like the Everly Brothers or the Beatles. He also tells us bout playing guitar on his other big #1 hit of that year. You’ll be schocked when you hear what it is. Plus a hilarious story about touring with Aerosmith and what Steven Tyler ripped the band about. Here’s the story from Nuno.
Thank you for watching
Leave us a comment about Nuno and extremest and this all time classic. They release a new album a few years back and it was Mindblowing. What are you memories of this song and this band.
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Executive Producer
Brandon Fugal
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Holly Hammet, Remnarc, Kevin riley, Paul Moore II, CharleyAnne
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Hey Music Junkies Professor of Rock Always here to celebrate the greatest artists and the greatest songs of all time. You'll dig this channel of deep musical nostalgia. Make sure to subscribe below right now to be a part of our music history daily, straight from the artists. And to become an honorary producer on our Patreon, click on the link in the description.
A few weeks ago, we talked about the most haunting songs from female vocalists. And it got me going down a rabbit hole of the most unique female voices of the last few decades. So today, we’re diving into some of the most distinctive female voices of the last 50 years… These are voices that cut through the noise, across those decades and genres. From whispering mystics to powerhouse belters, I’m going to give you my top 10. Let’s do it.
So, starting off the countdown at #10, I’m going with the Canadian firebrand Alanis Morissette. In 1995, Alanis’s Jagged Little Pill hit the airwaves like a Molotov cocktail. It was one of the biggest-selling albums of the 90s, checking in with 33 million copies sold. At only the age of 21, Alanis unleashed a torrent of rage and heartbreak. Her voice cut through the day’s formulaic pop like a serrated blade. “Ironically,” before Jagged Little Pill, Alanis was a teen pop star in Canada. And she was churning out dance tracks like a pop princess. Her singles “Too Hot” and “No Apologies” both reached #14 on the Canadian RPM Chart. But beneath the bubblegum beats, Alanis craved authenticity. Moving to Los Angeles, she teamed with producer Glen Ballard to strip away the varnish and craft an alt-rock confessional. Jagged Little Pill’s raw storytelling resonated worldwide. And here in America, the album topped Billboard’s albums chart for 12 weeks, and earned her four Grammys… including Album of the Year.
As Alanis told Rolling Stone in ‘95, “[She] was done hiding who [she] was.” Morissette’s unfiltered honesty turned her into a voice for Gen-X’s angst and disillusion. The LP’s lead single You Oughta Know reached #6 on the Hot 100, and it's my pick as the showcase of her voice. The song is pure breakup fury. Incidentally, it’s rumored that it targets Alanis’s former boyfriend, Dave Coulier (of Full House fame). She has never publicly confirmed this, but Dave has said that the lyrics and the timing fit. It was definitely the first huge hit to hint at movie theater sexcapades and an F bomb had to be bleeped out. No female singer had ever out-Madonnaed Madonna. Following You Oughta Know, Alanis Morissette released five more “Jagged” singles, including US Top 10s You Learn and Ironic. But what really set Alanis’s voice apart was its versatility. She wrestled with her lyrics, stretching out syllables like taffy and then spit them out
#classicrock #shorts #70smusic
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Executive Producer
Brandon Fugal
Honorary Producers
Kelly Moan, Curtis Stoddard, Paul Duenas, Robert Hickerty, rondell m
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#classicrock #60srock #vinylstory #thebeatles
Hey Music Junkies Professor of Rock Always here to celebrate the greatest artists and the greatest songs of all time. If you remember stuffing your hand or arm down the cereal box to find the every elusive prize inside You’ll dig this channel of deep music nostalgia…Make sure to subscribe below right now to be a part of our music history daily, straight from the artists. Make sure to check out our podcast.
Let’s jumpstart the time machine to take us to one of the most pivotal years in our civilization. Can you guess the year… It was a time of healing, just months after the king of camelot was taken from us, a little band of working class mop tops took over television and solidified rock and roll forever. Let’s go back to 1964 and count down the 11 best songs of that historic year.
Kicking off the countdown, it’s a heartbreaking song by J. Frank and the Cavaliers. Here’s “Last Kiss” at #11: A real-life tragedy inspired Wayne Cochran to write “Last Kiss.” The story of a young couple involved in a fatal car greatly moved Wayne He said it was based on a tragic accident about 15 miles from his home when 5 teens were riding 1954 chevy… the driver was a 16 yearly named JL Hancock was dating a girl name Jeanette Clark who’s was in the front seat next to him and then 3 tother kids, it was foggy so when the driver JL saw a flatbed truck on the side of the road it was too late..
The crash killed all five of the teens, Cochran said the response from the community fueled the lyric… the only problem was the accident took place December 22, 1962, well after the song was released, so he got away with the story back then because nobody could fact check it… It wasn’t until a year later that everyone found out the truth. But he did write “Last Kiss” as a tender farewell—a heartfelt plea to a loved one who is gone, emphasizing the pain of losing someone too soon. The track captured the heartbreak of saying goodbye…forever..
Wayne Cochranwas the first to record “Last Kiss,” but his version garnered very little attention. It was J. Frank Wilson & the Cavaliers rendition in ’64 connected with listeners and quickly became a hit. The emotional delivery, combined with the haunting melody, touched a nerve across the country. And it became an instant classic… And then part of the song came true in tragic fashion for the band that made it a hit. Not long after the release of “Last Kiss,” the band that made the song famous hit some hard times.
#classicrock #70music #vinylstory #danfogelberg
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Executive Producer
Brandon Fugal
Honorary Producers
Norman Buchwald, Cliff Konstans, Steve DocPinko Cloutier, Jenny Blaxell, Jason Elliott, AArthriticGamer
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#classicrock #80smusic #vinylstory #70smusic
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Brandon Fugal
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Kimberley Rumburg, Brent Gephart, Glenn Beardmore, Jennifer Selvidge, Carl Curcuruto, Thomas Williams
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#classicrock #80smusic #vinylstory #pinkfloyd
Hey Music Junkies Professor of Rock Always here to celebrate the greatest artists and the greatest songs of all time. If you were ever stumped trying to figure out what kind of animal Snuffaluffagus was on Sesame Street, you’ll dig this channel of deep musical nostalgia. Make sure to subscribe below right now to be a part of our music history daily, straight from the artists. And to become an honorary producer on our Patreon.
So the other day, my son walked up to me with a book order from school. He asked if he could order some books, and of course, it took me back to the early 80s when I was doing the same thing with my own dad. He said Dad, can I get the Guinness Book of World Records? It's really cool. My friend has one and it has all these cool facts like the tallest man and the oldest person, and of course, I said Buddy, I used to buy the Guinness book of world records every single year. It was a rite of passage for any child of the 80s, and apparently it still is! So we both got into a long discussion about Records and it got me thinking about the greatest records or feats in music history So I went down a rabbit hole of unbeatable record in music history so Here’s my own Guinness book of world records …a top 10 of the greatest record in music history that will never be topped.
For the #10 record, I’m going with the most words ever packed into a hit song. Now the previous record for this was Bob Dylan’ Subterranean Homesick Blues with 360 words. That record stood for over 20 years until REM blew it away with It’s the End of the World as we know it and I feel Fine which also happens to be one of the longest song titles ever. REM fit 600 words into a hit song in 1987, and that record stood for 26 years and then got obliterated by… Who else? A rapper. Back in 2013, Eminem released “Rap God”—a six-minute lyrical hurricane that nearly tripled REMS count with 1,560 words. Yeah, you heard me right. The lyrics in this one are delivered at warp speed. One stretch of the track even clocks in at 6.46 words per second, another record, and even more impressive, performed live without missing a beat. It was an elite showcase of breath control, pacing, and articulation.
Rap God isn’t just about density—it’s also about dexterity. Eminem fires off complex rhyme schemes, rapid internal rhymes, and tongue-twisting patterns that would leave anyone else gasping for breath before the first chorus. And yet, this wasn’t some underground mixtape—“Rap God” was a mainstream hit. The track peaked at #7 on the Hot 100 and went multi-platinum. And that’s what makes this record so untouchable—Rap God combined elite technical skill with some serious commercial success. Sure, there have been other high-word-count songs, but nothing on this level of precision and popularity.
To get Souvenirs click here; danfogelberg.lnk.to/souvenirs50
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Executive Producer
Brandon Fugal
Honorary Producers
SRoth, Eric Casella, Sherill Thatcher, Christina Root, K&K Bosemer, Chris Hedlger
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Today we are celebrating Dan's breakthrough album Souvenirs, which included several standards, and we have some amazing guests, including his bass player, engineer, and photographer for the record and you’ll hear never before told stories and insights into Dan as an artist and as the teller of some of our favorite songs… I did a video years ago where I said if I could interview any artist, living or dead, it would be Dan Fogelberg… he was a special artist and deserves to be remembered as one of the greatest ever to do it. This album is appropriately titled Souvenirs because that's what Dan’s Music has always been… a time machine that takes us back to our fondest memories, that make us ache with joy.
Make sure to get your copy of Souvenirs at the link here or in the description below and celebrate his breakthrough album. Let’s have a great discussion below celebrating Dan Fogelberg and his incredible catalog.
#classicrock #shorts #80smusic #80srock
#classicrock #shorts #softrock #80smusic
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Executive Producer
Brandon Fugal
Honorary Producers
Steve Maddox, Thomas French, John Tanner, Robert Coen, Mark Austin, Andrea Drake
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H
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Executive Producer
Brandon Fugal
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Holly Hammet, Remnarc, Kevin riley, Paul Moore II, CharleyAnne
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#classicrock #80smusic #vinylstory #onehitwonder
Hey music junkies, Professor of Rock, always here to celebrate the greatest artists and the greatest songs of all time. If you ever made a Snow Cone with the snoopy son cone maker you’ll dig this channel of deep musical nostalgia. Make sure to subscribe below right now. I know you’ll enjoy taking a Daily ride in the time machine. Make sure to check out our podcast!
Back in the day when I first started this channel I used to do top 5 countdowns and called them fivers… So I’m going back to that tradition. For today’s fiver we are counting down the top 5 Craziest Origins of Famous one hit wonders… the process of their creations is a big part of what makes these songs such rare treasures—they’ve left a mark on our lives in the most unexpected ways.
Today I’m going to start with an honorable mention: And this one’s pretty funny. a rock band hated disco that scored one of most beloved disco hits ever. It’s “Play That Funky Music” by Wild Cherry: Remember back in the day when nightclubs were thick with cigarette smoke? You’d go see your favorite band, and no matter what you wore, you’d come out smelling like cigarettes for weeks—even after washing. It was just part of the scene, and honestly, it kind of added to the whole vibe, I guess, even if the smell was terrible.
Let’s go back to that smoky time, in the mid 70s…. A small rock band called Wild Cherry, again the key here is that they were a rock band. they hated disco.. Keep that in mind.. They were playing a gig in one of those smoke-laden clubs, in Pittsburgh. It started off as nothing special, just a typical one-night stand to make a little bit of money. Wild Cherry, named after a box of cough drops, was a straight-up rock band, not a hint of funk or disco in their repertoire (rep-er-twar). But, in the middle of their set on that night, something unexpected happened. In between songs, an African American in the audience shouted out from the crowd, "Play some funky music, white boy!” It was the only thing the band heard from the crowd, and for a moment, the club went quiet. The band didn’t have a comeback…at least not yet:
Frontman Rob Parissi was taken aback, but instead of dismissing the bold request, he scribbled the phrase quickly on a bar order pad—an impulsive, off-the-cuff response to the moment. Little did he know, that scribbled note would become the springboard for one of the most iconic party anthems of all time: Rob and the band decided to craft a song around what ...
Head to acorns.com/early/por or download the Acorns Early app to help your kids grow their money skills today.
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Executive Producer
Brandon Fugal
Honorary Producers
Elizabeth Kohll, Sounding Bored, Michele M., Tim Coffey, Aloysius Jr Alday
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#classicrock #90smusic #vinylstory #onehitwonder
Hey music junkies, Professor of Rock, always here to celebrate the greatest artists and the greatest songs of all time. if you remember reading comic books off the rack! Make sure to subscribe below right now. I know you’ll enjoy taking a Daily ride in the time machine. Make sure to check out our podcast!
Our countdown of the Top 12 Songs of 1990 begins with Concrete Blonde’s“Joey” at #12: Concrete Blonde lead singer Johnette Napolitano avoided writing the lyrics to "Joey" until the last possible moment due to the difficult nature of the subject matter. You see, the song was about her stormy relationship with Marc Moreland, the former lead guitarist for the band Wall of Voodoo. Marc was a heavy alcoholic, and Johnette tried desperately to help him, but couldn’t. She had the words she wanted to express in her head, and wrote the song in a cab on her way to a photo shoot. Tragically, Marc Mooreland died of liver failure in 2007.
Marc & Johnette became a couple when Concrete Blonde & Wall of Voodoo played gigs together in the LA area during the 80s. The two eventually severed their romantic ties, but they collaborated on an album together called Pretty & Twisted in 1995. “Joey” was the last song written and recorded for Concrete Blonde’s 3rd album, Bloodletting. It was the 2nd single from the album, and the only Concrete Blonde song to make the Billboard Hot 100, peaking at #19. It was a #1 track on the Alt Rock chart.
Slinking in at #11 on the Top 12 Songs of 1990 countdown, it’s “Black Velvet” by Alannah Myles. Near the 10th anniversary of Elvis Presley’s death. Christopher Ward, a talented songwriter and music enthusiast, was visiting Memphis as a VJ for MuchMusic, Canada’s premier music channel. But what started as a routine assignment quickly turned into something much more profound. While in Memphis, Christopher immersed himself in the city’s rich musical history and the fervor of Elvis fans gathered there. Everywhere he looked, he saw fans mourning, celebrating, and revering the King of Rock and Roll. Their passion was contagious, and it made him think about what Elvis represented—not just as a star, but as a symbol of hope, struggle, and identity for those who grew up in the South. Christopher put the song together with David Tyson, and gave it to his then-girlfriend, Canadian singer Alannah Myles. Yes, Christopher was her Guy, but She delivered an EPIC vocal on “Black Velvet.”
#classicrock #shorts #70smusic #eagles
Hey music junkies, Professor of Rock, always here to celebrate the greatest artists and the greatest songs of all time. If you remember the misadventures of UnderDog, you’ll dig this channel of deep musical nostalgia. Make sure to subscribe below by clicking the white button. I promise that you are going to love this channel. Also, make sure to check out our podcast on Apple, Spotify, or wherever else you get your podcasts. Make sure to rate us and leave a comment!
It’s time for another episode of our series Revelations, where featured artists go deep on their greatest songs and albums. And get insights into the biggest hits of all time that you won’t find anywhere else. And we have a true legend today… Eagles producer Bill Szymczyk, who helped transform their soft rock country sound to straight-ahead Rock, took them from the Take It Easy/peaceful easy feeling sound of the early 70s to the Already Gone/Hotel California sound of the mid to late 70s. Today, he gives us the behind-the-scenes blow-by-blow of On the Border and One of These Nights, two albums that gave us multiple Eagles classics.
And then there's Lying Eyes and a great one liner that came from Glenn Frey seeing a supermodel with an old fat rich guy, and he wrote the line down on a napkin, it became a smash, plus the song that DON Henley wished would not have been put on any Eagles album… Written by out the door member Bernie Leadon and a US president’s daughter, plus the pressure of Take it to the limit where the normally tried and true back up singer Randy Meisner was front and center with one of the greatest high notes ever recorded and the pressure that came with trying to nail it every night and lastly Bill explains how the biggest selling album ever was a spot decision that took an afternoon to do and sold 40 milion copies it’s a scorcher next on professor of rock
Thanks for watching. Leave us a comment about Eagles. What are your memories of their music?
#classicrock #80smusic #vinylstory #vanhalen
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Executive Producer
Brandon Fugal
Honorary Producers
David Roche, Bob Bell, Holly, W.T.F, James Dorsey, Bruce Suit
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#classicrock #70smusic #vinylstory #70srock
Hey music junkies, Professor of Rock, always here to celebrate the greatest artists and the greatest songs of all time. If you remember the first record you dropped the needle on, you’ll dig this channel of musical nostalgia. Make sure to subscribe below right now. I know you’ll dig this channel! We also have a Patreon you'll want to check out. There you’ll find an additional catalog of exclusive conten,t and you can even become an honorary producer to help us curate this music history.
I’m excited to return to another one of my favorite shows that we do on this channel. It’s called Breakthrough. In this show, we break down songs, albums, or events that kicked open the door to an artist or band’s career and gave them the momentum to rocket to long-term success. On previous episodes we have covered Good Times Bad Times by Led Zeppelin, Cum On Feel The Noise by Quiet Riot, and She Sells Sanctuary by the Cult. Today, we are getting into a true rock classic! Alice Cooper’s 1972 breakthrough smash, School’s Out.
So Alice Cooper, whose birth name is actually Vincent Furnier, began writing songs as early as junior high. By 1964, Furnier was dreaming of becoming as big as the Beatles. No doubt that had something to do with their Ed Sullivan performance. Furnier recruited some classmates to form a band and they dubbed themselves the Earwigs. Dressed in Beatles attire, they played the Letterman’s Talent Show at their high school, Cortez High in Phoenix, Arizona.
In 1965, the guys had changed their name to The Spiders, and in 1967, they went by The Nazz. But after discovering Todd Rundgren also had a band called Nazz, they settled on the name Alice Cooper. This was in 1968. So there are some urban legends surrounding this name. For instance, it's long been rumored that the moniker came from a Ouija board session.
Reportedly, Furnier made contact with a 16th-century witch named Alice Cooper and adopted the name thereafter. The truth, however, is less dramatic, but still a little creepy. The name came out of a band brainstorming session. In his autobiography Golf Monster, Cooper wrote that they had resolved to come up with something spooky. The band had a penchant for horror, and the first name out of his mouth was Alice Cooper. In his mind, it conjured up the image of a little girl holding a lollipop in one hand and a butcher knife in the other. Years later, Furnier would legally adopt the name for himself.
In addition to Vincent, the band’s roster included guitarists Michael Bruce and Glen Buxton, bassist Dennis Dunaway, and drummer Neal Smith. In time, they moved to LA, where they routinely repelled audiences with their shows. Their future manager, Shep Gordon, said, “I saw people streaming out of a club as soon as the band began to play, and I knew I had a winner… I’d never seen such a strong negative reaction. People hated Alice, and I knew that anyone who could generate such strong negative energy had the potential to be a star…”
In 1969 Shep introduced the band to Frank Zappa, who
Head to acorns.com/early/por or download the Acorns Early app to help your kids grow their money skills today.
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Executive Producer
Brandon Fugal
Honorary Producers
Robert Taylor, Missy D, Stan Summay, MG, David Fritz
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#classicrock #80smusic #vinylstory #80srock
Hey music junkies, Professor of Rock, always here to celebrate the greatest artists and the greatest songs of all time. If you ever got beaten by Mike Tyson in Punch Out. You’ll dig this channel of deep musical nostalgia. Make sure to subscribe below right now. Also check out our podcast…..
I’m gonna take a lot of crap for this one but let’s be honest most of the people that will scorch me in the comments probably secretly love these song more than me. And truthfully, we’ve all got those songs. You know what I’m talking about. Those tracks you can’t quite admit you listen to, at least not in public. But when there’s no one else around and the shades are pulled down, we’ve got no problem cranking up the volume on these bad boys. And you're singing every word. No shame. That’s the thing about so-called guilty pleasures. They’re shamelessly catchy and completely irresistible. And so for today, I’ve lined up six of my top so-called guilty pleasures or my no shame countdown. From boy band bubblegum to hair metal ballads, this is the latest edition of Guilty Pleasures. Let’s go!
Kicking off the countdown at #6, it’s LA’s own Warrant with a 2 for 1 the rocker Down Boys and the power ballad Heaven. Down Boys was Warrant’s debut single, and it arrived like a neon warning shot from the Sunset Strip. It was pure hair metal ambition. Formed in Los Angeles in 1984, Warrant cycled through multiple members until vocalist Jani Lane and drummer Steven Sweet joined in ’86. That version of the band, featuring Erik Turner and Joey Allen on guitars and Jerry Dixon on bass, became the definitive lineup. By 1989, Warrant had clawed their way into the spotlight with their first album, Dirty Rotten Filthy Stinking Rich—a title that spelled out their rock 'n' roll aspirations.
The album dropped right as glam metal hit its peak saturation point, but Warrant carved out a niche with a sound slicker than Poison and poppier than Ratt. “Down Boys” led the charge, with its chunky guitars, stomping groove, and a title that was built to stick. Lane once joked that the phrase referred to the guys who always got the girl. But for a band trying to break through on the Strip, the better question was how to be one of those guys. Jani Lane penned most of the band’s material, and “Down Boys” was like a mission statement.
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Executive Producer
Brandon Fugal
Honorary Producers
ZaffronStaghelm, Laurie Buckland, Dale Nadeau, Robert Taylor, Missy D
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#classicrock #70music #vinylstory #eagles
Hey music junkies, Professor of Rock, always here to celebrate the greatest artists and the greatest songs of all time. If you remember the misadventures of UnderDog, you’ll dig this channel of deep musical nostalgia. Make sure to subscribe below by clicking the white button. I promise that you are going to love this channel. Also, make sure to check out our podcast on Apple, Spotify, or wherever else you get your podcasts. Make sure to rate us and leave a comment!
It’s time for another episode of our series Revelations, where featured artists go deep on their greatest songs and albums. And get insights into the biggest hits of all time that you won’t find anywhere else. And we have a true legend today… Eagles producer Bill Szymczyk, who helped transform their soft rock country sound to straight-ahead Rock, took them from the Take It Easy/peaceful easy feeling sound of the early 70s to the Already Gone/Hotel California sound of the mid to late 70s. Today, he gives us the behind-the-scenes blow-by-blow of On the Border and One of These Nights, two albums that gave us multiple Eagles classics.
And then there's Lying Eyes and a great one liner that came from Glenn Frey seeing a supermodel with an old fat rich guy, and he wrote the line down on a napkin, it became a smash, plus the song that DON Henley wished would not have been put on any Eagles album… Written by out the door member Bernie Leadon and a US president’s daughter, plus the pressure of Take it to the limit where the normally tried and true back up singer Randy Meisner was front and center with one of the greatest high notes ever recorded and the pressure that came with trying to nail it every night and lastly Bill explains how the biggest selling album ever was a spot decision that took an afternoon to do and sold 40 milion copies it’s a scorcher next on professor of rock
Thanks for watching. Leave us a comment about Eagles. What are your memories of their music?
#classicrock #shorts #vinylstory #80smusic
-----------------------------------------------------------------------------------------------------------------------
Executive Producer
Brandon Fugal
Honorary Producers
Moon Comix, Scratchers J Scratcherton esq, fakeaorta, Mark Thompson, skymech9
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#classicrock #80smusic #vinylstory #supergroup
Hey Music Junkies, Professor of Rock always here to celebrate the greatest artists and the greatest songs of all time. If you remember spending hours at the video stores trying to figure out what movies to pick out for the weekend, you’ll dig this channel of pure musical nostalgia. Make sure to subscribe below right now and click the bell so that you always know when our new ones drop. Also, check out our exclusive content on Patreon and our latest merch…
I’m excited to bring you another episode from our series Revelations, where featured artists go deep on their greatest songs and albums. Stories and tidbits from rock and pop history that you won’t find anywhere else. This is one for the ages. It was a night unlike any other night before, there was the internet, 24-hour news, and AI. The date was January 28th, 1985, and a legendary producer would gather the greatest legends of rock and pop music underneath he same roof to assemble the greatest supergroup in the history of the world, but it would only be for one song and only take place over one night…
Every 80s kid remembers this event…it was a key part of our childhood. I’m talking about the group USA for Africa and the multiplatinum #1 smash We Are The World. The charity single that was written by Michael Jackson and Lionel Richie and produced by Quincy Jones and Michael Omartian. the song would go on to sell over 20 million copies making if one of the biggest selling singles ever and today I’ve got a half dozen interviews with legends sharing some of the key experiences from that magical night.
Inspired by Band Aid, who had just released Do They Know It’s Christmas just a month before. The late musician activist Harry Belafonte wanted to help, and he enlisted fundraiser and humanitarian, and artist manager Ken Kragen to help implement his vision. They got hold of Michael Jackson and Lionel Richie, who had been a client in the past, and they started to write the song. It was finished a mere 7 weeks after Do They Know It’s Christmas and just before they assembled the superstars and legends to record the song. In fact, they were still trying to put the finishing touches on the song as people were arriving.
They carefully planned the session to be right after the American music awards so that many of the artists would be able to make to the studio right after the show’s taping. Harry Belafonte deserves a lot of credit for putting together the initial idea or organizing the recording of the song, and for having the best-known artists participate. He would have the proceeds donated to an organization called United Support of Artists for Africa, known as USA for Africa. The non-profit would, in turn, get food to starving people in Ethiopia where a famine was taking place.
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#classicrock #shorts #rock #90smusic
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Executive Producer
Brandon Fugal
Honorary Producers
Frank Kuna, zachery perry, Shayne Smith, Tom Stokes, Walter O. Wright II
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Hey music junkies, Professor of Rock, always here to celebrate the greatest artists and the greatest songs of all time. If you remember trying to jump over the barrels to save the princess one the original Donkey Kong, you’ll dig this channel of deep musical nostalgia. Make sure to subscribe below right now. I know you’ll dig it. We also have a podcast you'll want to check out. on Apple and Spotify.
It’s time to go into detail on the songs that many think are one thing and are another thing entirely…. The most misunderstood song of our time… Which leads me to the question I ask all the time.. Does anyone actually listen to the lyrics… Let’s do it.
“Our countdown of the Top 6 Most Misunderstood Songs of the Rock Era kicks off with “Crash Into Me” by the Dave Matthews Band at #6: at first listen “Crash Into Me" sounds like a gentle, romantic plea—an invitation to be close, to connect and share a moment of vulnerability. It’s got that sweet, tender vibe to it, like a sentimental love song. It’s been used as a prom theme for scores of high schools. I’ve said it at least a half dozen times…Does anyone listen to lyrics anymore? But “Crash Into Me” is primarily about voyeurism, specifically from the perspective of someone watching a woman through her window. Dave’s lyrics contain unsettling imagery related to observing someone without their knowledge or consent.
Like this part: ”Hike up your skirt a little more / And show the world to me," and "I watch you there through the window and I stare at you / Wear nothing but you wear it so well." Those lines in the 4th verse are clearly about a peeping Tom, which makes the song's romantic sweetness feel musch darker, and creepier when you really think about it: Whether you let the creepiness overwhelm you, or just listen to the song for its delicate, romantic charm, ”Crash Into Me" remains one of the band’s most beloved Dave Matthews compositions. Dave really wants the song to represent the universal human experience of longing, about the tension between intimacy and independence, and the delicate dance of love and vulnerability. But let’s be honest, the lyrics and the way it’s sung sound more like a predator…. For me, as the years go by, it gets more and more creepy…It’s like Springsteen’s song I’m on Fire.
“Crash Into Me” was written during a period of emotional upheaval for Dave, who was grappling with feelings of love, longing, and sometimes insecurity. The song’s hypnotic melody disguises the complex emotions behind it—desire, caution, and the recognition that love can be both beautiful and fragile.
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Executive Producer
Brandon Fugal
Honorary Producers
22Unchained, Thomas Halterman, Keith Novak, Yvonne Fus, Jeffrey Thorn
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Hey music junkies, Professor of Rock, always here to celebrate the greatest artists and the greatest songs of all time. If your first record player came from Fisher-Price, you’ll dig this channel of deep musical nostalgia. Make sure to subscribe below right now. I know you’ll dig it. We also have a podcast you'll want to check out on Apple and Spotify.
It was an intense year with the deaths of Martin Luther King and Robert F. Kennedy…Richard Nixon shockingly winning the Presidency, and the infamous Tet (rhymes with pet) Offensive escalated the war in Vietnam. At the movies, Planet of the Apes and 2001: A Space Odyssey fascinated film goers, and in music, it was a year of wild improvisation and psychedelia, and some of the greatest tracks of the Rock Era. Can you guess the year? We're taking the time machine back to 1968….
Our countdown of the Top 11 Songs of 1968 begins with “Mrs. Robinson” by Simon & Garfunkel at #11: The summer of ’68 was a time of social upheaval, cultural shifts, and rock bands pushing boundaries. It was during that vibrant era that Simon & Garfunkel released "Mrs. Robinson," a song that would become one of the most iconic tracks of their career—and a staple of American pop culture: “Mrs. Robinson” was originally written for the soundtrack of the film The Graduate, a movie that perfectly embodied the anxieties and rebellious spirit of its time. Director Mike Nichols approached Simon & Garfunkel to create a song that reflected the film’s themes of youthful disillusionment and societal change. They initially penned "Mrs. Robinson" as a playful, slightly satirical tribute to the film’s character, Mrs. Robinson—an older woman who symbolizes temptation and societal expectations.
“Mrs. Robinson” was actually recorded very quickly—just a few days before the film’s release. Paul Simon famously said that the lyrics were inspired by a mix of personal observations and the cultural atmosphere of the late '60s, with lines that subtly referenced the movie's characters and themes but also carried deeper meanings about rebellion and disillusionment. One of the most memorable parts of Paul’s composition is the “koo koo kachoo, Mrs. Robinson” line. Paul actually lifted that from “I Am the Walrus” by The Beatles, except he misheard John Lennon’s lyric, mistaking “goo goo goo joob” as John wrote it, for “koo koo achoo”.
He turned a beatles misheard lyric and turned it into a number one hit, if you remember, Bobby Hart did the same thing with Paperback writer think they were saying take the last train…and turned that into the #1 smash Last Train to Clarksville… 2 #1s from misheard lyrics from rival bands…
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#classicrock #shorts #60smusic #60srock
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Executive Producer
Brandon Fugal
Honorary Producers
Junal Garnett, Samuel Cohen, Jeff Kolek, Steve, Anthony Fedora
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Subscribe to the Professor of Rock Podcast
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#classicrock #70smusic #vinylstory #ledzeppelin
Hey music junkies, Professor of Rock, always here to celebrate the greatest artists and the greatest songs of all time. If you remember poring over the Sears wishbook catalog, circling what you wanted for Christmas, you’ll dig his channel of full music nostalgia. Make sure to subscribe below right now. I know you’ll enjoy taking a Daily ride in the time machine. We also have a Patreon you'll want to check out. There you’ll find an additional catalog of exclusive content, and you can even become an honorary producer to help us curate this music history.
Today, we’re bringing you another entry from our ongoing Led Zeppelin series, where we pay homage to the great ones, Jimmy Page, Robert Plant, John Paul Jones, and John Bonham… and give you an inside look at their monumental catalog. In past installments, we have told the stories of Kashmir from Physical Graffiti, The Rain Song from Houses of the Holy, and Rock and Roll from IV, or Untitled, or The Runes, or whatever you prefer to call it. This time, we’re dropping the needle on Led Zeppelin II and taking an in-depth look at their classic track Ramble On.
So on January 2, 1969, Led Zeppelin kicked off their first American tour at West Hollywood’s iconic Whisky A Go Go, setting the stage for the landmark release of their eponymous debut record ten days later. Within months of its release, Led Zeppelin would ascend to the #6 spot in the United Kingdom and #10 in the United States. And throughout 1969, the band would keep up a steady barrage of tour dates, playing their way across North America and England. It was during this time of intense touring that they began work recording their follow up album, Led Zeppelin II.
In view of all the full houses and sold-out shows, Atlantic Records’ founder Ahmet Ertegun was chomping at the bit to get a second Zeppelin record out to the public asap. And the initial target date he had in mind was in the summer of 1969, roughly six months after the release of Zeppelin I. It was a pretty ambitious goal, especially considering just how much touring the band was doing. Ertegun would ultimately relent on the summer release date, settling for October instead. But even so, Page and company had their work cut out for them. Releasing two albums in less than a year while touring full time… that was a formidable task.
Having been informed of Ertegun’s plans in April 1969, Led Zeppelin’s manager Peter Grant talked the foursome into returning to the studio… specifically Olympic Studios in London, where the initial sessions took place.
Head to acorns.com/early/por or download the Acorns Early app to help your kids grow their money skills today.
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Executive Producer
Brandon Fugal
Honorary Producers
Jaimee Hammack, Dan Tierney, Sarge, Byrdman, Duff Gordon
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Subscribe to the Professor of Rock Podcast
Apple - apple.co/445fVov
Spotify - https://spoti.fi/42JpfvU
Amazon Music – amzn.to/44b5D6m
iHeartRadio – bit.ly/444h8MO
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Check Out The Professor of Rock Merch Store -http://bit.ly/ProfessorMerch
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Check Out Patron Benefits
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Help out the Channel by purchasing your albums through our links! As an Amazon Associate, I earn from qualifying purchases at no extra cost to you, thank you for your support.
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#classicrock #rock #vinylstory
Hey music junkies, Professor of Rock, always here to celebrate the greatest artists and the greatest songs of all time. You're going to dig this channel of deep musical nostalgia. Make sure to subscribe below right now. I know you’ll dig it. We also have a podcast you'll want to check out on Apple and Spotify.
For today’s Top 10 TV themes countdown, it’s time to hit the 90s. The '90s were the last great decade of TV theme songs before streaming and skip buttons changed the game. And back then, a theme song told you everything you needed to know about a show before it even got started. Man, what a different time that was. Alright, get ready to go into nostalgia overdrive. The countdown begins now.
Starting off the countdown, I’ve got a TV theme to show that only lasted one season. It was the best show on TV at the time, like its theme song, it was STELLAR AT #10, I’ve got Joan Jett’s Bad Reputation, the theme to the cult classic Freaks and Geeks. Like I said, the show was tragically short-lived, running from 1999 to 2000… just barely making it into the decade. This coming-of-age drama was about two siblings navigating high school in early 1980s Michigan—Lindsay with the burnout crowd and Sam with the nerds. Created by Paul Feig and produced by Judd Apatow, the series authentically captured the awkward, painful, and funny truths of adolescence. Though it only lasted one season, Freaks and Geeks earned cult status and launched the careers of stars like James Franco, Seth Rogen, and Jason Segel.
And it’s only right that a show about high school outcasts in the early ’80s would open with a song that flips authority the bird. For Freaks and Geeks, Paul Feig and Judd Apatow cycled through potential theme songs—including Ted Nugent’s Great White Buffalo—before landing on “Bad Reputation.” Apatow admitted he had never heard the song until their music supervisor pitched it. But once he did, he was all in, saying, “It cemented the tone of the show.” No doubt. The song’s snarling chorus—“I don’t give a damn ’bout my bad reputation!”—was a perfect rallying cry for a series that lived and died by its outsider cred. But getting the song was no small feat. Joan Jett wasn’t just licensing it to anyone.
So producers had to go directly through her team and negotiate its usage, with Apatow reportedly sweating it until they sealed the deal.
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