Dunsys Guitar World 2
SCORPIONS Hold Me Tight Guitar Cover from 1980s ANIMAL MAGNETISM
updated
We’ll be breaking down three of my favourites: the crunchy drive of ‘Rainmaker,’ the high-energy ‘Happy Man,’ and the raw, punk-rock energy of ‘Pig’.
Grab your gear and let’s get that signature distorted tone!
#Sparklehorse #GuitarTutorial #MarkLinkous #IndieRock #GuitarRiffs #AlternativeRock #learnguitar
Video Content:
Intro: 0:00
Rainmaker 1:55
Pig 9:25
Happy Man 17:18
In this video, we go deep into the fallout of that cancelled British tour - a move that left fans devastated and the band’s future in limbo. We break down the departure of original frontman Bret Kaiser and the frantic search for a voice that could save the band's momentum.
Enter a 17-year-old powerhouse from Canada named Sebastian Bach.
Before he was the face of Skid Row, "Baz" was the secret weapon recruited to front Madam X during their most turbulent hour. We explore how the band pivoted from the polished Sunset Strip sound to the raw, untamed power of a teenage Bach. From the high-stakes rehearsals to the legendary club shows that followed, discover how a massive tour disaster inadvertently created one of the most iconic "what if" lineups in hair metal history.
In this video:
INTRO: 0:00
THE EARLY YEARS: 1:01
UK TV 1985: 2:14
UK TOUR 1986 : 4:40
SEB JOINS: 5:48
SEB LEAVES: 7:35
RESURRECTION: 8:30
#MadamX #SebastianBach #HairMetal #RockHistory #YouthGoneWild #PetrucciSisters #80sMetal #SkidRow #GlamMetal #Vixen #LostTours #DetroitRock
Magic is the sixth and final studio album by English rock band Gillan, released in September 1982.
It features eight original songs, mostly co-written by Ian Gillan and Colin Towns, and a cover of Stevie Wonder's 1973 hit single "Living for the City". This cover was released as a 7" single, in both picture-bag and picture-disc editions, and was accompanied by a promotional video.
Although the album was generally accepted by Gillan's staunch UK following, it failed to achieve the chart success of Glory Road or Future Shock, peaking at No. 17 in the UK chart.
#Gillan #IanGillan #JanickGers #GuitarTutorial #HardRock #BluesyBlueSea #GuitarLesson #NWOBHM #ClassicRock #RhythmGuitar
What You’ll Learn:
The Main Riff: A step-by-step breakdown of the signature pull-off sequence on the 7th and 5th frets of the D and G strings.
If you enjoyed this look at a heavy metal classic, don't forget to Like, Subscribe, and hit the notification bell for more old-school shred tutorials!
#Steeler #YngwieMalmsteen #ColdDayInHell #GuitarLesson #HeavyMetal #80sMetal #GuitarTutorial
In this video, we explore:
The Band's Roots: How they evolved from their 1977 origins as "Age" into the heavy metal powerhouse of the 80s.
The Tracks: Deep dive into hits like the 8-minute epic "Loser" and high-energy anthems like "Burn the Ice" and "Get It Now".
The Sound: Why vocalist Lothar Antoni was famously compared to the Scorpions' Klaus Meine.
The Legacy: Their journey from the Rhineland region to touring with legends like Warlock and Raven.
#TranceBand #BreakOut1982 #GermanHeavyMetal #TeutonicMetal #80sMetal #VinylCommunity #ClassicMetal #LotharAntoni
What’s inside:
The Line-up & Road Kill: A look at the original members - Bettina France, Marlene Apuzzo, Rena Sands, Lisa Pace, and Diane Keyser - and the making of their cult-classic thrash album.
The Early Gigs: Their rise in the Westchester/NYC scene and touring with bands like Overkill and Manowar.
The Split: Why the band fizzled out in the early '90s due to a changing musical landscape (the rise of Grunge), lack of label support, and members starting families.
The Dream Theater Connection: How three members of Meanstreak became the "Real Housewives of Heavy Metal" by marrying members of Dream Theater (John Petrucci, Mike Portnoy, and John Myung).
The Reunion: Their 2022/2023 comeback as the opening act for John Petrucci’s solo tour and the release of their 2024 EP, Blood Moon.
#Meanstreak #ThrashMetal #RoadKill #DreamTheater #AllFemaleBand #80sMetal #MikePortnoy #JohnPetrucci #JohnMyung #HeavyMetalHistory #BloodMoonEP
What You’ll Learn:
The Main Riff: Breaking down the driving opening progression that defines the song's energy.
Verse & Chorus Structures: How to lock in with the drums using consistent down-strokes and percussive muting.
Tuning: This song is typically played in Eb Standard (half-step down) to match the original recording's grit.
#CatsInBoots #ShotgunSally #GuitarLesson #RhythmGuitar #HairMetal #SleazeRock #KickedAndKlawed #80sRock #GuitarTutorial #HardRockGuitar
In this video, we break down:
Metal Rendez-vous (1980): The introduction of Marc Storace and the breakthrough of "Bedside Radio."
Hardware (1981): A heavier, grittier follow-up featuring classics like "Burning Bones."
One Vice at a Time (1982): The album that took them to the global stage with "Long Stick Goes Boom."
Was this the greatest three-album run in 80s metal? Let’s dive into the riffs, the vocals, and the legacy.
Hashtags: #Krokus #ClassicMetal #HeavyMetalHistory #SwissMetal #HardRock #80sMetal #MetalRendezvous #OneViceAtATime
Ace’s rhythm playing on this track is a masterclass in his signature "swagger" - combining aggressive power chords with tight, rhythmic "pocket" playing. We'll go over the main riff, verse progressions, and the heavy chorus transitions.
What you’ll learn:
Intro, Verse, Bridge and Chorus parts: A classic Ace-style move using power chords and muted strikes.
Tuning: Most of Ace's solo work, including this album, is traditionally recorded in Eb Standard (half-step down:
Rhythmic Nuance: How to capture the specific "swing" and syncopation Ace uses to give the song its drive.
Whether you're a member of the KISS Army or just a fan of 80s hard rock, this lesson will help you lock in the foundation of this cult classic.
#AceFrehley #GuitarLesson #ShotFullOfRock #TroubleWalkin #KISS #SpaceAce #RhythmGuitar #HardRock #GuitarTutorial #LesPaul #KISSArmy
In this review, we’ll explore:
The tech behind the sound: How the Roland GR-700 and G-707 changed Priest's DNA.
Track breakdown: From the iconic "Turbo Lover" to the underrated "Out in the Cold" and "Reckless".
The verdict: Is it a pop-metal masterpiece or a creative slump?
#JudasPriest #Turbo #HeavyMetal #80sMetal #TurboLover #GuitarSynth #RobHalford #MetalHistory #AlbumReview #GlamMetal
In this lesson, you will learn:
The Main Riff: A step-by-step breakdown of the core groove.
Verse & Chorus Chords: How to play the rhythmic power chords and transitions.
Tuning & Gear: This song is played in Standard Tuning (EADGBE).
Practice Tip: If you're having trouble with the tempo, try slowing down the video playback to 50% or 75% to master the finger coordination before playing at full speed.
#Accept #SonOfABitch #GuitarTutorial #HeavyMetal #80sMetal #GuitarLesson #WolfHoffmann #MetalGuitar #ClassicRock #GuitarTabs #LearnGuitar
In this video, we break down:
Steeler (USA - 1983): The Shrapnel Records classic that introduced a 19-year-old Yngwie Malmsteen to the world alongside vocalist Ron Keel.
Steeler (Germany - 1984): The raw, riff-heavy debut that gave us Axel Rudi Pell before his massive solo career.
We compare the production, the songwriting, and - most importantly - the legendary guitar work that defined these debuts. Which one holds up better today? Let’s dive into the 'Steeler' archives!"
#Steeler #YngwieMalmsteen #AxelRudiPell #HeavyMetal #80sMetal #GuitarShred #RonKeel #VinylCollection #GermanMetal #ShrapnelRecords
Personally it's a wee bit out of my price range but if you had that kinda $, would you take a punt on this one?
Interesting times, folks.
#vinnievincent
#newalbum
#2millionbucks
🎸 What You’ll Learn:
The galloping NWOBHM rhythm techniques.
Key power chord variations and harmonics used in the track.
The Band: Tokyo Blade
Originally active under names like White Diamond, Killer, and Genghis Khan, they settled on Tokyo Blade in 1983.
The Lineup: The "classic" era most associated with their peak included guitarist and founder Andy Boulton, along with John Wiggins (guitar), Andy Wrighton (bass), Steve Pierce (drums), and vocalists Alan Marsh and Vic Wright.
Career Arc: Their journey has been defined by extreme lineup instability and several breakups. Despite this, they remain active, with a recent album, Time Is the Fire, released in January 2025
The Album: Night of the Blade (1984)
Released as their second studio album, Night of the Blade is considered a definitive NWOBHM classic, though its production was famously complicated.
The Vocal Controversy: The album was initially recorded with original singer Alan Marsh. However, under pressure from their label, Powerstation Records, to find a more "commercial" sound, the band was forced to replace him with Vic Wright. Wright re-recorded the lead vocals in a very short timeframe, though Marsh's backing vocals remain on several tracks.
Musical Style: It blends aggressive heavy metal with melodic hard rock. Reviewers often note the Maiden-esque twin-guitar work and anthemic choruses in songs like the title track and "Unleash the Beast".
Legacy Versions: For decades, fans debated the two vocal versions. In 1998, the original recordings with Alan Marsh were finally released under the title Night of the Blade... The Night Before.
Key Tracks:
"Night of the Blade": A high-speed anthem with signature driving rhythms.
"If Heaven Is Hell": Known for its melodic hooks and vintage metal feel.
"Warrior of the Rising Sun": A fan-favourite that continues the band's Japanese-themed imagery
#TokyoBlade #NightOfTheBlade #NWOBHM #GuitarLesson #MetalGuitar #GuitarTutorial
Released in December 1983, Balls to the Wall is the fifth studio album by German heavy metal pioneers Accept. It is widely considered their commercial and creative peak, establishing them as a dominant force in the 1980s metal scene.
Album Overview
Signature Sound: The album features the band's trademark blend of razor-sharp riffs, anthemic choruses, and Udo Dirkschneider's distinctive, gritty vocals.
Commercial Success: It is Accept's only album to achieve Gold certification in the United States and Canada. It peaked at number 74 on the US Billboard 200, their highest position for over three decades.
Recording: Produced by the band and recorded at Dierks Studios in Cologne, West Germany, during July and August 1983
#Accept #LoveChild #WolfHoffmann #HeavyMetal #80sMetal #GuitarLesson #GuitarTutorial #MetalRiffs #GuitarTabs #BallsToTheWall #Metalhead #RiffWars
The Rods, led by David "Rock" Feinstein (cousin of the legendary Ronnie James Dio), released Wild Dogs - an album that perfectly bridged the gap between hard rock and the emerging speed/thrash metal scene. Despite touring with Iron Maiden on the "Beast on the Road" tour, they never reached the commercial heights of their peers.
In this video, we dive into:
The raw power of tracks like "Too Hot To Stop" and the title track "Wild Dogs."
Feinstein’s incredible playing that blended elements of Ted Nugent and Chuck Berry, played through a massive wall of Marshall stacks.
How the band's "no-nonsense" trio sound compared to Motörhead and AC/DC.
The industry hurdles that kept them from becoming a household name.
#TheRods #WildDogs1982 #HeavyMetalHistory #UnderratedMetal #NWOBHM #80sMetal #DavidRockFeinstein #ClassicMetal #VinylCommunity
What you’ll learn:
The Main Riff: That "gripping riff" that opens the song's tonal assault.
Verse & Bridge: How to lock into the "relaxed" yet powerful tempo similar to Welcome to Hell.
Techniques: Focus on power chords and the signature raw, boozy energy Cronos and Mantas brought to the track.
#Venom #Die Hard #BlackMetal #ThrashMetal #HeavyMetal #NWOBHM #Cronos #Mantas
#GuitarLesson #GuitarTutorial #GuitarTabs #MetalGuitar #RiffLesson #HowToPlayGuitar
This track is a masterclass in straightforward, high-energy rock 'n' roll with those gritty lyrics about 'women and whiskey' and losing control in the midnight heat. I’ve always loved the raw energy of Jan Bechtum’s riffs, so I had to give this one a go. Solo and all!
If you enjoyed the video, please like, comment, and subscribe for more classic metal lessons and covers!
#GuitarLesson #PictureBand #GetMeRockAndRoll #HeavyMetalGuitar #80sMetal #DutchMetal #GuitarTutorial
This track is a masterclass in straightforward, high-energy rock 'n' roll with those gritty lyrics about 'women and whiskey' and losing control in the midnight heat. I’ve always loved the raw energy of Jan Bechtum’s riffs, so I had to give this one a go.
If you enjoyed the video, please like, comment, and subscribe for more classic metal covers!
#PictureBand #GetMeRockAndRoll #DutchHeavy Metal #DiamondDreamer #JanBechtum #NWOBHM #80sMetal #ClassicMetal
In this video, I break down the 4 Pillars of 1984 - the debut albums frlom Running Wild, Warlock, Grave Digger, and Stormwitch.
🤘 In this video:
0:00 - Intro
0:23 - Running Wild: Gates to Purgatory
2:09 - Warlock: The Rise of Doro Pesch
4:34 - Grave Digger: Heavy Metal Breakdown
6:17 - Stormwitch: The Masters of Black Romantic
7:35 Why Germany in 1984?
8:53 Conclusion
Which 1984 debut is your "Holy Grail"?
Let me know in the comments!
#Heavy Metal #GermanMetal #80sMetal #ThrashMetal #TeutonicSteel #DoroPesch #RunningWild #Kreator #Sodom #VinylCollection #MetalHistory
What you’ll learn in this tutorial:
The Main Riff: Breakdown of the signature opening riff.
Verse & Chorus: How to play the rhythmic transitions and power chords.
#CinderellaBand #PushPush #GuitarLesson #80sRock #RhythmGuitar #GuitarTutorial #NightSongs #HardRockGuitar #GuitarTabs
In today's lesson, we are breaking down the legendary title track from Venom's 1984 masterpiece, "At War With Satan." Because this song is a 20-minute journey, we’re now onto Part 2, covering the iconic guitar riffs around the lyrics Lucifer's Demonic Laughter.
Venom’s style is all about raw energy, speed, and that "lo-fi" aggression. I'll show you how to get the right picking hand technique to nail Cronos and Mantas’s chaotic yet rhythmic sound.
Are you a fan of the classic Venom era? Let me know in the comments which part of this song is your favorite!
Don't forget to Like and Subscribe so you don't miss Part 3 of this series.
#Venom #AtWarWithSatan #GuitarLesson #BlackMetal #ThrashMetal #HeavyMetalGuitar #Mantas #Cronos #MetalRiffs
n this lesson, we break down the high-octane riffs and heavy-hitting rhythm parts that made Keel a staple of the 1980s LA metal scene. Produced by Gene Simmons, this track features the iconic tag-team guitar work of Marc Ferrari and Bryan Jay.
What you’ll learn in this tutorial:
The Main Hook: How to nail that massive, singable opening riff.
Verse & Chorus Rhythms: Mastering the driving power chords and palm-muting techniques that give the song its "Right to Rock" energy.
Whether you're a long-time fan of Ron Keel or a player looking for "nearly forgotten" 80s gems to add to your repertoire, this lesson is for you.
#Keel #TheRightToRock #GuitarLesson #80sMetal #HairMetal #GuitarRiffs #HeavyMetalGuitar #MarcFerrari #BryanJay #HardRockGuitar #GuitarTutorial #MetalRiffs #RockNroll
We’ll break down both guitar parts so you can get that massive, synchronized sound.
Album Overview & Impact
Chart Success: The album was a massive hit, reaching Number 3 on the UK Albums Chart.
Production Style: It was the third Quo album produced by Pip Williams. The band deliberately moved away from the "hi-tech" polish of 1978's If You Can't Stand the Heat to re-establish their rougher, more direct rock priorities.
Recording Location: Much of the magic happened at Wisseloord Studios in Hilversum, the Netherlands, between December 1978 and March 1979.
Key Tracks & Trivia
"Whatever You Want": The title track reached Number 4 in the UK. Interestingly, songwriters Rick Parfitt and Andy Bown reportedly wrote it while drunk; Bown later "Quo-ed it up" by stripping the chords back to just two for the verses to make it hit harder.
"Living on an Island": A rare ballad that reached Number 16. It was written by Rick Parfitt as he lived in Jersey as a "tax exile," a common move for UK rock stars at the time.
"Shady Lady": This track (the focus of your lesson) is widely considered a quintessential Quo rocker, co-written by Francis Rossi and long-time collaborator Bob Young.
The US Market: To try and break America, the album was remixed with a different track order and released in 1980 under the title Now Hear This
#StatusQuo #RickParfitt #FrancisRossi #GuitarInterplay #BoogieRock #Telecaster #ShadyLady #ClassicRock #RhythmGuitar #TwinGuitars
What you’ll learn in this tutorial:
The Intro: How to nail that iconic opening pick scratch and driving power chord sequence.
The Verse Riff: Mastering the palm-muted chugging and rhythm patterns that keep the energy high.
The Chorus: Breaking down the Dm - C - Bb chord progression that defines the song's anthem-like feel.
#UDO #247 #GuitarLesson #HeavyMetalGuitar #GuitarTutorial #MetalRiffs #StefanKaufmann #UdoDirkschneider #HardRockGuitar #GuitarTabs #Metalhead #HowToPlay
This riff is a masterclass in heavy metal rhythm, featuring aggressive palm muting and driving power chords. Whether you're a fan of Chris Boltendahl's legendary band or just looking to beef up your rhythm playing, this tutorial will get you there.
What you’ll learn:
Tuning: Drop D
Technique: Proper palm muting for that 'chugging' metal sound Songsterr
Grab your guitar, crank the gain, and let’s get to work! Don't forget to Subscribe for more metal riff tutorials and gear tips.
#GraveDigger #ScotlandUnited #HeavyMetalGuitar #PowerMetal #GuitarTutorial #MetalRiff #GuitarLesson #GermanMetal #HeavyMetal #RiffWars #GuitarTabs
As ever, my intent here isn't to try to emulate all of the marvelous guitar work of Jeff Buckley and his band, I'm just playing in one take what I think would work for me doing this in a band setting, live. I'm no Jeff Buckley! So I hope that any fans take that into consideration.
Equipment used:
Guitar: Fender Magnificent 7 Jazzmaster (2016)
Amp/Plugin: Kemper Profile Michael Britt Voice Ace 50 K2 (Vox AC50)
#JeffBuckley #GuitarCover #NightmaresByTheSea #AlternativeRock #SketchesForMySweetheartTheDrunk"
In this video, we dive deep into the 1996 power metal masterpiece "Tunes of War" by Grave Digger.
More than just an album, it’s a chronological journey through 700 years of the Scottish struggle for independence.
From the legendary defiance of William Wallace and Robert the Bruce during the Wars of Independence to the heartbreaking end of the Jacobite cause on the windswept fields of Culloden Muir, we map out the real-world history behind the riffs.
What we cover in this video:
The Rise of the Clans: How songs like "Scotland United" and "The Dark of the Sun" set the stage for a nation at war.
Freedom and Betrayal: A look at the storytelling behind "William Wallace (Braveheart)" and "The Bruce."
The Royal Tragedy: The historical weight of "The Ballad of Mary (Queen of Scots)."
The End of an Era: Why "Rebellion (The Clans Are Marching)" remains the ultimate anthem of Scottish defiance, leading into the finality of "Culloden Muir."
Whether you’re here for the heavy metal storytelling or a deep dive into Scottish history, join us as we explore how Grave Digger captured the spirit of the Highlands through thunderous drums and soaring claymores.
The Clans Are Marching!
#GraveDigger #TunesOfWar #ScottishHistory #HeavyMetal #PowerMetal #WilliamWallace #Culloden #JacobiteRebellion #MetalHistory #Highlands #ScotlandUnited
"Is Tunes of War the greatest historical concept album in metal history? 🏴 If not, who did it better? Tell me your thoughts!"
Venom's style is all about raw energy, so we'll focus on:
Power chord transitions at high speed.
Tight palm muting for that signature heavy metal 'chug'.
Developing the hand stamina required for Mantas's relentless down-picking.
Whether you’re a beginner looking for easy metal riffs or an experienced player wanting to nail this NWOBHM/Black Metal staple, this tutorial has you covered.
#VenomBand #LadyLust #GuitarLesson #MetalGuitar #RhythmGuitar #BlackMetal #NWOBHM #GuitarTabs #LearnGuitar #Mantas
We’ll dive deep into that monster metal riff that defined an era, covering:
The Main Riff: Step-by-step fingering and those iconic palm-muted chugs.
The Chorus: How to keep the energy high while rocking those power chords.
Grab your axe, crank the gain, and let’s get digging!
#GraveDigger #HeavyMetalBreakdown #GuitarLesson #MetalRiffs #SpeedMetal #GuitarTutorial #80sMetal #HeavyMetal #MonsterRiff #GuitarTabs
We’ll explore the raw, high-energy production that perfectly captured the band's youthful exuberance and the fierce, punky vocals of Kate de Lombaert. Most importantly, we’re breaking down the guitar work of Demon (lead) and Dizzy Lizzy (rhythm). Their style blends the grit of Motörhead and Venom with the anthemic structures of the NWOBHM.
What's inside this video:
0:00 Introduction
1:22 Historical Context: How Acid predated the American thrash scene by months.
3:05 Track-by-Track Review: From the neck-breaking "Max Overload" to the proto-thrash speed of "Satan".
9:15 Guitar Deep Dive: I'll be playing through the standout riffs
18:21 The Legacy:
#AcidBand #BelgianMetal #SpeedMetal #HeavyMetal1983 #GuitarReview #KateDeLombaert #ClassicMetal #ThrashMetalHistory
In today's lesson, we are breaking down the legendary title track from Venom's 1984 masterpiece, "At War With Satan." Because this song is a 20-minute journey, we’re starting with Part 1, covering the iconic opening gallops, the main verse riffs, and the transitions that define the first section of the track.
Venom’s style is all about raw energy, speed, and that "lo-fi" aggression. I'll show you how to get the right picking hand technique to nail Cronos and Mantas’s chaotic yet rhythmic sound.
Are you a fan of the classic Venom era? Let me know in the comments which part of this song is your favorite!
Don't forget to Like and Subscribe so you don't miss Part 2 of this series.
#Venom #AtWarWithSatan #GuitarLesson #BlackMetal #ThrashMetal #HeavyMetalGuitar #Mantas #Cronos #MetalRiffs
The Story Behind the Song:
"Hits and Misses" is widely regarded as one of the album's strongest tracks, featuring some of the band's most poignant and hard-hitting lyrics. Co-written by Burns and Gordon Ogilvie, the song is a stark examination of domestic abuse. The contrast between the upbeat, driving punk rhythm and the dark lyrical content ("Hits and misses, I do, you will / Love and kisses, yours in hell") creates the powerful emotional tension that SLF is known for.
Guitar Style & Performance Notes:
Tuning: Standard EADGBE.
The "Piledriver" Tone: To capture that classic 1981 SLF sound, I’m using the bridge pickup on this Telecaster for a raw, mid-heavy crunch.
Chords: The song is built around high-energy power chords and rapid-fire changes. For the verse, I'm sticking to the D - E - C#m - A progression, focusing on the sharp, staccato downstrokes that define Jake Burns' and Henry Cluney’s playing style.
#StiffLittleFingers #SLF #HitsAndMisses #GoForIt #PunkRock #GuitarCover #JakeBurns #BelfastPunk #PunkGuitar #RigidDigits
#Anvil #HeavyMetal #GuitarLesson #HardTimesFastLadies #ForgedInFire #SpeedMetal #CanadianMetal #MetalRiffs #GuitarTutorial #LipsKudlow #ThrashMetal #OldSchoolMetal #80sMetal #RockGuitar #Metalhead
Anvil guitar lesson
Hard Times Fast Ladies tutorial
Steve Lips Kudlow guitar style
Forged in Fire album guitar
Canadian Heavy Metal riffs
80s Speed Metal guitar tutorial
Hard Times Fast Ladies tabs
Anvil monster metal riff
How to play Anvil on guitar
NWOBHM guitar techniques
What you’ll learn:
Tuning: The track is played in Eb Standard (Eb Ab Db Gb Bb Eb).
The Main Riff: Mastering the syncopated rhythm and distortion-heavy slides.
Verse & Chorus: Simplified power chord shapes (G#5, A5, B5) and transitions.
Released on June 4, 1983, Another Perfect Day is the sixth studio album by British rock legends Motörhead. It stands as one of the most distinctive and debated entries in the band's extensive discography.
1. The Line-up and Style
The album is famous for being the only studio recording to feature lead guitarist Brian "Robbo" Robertson, formerly of Thin Lizzy.
Musical Shift: Robertson replaced "Fast" Eddie Clarke and brought a more polished, melodic, and technically complex blues-rock style to the band's raw speed-metal sound.
Fan Reception: At the time, many die-hard fans rejected the new sound and Robertson’s stage presence, which famously included wearing satin shorts and leg warmers—a sharp contrast to the band's "scuzzy biker" image.
2. Key Tracks
The album peaked at Number 20 in the UK Charts and features several tracks that eventually became fan favourites:
"Shine": One of the primary singles that highlighted the more melodic direction.
"Dancing on Your Grave": A track so influential it inspired the name of the Brazilian metal band Sepultura.
"I Got Mine": Noted for its catchy riff and becoming a long-term live staple.
"Back at the Funny Farm": A high-energy opener that retained the classic Motörhead aggression.
3. Legacy and Reissues
Though divisive in 1983, Another Perfect Day has undergone a massive critical reappraisal. Many modern critics and fans now consider it an underrated masterpiece and a "hidden gem"
1. Recording & Production Team
Producer: Tony Platt, known for his work with AC/DC (Back in Black), was hired to bring a more sophisticated, "commercial" edge to the band’s sound.
Studios: The album was recorded at Olympic Studios and Eel Pie Studios in London during February and March 1983.
Process: Unlike previous albums that were tracked quickly, guitarist Brian "Robbo" Robertson insisted on extensive overdubs and retakes. This led to the first Motörhead record featuring multiple guitar parts rather than a single tracked guitar.
2. Guitar Equipment (Brian Robertson)
Robertson’s rig was the primary source of the album's controversial "polished" sound, featuring heavy use of effects.
Guitars: His main instrument was a 1960 Gibson Les Paul Custom (later sold to Motörhead’s Phil Campbell). He also used a 1973 Gibson Les Paul Deluxe.
Amps: He relied on Marshall JMP 100-watt heads.
Effects: The album is noted for its "wet" sound, using Boss Analog Chorus/Delay, MXR Pitch Transposer, Yamaha analog delays, and an MXR 32-band Graphic EQ. He also used a Colorsound Wah Wah
3. Bass & Drums (Lemmy and Philthy Animal)
While the guitar sound changed, the rhythm section remained largely classic:
Lemmy Kilmister: He used his signature Rickenbacker 4001 bass played through his "Murder One" Marshall Super Bass 1992 heads and custom 4x12 and 4x15 cabinets.
Phil "Philthy Animal" Taylor: Continued his high-speed, precision drumming style, though the production gave the drums a more "exploded" and polished sonic space.
Keyboards: Robertson added melodic textures by playing piano on "Rock It" and a Fender Rhodes piano on "Shine"
#Motorhead #Shine #GuitarLesson #HeavyMetal #RhythmGuitar #GuitarTutorial #EbTuning #RockGuitar #MetalRiffs #LearnGuitar
"Ishmael" is the seventh track on Diamond Head’s 1983 album Canterbury. It is widely regarded as one of the most progressive and atmospheric songs in the band’s early catalogue.
Musical Style and Structure
The song is a departure from the band’s thrash-influencing "big riff" style, moving into a more experimental rock territory.
Eastern Influence: It features a distinct Middle Eastern "market style" opening and atmospheric melodies.
Progressive Elements: Critics highlight its "shifting rhythms," pounding toms, and "wonderful harmonies" in the chorus.
Vocal Performance: Sean Harris’s delivery is described as a "free-style melody" that gives the track a haunting, choral vibe.
Lyrical Themes and Inspiration
While the lyrics for Canterbury were often influenced by historical or fantasy themes, "Ishmael" is frequently associated with epic and biblical imagery.
Literary Connection: The title refers to Ishmael, the narrator of Herman Melville's Moby-Dick (known for the opening line "Call me Ishmael") and a figure of biblical origin signifying a wanderer or outcast.
Creative Process: Brian Tatler began the verse riff for the song in the late '70s, but the band spent over a year developing the track, adding the intro and fast sections separately in an "organic" studio process.
Critical Reception
Polarizing Shift: At the time of its release, the song's "pretentious" and melodic nature alienated fans who preferred the raw heavy metal of Lightning to the Nations.
Modern Legacy: Today, it is praised by Prog Archives and Decibel Magazine as a "misunderstood masterpiece" that showcased the band's growth beyond NWOBHM boundaries.
On their 1983 album Canterbury, Diamond Head shifted from their status as NWOBHM pioneers toward a more progressive, melodic, and commercial sound.
This stylistic pivot included several key changes:
Move Away from "Big Riffs": The "monster riffs" and aggressive power of their debut, Lightning to the Nations, were largely replaced by subtle rhythm textures, 12-string guitar passages, and alternate tunings.
Progressive Complexity: The band introduced more experimental elements, such as the "eastern soundscape" on "The Kingmaker" and piano-led sections on the title track.
Slicker Production: Aiming for "crossover" mainstream success, the album featured a slick sheen with multi-tracked vocals and a softer overall tone, influenced by producer Mike Shipley (who had recently engineered Def Leppard’s Pyromania).
Personnel Shifts: The recording was so demanding that it led to the replacement of the original rhythm section; drummer Duncan Scott was fired and bassist Colin Kimberley quit during the process.
Atmospheric Songwriting: Tracks like "Ishmael" showcased shifted rhythms and haunting harmonies that moved well beyond their heavy metal roots into a "new world" of rock possibility.
While critically praised today as a "progressive triumph," the sudden change alienated many die-hard fans at the time who were expecting a heavier follow-up to Borrowed Time.
For the recording of Canterbury, Brian Tatler largely stuck with his core setup while introducing new elements to achieve the album's more polished, atmospheric sound.
Guitars
1979 Gibson Flying V: His primary guitar, used "exclusively" on the band's first few albums.
1979 Gibson Les Paul Standard: His other main instrument, which he often cited as his favourite and a staple in his recording career.
Fender Stratocaster: Though he began his career with a Strat (imitating Ritchie Blackmore), he often turned back to it for the "clean and sparkly" textures heard on this specific album.
12-String Acoustic: Used for the progressive, folk-influenced layers on tracks like "The Kingmaker" and "Ishmael.
#DiamondHead #GuitarLesson #NWOBHM #Ishmael #BrianTatler #GuitarTutorial
Released in October 1982, Restless and Wild is the fourth studio album by German metal pioneers Accept. It is widely celebrated as a foundational pillar of European heavy metal and a primary catalyst for the speed and thrash metal genres.
Key Highlights
Speed Metal Pioneer: The opening track, "Fast as a Shark," is legendary for its double-bass drumming by Stefan Kaufmann, which many critics cite as one of the first examples of speed metal. It famously begins with a humorous snippet of a German folk song before being interrupted by a record scratch and a piercing scream from Udo Dirkschneider.
Udo’s Performance: This was the first album where Udo Dirkschneider performed lead vocals on every single track, solidifying the band's aggressive, raspy signature sound.
Guitar Mastery: Though Herman Frank is credited on the cover, Wolf Hoffmann performed all guitar tracks on the album. He utilised innovative techniques, such as recording guitars at half-speed for the "mandolin" effect on the epic closer "Princess of the Dawn".
Production Shift: It was the band's first album recorded at Dierks Studios in Stommeln, moving away from their previous location to work in the facility owned by famed Scorpions producer Dieter Dierks.
Tracklist
Fast as a Shark
Restless and Wild
Ahead of the Pack
Shake Your Heads
Neon Nights
Get Ready
Demon's Night
Flash Rockin' Man
Don't Go Stealing My Soul Away
Princess of the Dawn
Legacy & Reception
Critical Acclaim: It is often called Accept's "creative breakthrough" and an "essential heavy metal album"
#Accept #HeavyMetal #GuitarLesson #AheadOfThePack #WolfHoffmann #metalriffs
Despite its status as a cult classic today, the record was nearly lost to the vaults of Capitol Records. In this video, we explore the 'clueless' executive decisions that almost ended Riot's career, the fan-led petition that forced the label's hand, and why this album remains a cornerstone of the NWOBHM-influenced US scene."
Why It Almost Wasn’t Released
The release of Fire Down Under was stalled by a major conflict with Capitol Records, which nearly resulted in the album being shelved indefinitely:
"Too Heavy" for Radio: After the band completed the final version, Capitol Records executives famously rejected it, labeling the sound "commercially unacceptable". They reportedly felt the music was "too heavy" for their roster at the time.
Contractual Limbo: Although Capitol refused to release the album, they also initially refused to release the band from their contract, leaving the record stranded in legal limbo.
"People Power": The album was only saved after a massive grassroots campaign. Fans in the UK, where Riot was gaining significant momentum, organised petitions demanding the album's release.
Switch to Elektra: Following the fan pressure and management negotiations, the band was eventually allowed to sign with Elektra Records, which finally unleashed the album in 1981.
#80sMetal #USPM #TraditionalHeavyMetal #ForgottenGems #CapitolRecords #RockDocumentary #OldSchoolMetal #riot
What you will learn:
The Main Riff: Mastering the F# minor groove and the driving rhythm parts.
The Solo Breakdown: A note-for-note look at Kelly Johnson’s solo, focusing on:
Pentatonic Runs: The F# minor pentatonic scales used for speed.
Articulations: Essential bends, vibrato, and aggressive pick attack.
Rhythm Techniques: How to lock in with the bass and drums during the verse and chorus.
#Girlschool #KellyJohnson #GuitarSolo #GuitarLesson #NWOBHM #MetalGuitar #DontCallItLove
About the Performance:
I'm playing the lead parts originally written by Kelly Johnson and rhythm by Kim McAuliffe. This song is a great example of their signature "punk-tinged metal" style, featuring a melodic but driving 4/4 rhythm in the key of F# minor.
Gear & Tuning:
Tuning: Standard (E A D G B E)
Guitar: Cheap Tele Partscaster with a 1985 BC Rich Humbucker in the bridge
Tone: Marshall Super Lead with boost that classic 80s British metal sound.
Closing:
If you enjoyed this cover, please like and subscribe for more NWOBHM and classic rock guitar content! Let me know in the comments which Girlschool track I should take on next.
#Girlschool #DontCallItLove #GuitarCover #NWOBHM #KellyJohnson #HeavyMetalGuitar #80sRock
In this lesson, we cover:
Tuning: While Anvil often uses standard tuning for newer material, ensure your guitar is set to E Standard (EADGBE) to follow along with this lesson.
The Main Riff: A step-by-step breakdown of the opening groove and the palm-muted gallop used in the verses.
Chorus Transitions: Learning the power chord shifts that move the song from the verse into its anthemic chorus.
Right-Hand Technique: Tips for keeping your down-picking consistent and "locking in" with the drums for that signature Anvil "train" feel.
#Anvil #NabbedInNebraska #GuitarLesson #HeavyMetal #RhythmGuitar #LegalAtLast
I'm a huge fan of Blackberry Smoke. What a band!
Hopefully this lesson helps folks looking to learn a fine tune from their first album.
As ever, this is just how I play the song, I make no claim that it is correct as played by the band.
Thanks for watching
Dunsy II
#BlackberrySmoke #GuitarLesson #SouthernRock #TrainRollin #RhythmGuitar
This lesson focuses specifically on the rhythm section, covering everything from the iconic intro to the hard-driving verse and chorus riffs.
Tuning: The song is played in Eb Tuning (Eb Ab Db Gb Bb Eb), which is one half-step down from standard.
Helpful Resources:
Check out the official rhythm tabs on Songsterr to follow along.
songsterr.com/a/wsa/motorhead-i-got-mine-tab-s458079
For a simplified version using standard chords, visit GuitarTuna.
guitartuna.com/chords/i-got-mine-motorhead-easy-guitar-chords-6848e91c5955426d2e770663
Don't forget to Like and Subscribe for more Motörhead guitar lessons! 🤘
#Motorhead #IGotMine #GuitarTutorial #AnotherPerfectDay #BrianRobertson #HeavyMetalGuitar #RhythmGuitar
If you enjoyed this deep dive into classic NWOBHM-style riffs, hit that Subscribe button and let me know in the comments which Riot song I should cover next! 🤘
#RiotBand #AltarOfTheKing #GuitarLesson #MarkReale #HeavyMetalGuitar #80sMetal #GuitarTutorial
What You’ll Learn:
The Tuning: How to get that classic Motörhead growl by tuning down a half-step to E-flat (Eb Ab Db Gb Bb Eb).
Main Riff: Mastering the hard-hitting power chord progression (Em, A, C) that drives the intro and verses.
The "Chug": Essential palm muting techniques to keep your rhythm tight and aggressive.
Chorus Riff: The simple but effective chord shifts for the "Over the Top!" vocal hook.
Don't forget to Subscribe for more easy metal and rock tutorials! Play it loud! 🤘
#Motorhead #GuitarLesson #OverTheTop #FastEddieClarke #EasyGuitarRiffs #HeavyMetalGuitar #GuitarTutorial
Cover starts at about 6:26 minutes in:
Please do check out this playlist to see Bernie play teach his songs properly
youtube.com/playlist?list=PLDzxYAs-dqASlGUbyo_lqVR7PsapD2caV&si=lrlCTdmik4a9k_VK
Gear Used:
Guitar: 1979 Greco SE800 Stratocaster
Pickups: Fender Custom 69
Amp: Kemper Marshall Super Lead
Profile: Michael Britt 70 Mars SL 3
Pedals: Muff and Graphic EQ
Video for the original track: youtu.be/LqXTAXLrb7Q?si=bXVBriznUfxEbNGo
Mr. Universe is the second studio album by the British hard rock band Gillan, released in October 1979. It is considered the band's breakout album in the UK and a cornerstone of British hard rock from that era.
Key Details
The album was released on the Acrobat label in October 1979 and reached No. 11 on the UK Albums Chart. It showcased a heavier hard rock sound, aligning with the emerging New Wave of British Heavy Metal (NWOBHM). The album featured the "classic" Gillan line-up including Ian Gillan on vocals, Bernie Tormé on guitar, Colin Towns on keyboards, John McCoy on bass, and Mick Underwood on drums
#Gillan #Vengeance #BernieTorme #GuitarCover #HardRock #IanGillan #MrUniverse
To get the right jangly-yet-aggressive tone, I’m playing my Fender Made in Japan (MIJ) Mustang. The short-scale punch and the out-of-phase switching options on this guitar are ideal for recreating the complex, layered soundscapes Chapterhouse is known for.
Guitar: Fender Japan Traditional '60s Mustang (Basswood body, Rosewood fingerboard).
Pickups: Using the signature single-coil Mustang pickups to keep the high-end clarity amidst the distortion.
Tuning: Standard E (EADGBE) with a capo at the second fret.
About the Song:
"Breather" is a shoegaze masterpiece that trades the typical "slow-and-crushing" vibe for a driving, fast-paced energy that still feels ethereal.
If you love these 90s indie vibes, please like, subscribe, and let me know which shoegaze track I should cover next!
#Chapterhouse #Breather #Shoegaze #Whirlpool #FenderMustang #FenderJapan #MIJMustang #GuitarCover #90sIndie #OffsetGuitars #IndieRock
A brief introduction to the guitar that I cannot sell!
The Guitar: A vintage 1986 Squier by Fender Telecaster model, made in the famous Fuji-Gen plant in Japan.
The Vibe: The authentic Telecaster "twang and clarity" from the replacement Seymour Duncan pickups shines through. A coil tap is fitted on the bridge humbucker.
The Muse: Look closely at the body - a special Stevie Nicks hologram decal provides the mystical inspiration for this session!
The Music: Improvising some melodic and bluesy lines over a custom D minor backing track. With the occasional foray into some Jazz passages. Both intentional and unintentional!
The Gear: The 1986 Squier MIJ Telecaster is running through my Kemper on the Michael Britt 1965 Fender Champ Profile ("65 Champ 5 3") direct into the interface for that authentic Fender Amp tone.
Don't forget to like, comment, and subscribe for more gear demos and jams! Let me know what you think of this vintage Squier's sound in the comments below.
#SquierJapan #Telecaster #StevieNicks #DMinorJam #VintageGuitar #MIJ #FenderJapan #GuitarJam #BackingTrack #Guitarist
Cover Link: youtu.be/7_JhLYKfX4w?si=nD9M1BRQ2DvnG8ph
While this track is often associated with Deep Purple, Swiss legends Krokus made it a staple of their early 80s heavy metal sound. This lesson focuses on the driving riffs and power chord progressions that define the song's energy.
In this video, you’ll learn:
The Main Riff: Mastering the iconic high-energy intro.
Verse & Chorus Progressions: Breaking down the chord movements.
Practice Resources:
Chords/Tabs: Find the full chord sheet on GuitarTuna.
guitartuna.com/chords/lady-double-dealer-krokus-easy-guitar-chords-66f611d0888fd86235406356
Interactive Tabs: Practice with the original audio at Songsterr.
songsterr.com/a/wsa/deep-purple-lady-double-dealer-tab-s29172
Don't forget to Like and Subscribe for more classic metal guitar lessons!
#Krokus #LadyDoubleDealer #GuitarTutorial #MetalRendezvous #80sMetal #RhythmGuitar #GuitarLesson
In this lesson, we focus strictly on the rhythm guitar tracks, breaking down the iconic riffs that helped bridge the gap between NWOBHM and the birth of Thrash.
What we cover:
The Main Riff: A deep dive into the chugging, palm-muted E-minor patterns and power chord stabs that drive the song.
Verse & Chorus Transitions: How to lock in with the "marching" groove style that defines Lips' rhythm playing.
Tuning & Tempo: The track is played in Standard E Tuning at a tempo of approximately 146 BPM.
Lips' Tone Secrets: How to get that raw, grinding sound using high-output pickups (like a Flying V) and a cranked Marshall JCM800 or a high-gain Fender Twin setup.
Essential Gear for This Song:
Guitar: Gibson Flying V or any solid-body with humbuckers.
Amp Settings: High Gain, boosted Mids, and tight Bass for that classic "80s Metal" bite.
If you're a fan of old-school heavy metal, hit Subscribe for more tutorials from the era of Metal on Metal and Forged in Fire!
#Anvil #ForgedInFire #GuitarLesson #HeavyMetal #LipsKudlow #SpeedMetal #RhythmGuitar #80sMetal


