CWU Chamber Choir: Gjeilo - Across The Vast, Eternal Sky CWUmusicdept 2013-09-25 | "Across the Vast, Eternal Sky" (Gjeilo) performed by The Central Washington University Chamber Choir (Gary Weidenaar, director), the Kairos String Quartet, and Ola Gjeilo (piano).In May, 2013, composer Ola Gjeilo spent 3 days on the Central Washington University Campus, joining the choir in recording 4 of his pieces. This performance is from that session.The other pieces were "Sanctus" for a cappella choir, and "Luminous Night of the Soul", accompanied by the composer at the piano and joined by the Kairos Quartet -- the resident faculty string quartet at CWU.The final piece, "Ubi Caritas II: Through Infinite Ages", was recorded both in an unaccompanied rendition (how it is written and published) and in a version with Mr. Gjeilo improvising an accompaniment to the choir.This was Ola's second time on CWU's campus. His first visit was in the spring of 2011 and yielded 5 videos of his music, a wide-ranging interview with the composer and other bonus material. It resulted in a DVD entitled "In the Moment", available for purchase at http://goo.gl/Xld0o).As of 2013, the CWU Chamber Choir also has recorded videos of the music of Byrd, Gretchaninoff, Monteverdi, Muehleisen, Singh, Victoria, and Rautavaara on YouTube.A complete listing of the videos of the CWU Chamber Choir and other CWU Music Ensembles can be found at:youtube.com/CWUmusicdeptOR - - To follow the choir on Facebook (page includes selected audio clips and URL's to all videos):facebook.com/CWU.Chamber.ChoirThe session was recorded with 6 hd cameras and the videos edited by Matt Woodard (http://www.mattwoodard.com) using Adobe Premier Pro software.All CWU Chamber Choir videos found on YouTube are posted only after an agreement is reached or a contract is signed with the composer and/or copyright holder of the piece(s).
CWU Symphony Orchestra: Sasse - 80x35x20 CWUmusicdept 2024-09-09 | 0:00 I. Free Tokitae3:17 II. Taken9:38 III. Free TokitaeCWU Symphony Orchestra June 2024 Brayden Gordon, solo bass Tokitae (Toh-Kee-Tay) (born c. 1966), also known as Lolita, was a female orca from the L Pod of southern resident orcas. She was in captivity at the Miami Seaquarium (Florida) from September 24, 1970, to August 18th, 2023, after she was captured and taken from her home in the Pacific Ocean. In 2023, Tokitae was the second oldest orca in captivity, and her enclosure (which was 80x35x20) was one of the smallest whale pens in the world. Tokitae lived in this space for over 53 years, many of which were spent alone, swimming in circles, over and over, as the bright inescapable Florida sun burned her skin. Tokitae died on August 18th, 2023 — just months before she was scheduled to be released back to her home in the Pacific Northwest, at a protected sea sanctuary.
Britten Sonata for Cello and Piano Op 65 in C, II CWUmusicdept 2024-08-29 | CWU Music Faculty RecitalJerilyn S. McIntyre Music Building November 5, 2022 7:00 PMProf. John Michel, celloDr. Nikolas Caoile, piano Program:Mother and Child by William Grant Still, arr. by Timothy HolleySonata for Cello and Piano Op. 65 in C major by Benjamin BrittenI. Dialogo. AllegroII. Scherzo-Pizzicato. AllegrettoIII. Elegia. LentoIV. Marcia. EnergicoV. Moto perpetuo. Presto“Lounge à l’Éternité de Jésus” from “Quartet for the End of Time” by Olivier MessianSonata for Cello and Piano, H. 125 by Frank BridgeI. Allegro ben moderatoII. Adagio ma non troppo - Molto allegro agitato
Britten Sonata for Cello and Piano Op 65 in C, I CWUmusicdept 2024-08-29 | CWU Music Faculty RecitalJerilyn S. McIntyre Music Building November 5, 2022 7:00 PMProf. John Michel, celloDr. Nikolas Caoile, piano Program:Mother and Child by William Grant Still, arr. by Timothy HolleySonata for Cello and Piano Op. 65 in C major by Benjamin BrittenI. Dialogo. AllegroII. Scherzo-Pizzicato. AllegrettoIII. Elegia. LentoIV. Marcia. EnergicoV. Moto perpetuo. Presto“Lounge à l’Éternité de Jésus” from “Quartet for the End of Time” by Olivier MessianSonata for Cello and Piano, H. 125 by Frank BridgeI. Allegro ben moderatoII. Adagio ma non troppo - Molto allegro agitato
Britten Sonata for Cello and Piano Op 65 in C, IV CWUmusicdept 2024-08-29 | CWU Music Faculty RecitalJerilyn S. McIntyre Music Building November 5, 2022 7:00 PMProf. John Michel, celloDr. Nikolas Caoile, piano Program:Mother and Child by William Grant Still, arr. by Timothy HolleySonata for Cello and Piano Op. 65 in C major by Benjamin BrittenI. Dialogo. AllegroII. Scherzo-Pizzicato. AllegrettoIII. Elegia. LentoIV. Marcia. EnergicoV. Moto perpetuo. Presto“Lounge à l’Éternité de Jésus” from “Quartet for the End of Time” by Olivier MessianSonata for Cello and Piano, H. 125 by Frank BridgeI. Allegro ben moderatoII. Adagio ma non troppo - Molto allegro agitato
Messian “Praise to the Eternity of Jesus” from “Quartet for the End of Time” CWUmusicdept 2024-08-29 | CWU Music Faculty RecitalJerilyn S. McIntyre Music Building November 5, 2022 7:00 PMProf. John Michel, celloDr. Nikolas Caoile, piano Program:Mother and Child by William Grant Still, arr. by Timothy HolleySonata for Cello and Piano Op. 65 in C major by Benjamin BrittenI. Dialogo. AllegroII. Scherzo-Pizzicato. AllegrettoIII. Elegia. LentoIV. Marcia. EnergicoV. Moto perpetuo. Presto“Lounge à l’Éternité de Jésus” from “Quartet for the End of Time” by Olivier MessianSonata for Cello and Piano, H. 125 by Frank BridgeI. Allegro ben moderatoII. Adagio ma non troppo - Molto allegro agitato
Mother and Child, by William Grant Still CWUmusicdept 2024-08-29 | CWU Music Faculty RecitalJerilyn S. McIntyre Music Building November 5, 2022 7:00 PMProf. John Michel, celloDr. Nikolas Caoile, piano Program:Mother and Child by William Grant Still, arr. by Timothy HolleySonata for Cello and Piano Op. 65 in C major by Benjamin BrittenI. Dialogo. AllegroII. Scherzo-Pizzicato. AllegrettoIII. Elegia. LentoIV. Marcia. EnergicoV. Moto perpetuo. Presto“Lounge à l’Éternité de Jésus” from “Quartet for the End of Time” by Olivier MessianSonata for Cello and Piano, H. 125 by Frank BridgeI. Allegro ben moderatoII. Adagio ma non troppo - Molto allegro agitato
Britten Sonata for Cello and Piano Op 65 in C, III CWUmusicdept 2024-08-29 | CWU Music Faculty RecitalJerilyn S. McIntyre Music Building November 5, 2022 7:00 PMProf. John Michel, celloDr. Nikolas Caoile, piano Program:Mother and Child by William Grant Still, arr. by Timothy HolleySonata for Cello and Piano Op. 65 in C major by Benjamin BrittenI. Dialogo. AllegroII. Scherzo-Pizzicato. AllegrettoIII. Elegia. LentoIV. Marcia. EnergicoV. Moto perpetuo. Presto“Lounge à l’Éternité de Jésus” from “Quartet for the End of Time” by Olivier MessianSonata for Cello and Piano, H. 125 by Frank BridgeI. Allegro ben moderatoII. Adagio ma non troppo - Molto allegro agitato
Bridge Sonata for Cello and Piano, H 124, II CWUmusicdept 2024-08-29 | CWU Music Faculty RecitalJerilyn S. McIntyre Music Building November 5, 2022 7:00 PMProf. John Michel, celloDr. Nikolas Caoile, piano Program:Mother and Child by William Grant Still, arr. by Timothy HolleySonata for Cello and Piano Op. 65 in C major by Benjamin BrittenI. Dialogo. AllegroII. Scherzo-Pizzicato. AllegrettoIII. Elegia. LentoIV. Marcia. EnergicoV. Moto perpetuo. Presto“Lounge à l’Éternité de Jésus” from “Quartet for the End of Time” by Olivier MessianSonata for Cello and Piano, H. 125 by Frank BridgeI. Allegro ben moderatoII. Adagio ma non troppo - Molto allegro agitato
Britten Sonata for Cello and Piano Op 65 in C, V CWUmusicdept 2024-08-29 | CWU Music Faculty RecitalJerilyn S. McIntyre Music Building November 5, 2022 7:00 PMProf. John Michel, celloDr. Nikolas Caoile, piano Program:Mother and Child by William Grant Still, arr. by Timothy HolleySonata for Cello and Piano Op. 65 in C major by Benjamin BrittenI. Dialogo. AllegroII. Scherzo-Pizzicato. AllegrettoIII. Elegia. LentoIV. Marcia. EnergicoV. Moto perpetuo. Presto“Lounge à l’Éternité de Jésus” from “Quartet for the End of Time” by Olivier MessianSonata for Cello and Piano, H. 125 by Frank BridgeI. Allegro ben moderatoII. Adagio ma non troppo - Molto allegro agitato
Bridge Sonata for Cello and Piano, H 124, I CWUmusicdept 2024-08-29 | CWU Music Faculty RecitalJerilyn S. McIntyre Music Building November 5, 2022 7:00 PMProf. John Michel, celloDr. Nikolas Caoile, piano Program:Mother and Child by William Grant Still, arr. by Timothy HolleySonata for Cello and Piano Op. 65 in C major by Benjamin BrittenI. Dialogo. AllegroII. Scherzo-Pizzicato. AllegrettoIII. Elegia. LentoIV. Marcia. EnergicoV. Moto perpetuo. Presto“Lounge à l’Éternité de Jésus” from “Quartet for the End of Time” by Olivier MessianSonata for Cello and Piano, H. 125 by Frank BridgeI. Allegro ben moderatoII. Adagio ma non troppo - Molto allegro agitato
Summerland by William Grant Still CWUmusicdept 2024-07-11 | Kairos Spirituals and MoreJerilyn S. McIntyre Music Building - Wayne S. Hertz Concert Hall Tuesday, February 16, 2021Carrie Rehkopf, violinJohn Michel, celloDuane Funderburk, pianoProgram Piano Trio No. 4 in E minor "Dumky" by Antonín Dvořák (1841-1904)I. Lento maestoso — Allegro quasi doppio movimentoII. Poco adagio — Vivace non troppo — VivaceThe Entertainer by Scott Joplin, arr. by Itzhak PerlmanThe Strenuous Life - A Ragtime Two-Step (1902) by Scott Joplin (1868-1917), arr. Dieter H. FörsterCleopha - March and Two-Step (1902)The Sycamore - A Concert Rag (1904)Summerland by William Grant Still (1895-1978)“King Jesus is A-Listenin” and “Deep River”, Traditional Spirituals arr. by Duane FunderburkAin’a That Good News, Traditional Spiritual arr. by Duane Funderburk(Work commissioned by the Central Washington University Kairos Residency)
Ain’a That Good News, Traditional Spiritual arr. by Duane Funderburk CWUmusicdept 2024-07-11 | Kairos Spirituals and MoreJerilyn S. McIntyre Music Building - Wayne S. Hertz Concert Hall Tuesday, February 16, 2021Carrie Rehkopf, violinJohn Michel, celloDuane Funderburk, pianoProgram Piano Trio No. 4 in E minor "Dumky" by Antonín Dvořák (1841-1904)I. Lento maestoso — Allegro quasi doppio movimentoII. Poco adagio — Vivace non troppo — VivaceThe Entertainer by Scott Joplin, arr. by Itzhak PerlmanThe Strenuous Life - A Ragtime Two-Step (1902) by Scott Joplin (1868-1917), arr. Dieter H. FörsterCleopha - March and Two-Step (1902)The Sycamore - A Concert Rag (1904)Summerland by William Grant Still (1895-1978)“King Jesus is A-Listenin” and “Deep River”, Traditional Spirituals arr. by Duane FunderburkAin’a That Good News, Traditional Spiritual arr. by Duane Funderburk(Work commissioned by the Central Washington University Kairos Residency)
“Deep River”, Traditional Spiritual arr. by Duane Funderburk CWUmusicdept 2024-07-11 | Kairos Spirituals and MoreJerilyn S. McIntyre Music Building - Wayne S. Hertz Concert Hall Tuesday, February 16, 2021Carrie Rehkopf, violinJohn Michel, celloDuane Funderburk, pianoProgram Piano Trio No. 4 in E minor "Dumky" by Antonín Dvořák (1841-1904)I. Lento maestoso — Allegro quasi doppio movimentoII. Poco adagio — Vivace non troppo — VivaceThe Entertainer by Scott Joplin, arr. by Itzhak PerlmanThe Strenuous Life - A Ragtime Two-Step (1902) by Scott Joplin (1868-1917), arr. Dieter H. FörsterCleopha - March and Two-Step (1902)The Sycamore - A Concert Rag (1904)Summerland by William Grant Still (1895-1978)“King Jesus is A-Listenin” and “Deep River”, Traditional Spirituals arr. by Duane FunderburkAin’a That Good News, Traditional Spiritual arr. by Duane Funderburk(Work commissioned by the Central Washington University Kairos Residency)
“King Jesus is A-Listenin” CWUmusicdept 2024-07-11 | Kairos Spirituals and MoreJerilyn S. McIntyre Music Building - Wayne S. Hertz Concert Hall Tuesday, February 16, 2021Carrie Rehkopf, violinJohn Michel, celloDuane Funderburk, pianoProgram Piano Trio No. 4 in E minor "Dumky" by Antonín Dvořák (1841-1904)I. Lento maestoso — Allegro quasi doppio movimentoII. Poco adagio — Vivace non troppo — VivaceThe Entertainer by Scott Joplin, arr. by Itzhak PerlmanThe Strenuous Life - A Ragtime Two-Step (1902) by Scott Joplin (1868-1917), arr. Dieter H. FörsterCleopha - March and Two-Step (1902)The Sycamore - A Concert Rag (1904)Summerland by William Grant Still (1895-1978)“King Jesus is A-Listenin” and “Deep River”, Traditional Spirituals arr. by Duane FunderburkAin’a That Good News, Traditional Spiritual arr. by Duane Funderburk(Work commissioned by the Central Washington University Kairos Residency)
The Sycamore - A Concert Rag (1904) CWUmusicdept 2024-07-11 | Kairos Spirituals and MoreJerilyn S. McIntyre Music Building - Wayne S. Hertz Concert Hall Tuesday, February 16, 2021Carrie Rehkopf, violinJohn Michel, celloDuane Funderburk, pianoProgram Piano Trio No. 4 in E minor "Dumky" by Antonín Dvořák (1841-1904)I. Lento maestoso — Allegro quasi doppio movimentoII. Poco adagio — Vivace non troppo — VivaceThe Entertainer by Scott Joplin, arr. by Itzhak PerlmanThe Strenuous Life - A Ragtime Two-Step (1902) by Scott Joplin (1868-1917), arr. Dieter H. FörsterCleopha - March and Two-Step (1902)The Sycamore - A Concert Rag (1904)Summerland by William Grant Still (1895-1978)“King Jesus is A-Listenin” and “Deep River”, Traditional Spirituals arr. by Duane FunderburkAin’a That Good News, Traditional Spiritual arr. by Duane Funderburk(Work commissioned by the Central Washington University Kairos Residency)
Cleopha - March and Two-Step (1902) CWUmusicdept 2024-07-11 | Kairos Spirituals and MoreJerilyn S. McIntyre Music Building - Wayne S. Hertz Concert Hall Tuesday, February 16, 2021Carrie Rehkopf, violinJohn Michel, celloDuane Funderburk, pianoProgram Piano Trio No. 4 in E minor "Dumky" by Antonín Dvořák (1841-1904)I. Lento maestoso — Allegro quasi doppio movimentoII. Poco adagio — Vivace non troppo — VivaceThe Entertainer by Scott Joplin, arr. by Itzhak PerlmanThe Strenuous Life - A Ragtime Two-Step (1902) by Scott Joplin (1868-1917), arr. Dieter H. FörsterCleopha - March and Two-Step (1902)The Sycamore - A Concert Rag (1904)Summerland by William Grant Still (1895-1978)“King Jesus is A-Listenin” and “Deep River”, Traditional Spirituals arr. by Duane FunderburkAin’a That Good News, Traditional Spiritual arr. by Duane Funderburk(Work commissioned by the Central Washington University Kairos Residency)
The Strenuous Life - A Ragtime Two-Step (1902) CWUmusicdept 2024-07-11 | Kairos Spirituals and MoreJerilyn S. McIntyre Music Building - Wayne S. Hertz Concert Hall Tuesday, February 16, 2021Carrie Rehkopf, violinJohn Michel, celloDuane Funderburk, pianoProgram Piano Trio No. 4 in E minor "Dumky" by Antonín Dvořák (1841-1904)I. Lento maestoso — Allegro quasi doppio movimentoII. Poco adagio — Vivace non troppo — VivaceThe Entertainer by Scott Joplin, arr. by Itzhak PerlmanThe Strenuous Life - A Ragtime Two-Step (1902) by Scott Joplin (1868-1917), arr. Dieter H. FörsterCleopha - March and Two-Step (1902)The Sycamore - A Concert Rag (1904)Summerland by William Grant Still (1895-1978)“King Jesus is A-Listenin” and “Deep River”, Traditional Spirituals arr. by Duane FunderburkAin’a That Good News, Traditional Spiritual arr. by Duane Funderburk(Work commissioned by the Central Washington University Kairos Residency)
The Entertainer by Scott Joplin CWUmusicdept 2024-07-11 | Kairos Spirituals and MoreJerilyn S. McIntyre Music Building - Wayne S. Hertz Concert Hall Tuesday, February 16, 2021Carrie Rehkopf, violinJohn Michel, celloDuane Funderburk, pianoProgram Piano Trio No. 4 in E minor "Dumky" by Antonín Dvořák (1841-1904)I. Lento maestoso — Allegro quasi doppio movimentoII. Poco adagio — Vivace non troppo — VivaceThe Entertainer by Scott Joplin, arr. by Itzhak PerlmanThe Strenuous Life - A Ragtime Two-Step (1902) by Scott Joplin (1868-1917), arr. Dieter H. FörsterCleopha - March and Two-Step (1902)The Sycamore - A Concert Rag (1904)Summerland by William Grant Still (1895-1978)“King Jesus is A-Listenin” and “Deep River”, Traditional Spirituals arr. by Duane FunderburkAin’a That Good News, Traditional Spiritual arr. by Duane Funderburk(Work commissioned by the Central Washington University Kairos Residency)
Piano Trio No. 4 in E minor Dumky, II. Poco Adagio — Vivace non troppo — Vivace CWUmusicdept 2024-07-11 | Kairos Spirituals and MoreJerilyn S. McIntyre Music Building - Wayne S. Hertz Concert Hall Tuesday, February 16, 2021Carrie Rehkopf, violinJohn Michel, celloDuane Funderburk, pianoProgram Piano Trio No. 4 in E minor "Dumky" by Antonín Dvořák (1841-1904)I. Lento maestoso — Allegro quasi doppio movimentoII. Poco adagio — Vivace non troppo — VivaceThe Entertainer by Scott Joplin, arr. by Itzhak PerlmanThe Strenuous Life - A Ragtime Two-Step (1902) by Scott Joplin (1868-1917), arr. Dieter H. FörsterCleopha - March and Two-Step (1902)The Sycamore - A Concert Rag (1904)Summerland by William Grant Still (1895-1978)“King Jesus is A-Listenin” and “Deep River”, Traditional Spirituals arr. by Duane FunderburkAin’a That Good News, Traditional Spiritual arr. by Duane Funderburk(Work commissioned by the Central Washington University Kairos Residency)
Dvořák Piano Trio No. 4 in E minor Dumky, I. Lento maestoso — Allegro quasi doppio movimento CWUmusicdept 2024-07-11 | Kairos Spirituals and MoreJerilyn S. McIntyre Music Building - Wayne S. Hertz Concert Hall Tuesday, February 16, 2021Carrie Rehkopf, violinJohn Michel, celloDuane Funderburk, pianoProgram Piano Trio No. 4 in E minor "Dumky" by Antonín Dvořák (1841-1904)I. Lento maestoso — Allegro quasi doppio movimentoII. Poco adagio — Vivace non troppo — VivaceThe Entertainer by Scott Joplin, arr. by Itzhak PerlmanThe Strenuous Life - A Ragtime Two-Step (1902) by Scott Joplin (1868-1917), arr. Dieter H. FörsterCleopha - March and Two-Step (1902)The Sycamore - A Concert Rag (1904)Summerland by William Grant Still (1895-1978)“King Jesus is A-Listenin” and “Deep River”, Traditional Spirituals arr. by Duane FunderburkAin’a That Good News, Traditional Spiritual arr. by Duane Funderburk(Work commissioned by the Central Washington University Kairos Residency)
Brahms Piano Trio in B, II. Scherzo. Allegro molto CWUmusicdept 2024-07-09 | Jerilyn S. McIntyre Music Building Wayne S. Hertz Concert Hall Saturday, March 30, 2024 7:00 PMProgram:Clarinet Trio in A minor, Op. 114 (1891) by Johannes Brahms (1833-1897)Allegro Adagio Andantino grazioso Allegro Jeff Alfriend, clarinet John Michel, cello Eduard Zilberkant, piano Piano Trio No. 1 in B major, Op. 8 “New Edition” (1889) by Johannes Brahms (1833-1897) Allegro con brio Scherzo. Allegro molto AdagioFinale. Allegro Carrie Rehkopf, violin John Michel, cello Eduard Zilberkant, piano
Brahms Piano Trio in B, I. Allegro con brio CWUmusicdept 2024-07-09 | Jerilyn S. McIntyre Music Building Wayne S. Hertz Concert Hall Saturday, March 30, 2024 7:00 PMProgram:Clarinet Trio in A minor, Op. 114 (1891) by Johannes Brahms (1833-1897)Allegro Adagio Andantino grazioso Allegro Jeff Alfriend, clarinet John Michel, cello Eduard Zilberkant, piano Piano Trio No. 1 in B major, Op. 8 “New Edition” (1889) by Johannes Brahms (1833-1897) Allegro con brio Scherzo: Allegro AdagioFinale. Allegro Carrie Rehkopf, violin John Michel, cello Eduard Zilberkant, piano
Brahms Piano Trio in B, III. Adagio CWUmusicdept 2024-07-07 | Jerilyn S. McIntyre Music Building Wayne S. Hertz Concert Hall Saturday, March 30, 2024 7:00 PMProgram:Clarinet Trio in A minor, Op. 114 (1891) by Johannes Brahms (1833-1897)Allegro Adagio Andantino grazioso Allegro Jeff Alfriend, clarinet John Michel, cello Eduard Zilberkant, piano Piano Trio No. 1 in B major, Op. 8 “New Edition” (1889) by Johannes Brahms (1833-1897) Allegro con brio Scherzo Allegro AdagioFinale. Allegro Carrie Rehkopf, violin John Michel, cello Eduard Zilberkant, piano
Brahms Piano Trio in B, IV. Finale: Allegro CWUmusicdept 2024-07-07 | Jerilyn S. McIntyre Music Building Wayne S. Hertz Concert Hall Saturday, March 30, 2024 7:00 PMProgram:Clarinet Trio in A minor, Op. 114 (1891) by Johannes Brahms (1833-1897)Allegro Adagio Andantino grazioso Allegro Jeff Alfriend, clarinet John Michel, cello Eduard Zilberkant, piano Piano Trio No. 1 in B major, Op. 8 “New Edition” (1889) by Johannes Brahms (1833-1897) Allegro con brio Scherzo Allegro AdagioFinale. Allegro Carrie Rehkopf, violin John Michel, cello Eduard Zilberkant, piano
Sonata for Cello and Piano, IV. by Henriëtte Bosmans CWUmusicdept 2024-07-03 | Nikolas Caoile & John Michel Faculty RecitalJerilyn S. McIntyre Music Building Wayne S. Hertz Concert Hall Tuesday, November 7, 2023 7:00 PMProgramThree Pieces (1914) by Nadia Boulanger (1887-1979)I. ModeratoII. Sans vitesse et à l’aise.III. Vite et nerveusement rythmé.Broken Music (2002) by Kenji Bunch (b. 1973)I. Broken VoiceII. Broken ChordIII. Broken VerseIV. Broken MusicSonata for Cello and Piano (1919) by Henriëtte Bosmans (1895-1952)I. Allegro maestosoII. Un poco allegrettoIII. AdagioIV. Allegro molto e con fuoco
Sonata for Cello and Piano, III. by Henriëtte Bosmans CWUmusicdept 2024-07-03 | Nikolas Caoile & John Michel Faculty RecitalJerilyn S. McIntyre Music Building Wayne S. Hertz Concert Hall Tuesday, November 7, 2023 7:00 PMProgramThree Pieces (1914) by Nadia Boulanger (1887-1979)I. ModeratoII. Sans vitesse et à l’aise.III. Vite et nerveusement rythmé.Broken Music (2002) by Kenji Bunch (b. 1973)I. Broken VoiceII. Broken ChordIII. Broken VerseIV. Broken MusicSonata for Cello and Piano (1919) by Henriëtte Bosmans (1895-1952)I. Allegro maestosoII. Un poco allegrettoIII. AdagioIV. Allegro molto e con fuoco
Sonata for Cello and Piano, II. by Henriëtte Bosmans CWUmusicdept 2024-07-03 | Nikolas Caoile & John Michel Faculty RecitalJerilyn S. McIntyre Music Building Wayne S. Hertz Concert Hall Tuesday, November 7, 2023 7:00 PMProgramThree Pieces (1914) by Nadia Boulanger (1887-1979)I. ModeratoII. Sans vitesse et à l’aise.III. Vite et nerveusement rythmé.Broken Music (2002) by Kenji Bunch (b. 1973)I. Broken VoiceII. Broken ChordIII. Broken VerseIV. Broken MusicSonata for Cello and Piano (1919) by Henriëtte Bosmans (1895-1952)I. Allegro maestosoII. Un poco allegrettoIII. AdagioIV. Allegro molto e con fuoco
Sonata for Cello and Piano, I. by Henriëtte Bosmans CWUmusicdept 2024-07-03 | Nikolas Caoile & John Michel Faculty RecitalJerilyn S. McIntyre Music Building Wayne S. Hertz Concert Hall Tuesday, November 7, 2023 7:00 PMProgramThree Pieces (1914) by Nadia Boulanger (1887-1979)I. ModeratoII. Sans vitesse et à l’aise.III. Vite et nerveusement rythmé.Broken Music (2002) by Kenji Bunch (b. 1973)I. Broken VoiceII. Broken ChordIII. Broken VerseIV. Broken MusicSonata for Cello and Piano (1919) by Henriëtte Bosmans (1895-1952)I. Allegro maestosoII. Un poco allegrettoIII. AdagioIV. Allegro molto e con fuoco
Broken Music: III. Broken Verse by Kenji Bunch CWUmusicdept 2024-07-03 | Nikolas Caoile & John Michel Faculty RecitalJerilyn S. McIntyre Music Building Wayne S. Hertz Concert Hall Tuesday, November 7, 2023 7:00 PMProgramThree Pieces (1914) by Nadia Boulanger (1887-1979)I. ModeratoII. Sans vitesse et à l’aise.III. Vite et nerveusement rythmé.Broken Music (2002) by Kenji Bunch (b. 1973)I. Broken VoiceII. Broken ChordIII. Broken VerseIV. Broken MusicSonata for Cello and Piano (1919) by Henriëtte Bosmans (1895-1952)I. Allegro maestosoII. Un poco allegrettoIII. AdagioIV. Allegro molto e con fuoco
Broken Music: II. Broken Chord by Kenji Bunch CWUmusicdept 2024-07-03 | Nikolas Caoile & John Michel Faculty RecitalJerilyn S. McIntyre Music Building Wayne S. Hertz Concert Hall Tuesday, November 7, 2023 7:00 PMProgramThree Pieces (1914) by Nadia Boulanger (1887-1979)I. ModeratoII. Sans vitesse et à l’aise.III. Vite et nerveusement rythmé.Broken Music (2002) by Kenji Bunch (b. 1973)I. Broken VoiceII. Broken ChordIII. Broken VerseIV. Broken MusicSonata for Cello and Piano (1919) by Henriëtte Bosmans (1895-1952)I. Allegro maestosoII. Un poco allegrettoIII. AdagioIV. Allegro molto e con fuoco
Broken Music: I. Broken Voice by Kenji Bunch CWUmusicdept 2024-07-03 | Kairos Spirituals and MoreJerilyn S. McIntyre Music Building - Wayne S. Hertz Concert Hall Tuesday, February 16, 2021Carrie Rehkopf, violinJohn Michel, celloDuane Funderburk, pianoProgram Piano Trio No. 4 in E minor "Dumky" by Antonín Dvořák (1841-1904)I. Lento maestoso — Allegro quasi doppio movimentoII. Poco adagio — Vivace non troppo — VivaceThe Entertainer by Scott Joplin, arr. by Itzhak PerlmanThe Strenuous Life - A Ragtime Two-Step (1902) by Scott Joplin (1868-1917), arr. Dieter H. FörsterCleopha - March and Two-Step (1902)The Sycamore - A Concert Rag (1904)Summerland by William Grant Still (1895-1978)“King Jesus is A-Listenin” and “Deep River”, Traditional Spirituals arr. by Duane FunderburkAin’a That Good News, Traditional Spiritual arr. by Duane Funderburk(Work commissioned by the Central Washington University Kairos Residency)
Three Pieces (1914) by Nadia Boulanger CWUmusicdept 2024-07-03 | Nikolas Caoile & John Michel Faculty RecitalJerilyn S. McIntyre Music Building Wayne S. Hertz Concert Hall Tuesday, November 7, 2023 7:00 PMProgramThree Pieces (1914) by Nadia Boulanger (1887-1979)I. ModeratoII. Sans vitesse et à l’aise.III. Vite et nerveusement rythmé.Broken Music (2002) by Kenji Bunch (b. 1973)I. Broken VoiceII. Broken ChordIII. Broken VerseIV. Broken MusicSonata for Cello and Piano (1919) by Henriëtte Bosmans (1895-1952)I. Allegro maestosoII. Un poco allegrettoIII. AdagioIV. Allegro molto e con fuoco
Broken Music: IV. Broken Music by Kenji Bunch CWUmusicdept 2024-07-03 | Kairos Spirituals and MoreJerilyn S. McIntyre Music Building - Wayne S. Hertz Concert Hall Tuesday, February 16, 2021Carrie Rehkopf, violinJohn Michel, celloDuane Funderburk, pianoProgram Piano Trio No. 4 in E minor "Dumky" by Antonín Dvořák (1841-1904)I. Lento maestoso — Allegro quasi doppio movimentoII. Poco adagio — Vivace non troppo — VivaceThe Entertainer by Scott Joplin, arr. by Itzhak PerlmanThe Strenuous Life - A Ragtime Two-Step (1902) by Scott Joplin (1868-1917), arr. Dieter H. FörsterCleopha - March and Two-Step (1902)The Sycamore - A Concert Rag (1904)Summerland by William Grant Still (1895-1978)“King Jesus is A-Listenin” and “Deep River”, Traditional Spirituals arr. by Duane FunderburkAin’a That Good News, Traditional Spiritual arr. by Duane Funderburk(Work commissioned by the Central Washington University Kairos Residency)
Kreisler La Gitana CWUmusicdept 2024-06-24 | CWU Department of Music presents:Carrie Rehkopf Michel, violin Eduard Zilberkant, piano Faculty/Guest Artist RecitalJerilyn S. McIntyre Music Building Recital Hall Thursday, March 28, 2024Program Sonata #for3 Piano and Violin in Eb by Ludwig van Beethoven Op.12 #3 I. Allegro con spirito II. Adagio con molta espressione III. Rondo: Allegro molto Sonata #3 in d minor for Piano and Violin by Johannes Brahms I. Allegro II. Adagio III. Un poco presto e con sentimento IV. Presto agitato La Gitana by Fritz KreislerGuest Artist: Eduard Zilberkant Russian born Eduard Zilberkant is recognized as one of today’s most gifted artists and has an active career as conductor and pianist. A Yamaha performing artist, Eduard Zilberkant has been received enthusiastically by audiences and press alike throughout Europe, Canada, Asia and the United States, performing in such halls as The Academy of Music and Curtis Hall in Philadelphia; Merkin Hall in New York City; Artur Rubinstein Hall and Warsaw Philharmonic Hall in Poland; Teatro di San Carlo Opera House in Naples, Italy; Teatro Sangiorgi in Catania, Sicily; Volgograd Opera House in Russia; Sitka Music Festival and Alaska Center for the Performing Arts in Anchorage. Eduard Zilberkant has been a guest artist and conductor at some of the most prestigious music festivals which include the International Keyboard Institute and Festival in New York City; the Classical Bridge International Music Festival in New York City; the Ravello Festival in Italy; the Gumi International Music Festival in South Korea; the Corfu Festival Ionian Concert Series in Greece; the Monolis Kalomiris International Music Festival in Greece; the Assisi International Festival and Orazio Frugoni Music Institute in Italy; the Baracasa Festival of Radio France in Montpellier, France; the Alaska International Piano-e-Competition, Fairbanks, Alaska; and the Bellingham Music Festival in Washington. Some of the orchestras he has guest conducted include the Czech National Symphony Orchestra in Prague and on tour to Germany; the orchestra of Pomeriggi Musicali di Milano in Italy; the Martinu Chamber Orchestra in the Czech Republic and Germany; the Orchestra of the Teatro Massimo Bellini in Catania, Sicily; the Manhattan Chamber Orchestra in New York City; the Teatro di San Carlo Orchestra in Naples, Italy; and the Prague Philharmonic in Prague and Italy. The Badische Zeitung wrote of his performance of the Dvorak’s “New World Symphony”, “[Maestro Zilberkant] made an impression for feeling the nuances of tempo, pauses, and accents… he brought out new colors and romantic feeling with full balance of the sound from the orchestra.” After his performance of the Mozart’s Symphony No. 41 in Anchorage, Alaska. The Anchorage Daily News wrote: “[Maestro Zilberkant] brought admirable intelligence to his reading of the piece…and sculpting the individual lines into a monumental and heroic structure; his weaving of the finale’s awesome counterpoint show him to be a musician of significance whom we hope to hear again.” American Record Guide stated, “Zilberkant’s artistic approach emphasizes a strongly colored rhetoric, supported by passionate and sensitive temperament…Zilberkant’s pianistic and musical qualities are found not only in his speed, but also in his ability to distill the slow tempos by drawing them out to the extreme.” Radio France, Polish Radio and Television and PBS Radio and Television in the United States have also broadcast his performances. Music critics have asserted that he “possesses a remarkable keyboard mastery; plays in the style of the old romantic masters; he knows how to extract quite a palette of colors from the piano; his playing is subtle and passionate at the same time; he has the equipment that makes for pianist greatness.” Eduard Zilberkant has been hailed as an inspirational teacher around the world. He has given masterclasses at the International Keyboard Institute and Festival in New York City, the Rubinstein Academy in Dusseldorf and the Conservatory of Music and Dance Cologne, Germany; the Puccini Conservatory in Italy; the Gumi International Music Festival in South Korea, and the Ionian Conservatory in Greece. His students have won national and international piano competitions and appear as soloists worldwide. A Fulbright Scholar in Germany, Eduard Zilberkant received a Solisten Diploma from the Freiburg Musik Hochschule. He received the Doctor of Musical Arts degree from Temple University in Philadelphia. His teachers have included Jerome Rose, Vitaly Margulis, Theodore Lettvin, Robert Spano and Robert Shaw. Presently, he is Artist in Residence and Professor of Piano at the University of Alaska Fairbanks. For the past eighteen years he has been Music Director and Conductor of the Fairbanks Symphony Orchestra and the Arctic Chamber Orchestra.
Brahms Sonata #3 in d minor, III. Un poco presto e con sentimento & IV. Presto agitato CWUmusicdept 2024-06-24 | CWU Department of Music presents:Carrie Rehkopf Michel, violin Eduard Zilberkant, piano Faculty/Guest Artist RecitalJerilyn S. McIntyre Music Building Recital Hall Thursday, March 28, 2024Program Sonata for Piano and Violin in Eb by Ludwig van Beethoven Op.12 #3 I. Allegro con spirito II. Adagio con molta espressione III. Rondo: Allegro molto Sonata #3 in d minor for Piano and Violin by Johannes Brahms I. Allegro II. Adagio III. Un poco presto e con sentimento IV. Presto agitato La Gitana by Fritz KreislerGuest Artist: Eduard Zilberkant Russian born Eduard Zilberkant is recognized as one of today’s most gifted artists and has an active career as conductor and pianist. A Yamaha performing artist, Eduard Zilberkant has been received enthusiastically by audiences and press alike throughout Europe, Canada, Asia and the United States, performing in such halls as The Academy of Music and Curtis Hall in Philadelphia; Merkin Hall in New York City; Artur Rubinstein Hall and Warsaw Philharmonic Hall in Poland; Teatro di San Carlo Opera House in Naples, Italy; Teatro Sangiorgi in Catania, Sicily; Volgograd Opera House in Russia; Sitka Music Festival and Alaska Center for the Performing Arts in Anchorage. Eduard Zilberkant has been a guest artist and conductor at some of the most prestigious music festivals which include the International Keyboard Institute and Festival in New York City; the Classical Bridge International Music Festival in New York City; the Ravello Festival in Italy; the Gumi International Music Festival in South Korea; the Corfu Festival Ionian Concert Series in Greece; the Monolis Kalomiris International Music Festival in Greece; the Assisi International Festival and Orazio Frugoni Music Institute in Italy; the Baracasa Festival of Radio France in Montpellier, France; the Alaska International Piano-e-Competition, Fairbanks, Alaska; and the Bellingham Music Festival in Washington. Some of the orchestras he has guest conducted include the Czech National Symphony Orchestra in Prague and on tour to Germany; the orchestra of Pomeriggi Musicali di Milano in Italy; the Martinu Chamber Orchestra in the Czech Republic and Germany; the Orchestra of the Teatro Massimo Bellini in Catania, Sicily; the Manhattan Chamber Orchestra in New York City; the Teatro di San Carlo Orchestra in Naples, Italy; and the Prague Philharmonic in Prague and Italy. The Badische Zeitung wrote of his performance of the Dvorak’s “New World Symphony”, “[Maestro Zilberkant] made an impression for feeling the nuances of tempo, pauses, and accents… he brought out new colors and romantic feeling with full balance of the sound from the orchestra.” After his performance of the Mozart’s Symphony No. 41 in Anchorage, Alaska. The Anchorage Daily News wrote: “[Maestro Zilberkant] brought admirable intelligence to his reading of the piece…and sculpting the individual lines into a monumental and heroic structure; his weaving of the finale’s awesome counterpoint show him to be a musician of significance whom we hope to hear again.” American Record Guide stated, “Zilberkant’s artistic approach emphasizes a strongly colored rhetoric, supported by passionate and sensitive temperament…Zilberkant’s pianistic and musical qualities are found not only in his speed, but also in his ability to distill the slow tempos by drawing them out to the extreme.” Radio France, Polish Radio and Television and PBS Radio and Television in the United States have also broadcast his performances. Music critics have asserted that he “possesses a remarkable keyboard mastery; plays in the style of the old romantic masters; he knows how to extract quite a palette of colors from the piano; his playing is subtle and passionate at the same time; he has the equipment that makes for pianist greatness.” Eduard Zilberkant has been hailed as an inspirational teacher around the world. He has given masterclasses at the International Keyboard Institute and Festival in New York City, the Rubinstein Academy in Dusseldorf and the Conservatory of Music and Dance Cologne, Germany; the Puccini Conservatory in Italy; the Gumi International Music Festival in South Korea, and the Ionian Conservatory in Greece. His students have won national and international piano competitions and appear as soloists worldwide. A Fulbright Scholar in Germany, Eduard Zilberkant received a Solisten Diploma from the Freiburg Musik Hochschule. He received the Doctor of Musical Arts degree from Temple University in Philadelphia. His teachers have included Jerome Rose, Vitaly Margulis, Theodore Lettvin, Robert Spano and Robert Shaw. Presently, he is Artist in Residence and Professor of Piano at the University of Alaska Fairbanks. For the past eighteen years he has been Music Director and Conductor of the Fairbanks Symphony Orchestra and the Arctic Chamber Orchestra.
Brahms Sonata #3 in d minor for Piano and Violin, II. Adagio CWUmusicdept 2024-06-24 | CWU Department of Music presents:Carrie Rehkopf Michel, violin Eduard Zilberkant, piano Faculty/Guest Artist RecitalJerilyn S. McIntyre Music Building Recital Hall Thursday, March 28, 2024Program Sonata for Piano and Violin in Eb by Ludwig van Beethoven Op.12 #3 I. Allegro con spirito II. Adagio con molta espressione III. Rondo: Allegro molto Sonata #3 in d minor for Piano and Violin by Johannes Brahms I. Allegro II. Adagio III. Un poco presto e con sentimento IV. Presto agitato La Gitana by Fritz KreislerGuest Artist: Eduard Zilberkant Russian born Eduard Zilberkant is recognized as one of today’s most gifted artists and has an active career as conductor and pianist. A Yamaha performing artist, Eduard Zilberkant has been received enthusiastically by audiences and press alike throughout Europe, Canada, Asia and the United States, performing in such halls as The Academy of Music and Curtis Hall in Philadelphia; Merkin Hall in New York City; Artur Rubinstein Hall and Warsaw Philharmonic Hall in Poland; Teatro di San Carlo Opera House in Naples, Italy; Teatro Sangiorgi in Catania, Sicily; Volgograd Opera House in Russia; Sitka Music Festival and Alaska Center for the Performing Arts in Anchorage. Eduard Zilberkant has been a guest artist and conductor at some of the most prestigious music festivals which include the International Keyboard Institute and Festival in New York City; the Classical Bridge International Music Festival in New York City; the Ravello Festival in Italy; the Gumi International Music Festival in South Korea; the Corfu Festival Ionian Concert Series in Greece; the Monolis Kalomiris International Music Festival in Greece; the Assisi International Festival and Orazio Frugoni Music Institute in Italy; the Baracasa Festival of Radio France in Montpellier, France; the Alaska International Piano-e-Competition, Fairbanks, Alaska; and the Bellingham Music Festival in Washington. Some of the orchestras he has guest conducted include the Czech National Symphony Orchestra in Prague and on tour to Germany; the orchestra of Pomeriggi Musicali di Milano in Italy; the Martinu Chamber Orchestra in the Czech Republic and Germany; the Orchestra of the Teatro Massimo Bellini in Catania, Sicily; the Manhattan Chamber Orchestra in New York City; the Teatro di San Carlo Orchestra in Naples, Italy; and the Prague Philharmonic in Prague and Italy. The Badische Zeitung wrote of his performance of the Dvorak’s “New World Symphony”, “[Maestro Zilberkant] made an impression for feeling the nuances of tempo, pauses, and accents… he brought out new colors and romantic feeling with full balance of the sound from the orchestra.” After his performance of the Mozart’s Symphony No. 41 in Anchorage, Alaska. The Anchorage Daily News wrote: “[Maestro Zilberkant] brought admirable intelligence to his reading of the piece…and sculpting the individual lines into a monumental and heroic structure; his weaving of the finale’s awesome counterpoint show him to be a musician of significance whom we hope to hear again.” American Record Guide stated, “Zilberkant’s artistic approach emphasizes a strongly colored rhetoric, supported by passionate and sensitive temperament…Zilberkant’s pianistic and musical qualities are found not only in his speed, but also in his ability to distill the slow tempos by drawing them out to the extreme.” Radio France, Polish Radio and Television and PBS Radio and Television in the United States have also broadcast his performances. Music critics have asserted that he “possesses a remarkable keyboard mastery; plays in the style of the old romantic masters; he knows how to extract quite a palette of colors from the piano; his playing is subtle and passionate at the same time; he has the equipment that makes for pianist greatness.” Eduard Zilberkant has been hailed as an inspirational teacher around the world. He has given masterclasses at the International Keyboard Institute and Festival in New York City, the Rubinstein Academy in Dusseldorf and the Conservatory of Music and Dance Cologne, Germany; the Puccini Conservatory in Italy; the Gumi International Music Festival in South Korea, and the Ionian Conservatory in Greece. His students have won national and international piano competitions and appear as soloists worldwide. A Fulbright Scholar in Germany, Eduard Zilberkant received a Solisten Diploma from the Freiburg Musik Hochschule. He received the Doctor of Musical Arts degree from Temple University in Philadelphia. His teachers have included Jerome Rose, Vitaly Margulis, Theodore Lettvin, Robert Spano and Robert Shaw. Presently, he is Artist in Residence and Professor of Piano at the University of Alaska Fairbanks. For the past eighteen years he has been Music Director and Conductor of the Fairbanks Symphony Orchestra and the Arctic Chamber Orchestra.
Brahms Sonata #3 in d minor for Piano and Violin, I. Allegro CWUmusicdept 2024-06-24 | CWU Department of Music presents:Carrie Rehkopf Michel, violin Eduard Zilberkant, piano Faculty/Guest Artist RecitalJerilyn S. McIntyre Music Building Recital Hall Thursday, March 28, 2024Program Sonata #3 for Piano and Violin in Eb by Ludwig van Beethoven Op.12 #3 I. Allegro con spirito II. Adagio con molta espressione III. Rondo: Allegro molto Sonata #3 in d minor for Piano and Violin by Johannes Brahms I. Allegro II. Adagio III. Un poco presto e con sentimento IV. Presto agitato La Gitana by Fritz KreislerGuest Artist: Eduard Zilberkant Russian born Eduard Zilberkant is recognized as one of today’s most gifted artists and has an active career as conductor and pianist. A Yamaha performing artist, Eduard Zilberkant has been received enthusiastically by audiences and press alike throughout Europe, Canada, Asia and the United States, performing in such halls as The Academy of Music and Curtis Hall in Philadelphia; Merkin Hall in New York City; Artur Rubinstein Hall and Warsaw Philharmonic Hall in Poland; Teatro di San Carlo Opera House in Naples, Italy; Teatro Sangiorgi in Catania, Sicily; Volgograd Opera House in Russia; Sitka Music Festival and Alaska Center for the Performing Arts in Anchorage. Eduard Zilberkant has been a guest artist and conductor at some of the most prestigious music festivals which include the International Keyboard Institute and Festival in New York City; the Classical Bridge International Music Festival in New York City; the Ravello Festival in Italy; the Gumi International Music Festival in South Korea; the Corfu Festival Ionian Concert Series in Greece; the Monolis Kalomiris International Music Festival in Greece; the Assisi International Festival and Orazio Frugoni Music Institute in Italy; the Baracasa Festival of Radio France in Montpellier, France; the Alaska International Piano-e-Competition, Fairbanks, Alaska; and the Bellingham Music Festival in Washington. Some of the orchestras he has guest conducted include the Czech National Symphony Orchestra in Prague and on tour to Germany; the orchestra of Pomeriggi Musicali di Milano in Italy; the Martinu Chamber Orchestra in the Czech Republic and Germany; the Orchestra of the Teatro Massimo Bellini in Catania, Sicily; the Manhattan Chamber Orchestra in New York City; the Teatro di San Carlo Orchestra in Naples, Italy; and the Prague Philharmonic in Prague and Italy. The Badische Zeitung wrote of his performance of the Dvorak’s “New World Symphony”, “[Maestro Zilberkant] made an impression for feeling the nuances of tempo, pauses, and accents… he brought out new colors and romantic feeling with full balance of the sound from the orchestra.” After his performance of the Mozart’s Symphony No. 41 in Anchorage, Alaska. The Anchorage Daily News wrote: “[Maestro Zilberkant] brought admirable intelligence to his reading of the piece…and sculpting the individual lines into a monumental and heroic structure; his weaving of the finale’s awesome counterpoint show him to be a musician of significance whom we hope to hear again.” American Record Guide stated, “Zilberkant’s artistic approach emphasizes a strongly colored rhetoric, supported by passionate and sensitive temperament…Zilberkant’s pianistic and musical qualities are found not only in his speed, but also in his ability to distill the slow tempos by drawing them out to the extreme.” Radio France, Polish Radio and Television and PBS Radio and Television in the United States have also broadcast his performances. Music critics have asserted that he “possesses a remarkable keyboard mastery; plays in the style of the old romantic masters; he knows how to extract quite a palette of colors from the piano; his playing is subtle and passionate at the same time; he has the equipment that makes for pianist greatness.” Eduard Zilberkant has been hailed as an inspirational teacher around the world. He has given masterclasses at the International Keyboard Institute and Festival in New York City, the Rubinstein Academy in Dusseldorf and the Conservatory of Music and Dance Cologne, Germany; the Puccini Conservatory in Italy; the Gumi International Music Festival in South Korea, and the Ionian Conservatory in Greece. His students have won national and international piano competitions and appear as soloists worldwide. A Fulbright Scholar in Germany, Eduard Zilberkant received a Solisten Diploma from the Freiburg Musik Hochschule. He received the Doctor of Musical Arts degree from Temple University in Philadelphia. His teachers have included Jerome Rose, Vitaly Margulis, Theodore Lettvin, Robert Spano and Robert Shaw. Presently, he is Artist in Residence and Professor of Piano at the University of Alaska Fairbanks. For the past eighteen years he has been Music Director and Conductor of the Fairbanks Symphony Orchestra and the Arctic Chamber Orchestra.
Beethoven Sonata #3 for Piano and Violin in Eb, III. Rondo: Allegro molto CWUmusicdept 2024-06-24 | CWU Department of Music presents:Carrie Rehkopf Michel, violin Eduard Zilberkant, piano Faculty/Guest Artist RecitalJerilyn S. McIntyre Music Building Recital Hall Thursday, March 28, 2024Program Sonata #3 for Piano and Violin in Eb by Ludwig van Beethoven Op.12 #3 I. Allegro con spirito II. Adagio con molta espressione III. Rondo: Allegro molto Sonata #3 in d minor for Piano and Violin by Johannes Brahms I. Allegro II. Adagio III. Un poco presto e con sentimento IV. Presto agitato La Gitana by Fritz KreislerGuest Artist: Eduard Zilberkant Russian born Eduard Zilberkant is recognized as one of today’s most gifted artists and has an active career as conductor and pianist. A Yamaha performing artist, Eduard Zilberkant has been received enthusiastically by audiences and press alike throughout Europe, Canada, Asia and the United States, performing in such halls as The Academy of Music and Curtis Hall in Philadelphia; Merkin Hall in New York City; Artur Rubinstein Hall and Warsaw Philharmonic Hall in Poland; Teatro di San Carlo Opera House in Naples, Italy; Teatro Sangiorgi in Catania, Sicily; Volgograd Opera House in Russia; Sitka Music Festival and Alaska Center for the Performing Arts in Anchorage. Eduard Zilberkant has been a guest artist and conductor at some of the most prestigious music festivals which include the International Keyboard Institute and Festival in New York City; the Classical Bridge International Music Festival in New York City; the Ravello Festival in Italy; the Gumi International Music Festival in South Korea; the Corfu Festival Ionian Concert Series in Greece; the Monolis Kalomiris International Music Festival in Greece; the Assisi International Festival and Orazio Frugoni Music Institute in Italy; the Baracasa Festival of Radio France in Montpellier, France; the Alaska International Piano-e-Competition, Fairbanks, Alaska; and the Bellingham Music Festival in Washington. Some of the orchestras he has guest conducted include the Czech National Symphony Orchestra in Prague and on tour to Germany; the orchestra of Pomeriggi Musicali di Milano in Italy; the Martinu Chamber Orchestra in the Czech Republic and Germany; the Orchestra of the Teatro Massimo Bellini in Catania, Sicily; the Manhattan Chamber Orchestra in New York City; the Teatro di San Carlo Orchestra in Naples, Italy; and the Prague Philharmonic in Prague and Italy. The Badische Zeitung wrote of his performance of the Dvorak’s “New World Symphony”, “[Maestro Zilberkant] made an impression for feeling the nuances of tempo, pauses, and accents… he brought out new colors and romantic feeling with full balance of the sound from the orchestra.” After his performance of the Mozart’s Symphony No. 41 in Anchorage, Alaska. The Anchorage Daily News wrote: “[Maestro Zilberkant] brought admirable intelligence to his reading of the piece…and sculpting the individual lines into a monumental and heroic structure; his weaving of the finale’s awesome counterpoint show him to be a musician of significance whom we hope to hear again.” American Record Guide stated, “Zilberkant’s artistic approach emphasizes a strongly colored rhetoric, supported by passionate and sensitive temperament…Zilberkant’s pianistic and musical qualities are found not only in his speed, but also in his ability to distill the slow tempos by drawing them out to the extreme.” Radio France, Polish Radio and Television and PBS Radio and Television in the United States have also broadcast his performances. Music critics have asserted that he “possesses a remarkable keyboard mastery; plays in the style of the old romantic masters; he knows how to extract quite a palette of colors from the piano; his playing is subtle and passionate at the same time; he has the equipment that makes for pianist greatness.” Eduard Zilberkant has been hailed as an inspirational teacher around the world. He has given masterclasses at the International Keyboard Institute and Festival in New York City, the Rubinstein Academy in Dusseldorf and the Conservatory of Music and Dance Cologne, Germany; the Puccini Conservatory in Italy; the Gumi International Music Festival in South Korea, and the Ionian Conservatory in Greece. His students have won national and international piano competitions and appear as soloists worldwide. A Fulbright Scholar in Germany, Eduard Zilberkant received a Solisten Diploma from the Freiburg Musik Hochschule. He received the Doctor of Musical Arts degree from Temple University in Philadelphia. His teachers have included Jerome Rose, Vitaly Margulis, Theodore Lettvin, Robert Spano and Robert Shaw. Presently, he is Artist in Residence and Professor of Piano at the University of Alaska Fairbanks. For the past eighteen years he has been Music Director and Conductor of the Fairbanks Symphony Orchestra and the Arctic Chamber Orchestra.
Beethoven Sonata #3 for Piano and Violin in Eb, II. Adagio con molta espressione CWUmusicdept 2024-06-24 | CWU Department of Music presents:Carrie Rehkopf Michel, violin Eduard Zilberkant, piano Faculty/Guest Artist RecitalJerilyn S. McIntyre Music Building Recital Hall Thursday, March 28, 2024Program Sonata #3 for Piano and Violin in Eb by Ludwig van Beethoven Op.12 #3 I. Allegro con spirito II. Adagio con molta espressione III. Rondo: Allegro molto Sonata #3 in d minor for Piano and Violin by Johannes Brahms I. Allegro II. Adagio III. Un poco presto e con sentimento IV. Presto agitato La Gitana by Fritz KreislerGuest Artist: Eduard Zilberkant Russian born Eduard Zilberkant is recognized as one of today’s most gifted artists and has an active career as conductor and pianist. A Yamaha performing artist, Eduard Zilberkant has been received enthusiastically by audiences and press alike throughout Europe, Canada, Asia and the United States, performing in such halls as The Academy of Music and Curtis Hall in Philadelphia; Merkin Hall in New York City; Artur Rubinstein Hall and Warsaw Philharmonic Hall in Poland; Teatro di San Carlo Opera House in Naples, Italy; Teatro Sangiorgi in Catania, Sicily; Volgograd Opera House in Russia; Sitka Music Festival and Alaska Center for the Performing Arts in Anchorage. Eduard Zilberkant has been a guest artist and conductor at some of the most prestigious music festivals which include the International Keyboard Institute and Festival in New York City; the Classical Bridge International Music Festival in New York City; the Ravello Festival in Italy; the Gumi International Music Festival in South Korea; the Corfu Festival Ionian Concert Series in Greece; the Monolis Kalomiris International Music Festival in Greece; the Assisi International Festival and Orazio Frugoni Music Institute in Italy; the Baracasa Festival of Radio France in Montpellier, France; the Alaska International Piano-e-Competition, Fairbanks, Alaska; and the Bellingham Music Festival in Washington. Some of the orchestras he has guest conducted include the Czech National Symphony Orchestra in Prague and on tour to Germany; the orchestra of Pomeriggi Musicali di Milano in Italy; the Martinu Chamber Orchestra in the Czech Republic and Germany; the Orchestra of the Teatro Massimo Bellini in Catania, Sicily; the Manhattan Chamber Orchestra in New York City; the Teatro di San Carlo Orchestra in Naples, Italy; and the Prague Philharmonic in Prague and Italy. The Badische Zeitung wrote of his performance of the Dvorak’s “New World Symphony”, “[Maestro Zilberkant] made an impression for feeling the nuances of tempo, pauses, and accents… he brought out new colors and romantic feeling with full balance of the sound from the orchestra.” After his performance of the Mozart’s Symphony No. 41 in Anchorage, Alaska. The Anchorage Daily News wrote: “[Maestro Zilberkant] brought admirable intelligence to his reading of the piece…and sculpting the individual lines into a monumental and heroic structure; his weaving of the finale’s awesome counterpoint show him to be a musician of significance whom we hope to hear again.” American Record Guide stated, “Zilberkant’s artistic approach emphasizes a strongly colored rhetoric, supported by passionate and sensitive temperament…Zilberkant’s pianistic and musical qualities are found not only in his speed, but also in his ability to distill the slow tempos by drawing them out to the extreme.” Radio France, Polish Radio and Television and PBS Radio and Television in the United States have also broadcast his performances. Music critics have asserted that he “possesses a remarkable keyboard mastery; plays in the style of the old romantic masters; he knows how to extract quite a palette of colors from the piano; his playing is subtle and passionate at the same time; he has the equipment that makes for pianist greatness.” Eduard Zilberkant has been hailed as an inspirational teacher around the world. He has given masterclasses at the International Keyboard Institute and Festival in New York City, the Rubinstein Academy in Dusseldorf and the Conservatory of Music and Dance Cologne, Germany; the Puccini Conservatory in Italy; the Gumi International Music Festival in South Korea, and the Ionian Conservatory in Greece. His students have won national and international piano competitions and appear as soloists worldwide. A Fulbright Scholar in Germany, Eduard Zilberkant received a Solisten Diploma from the Freiburg Musik Hochschule. He received the Doctor of Musical Arts degree from Temple University in Philadelphia. His teachers have included Jerome Rose, Vitaly Margulis, Theodore Lettvin, Robert Spano and Robert Shaw. Presently, he is Artist in Residence and Professor of Piano at the University of Alaska Fairbanks. For the past eighteen years he has been Music Director and Conductor of the Fairbanks Symphony Orchestra and the Arctic Chamber Orchestra.
Beethoven Sonata #3 for Piano and Violin in Eb, I. Allegro con spirito CWUmusicdept 2024-06-24 | CWU Department of Music presents:Carrie Rehkopf Michel, violin Eduard Zilberkant, piano Faculty/Guest Artist RecitalJerilyn S. McIntyre Music Building Recital Hall Thursday, March 28, 2024Program Sonata #3 for Piano and Violin in Eb by Ludwig van Beethoven Op.12 #3 I. Allegro con spirito II. Adagio con molta espressione III. Rondo: Allegro molto Sonata #3 in d minor for Piano and Violin by Johannes Brahms I. Allegro II. Adagio III. Un poco presto e con sentimento IV. Presto agitato La Gitana by Fritz KreislerGuest Artist: Eduard Zilberkant Russian born Eduard Zilberkant is recognized as one of today’s most gifted artists and has an active career as conductor and pianist. A Yamaha performing artist, Eduard Zilberkant has been received enthusiastically by audiences and press alike throughout Europe, Canada, Asia and the United States, performing in such halls as The Academy of Music and Curtis Hall in Philadelphia; Merkin Hall in New York City; Artur Rubinstein Hall and Warsaw Philharmonic Hall in Poland; Teatro di San Carlo Opera House in Naples, Italy; Teatro Sangiorgi in Catania, Sicily; Volgograd Opera House in Russia; Sitka Music Festival and Alaska Center for the Performing Arts in Anchorage. Eduard Zilberkant has been a guest artist and conductor at some of the most prestigious music festivals which include the International Keyboard Institute and Festival in New York City; the Classical Bridge International Music Festival in New York City; the Ravello Festival in Italy; the Gumi International Music Festival in South Korea; the Corfu Festival Ionian Concert Series in Greece; the Monolis Kalomiris International Music Festival in Greece; the Assisi International Festival and Orazio Frugoni Music Institute in Italy; the Baracasa Festival of Radio France in Montpellier, France; the Alaska International Piano-e-Competition, Fairbanks, Alaska; and the Bellingham Music Festival in Washington. Some of the orchestras he has guest conducted include the Czech National Symphony Orchestra in Prague and on tour to Germany; the orchestra of Pomeriggi Musicali di Milano in Italy; the Martinu Chamber Orchestra in the Czech Republic and Germany; the Orchestra of the Teatro Massimo Bellini in Catania, Sicily; the Manhattan Chamber Orchestra in New York City; the Teatro di San Carlo Orchestra in Naples, Italy; and the Prague Philharmonic in Prague and Italy. The Badische Zeitung wrote of his performance of the Dvorak’s “New World Symphony”, “[Maestro Zilberkant] made an impression for feeling the nuances of tempo, pauses, and accents… he brought out new colors and romantic feeling with full balance of the sound from the orchestra.” After his performance of the Mozart’s Symphony No. 41 in Anchorage, Alaska. The Anchorage Daily News wrote: “[Maestro Zilberkant] brought admirable intelligence to his reading of the piece…and sculpting the individual lines into a monumental and heroic structure; his weaving of the finale’s awesome counterpoint show him to be a musician of significance whom we hope to hear again.” American Record Guide stated, “Zilberkant’s artistic approach emphasizes a strongly colored rhetoric, supported by passionate and sensitive temperament…Zilberkant’s pianistic and musical qualities are found not only in his speed, but also in his ability to distill the slow tempos by drawing them out to the extreme.” Radio France, Polish Radio and Television and PBS Radio and Television in the United States have also broadcast his performances. Music critics have asserted that he “possesses a remarkable keyboard mastery; plays in the style of the old romantic masters; he knows how to extract quite a palette of colors from the piano; his playing is subtle and passionate at the same time; he has the equipment that makes for pianist greatness.” Eduard Zilberkant has been hailed as an inspirational teacher around the world. He has given masterclasses at the International Keyboard Institute and Festival in New York City, the Rubinstein Academy in Dusseldorf and the Conservatory of Music and Dance Cologne, Germany; the Puccini Conservatory in Italy; the Gumi International Music Festival in South Korea, and the Ionian Conservatory in Greece. His students have won national and international piano competitions and appear as soloists worldwide. A Fulbright Scholar in Germany, Eduard Zilberkant received a Solisten Diploma from the Freiburg Musik Hochschule. He received the Doctor of Musical Arts degree from Temple University in Philadelphia. His teachers have included Jerome Rose, Vitaly Margulis, Theodore Lettvin, Robert Spano and Robert Shaw. Presently, he is Artist in Residence and Professor of Piano at the University of Alaska Fairbanks. For the past eighteen years he has been Music Director and Conductor of the Fairbanks Symphony Orchestra and the Arctic Chamber Orchestra.
CWU Symphony Orchestra: Stravinsky – Firebird Suite (1919) CWUmusicdept 2024-03-25 | CWU Symphony Orchestra (Nikolas Caoile, Director of Orchestral Activities)March 2024 0:00 Introduction2:48 The Firebird and its Dance3:06 Variation of the Firebird4:26 The Princesses' Khorovod (Rondo)8:58 Infernal Dance of King Kashchei13:42 Lullaby16:50 Finale
