Opera OrangeLA RESURREZIONE (HWV 47) Oratorio in 2 parts Composer: Georg Friedrich Händel (1685-1759) Libretto: Carlo Sigismondo Capece (1652–1728) First performance: Rome, Ruspoli Palace (8 April 1708)
Angelo: Emöke Barath Maria Maddalena: Camille Poul Santa Maria Cleofa: Delphine Galou San Giovanni Evangelista: Martin Vanberg Lucifero: Lisandro Abadie
Conductor: Ottavio Dantone Accademia Bizantina Recorded live at the Ambronay Festival (23 September 2017)
Libretto available at: https://www.flaminioonline.it/Guide/Handel/Handel-Resurrezione47-testo.html
Picture: "The Resurrection of Christ " by Maerten de Vos (c. 1564).
PART I 00:00 Overture 03:18 Aria "Disserratevi, o porte d'Averno" (Angelo) 08:13 Recitative "Qual insolita luce" (Lucifero) 09:28 Aria "Caddi, è ver, ma nel cadere" (Lucifero) 13:09 Recitative "Ma che veggio? Di spiriti a me nemici" (Lucifero, Angelo) 14:46 Aria "D'amor fu consiglio" (Angelo) 14:21 Recitative "E ben, questo Nume" (Lucifero, Angelo) 18:53 Aria "O voi dell'Erebo" (Lucifero) 21:41 Recitative "Notte, notte funesta" (Maddalena) 22:18 Aria "Ferma l'ali, e sui miei lumi" (Maddalena) 27:10 Recitative "Concedi, o Maddalena" (Maria Cleofe, Maddalena) 28:18 Aria "Piangete, sì, piangete" (Maria Cleofe) 30:42 Recitative "Ahi dolce mio Signore" (Maddalena, Maria Cleofe) 32:49 Duet "Dolci chiodi, amate spine" (Maddalena, Maria Cleofe) 35:31 Recitative "O Cleofe, o Maddalena" (San Giovanni, Maddalena) 37:30 Aria "Quando è parto dell'affetto" (San Giovanni) 42:29 Recitative "Ma dinne, e sarà vero" (Maria Cleofe, San Giovanni, Maddalena) 43:38 Aria "Naufragando va per l'onde" (Maria Cleofe) 48:21 Recitative "Itene pure, o fide" (San Giovanni, Maddalena) 49:52 Aria "Così la tortorella talor piange e si lagna" (San Giovanni) 54:00 Recitative "Se Maria dunque spera" (Maddalena) 55:04 Aria "Ho un non so che nel cor" (Maddalena) 57:39 Recitative "Uscite pur, uscite" (Angelo) 59:14 Final "Il Nume vincitor" (Tutti)
PART II 1:01:12 Overture 1:02:30 Recitative "Di quai nuovi portenti" (San Giovanni) 1:03:20 Aria "Ecco il sol, ch'esce dal mare" (San Giovanni) 1:07:32 Recitative "Ma ove Maria dimora" (San Giovanni) 1:07:56 Aria "Risorga il mondo" (Angelo) 1:10:22 Recitative "Di rabbia indarno freme" (Angelo) 1:11:32 Recitative "Misero! Ho pur udito?" (Lucifero, Angelo) 1:12:16 Aria "Per celare il nuovo scorno" (Lucifero) 1:13:44 Recitative "Oh come cieco il tuo furor delira!" (Angelo) 1:14:24 Duet "Impedirlo saprò" (Lucifero, Angelo) 1:14:52 Recitative "Amica, troppo tardo" (Maddalena, Maria Cleofe) 1:15:45 Aria "Per me già di morire" (Maddalena) 1:20:52 Recitative "Ahi, abborrito nome!" (Lucifero) 1:21:38 Aria "Vedo il ciel, che più sereno" (Maria Cleofe) 1:25:27 Recitative "Cleofe, siam giunte al luogo" (Maddalena, Maria Cleofe, Angelo) 1:27:11 Aria "Se per colpa di donna infelice" (Angelo) 1:30:01 Recitative "Mio Gesù, mio Signore" (Maddalena) 1:30:56 Aria "Del ciglio dolente" (Maddalena) 1:33:04 Recitative "Sì, sì cerchiamo pur" (Maria Cleofe) 1:33:28 Aria "Augeletti, ruscelletti" (Maria Cleofe) 1:35:15 Recitative "Dove sì frettolosi" (San Giovanni, Maria Cleofe) 1:36:39 Aria "Caro Figlio, amato Dio" (San Giovanni) 1:40:47 Recitative "Cleofe, Giovanni, udite" (Maddalena, Maria Cleofe, San Giovanni) 1:42:31 Aria "Se impassibile, immortale" (Maddalena) 1:46:01 Recitative "Sì, sì col Redentore" (Maddalena, Maria Cleofe, San Giovanni) 1:46:24 Final "Diasi lode in cielo, in terra" (Tutti)
G.F. Händel - La Resurrezione (Dantone, 2017)Opera Orange2024-04-19 | LA RESURREZIONE (HWV 47) Oratorio in 2 parts Composer: Georg Friedrich Händel (1685-1759) Libretto: Carlo Sigismondo Capece (1652–1728) First performance: Rome, Ruspoli Palace (8 April 1708)
Angelo: Emöke Barath Maria Maddalena: Camille Poul Santa Maria Cleofa: Delphine Galou San Giovanni Evangelista: Martin Vanberg Lucifero: Lisandro Abadie
Conductor: Ottavio Dantone Accademia Bizantina Recorded live at the Ambronay Festival (23 September 2017)
Libretto available at: https://www.flaminioonline.it/Guide/Handel/Handel-Resurrezione47-testo.html
Picture: "The Resurrection of Christ " by Maerten de Vos (c. 1564).
PART I 00:00 Overture 03:18 Aria "Disserratevi, o porte d'Averno" (Angelo) 08:13 Recitative "Qual insolita luce" (Lucifero) 09:28 Aria "Caddi, è ver, ma nel cadere" (Lucifero) 13:09 Recitative "Ma che veggio? Di spiriti a me nemici" (Lucifero, Angelo) 14:46 Aria "D'amor fu consiglio" (Angelo) 14:21 Recitative "E ben, questo Nume" (Lucifero, Angelo) 18:53 Aria "O voi dell'Erebo" (Lucifero) 21:41 Recitative "Notte, notte funesta" (Maddalena) 22:18 Aria "Ferma l'ali, e sui miei lumi" (Maddalena) 27:10 Recitative "Concedi, o Maddalena" (Maria Cleofe, Maddalena) 28:18 Aria "Piangete, sì, piangete" (Maria Cleofe) 30:42 Recitative "Ahi dolce mio Signore" (Maddalena, Maria Cleofe) 32:49 Duet "Dolci chiodi, amate spine" (Maddalena, Maria Cleofe) 35:31 Recitative "O Cleofe, o Maddalena" (San Giovanni, Maddalena) 37:30 Aria "Quando è parto dell'affetto" (San Giovanni) 42:29 Recitative "Ma dinne, e sarà vero" (Maria Cleofe, San Giovanni, Maddalena) 43:38 Aria "Naufragando va per l'onde" (Maria Cleofe) 48:21 Recitative "Itene pure, o fide" (San Giovanni, Maddalena) 49:52 Aria "Così la tortorella talor piange e si lagna" (San Giovanni) 54:00 Recitative "Se Maria dunque spera" (Maddalena) 55:04 Aria "Ho un non so che nel cor" (Maddalena) 57:39 Recitative "Uscite pur, uscite" (Angelo) 59:14 Final "Il Nume vincitor" (Tutti)
PART II 1:01:12 Overture 1:02:30 Recitative "Di quai nuovi portenti" (San Giovanni) 1:03:20 Aria "Ecco il sol, ch'esce dal mare" (San Giovanni) 1:07:32 Recitative "Ma ove Maria dimora" (San Giovanni) 1:07:56 Aria "Risorga il mondo" (Angelo) 1:10:22 Recitative "Di rabbia indarno freme" (Angelo) 1:11:32 Recitative "Misero! Ho pur udito?" (Lucifero, Angelo) 1:12:16 Aria "Per celare il nuovo scorno" (Lucifero) 1:13:44 Recitative "Oh come cieco il tuo furor delira!" (Angelo) 1:14:24 Duet "Impedirlo saprò" (Lucifero, Angelo) 1:14:52 Recitative "Amica, troppo tardo" (Maddalena, Maria Cleofe) 1:15:45 Aria "Per me già di morire" (Maddalena) 1:20:52 Recitative "Ahi, abborrito nome!" (Lucifero) 1:21:38 Aria "Vedo il ciel, che più sereno" (Maria Cleofe) 1:25:27 Recitative "Cleofe, siam giunte al luogo" (Maddalena, Maria Cleofe, Angelo) 1:27:11 Aria "Se per colpa di donna infelice" (Angelo) 1:30:01 Recitative "Mio Gesù, mio Signore" (Maddalena) 1:30:56 Aria "Del ciglio dolente" (Maddalena) 1:33:04 Recitative "Sì, sì cerchiamo pur" (Maria Cleofe) 1:33:28 Aria "Augeletti, ruscelletti" (Maria Cleofe) 1:35:15 Recitative "Dove sì frettolosi" (San Giovanni, Maria Cleofe) 1:36:39 Aria "Caro Figlio, amato Dio" (San Giovanni) 1:40:47 Recitative "Cleofe, Giovanni, udite" (Maddalena, Maria Cleofe, San Giovanni) 1:42:31 Aria "Se impassibile, immortale" (Maddalena) 1:46:01 Recitative "Sì, sì col Redentore" (Maddalena, Maria Cleofe, San Giovanni) 1:46:24 Final "Diasi lode in cielo, in terra" (Tutti)B. Galuppi - Didone Abbandonata (Illán, 2025)Opera Orange2025-09-07 | DIDONE ABBANDONATA - version Madrid, 1752 Dramma per musica in 3 acts Composer: Baldassare Galuppi (1706-1785) Libretto: Metastasio (1698-1782), first set to music by Domenico Sarro in 1724. First performance: Teatro Molza, Modena, 26 December 1740. Second version: 1752 in Madrid, Buen Retiro Palace Third version: 26 December 1763 in Venice, Teatro San Benedetto Fourth version: 3 March 1766 in St. Petersburg, Hermitage Theatre
Didone: Natalie Pérez Enea: Federico Fiorio Araspe: Carlotta Colombo Selene: Alexandra Tarniceru Osmida: Filippo Mineccia Iarbas, Nettuno: Nicholas Scott
Conductor: Javier Ulises Illán Nereydas Orchestra Recorded live from Nikolaisaal, Potsdam on 28 June 2025.
Picture: "Didone abbandonata" by Andrea Sacchi (c. 1630-1635).
0:00:00 Overture 0:06:55 "Dovrei... ma no..." (Enea) 0:09:18 "Dirò che fida sei" (Selene) 0:12:58 Sinfonia 0:18:20 "Son regina e sono amante" (Didone) 0:25:59 "Tu mi scorgi al gran disegno" (Osmida) 0:31:14 "Se dalle stelle tu non sei guida" (Araspe) 0:39:47 "Quando saprai chi sono" (Enea) 0:44:45 "Non ho pace" (Iarba) 0:56:01 "Non ha ragione, ingrato" (Didone) 1:03:51 "Se resto sul lido" (Enea)
1:08:16 ACT II 1:09:34 "Ardi per me fedele" (Selene) 1:19:28 "Ah! non lasciarmi no" (Didone) 1:26:48 "Fosca nube il sol ricopra" (Iarba) 1:30:25 "Tacerò, se tu lo brami" (Araspe) 1:35:52 "Tormento il più crudele" (Enea) 1:40:42 "Ogni amator suppone" (Selene) 1:51:10 "Chiamami pur così" (Iarba) 1:53:54 "Va lusingando Amore" (Didone)
1:57:28 ACT III 1:59:10 Sinfonia 2:01:06 "La caduta d'un regnante" (Iarba) 2:04:46 "Quando l'onda che nasce dal monte" (Osmida) 2:10:20 "A trionfar mi chiama" (Enea) 2:15:39 "Io d'amore, oh dio! mi moro" (Selene) 2:20:36 "Va crescendo il mio tormento" (Didone) 2:26:57 "Cadrà fra poco in cenere" (Iarba) 2:32:03 "Vado... Ma dove?... Oh dio!" (Didone) 2:35:20 Sinfonie 2:42:53 "Tacete, o mie procelle" (Nettuno)
This recording has been provided by the owner of the classicalmusicinconcert blog.G.F. Händel - Giulio Cesare in Egitto (Rousset, 2019)Opera Orange2025-03-16 | GIULIO CESARE IN EGITTO (HWV 17) - version 1725 Dramma per musica in 3 acts Composer: Georg Friedrich Händel (1685-1759) Libretto: Nicola Francesco Haym (1678-1729), after Giacomo Francesco Bussani's libretto for Antonio Sartorio. Sartorio's version can be heard here: youtube.com/watch?v=iNXNdI-usmA First performance: King's Theatre, London, 20 February 1724.
Cleopatra: Karina Gauvin Cesare: Christopher Lowrey Cornelia: Eve-Maud Hubeaux Sesto: Ann Hallenberg Tolomeo: Kacper Szelazek Achilla: Ashley Riches
Conductor: Christophe Rousset Les Talens Lyriques Recorded live from Ateneul Român, Bucharest, during the 2019 International Festival George Enescu (20 September 2019)
Libretto available at: http://www.librettidopera.it/zpdf/giulio_ces.pdf
Picture: "The Banquet of Cleopatra" by Giovanni Battista Tiepolo (1744). This painting portrays a later episode in Cleopatra's life—the lavish feast she held for Marc Antony. Though this scene occurs well after the events of Giulio Cesare in Egitto, I chose this painting because of my love for Tiepolo's art.
00:00 ACT I 02:48 "Viva il nostro Alcide" (Coro I, 1) 04:10 "Presti omai l'egizia terra" (Cesare I, 1) 09:39 "Empio, dirò, tu sei" (Cesare I, 3) 13:24 "Priva son d'ogni conforto" (Cornelia I, 4) 20:14 "Svegliatevi nel core" (Sesto I, 4) 25:39 "Non disperar; chi sa?" (Cleopatra I, 5) 30:49 "L'empio, sleale, indegno" (Tolomeo I, 6) 33:53 "Alma del gran Pompeo" (Cesare I, 7) 37:39 "Non è sì vago e bello" (Cesare I, 7) 39:31 "Tutto può donna vezzosa" (Cleopatra I, 7) 43:41 "Nel tuo seno, amico sasso" (Cornelia I, 8) 48:47 "Cara speme, questo core" (Sesto I, 8) 54:16 "Tu la mia stella sei" (Cleopatra I,8) 57:40 "Va tacito e nascosto" (Cesare I, 9) 1:06:20 "Tu sei il cor di questo core" (Achilla I, 9) 1:11:26 "Son nata a lagrimar" (Cornelia, Sesto I, 9)
1:18:22 ACT II 1:20:52 "V'adoro pupille" (Cleopatra II, 2) 1:33:35 "Sì spietata, il tuo rigore" (Sesto II, 4) 1:38:39 "Cessa omai di sospirar" (Cornelia II, 6) 1:40:48 "L'angue offeso mai riposa" (Sesto II,6) 1:46:25 "Venere bella" (Cleopatra II, 7) 1:51:04 "Al lampo dell'armi" (Cesare II, 8) 1:54:13 "Se pietà di me non senti" (Cleopatra II, 8) 2:03:34 "Belle dee di questo core" (Tolomeo II, 9) 2:08:18 "L'aura che spira tiranno e fiero" (Sesto II, 11)
2:13:03 ACT III 2:13:36 "Dal fulgor di questa spada" (Achille III, 1) 2:18:18 "Domerò la tua fierezza" (Tolomeo III, 2) 2:23:15 "Piangerò la sorte mia" (Cleopatra III, 3) 2:32:10 "Aure, deh, per pietà spirate" (Cesare III, 4) 2:38:58 "Quel torrente, che cade dal monte" (Cesare III, 5) 2:43:11 "La giustizia ha già sull'arco" (Sesto III, 6) 2:49:16 "Da tempeste il legno infranto" (Cleopatra III, 7) 2:56:56 "Non ha più che temere quest'alma" (Cornelia III, 9) 3:00:37 "Caro! - Bella!" (Cesare, Cleopatra III, 10) 3:03:16 "Ritorni omai nel nostro core" (Coro III, 10)G. Paisiello - Annibale in Torino (Dantone, 2007)Opera Orange2025-02-17 | ANNIBALE IN TORINO Dramma per musica in 3 acts Composer: Giovanni Paisiello (1740-1816) Libretto: Jacopo Durandi (1739-1817) First performance: Teatro Regio, Turin (16 January 1771)
Artace: Emanuela Galli Adrane: Roberta Invernizzi Oscarre: Maria Grazia Schiavo Jasarte: Romina Basso Edlige: Sonia Prina Annibale: Makoto Sakurada
Conductor: Ottavio Dantone Accademia Bizantina Live recording from the Conservatorio Statale di Musica "Giuseppe Verdi", Turin (25 February 2007)
Libretto available at: https://www.desono.it/wp-content/uploads/2020/04/desono-annibale-in-torino-min.pdf
Picture: "The Victorious Hannibal Seeing Italy from the Alps for the First Time" by Francisco Goya (1770–1771).
This recording has been generously provided by the owner of the classicalmusicinconcert blog.
ACT I 00:00 Overture 06:10 "Se mai pietà ti chiede" (Edlige I, 3) 10:57 "A consolar tue pene" (Artace I, 5) 17:21 "A palpitarmi in petto" (Adrane I, 6) 25:59 "La fiamma del suo core" (Jassarte I, 8) 29:42 "Cade dal monte appena" (Oscarre I, 9) 36:16 "A devellar l'audace" (Annibale I, 10) 43:03 "Vado a pugnar da forte" (Artace I, 11)
48:57 ACT II 55:25 "Minacciando il vento, e l'onda" (Edlige II, 4) 1:00:45 "Quella pietà che in seno" (Artace II, 5) 1:06:09 "La chiami il tuo foco" (Jassarte II, 6) 1:10:24 "Niun amante mai s'avvede" (Annibale II, 7) 1:20:54 "Onde amiche, deh scorgete" - " Smaritta... tremante..." (Adrane II, 8) 1:27:38 "Se a te sol penso adesso" (Oscarre II, 9) 1:36:56 "Fra tante pene, e tante" (Artace, Adrane II, 10)
1:42:24 ACT III 1:50:04 "S'annera il cielo, e freme" (Annibale III, 6) 1:55:58 "La sorte mia funesta" (Edlige III, 7) 2:02:11 "Verra tra noi d'Artace" (Coro III, 9)J. Haydn - LIsola Disabitata (Vashegyi, 2022)Opera Orange2024-05-31 | L'ISOLA DISABITATA (Hob. 28/9) Azione teatrale in due parti Composer: Josef Haydn (1732-1809) Libretto: Pietro Metastasio (1698-1782) First performance: Eszterháza (6 December 1779)
Silvia: Ágnes Kovács Costanza: Eszter Balogh Gernando: Márton Komáromi Enrico: Szilveszter Szélpál
Conductor: György Vashegyi Orfeo Orchestra Live recording from the Liszt Academy of Music, Budapest (2 November 2022)
Libretto available at: http://www.librettidopera.it/isodis/rid.html
Picture: "Off Mount Desert Island" by Fitz Henry Lane (1856).
This recording has been generously provided by the owner of the classicalmusicinconcert blog.
ACT I 00:00 Overture 07:01 Recitative "Qual contrasto non vince" (Costanza) 09:59 Recitative "Ah germana! Ah Costanza!" (Silvia, Costanza) 17:13 Aria "Se non piange un’infelice" (Costanza) 21:29 Recitative "Che ostinato dolor!" (Silvia) 24:02 Recitative "Ma sarà poi, Gernando" (Enrico, Gernando, Silvia) 28:27 Aria "Chi nel cammin d’onore" (Enrico) 32:10 Recitative "Che fu mai quel ch’io vidi!" (Silvia) 34:09 Aria "Fra un dolce deliro" (Silvia)
ACT II 37:53 Recitative "Ah presaga fu l’alma" (Gernando, Enrico) 45:09 Aria "Non turbar quand’io mi lagno" (Gernando) 49:10 Recitative "Non s’irriti fra’ primi" (Enrico, Silvia) 55:43 Aria "Come il vapor s’ascende" (Silvia) 59:23 Aria "Ah, che in van per me pietoso" (Costanza) 1:03:43 Recitative "Giacché da me lontana" (Costanza) 1:04:03 Arietta and Recitative "Giacché il pietoso amico" (Gernando, Costanza) 1:06:32 Recitative "Ignora il caro amico le sue felicità" (Enrico, Costanza) 1:11:10 Recitative "Costanza, Costanza" (Silvia, Costanza, Enrico, Gernando) 1:15:30 Quartet "Sono contenta appieno" (Costanza, Gernando, Silvia, Enrico)G.F. Händel - Belshazzar (Creed, 2005)Opera Orange2024-04-26 | BELSHAZZAR (HWV 61) Oratorio in 3 acts Composer: Georg Friedrich Händel (1685-1759) Libretto: Charles Jennens (1700–1773) First performance: King's Theatre, London (27 March 1745)
Nitocris: Rosemary Joshua Cyrus: Ann Hallenberg Daniel: Michael Chance Belshazzar: Mark Padmore Gobrias: Andrew Foster-Williams
Conductor: Marcus Creed Concerto Köln NDR Vokalensemble Recorded live at the Hauptkirche St. Michelis, Hamburg (21 January 2005)
Libretto available at: http://opera.stanford.edu/iu/libretti/belshaz.htm
Picture: "Belshazzar's Feast" by Rembrandt (c. 1635-1638).
ACT I 00:00 Overture 4:17 "Behold, by Persia's hero mad" (Chorus of Babylonians) 7:06 "Well may they laugh, from meagre famine safe" (Recitative) 7:47 "Oh, memory!" (Accompagnato of Gobrias) 8:34 "Oppress'd with never-ceasing grief" (Air of Gobrias) 12:04 "Dry those unavailing tears" (Air of Cyrus) 13:54 "Be comforted: safe though the tyrant seem" (Recitative) 14:23 "Methought, as on the bank of deep Euphrates" (Accompagnato of Cyrus) 16:45 "Now tell me, Gobrias, does not this Euphrates" (Recitative) 18:09 "Behold the monstrous human beast" (Air of Gobrias) 21:20 "Can you then think it strange, if drown'd in wine" (Recitative) 21:38 "Great God, who, yet but darkly known" (Air of Cyrus) 24:56 "My friends, be confident, and boldly enter" (Recitative) 25:40 "All empires upon God depend" (Chorus) 28:55 "O sacred oracles of truth" (Air of Daniel) 33:34 "Rejoice, my countrymen! The time draws near" (Accompagnato of Daniel) 34:52 "Thus saith the Lord to Cyrus, his anointed" (Air of Daniel) 37:00 "Sing, O ye Heav'ns, for the Lord hath done it!" (Chorus) 41:10 "Let festal joy triumphant reign" (Air of Belshazzar) 46:08 "For you my friends, the nobles of my court" (Recitative) 47:03 "The leafy honours of the field" (Air of Nitocris) 50:51 "It is the custom, I may say, the law" (Recitative) 52:21 "Recall, O king, thy rash command!" (Chorus of Jews) 55:41 "They tell you true; nor can you be to learn" (Recitative) 57:09 "O dearer than my life, forbear!" (Duet of Nitocris and Belshazzar) 1:02:26 "By slow degress the wrath of God to its meridian height ascends" (Chorus of Jews)
ACT II 1:06:56 "See, from his post Euphrates flies" (Chorus of Persians and Medes) 1:13:39 "You see, my friends, a path into the city" (Recitative) 1:14:27 "Amaz'd to find the foe so near" (Air Cyrus) 1:18:41 "To arms, to arms, no more delay!" (Chorus of Persians and Medes) 1:19:17 "Ye tutelar gods of our empire, look down" (Chorus of Babylonians) 1:22:13 "Let the deep bowl thy praise confess" (Air of Belshazzar) 1:24:45 "Where is the God of Judah's boasted pow'r?" (Accompagnato of Belshazzar) 1:27:41 "Call all my Wise Men, Sorcerers, Chaldeans" (Recitative) 1:28:03 Symphony 1:29:37 "Ye sages, welcome always to your king" (Recitative) 1:30:15 "Oh, misery! Oh terror, hopeless grief!" (Chorus of Babylonians) 1:32:35 "O king, live for ever!" (Recitative) 1:34:15 "No, to thyself thy trifles be" (Air of Daniel) 1:35:54 "Yet, to obey His dread command" (Accompagnato of Daniel) 1:39:00 "Oh, sentence too severe, and yet too sure" (Recitative) 1:39:17 "Regard, O son, my flowing tears" (Air of Nitocris) 1:42:24 "O God of truth, O faithful guide" (Air of Cyrus) 1:46:22 "You, Gobrias, lead directly to the palace" (Recitative) 1:47:29 "O glorious prince, thrice happy they" (Chorus)
ACT III 1:52:35 "Alternate hopes and fears distract my mind" (Air of Nitocris) 1:57:21 "Fain would I hope. It cannot surely be" (Recitative) 1:57:47 "Can the black AEthiop change his skin" (Air of Daniel) 2:00:30 "My hopes revive, here Arioch comes!" (Recitative) 2:01:23 "I thank thee, Sesach! Thy sweet pow'r" (Air of Belshazzar) 2:02:54 A Martial Symphony 2:03:31 "To pow'r immortal my first thanks are due" (Air of Gobias) 2:06:22 "Be it thy care, good Gobrias, to find out" (Recitative) 2:06:44 "Destructive war, thy limits know" (Air of Cyrus) 2:09:03 "Say, venerable prophet, is there aught" (Recitative) 2:09:52 "Tell it out among the heathen" (Soli and Chorus) 2:11:45 "Yes, I will rebuild thy city, God of Israel!" (Accompagnato of Cyrus) 2:14:50 "I will magnify Thee, O God my king!" (Soli and Chorus)C. Graupner - Dido, Königin von Carthago (Marcon, 2024)Opera Orange2024-03-22 | DIDO, KÖNIGIN VON CARTHAGO Singspiel in 3 acts Composer: Christoph Graupner (1683-1760) Libretto: Heinrich Hinsch (1650-1712), based on Virgil's Aeneid. First performance: Oper am Gänsemarkt, Hamburg (1707)
Anna, Juno: Alicia Amo Dido: Robin Johannsen Menalippe: Chelsea Zurflüh Aeneas: Emiliano Gonzalez Toro Achates, Disalces: Raphael Höhn Juba: José Antonio López Elgabal, Hiarbas: Andreas Wolf
Conductor: Andrea Marcon La Cetra Barockorchester Basel Live recording from the Concertgebouw, Amsterdam (24 February 2024)
Picture: "La mort de Didon" by Joseph Stallaert (c. 1872).
This recording has been generously provided by the owner of the classicalmusicinconcert blog.
ACT I 00:00 Overture 04:09 Aria "Die wütende Rache" (Juno I, 1) 05:39 Aria "Auf Dido, auf! Dich ruft" (Juno I, 1) 09:26 Aria "Wann ins Kerckers banger Brust" (Dido I, 3) 12:54 Aria "Süßeste freiheit"(Anna I, 5) 15:09 Aria "Holde Nahrung reger hertzen" (Anna I, 5) 19:15 Aria "Nume alato" (Anna I, 5) 20:43 Sextuor "Piu crudo Tiranno" (Aenas, Menalippe, Juba, Hiarbas, Achates, Iras I, 6) 23:54 Aria "Pur vi baccio, pur vi miro" (Juba I, 9) 30:48 Aria "Costante il mio cuore" (Juba I, 9) 33:27 Aria "Spunta il Sole, e airai nascenti" (Hiarbas I, 10) 34:51 Aria "E la rosa in su'l matino" (Hiarbas I, 10) 36:33 Aria "Holdestes lispeln der spielenden fluten" (Menalippe I, 11) 41:41 Aria "Bück dich du Reich der Sternen" (Aeneas I, 12) 46:50 Aria "Agitato del tempeste" (Dido I, 13) 49:57 Duet "Nichts kan diese Brust bewegen" (Aeneas, Dido I, 13)
ACT II 52:10 Quartet "Wie lange soll ich noch der liebe gaukel spiel" - "Cessate d'agitarmi" (Hiarbas, Menalippe, Juba, Anna II, 1) 58:15 Aria "Sonn und licht, folgt nacht und schatten" (Hiarbas II, 3) 1:02:54 Aria "Nichts ist, was dieses mein Hertze bewegt (Aeneas II, 8) 1:06:30 Aria "Mein Herz entweicht" (Juba II, 10) 1:10:08 Aria "Auf schlaffrige Sinnen" (Anna II, 11) 1:13:51 Aria "Holde Augen, meine lust" (Hiarbas, II, 13) 1:17:22 Aria "Io non bramo altro ristoro" (Hiarbas, II, 15) 1:19:53 Aria "Wozu wollt ihr euch nun entschließen" (Menalippe II, 15) 1:22:43 Duet "Auff Auff! zur flucht: auff! auff!" (Achates, Aeneas II, 16) 1:23:52 Sinfonia 1:24:12 Chorus "Großer Mithra, Byrsens Schutz" (II, 18) 1:33:07 Aria "In fido Cupido" (Dido II, 19)
ACT III 1:37:01 Chorus "Dido lebe!" (III, 1) 1:39:58 Duet "Lebe, Dido, lebe wohl!" (Achates, Aeneas III, 2) 1:43:04 Aria "Suonate o timpani" (Dido III, 3) 1:46:39 Duet "Ha piu tema che Speranza" (Hiarbas, Menalippe III, 4) 1:49:03 Aria "Cosi libero, e fugace" - "Cosi rapido, e veloce" (Juba III, 5) 1:53:11 Aria "Alma tradita" (Dido III, 8) 1:57:25 Aria "Apprestatemi, o Furie, de l'Erebo" (Dido III, 9) 1:59:47 Duet "Krantze mit Rosen!... Krohne mit Freuden!" (Anna, Juba III, 10) 2:02:53 Aria "Komm dann, komm gewünschter Todt!" (Dido III, 12) 2:10:49 Chorus "Friede, friede! Lust und Ruh!" (III, 17)F. L. Gassmann - L’Opera Seria (Jacobs, 2003)Opera Orange2024-03-15 | L'OPERA SERIA Comedia per musica in 3 acts Composer: Florian Leopold Gassmann (1729-1774) Libretto: Ranieri de’ Calzabigi (1714-1795) First performance: Burgtheater, Vienna (1769)
Fallito (Impresario): Pietro Spagnoli Delirio (Poeta): Klaus Häger Sospiro (Maestro di Cappella): Jeremy Ovenden Ritornello (Primo Musico) / Nascerano (Generalissimo dell'Armi Mogole): Mario Zeffiri Stonatrilla (Prima Donna nell'Opera Seria) / Rossanara (Principessa del Mogol): Alexandrina Pendatschanska Smorfiosa (Seconda Donna nell'Opera Seria) / Saebe (Regina Indiana): Miah Persson Porporina (Secondo Uomo nell'Opera Seria) / Rana (Uffiziale dell'armate Mogole): Janet Williams Passagallo (Compositore de' Balli): Riccardo Novaro Bragherona (Madre di Porporina): Curtis Rayam Befana (Madfre di Smorfiosa): Dominique Visse Caverna (Madre di Stonatrilla): Stephen Wallace
Conductor: René Jacobs Concerto Köln Live recording from the Théâtre des Champs-Élysées, Paris (30 March 2003)
Picture: Roman mosaic with scenic masks, 2nd century AD. Capitoline Museums.
ACT I 00:00 Overture 02:43 Scene 1 - Duo "Oh che bell'Opera!" (Sospiro, Delirio) 07:19 Aria "Signor Delirio tante sentenze" (Fallito) 10:18 Scene 2 - Duo "Hò di fuoco nel petto un Vesuvio..." (Sospiro, Delirio) 11:43 Scene 3 - Aria "Camerieri, Staffieri, Lacchè!" (Stonatrilla) 16:02 Scene 4 - "Madama, il mio rispetto a lei tributo" 17:17 Aria "Ragazzuccia mettete giudizio" (Stonatrilla) 19:42 Scene 5 - "Quanta boria hà colei" 21:24 Aria "Cari quegli occhi amabili" (Sospiro) 24:28 Scene 6 - "Questo è un di que' tanti" 27:31 Scene 7 - Aria "Benchè da te lontano" (Ritornello) 31:59 Aria "Più non si trovano frà noi le mutrie" (Porporina) 34:27 Scene 8 - "Sentite come morde" 35:16 Aria "Mio dolce amorino" (Smorfiosa) 38:12 Scene 9 - "Cosi è, Signor mio" 39:06 Aria "Vederete che salti, che slanciano" (Passagallo) 41:49 Scene 10 - "Maledetta l'impresa" 45:02 Aria "State attento a quest'Oracolo" (Delirio) 48:55 Scene 11 - "Dunque in lei mi confido" 50:09 Ensemble "Io vi giuro mie Dive adorabili"
ACT II 56:32 Scene 1 - "Viva lei" 58:07 Trio "Asinaccio! Ignorantacci!" (Delirio, Sospiro, Fallito) 59:25 Scene 2 - "E' meglio rimediare" 1:00:41 Aria "Se di fare l’impresario" (Fallito) 1:03:07 Scene 3 - "Lodo il consiglio" 1:03:44 Duo "Quel Cocchier – Nò, nò: Nocchiero" (Ritornello, Delirio) 1:07:36 Scene 4 - "Che fà così soletto" 1:08:21 Aria "Col tuo dolce amico oblio" (Ritornello) 1:09:57 Scene 5 - "Cosi l'ho rappezzata" 1:10:57 Aria "Barbara! E non rammenti" (Sospiro) 1:16:50 Scene 6 - "Cosi la voglio" 1:18:17 Accompagnato "Abbastanza finora" (Ritornello) 1:19:41 Accompagnato "Va: sul tuo cap, ingrato" (Smorfiosa) 1:20:55 Aria "No crudel d’amor capace" (Smorfiosa) 1:27:50 Duo "Ah non mi dir così" (Stonatrilla, Ritornello) 1:31:57 Accompagnato "Già propizio à miei voti" (Porporina) 1:34:00 Aria "Delfin che al laccio infido" (Porporina) 1:40:39 Accompagnato "Dove son! Che m’arriva!" (Stonatrilla) 1:46:00 Aria "Pallid’ ombra del misero amante" (Stonatrilla) 1:53:08 Aria "Quel Nocchier, che scioglie a’ venti" (Ritornello) 1:56:01 Aria "Ei ben scorge il rio periglio" (Ritornello) 1:59:41 Aria "I miei Balli fon tanti miracoli" (Passagallo) 2:02:30 Ensemble "Conoscete eh Porporina?"
ACT III 2:10:19 "Signore e signori, buonasera" 2:11:24 Sinfonia 2:16:25 Scena 1 - "Valorosi Guerrieri" 2:17:58 Aria "Se con voi dò in braccio al vento" (Nasercano) 2:26:00 Aria "Saprei costante, e ardita" (Saebe) 2:30:24 Scene 2 - "Presenta a Nasercano" 2:31:43 Scene 3 - "Duce tornasti alfin" 2:34:31 Aria "Nò; se a te non toglie il Fato" (Rossanara) 2:39:59 Scene 4 - "Riveriti Signori" 2:40:23 Ballo 2:43:27 Scene 5 - "Ritornello!" 2:53:08 Coro degli Attori "Noi giuriamo per que' Numi"G. Giacomelli - Merope (Marcon, 2022)Opera Orange2024-03-08 | MEROPE Dramma per musica in 3 acts Composer: Geminiano Giacomelli (1692-1740) Libretto: Apotolo Zeno (1668-1750), revised by Domenico Lalli (1679-1741) First performance: Teatro Grimani di San Giovanni Grisostomo, Venice (20 February 1734). The famous castrati Farinelli and Cafarelli were signing the role of Epitide and Trasimede.
Trasimede: Vasilisa Berzhanskaya Merope: Magdalena Kožená Argia: Beth Taylor Anassandro: Rachele Raggiotti Epitide: Kangmin Justin Kim Licisco: Carlo Vistoli Polifonte: Juan Sancho
Conductor: Andrea Marcon La Cetra Barockorchester Basel Live recording from the Concertgebouw, Amsterdam (5 February 2022)
Libretto available at: http://www.librettidopera.it/zpdf/merope.pdf Original 1734 libretto: https://daten.digitale-sammlungen.de/~db/0004/bsb00049446/images/index
Picture: "Côte vue avec Apollon et la Sibylle de Cumes" by Claude Lorrain (between 1645 and 1649).
This recording has been generously provided by the owner of the classicalmusicinconcert blog.
ACT I 00:00 Sinfonia 04:20 "Su su, messeni" (Chorus and Trasimede I, 2) 09:08 "Dono d'amica sorte" (Aria of Epitide I, 3) 14:30 "Del tuo sovran volere" (Aria of Trasimede I, 4) 24:42 "Tutti i pensieri impegno" (Aria of Polifonte I, 5) 29:51 "Sin che il tiranno scendere" (Aria of Licisco I, 6) 38:23 "Io già sento nel mio petto" (Aria of Trasimede I, 8) 43:58 "A questa face, e a quella" (Aria of Argia I, 10) 52:57 "Barbaro traditor" (Aria of Merope I, 11) 57:42 "Con inganno fortunato" (Aria of Anassandro I, 12) 1:02:51 "Che gran pena! Che tormento" (Aria of Epitide I, 14)
ACT II 1:10:15 "Piaggie amiche a voi ritorno" (Aria of Epitide II, 1) 1:16:36 "Tu crudel tu vuoi ch'io si" (Aria of Merope II, 1) 1:20:26 "Se vaga sia, se sia vezzosa" (Aria of Polifonte II, 2) 1:25:26 "Dimmi d'amar la madre" (Aria of Licisco II, 3) 1:28:58 "Quell'usignolo" (Aria of Epitide II, 4) 1:40:10 "Taci mio core amante" (Aria of Trasimede II, 7) 1:48:57 "Tu mi lusinghi" (Aria of Argia II, 8) 1:57:01 "Un labbro, un cor non v'è" (Aria of Merope II, 10) 2:01:10 "Chi condanna il regio sangue" (Aria of Epitide II, 11) 2:05:49 "Dal tuo comando" (Aria of Trasimede II, 12) 2:11:48 "Fiamma vorace" (Aria of Anassandro II, 14)
2:14:59 ACT III 2:16:49 "A chi dar morte? A chi?" (Aria of Argia III, 1) 2:21:19 "De' vostri dardi sia stabil segno" (Aria of Polifonte III, 2) 2:25:49 "Torbido nembo freme" (Aria of Licisco III, 4) 2:31:23 "Occhi amati, io partirò" (Aria of Trasimede III, 5) 2:39:29 "Sposa... non mi conosci" (Aria of Epitide III, 7) 2:51:03 "Sei dolor, sei furor ciò che m'ingombri?" (Accompagnato of Merope III, 11) 2:55:21 "Là sul torbido Acheronte" (Aria of Merope III, 11) 3:04:11 "Dopo l'orribile fiero timor" (Chorus III, 14)G.F. Händel - LAllegro, il Penseroso ed il Moderato (Christie, 2005)Opera Orange2024-03-01 | L'ALLEGRO, IL PENSEROSO ED IL MODERATO (HWV 55) Pastoral Ode in 3 parts Composer: Georg Friedrich Händel (1685-1759) Libretto: Charles Jennens (1700–1773) First performance: Theatre in Lincoln's Inn Fields, London (27 February 1740)
Sophie Daneman Tristan Hambleton Paul Agnew Andrew Foster-Williams
Conductor: William Christie Les Arts Florissants Recorded live at the Theatre des Champs Élysées, Paris (30 April 2005)
Libretto available at: http://opera.stanford.edu/iu/libretti/allegro.htm
Picture: Detail from "La Primavera" by Sandro Botticelli (late 1470s or early 1480s).
PART I 00:00 Overture - Allegro (from Concerto Grosso in D Minor, Op. 6, No. 10, HWV 328) 03:43 "Hence loathed Melancholy" (Accompagnato of L'Allegro) 06:07 "Hence vain deluding joys" (Accompagnato of Il Penseroso) 07:02 "Come, thou goddess fair and free" (Air of L'Allegro) 08:29 "Come rather, goddess sage and holy" (Air of Il Penseroso) 11:30 "Haste thee, nymph, and bring with thee" (Air for L'Allegro and Chorus) 13:57 "Come, and trip it as you go" (Air for L'Allegro and Chorus) 16:34 "Come, pensive nun, devout and pure" (Accompagnato for Il Penseroso) 17:39 "Come, but keep thy wonted state" (Arioso for Il Penseroso) 20:05 "Hence, loathed Melancholy" (Recitative) 20:32 "Mirth, admit me of thy crew" (Air for L'Allegro) 24:12 "First, and chief, on golden wing" (Accompagnato for Il Penseroso) 24:58 "Sweet bird, that shun'st the noise of folly" (Air for Il Penseroso) 32:46 "If I give thee honour due" (Recitative) 32:54 "Mirth, admit me of thy crew!" (Air for L'Allegro) 35:23 "Oft on a plat of rising ground" (Air for Il Penseroso) 39:00 "If I give thee honour due" (Recitative) 39:13 "Let me wander, not unseen" (Air for L'Allegro) 41:19 "Or let the merry bells ring round" (Air for L'Allegro and Chorus)
PART II 45:37 "But oh, sad virgin, that thy pow'r" (Air for Il Penseroso) 52:00 "Hence, vain deluding joys" (Accompagnato for Il Penseroso) 53:09 "Thus night oft see me in thy pale career" (Recitative) 53:25 "Populous cities please me then" (Il Penseroso and Chorus) 56:35 "There let Hymen oft appear" (Air for L'Allegro) 58:45 "Me, when the sun begins to fling" (Accompagnato for Il Penseroso) 59:26 "Hide me from day's garish eye" (Air for Il Penseroso) 1:02:22 "I'll to the well-trod stage anon" (Air for L'Allegro) 1:04:16 "And ever against eating cares" (Air for L'Allegro) 1:07:10 "These delights if thou canst give" (Air for L'Allegro and Chorus) 1:10:23 "But let my due feet never fail" (Recitative) 1:11:04 "There let the pealing organ blow" (Chorus and Il Penseroso) 1:16:34 "These pleasures, Melancholy, give" (Il Penseroso and Chorus)
PART III 1:21:42 "Hence, boast not, ye profane" (Accompagnato for Il Moderato) 1:22:09 "Come, with native lustre shine" (Air for Il Moderato) 1:24:57 "Sweet temp'rance in thy right hand bear" (Accompagnato for Il Moderato and Chorus) 1:27:19 "Come, with gentle hand restrain" (Air for Il Moderato) 1:29:04 "No more short life they then will spend" (Recitative) 1:29:52 "Each action will derive new grace" (Air for Il Moderato) 1:32:01 "As steals the morn upon the night" (Il Moderato - Duet) 1:37:59 "Thy pleasures, Moderation, give" (Chorus)J. Mysliveček - LOlimpiade (Luks, 2013)Opera Orange2024-02-23 | L'OLIMPIADE Dramma per musica in 3 acts Composer: Josef Mysliveček (1737-1781) Libretto: Pietro Metastasio (1698-1782) First performance: Teatro San Carlo, Naples (4 November 1778)
Licida: Tehila Nini Goldstein Aristea: Simona Houda-Šaturová Alcandro: Helena Kaupová Megacle: Raffaela Milanesi Argene: Sophie Harmsen Aminta: Krystian Adam Clistene: Johannes Chum
Conductor: Václav Luks Collegium 1704 Live recording from the National Theatre, Prague (2 May 2013)
Picture: "Le Printemps" by François Boucher (1755).
This recording has been generously provided by the owner of the classicalmusicinconcert blog.
00:00 ACT I (Overture from Myslivecek's La Passione di Nostro Signore Gesù Cristo, in replacement of the lost original overture) 10:15 "Superbo di me stesso" (Aria of Megacle I, 2) 17:14 "O care selve" (Chorus with Argene and Aristea I, 4) 25:08 "Del destin non vi lagnate" (Aria of Clistene I, 5) 31:13 "Tu di saper procura" (Aria of Aristea I, 6) 38:49 "Più non si trovano" (Aria of Argene I, 7) 48:39 "Mentre dormi, amor fomenti" (Aria of Licida I, 8) 53:02 "Che intesi, eterni Dei?" (Accompanied recitative for Megacle I, 9) 55:54 "Cara non dubitar" (Cavatina of Megacle I, 9) 1:02:52 "E tu mi lasci così?" (Accompanied recitative for Aristea and Megacle I, 10) 1:04:58 "Ne' giorni tuoi felici" (Duet of Aristea and Megacle I, 10)
1:10:39 ACT II 1:12:55 "Dimmi qual è l'affanno" (Aria of Alcandro II, 1) 1:18:59 "Che non mi disse" (Aria of Argene II, 3) 1:23:05 "Siam navi all'onde algenti" (Aria of Aminta II, 4) 1:28:40 "Del forte Licida" (Chorus II, 4) 1:39:56 "Misero me, che veggo" (Accompanied recitative for Megacle II, 8) 1:45:02 "Se cerca, se dice" (Aria of Megacle II, 9) 1:53:02 "Tu me da me dividi" (Aria of Aristea II, 10) 2:00:59 "Con questo ferro, indegno" (Accompanied recitative for Licida II, 13) 2:02:49 "Gemo in un punto e fremo" (Aria of Licida II, 13)
2:07:03 ACT III 2:11:34 "Lo seguitai felice" (Aria of Megacle III, 4) 2:14:01 "Caro, son tua così" (Aria of Aristea III, 3) 2:20:21 "Son qual per mare ignoto" (Aria of Aminta III, 6) 2:24:04 "I tuoi strali terror de' mortali" (Chorus III, 6) 2:28:23 "Non so donde viene" (Aria of Clistene III, 7) 2:38:01 "Misera, dove son!" (Accompanied recitative for Licia. Borrowed from Gluck's opera Ezio, in replacement of the lost final Chorus) 2:40:38 "Ah! non son io che parlo" (Aria of Licida. Borrowed from Gluck's opera Ezio, in replacement of the lost final Chorus)G.F. Händel - Belshazzar (Luks, 2022)Opera Orange2024-02-16 | BELSHAZZAR (HWV 61) Oratorio in 3 acts Composer: Georg Friedrich Händel (1685-1759) Libretto: Charles Jennens (1700–1773) First performance: King's Theatre, London (27 March 1745)
Nitocris: Jeanine De Bique Cyrus: Mary-Ellen Nesi Daniel: Raffaele Pe Belshazzar: Juan Sancho Gobrias: Stephan MacLeod
Conductor: Václav Luks Concerto Köln NDR Vokalensemble Recorded live at the St.-Johanniskirche, Göttingen (14 May 2022)
Libretto available at: http://opera.stanford.edu/iu/libretti/belshaz.htm
Picture: "Belshazzar's Feast" by John Martin (c. 1821).
This recording has been generously provided by the owner of the classicalmusicinconcert blog.
ACT I 00:00 Overture 03:49 "Vain, fluctuating state of human empire!" (Accompagnato of Nitocris) 08:23 "Thou, God most high, and Thou alone" (Air of Nitocris) 12:36 "Behold, by Persia's hero mad" (Chorus of Babylonians) 14:51 "Well may they laugh, from meagre famine safe" (Recitative) 15:39 "Oh, memory!" (Accompagnato of Gobrias) 16:37 "Oppress'd with never-ceasing grief" (Air of Gobrias) 19:08 "Dry those unavailing tears" (Air of Cyrus) 21:10 "Be comforted: safe though the tyrant seem" (Recitative) 21:40 "Methought, as on the bank of deep Euphrates" (Accompagnato of Cyrus) 23:50 "Now tell me, Gobrias, does not this Euphrates" (Recitative) 25:15 "Behold the monstrous human beast" (Air of Gobrias) 28:18 "Can you then think it strange, if drown'd in wine" (Recitative) 29:16 "All empires upon God depend" (Chorus) 32:18 "O sacred oracles of truth" (Air of Daniel) 37:42 "Rejoice, my countrymen! The time draws near" (Accompagnato of Daniel) 39:01 "Thus saith the Lord to Cyrus, his anointed" (Air of Daniel) 40:37 "Sing, O ye Heav'ns, for the Lord hath done it!" (Chorus) 44:18 "Let festal joy triumphant reign" (Air of Belshazzar) 48:50 "For you my friends, the nobles of my court" (Recitative) 49:49 "The leafy honours of the field" (Air of Nitocris) 57:10 "It is the custom, I may say, the law" (Recitative) 58:50 "Recall, O king, thy rash command!" (Chorus of Jews) 1:02:35 "They tell you true; nor can you be to learn" (Recitative) 1:04:11 "O dearer than my life, forbear!" (Duet of Nitocris and Belshazzar) 1:09:31 "By slow degress the wrath of God to its meridian height ascends" (Chorus of Jews)
ACT II 1:13:58 "See, from his post Euphrates flies" (Chorus of Persians and Medes) 1:20:00 "You see, my friends, a path into the city" (Recitative) 1:20:48 "Amaz'd to find the foe so near" (Air Cyrus) 1:25:28 "To arms, to arms, no more delay!" (Chorus of Persians and Medes) 1:25:59 "Ye tutelar gods of our empire, look down" (Chorus of Babylonians) 1:28:43 "Let the deep bowl thy praise confess" (Air of Belshazzar) 1:31:09 "Where is the God of Judah's boasted pow'r?" (Accompagnato of Belshazzar) 1:34:21 "Call all my Wise Men, Sorcerers, Chaldeans" (Recitative) 1:34:48 Symphony 1:36:27 "Ye sages, welcome always to your king" (Recitative) 1:37:38 "Oh, misery! Oh terror, hopeless grief!" (Chorus of Babylonians) 1:39:55 "O king, live for ever!" (Recitative) 1:41:37 "No, to thyself thy trifles be" (Air of Daniel) 1:43:21 "Yet, to obey His dread command" (Accompagnato of Daniel) 1:46:02 "Oh, sentence too severe, and yet too sure" (Recitative) 1:46:28 "Regard, O son, my flowing tears" (Air of Nitocris) 1:53:29 "O God of truth, O faithful guide" (Air of Cyrus) 1:57:26 "You, Gobrias, lead directly to the palace" (Recitative) 1:58:31 "O glorious prince, thrice happy they" (Chorus)
ACT III 2:03:03 "Alternate hopes and fears distract my mind" (Air of Nitocris) 2:07:11 "Fain would I hope. It cannot surely be" (Recitative) 2:07:41 "Can the black AEthiop change his skin" (Air of Daniel) 2:10:36 "My hopes revive, here Arioch comes! By this" (Recitative) 2:11:38 "Bel boweth down, Nebo stoopeth!" (Chorus of Jews) 2:13:04 "I thank thee, Sesach! Thy sweet pow'r" (Air of Belshazzar) 2:14:32 A Martial Symphony 2:15:08 "To pow'r immortal my first thanks are due" (Air of Gobias) 2:17:08 "Be it thy care, good Gobrias, to find out" (Recitative) 2:17:30 "Destructive war, thy limits know" (Air of Cyrus) 2:19:55 "Great victor, at your feet I bow" (Duet of Nitocris and Cyrus) 2:24:15 "Say, venerable prophet, is there aught" (Recitative) 2:25:10 "Tell it out among the heathen" (Soli and Chorus) 2:26:58 "Yes, I will rebuild thy city, God of Israel!" (Accompagnato of Cyrus) 2:28:30 "I will magnify Thee, O God my king!" (Soli and Chorus)A. Vivaldi - Il Giustino (Marcon, 2023)Opera Orange2024-02-04 | IL GIUSTINO (RV 717) Dramma per musica in 3 acts Composer: Antonio Vivaldi (1678-1741) Libretto: Nicolò Beregan (1627-1713), originally used for the 1683 opera of the same name by Giovanni Legrenzi (1626-1690). First performance: Teatro Capranica, Rome (23 January 1724)
Fortuna: Martina Licari Leocasta: Marie Lys Arianna: Shira Patchornik Andronico, Polidarte: Alessandro Giangrande Amanzio: Kangmin Justin Kim Anastasio: Valer Sabadus Giustino: Carlo Vistoli Vitaliano: Emiliano Gonzalez Toro
Conductor: Andrea Marcon La Cetra Barockorchester Basel Live recording from the Concertgebouw, Amsterdam (4 February 2023)
Picture: Emperor Justinian and his retinue. Detail of the mosaic in the Basilica of San Vitale. Ravena, Italy.
This recording has been generously provided by the owner of the classicalmusicinconcert blog.
00:00 ACT I 7:05 "Viva Augusto eterno impero" (Arianna) 10:44 "Un vostro sguardo" (Anastasio) 12:36 "Da’ tuoi begl’occhi impara" (Arianna) 18:32 "Bel riposo de’ mortali" (Giustino) 21:35 Sinfonia 23:36 "Della tua sorte" (Fortuna) 27:31 "Nacque al bosco e nacque al prato" (Leocasta) 31:12 "La gloria del mio sangue" (Amanzio) 34:14 "Vedrò con mio diletto" (Anastasio) 40:51 "Allor che mi vedrò" (Giustino) 45:21 "È pur dolce ad un’anima amante" (Andronico) 47:50 "All armi, o guerrieri!" (Vitaliano) 51:21 "Vanne sì, superba, va" (Vitaliano) 55:52 "Mio dolce amato sposo" (Arianna)
1:03:04 ACT II 1:04:03 "Sento in seno ch’in pioggia di lagrime" (Anastasio) 1:10:32 "Ritrosa bellezza" (Polidarte) 1:15:57 "Mio bel tesoro, mia dolce speme" (Arianna, Anastasio) 1:17:33 "Per noi soave e bella" (Arianna) 1:22:43 "Quel torrente che s’innalza" (Vitaliano) 1:25:57 "Senti l’aura che leggiera" (Leocasta) 1:32:24 "Augelletti garruletti" (Arianna) 1:35:11 "Verdi lauri, cingetemi il crine" (Anastasio) 1:37:55 "Su l’altar di questo Nume" (Giustino) 1:42:31 "Candida fedeltà" (Amanzio) 1:45:25 "Taci per poco ancora" (Anastasio) 1:48:00 "Quando serve alla ragione" (Vitaliano) 1:52:13 "Se all’amor, ch’io porto al trono" (Anastasio) 1:56:27 "Sventurata navicella" (Leocasta) 1:59:22 "Ho nel petto un cor sì forte" (Giustino)
2:07:51 ACT III 2:08:24 "Il piacer della vendetta" (Vitaliano) 2:13:33 "Quell’ amoroso ardor" (Arianna) 2:21:34 "Il mio cor già più non sa" (Giustino) 2:26:14 "Senza l’amato ben" (Leocasta) 2:30:35 "Or che cinto ho il crin d’alloro" (Amanzio) 2:37:54 "In braccio a te la calma" (Arianna, Anastasio) 2:42:14 "Lo splendor ch'a sperare m’invita" (Leocasta) 2:47:07 "Doppo i nembi e le procelle" (Coro)G.F. Händel - Jephtha (Jacobs, 2002)Opera Orange2024-01-26 | JEPHTHA (HWV 70) Musical Drama in 3 acts Composer: Georg Friedrich Händel (1685-1759) Libretto: Thomas Morell (1703–1784), based on the story of Jephtha in Judges (Chapter 11) and Jephthes, sive Votum (1554) by George Buchanan. First performance: Royal Theatre, Covent Garden, London, 26 February 1752
Iphis: Rosemary Joshua Storgé: Patricia Bardon Hamor: William Purefoy Jephtha: Kobie van Rensburg Zebul: D'Arcy Bleiker
Conductor: René Jacobs The Orchestra of the Age of Enlightenment The Clare College Choir, Cambridge Recorded live at the Congress Saal Tirol, Innsbruck (20 August 2002)
Libretto available at: http://opera.stanford.edu/iu/libretti/jephtha.htm
Picture: "Jephthah’s Vow" by Edwin Long (1885-1886).
00:00 ACT I 6:15 "Pour forth no more unheeded pray'rs" (Zebul I, 1) 9:15 "No more to Ammon's god and king" (Chorus I, 1) 12:54 "Virtue my soul shall still embrace" (Jephtha I, 2) 17:11 "In gentle murmurs will I mourn" (Storgè I, 2) 22:41 "Dull delay, in piercing anguish" (Hamor I, 3) 26:08 "Take the heart you fondly gave" (Iphis I, 3) 29:30 "These labours past, how happy we!" (Iphise, Hamor I, 3) 37:20 "O God, behold our sore distress" (Chorus I, 4) 41:39 "Scenes of horror, scenes of woe" (Storgè I, 5) 47:08 "The smiling dawn of happy days" (Iphis I, 6) 50:41 "When His loud voice in thunder spoke" (Chorus I, 7)
55:03 ACT II 56:28 "Cherub and seraphim, unbodied forms" (Chorus II, 1) 59:35 "Up the dreadful steep ascending" (Harmor II, 1) 1:04:39 "Tune the soft melodious lute" (Iphis II, 1) 1:09:26 "His mighty arm, with sudden blow" (Jephtha II, 2) 1:14:39 "In glory high, in might serene" (Chorus II, 2) 1:16:58 Symphony (II, 3) 1:18:30 "Welcome as the cheerful light" (Iphis II, 3) 1:20:39 "Welcome thou, whose deeds conspire" (Chorus II, 3) 1:22:11 "Open thy marble jaws, O tomb" (Jephtha II, 3) 1:29:03 "Let other creatures die?" (Storgè II, 3) 1:31:08 "On me let blind mistaken zeal" (Hamor II, 3) 1:33:00 "Oh, spare your daughter" (Zebul, Storgè, Hamor, Jehptha II, 3) 1:37:12 "Happy they! This vital breath" (Iphis II, 4) 1:44:34 "How dark, O Lord, are Thy decrees" (Chorus II, 4)
1:51:18 ACT III 1:53:47 "Waft her, angels, through the skies" (Jephtha III, 1) 1:58:26 "Farewell, ye limpid springs and floods" (Iphis III, 1) 2:03:15 "Doubtful fear and rev'rent awe" (Chorus III, 1) 2:06:16 Symphony (III, 1) 2:09:07 "Happy, Iphis shalt thou live" (Angel III, 1) 2:13:02 "For ever blessed be Thy holy name" (Jephtha III, 1) 2:14:22 "Theme sublime of endless praise" (Chorus III, 1) 2:18:48 "All that is in Hamor mine" (Iphis III, 2) 2:22:21 "Ye house of Gilead, with one voice" (Chorus III, 2)F. Cavalli - La Didone (Garrido, 2004)Opera Orange2024-01-20 | LA DIDONE "Opera rappresentata in musica" in a prologue and three acts Composer: Francesco Cavalli (1602-1676) Libretto: Giovanni Francesco Busenello (1598-1659), based on Virgil's Aeneid (Book 4 in particular). First performance: Teatro San Cassiano, Venice, 1640.
Didone: Emanuela Galli Fortuna, Iride, cortigiana: Betsabée Haas Venere: Elisabeth Holmertz Cassandra, Giunone, cortigiana: Rebecca Ovenden Hecuba, cortigiana: Alicia Berri Anna, Creusa: Blandine Staskiewicz Amore, Ascanio: Philippe Jaroussky cacciatore: Joseph Schlesinger Mercurio: Fabián Schofrin Acate, Pirro, cacciatore: Mario Cecchetti Corebo, Eolo, cacciatore: Stephan Van Dyck Iarbas: François-Nicolas Geslot Enea: Furio Zanasi Nettuno, cacciatore: Ivan Garcia Anchise, Giove: Stephan Imboden
Conductor: Gabriel Garrido Ensemble Elyma Live recording from the Concertgebouw, Amsterdam (8 May 2004)
Libretto available at: http://www.librettidopera.it/zpdf/didone.pdf
Picture: "Death of Dido" by Giovanni Battista Tiepolo (between 1757 and 1770).
This recording has been generously provided by the owner of the classicalmusicinconcert blog.
00:00 Prologue - "Caduta è Troia, e nelle sue ruine"
04:01 Act I - Scene 1 - "Armi Enea, diamo all'armi" 14:04 Act I - Scene 3 - "Non perdonate al tempio?" 23:12 Act I - Scene 4 - "L'alma fiacca svanì" 26:58 Act I - Scene 5 - "Omai pon freno all'impeto dell'ira" 31:49 Act I - Scene 6 - "Andianne, o genitor, figlio, consorte" 37:32 Act I - Scene 7 - "Alle ruine del mio regno adunque" 46:17 Act I - Scene 9 - "Deh chi m'insegna omai, deh chi m'addita" 53:32 Act I - Scene 10 - "Diva anzi più che diva"
58:54 Act II - Scene 1 - "Per eccesso d'affetto" 1:03:25 Act II - Scene 2 - "Re de' Getuli altero" 1:11:25 Act II - Scene 3 - "Sta mane, mentre l'alba" 1:15:52 Act II - Scene 4 - "Le ceneri troiane" 1:20:09 Act II - Scene 5 - "Smoderati insolenti
" 1:22:50 Act II - Scene 6 -"Già del lido africano" 1:26:38 Act II - Scene 7 - "Non fu natural vento al creder mio" 1:29:09 Act II - Scene 8 - "A chi possiamo dimandar, o Acate" 1:34:37 Act II - Scene 9 - "Giunge un ambasciator d'Enea troiano" 1:46:07 Act II - Scene 10 - "Bellissima regina" 1:50:53 Act II - Scene 11 - "Udiste, o mie dilette" 1:55:43 Act II - Scene 12 - "O castità bugiarda" 2:00:02 Act II - Scene 13 - "O bella oltre ogni stima"
2:02:10 Act III - Scene 1 - "Qual violenza interna" 2:11:18 Act III - Scene 2 - "Pur t'ho colta, assassina" 2:16:04 Act III - Scene 3 - "Tu tu tu al cingiale, al cingiale" 2:20:54 Act III - Scene 4 - "Mercurio vedi tu, come caduto" 2:24:35 Act III - Scene 5 - "Enea, che fai, che pensi? Enea tu dormi?
" 2:29:08 Act III - Scene 6 - "Acate, Ilionèo, compagni, amici" 2:35:15 Act III - Scene 7 - "Perfido, misleale" 2:48:55 Act III - Scene 10 - "O che vita consolata" 2:53:22 Act III - Scene 11 - "Porgetemi la spada" 2:58:10 Act III - Scene 12 - "O dèi, che veggio? o dèi, questi non sono"M.-A. Charpentier - Actéon (Rousset, 2016)Opera Orange2024-01-05 | ACTÉON (H.481) Opéra de chasse en six scènes Composer: Marc-Antoine Charpentier (1643-1704) Libretto: Unknown. Based on Ovid's Metamorphoses First performance: ? 1683-1685.
Conductor: Christophe Rousset Les Talens Lyriques Recorded live from the Théâtre des Champs-Élysées (1 October 2016)
Libretto available at: http://opera.stanford.edu/iu/libretti/acteon.html
Picture: "Landscape with Diana and Acteon" by Hendrik de Clerck and Denis van Alsloot (ca. 1608).
00:00 Scene I 06:48 Scene II 15:43 Scene III 22:54 Scene IV 28:27 Scene V 29:49 Scene VIG.F. Händel - Hercules (Moulds, 2007)Opera Orange2023-12-22 | HERCULES (HWV 60) Musical Drama in 3 acts Composer: Georg Friedrich Händel (1685-1759) Libretto: Reverend Thomas Broughton (1704–1774) First performance: King's Theatre, London, 5 January 1745
Hercules: Nathan Berg Dejanira: Ann Hallenberg Iole: Ingela Bohlin Hyllus: Ed Lyon Lichas: Charlotte Hellekant Priest of Jupiter: Simon Kirkbride
Conductor: Christopher Moulds St. James's Baroque Chorus of the Netherlands Opera Recorded live at the Muziektheater, Amsterdam (10 May 2007)
Libretto available at: http://opera.stanford.edu/iu/libretti/hercules.htm
Picture: "The Apotheosis of Hercules" by François Lemoyne (1731-1736).
00:00 ACT I 07:23 "No longer, fate, relentless frown" (Lichas I, 1) 13:14 "The world, when day's career is run" (Dejanira I, 1) 18:13 "I feel, I feel the god, he swells my breast" (Hyllus I, 2) 20:38 "There, in myrtle shades reclin'd" (Dejanira I, 2) 24:18 "Where congeal'd the northern streams" (Hyllus I, 2) 26:41 "O filial piety, O gen'rous love!" (Chorus I, 2) 32:47 "Begone, my fears, fly hence, away" (Dejanira I, 3) 37:35 "The smiling hours of joyful train" (Lichas I, 3) 39:34 "Let none despair; relief may come though late" (Chorus I, 3) 42:11 March (I, 5) 45:17 "My father! Ah, methinks I see" (Iole I, 5) 51:38 "The God of battle quits the bloody field" (Hercules I, 6) 53:57 "Crown with festal pomp the day" (Chorus I, 6)
56:47 ACT II 59:29 "How blest the maid ordained to dwell" (Iole II, 1) 1:05:48 "When beauty sorrow's liv'ry wears" (Dejanira II, 2) 1:09:58 "Ah, think what ills the jealous prove!" (Iole II, 2) 1:16:18 "As stars, that rise and disappear" (Lichas II, 3) 1:21:47 "Jealousy! Infernal pest" (Chorus II, 3) 1:29:23 "Banish love from thy breast" (Iole II, 4) 1:35:00 "From celestial seats descending" (Hyllus II, 4) 1:40:40 "Wanton god of amorous fires" (Chorus II, 4) 1:43:11 "Alcides' name in latest story" (Hercules II, 5) 1:48:06 "Resign thy club and lion's spoils" (Dejanira II, 5) 1:54:19 "Cease, ruler of the day, to rise" (Dejanira II, 6) 2:00:34 "Joys of freedom, joys of pow'r" (Dejanira, Iole II, 8) 2:03:40 "Love and Hymen, hand in hand" (Chorus II, 8)
2:08:00 ACT III 2:13:10 "O scene of unexampled woe" (Lichas III, 1) 2:16:21 "Tyrants now no more shall dread" (Chorus III, 1) 2:20:17 "O Jove, what land is this, what clime accurst" (Hercules III, 2) 2:24:29 "Let not fame the tidings spread" (Hyllus III, 2) 2:29:57 "Where shall I fly" (Dejanira III, 3) 2:37:40 "My breast with tender pity swells" (Iole III, 4) 2:48:15 "Oh prince, whose virtues all admire" (Iole, Hyllus III, 5) 2:52:07 "To him your grateful notes of praise belong" (Chorus III, 5)J.P. Rameau - Les Boréades (Vashegyi, 2023)Opera Orange2023-12-15 | LES BORÉADES Tragédie lyrique en cinq actes Composer: Jean-Philippe Rameau (1683-1764) Libretto: attributed to Louis de Cahusac (1706-1759) Composition date: c. 1763. The work remained unperformed in Rameau's lifetime. The first known staged performance happened on 21 July 1982 at the Festival d'Aix-en-Provence under the direction of John Eliot Gardiner.
Alphise: Sabine Devieilhe Abaris: Reinoud Van Mechelen Calisis: Benedikt Kristjánsson Borilée: Philippe Estèphe Borée: Thomas Dolié Adamas, Apollon: Tassis Christoyannis L'Amour, Polymnie, Sémire, Une Nymphe: Gwendoline Blondeel
Conductor: György Vashegyi Purcell Choir Orfeo Orchestra Live recording from the Concertgebouw, Amsterdam (30 September 2023).
Picture: Detail from "The Birth of Venus" by Sandro Botticelli (c. 1484–1486).
This recording has been generously provided by the owner of the classicalmusicinconcert blog.
00:00 Act I 28:24 Act II 1:02:07 Act III 1:30:26 Act IV 1:57:11 Act VG.F. Händel - Solomon (Labadie, 2014)Opera Orange2023-12-08 | SOLOMON (HWV 67) Oratorio in 3 acts Composer: Georg Friedrich Händel (1685-1759) Libretto: Unknown (attributed to Newburgh Hamilton) First performance: Covent Garden Theatre, London , 17 March 1749
Solomon: Marie-Nicole Lemieux Solomon’s Queen: Shannon Mercer First Harlot, Queen of Saba: Karina Gauvin Second Harlot: Krisztina Szabó Zadok: James Gilchrist Levite: Philippe Sly
Conductor: Bernard Labadie La Chapelle de Québec Les Violons du Roy Recorded live at the Palais Montcalm, Québec City (21 March 2014)
Libretto available at: http://opera.stanford.edu/iu/libretti/solomon.htm
Picture: "The visit of the Queen of Sheba to King Solomon" by Sir Edward John Poynter (1890).
ACT I 00:00 1. Overture 07:09 2. Your harps and cymbals (chorus) 10:23 3. Praise ye the Lord (Levite – air) 15:22 4. With pious heart (chorus) 19:54 5. Almighty Power (Solomon – accompagnato) 22:40 6. Imperial Solomon (Zadok – recitative) 23:30 7. Sacred raptures (Zadok – air) 27:45 8. Throughout the land (chorus) 31:46 9. Bless’d be the Lord (Solomon – recitative) 32:12 10. What though I trace (Solomon – air) 38:24 11. And see my Queen (Solomon – recitative) 39:07 12. Bless’d the day (Queen – air) 44:16 13. Thou fair inhabitant of Nile (Solomon, Queen – recitative) 44:58 14. Welcome as the dawn of day (Queen Solomon – duet) 48:03 15. Vain are the transient beauties (Zadok – recitative) 48:50 16. Indulge thy faith (Zadok – air) 52:04 17. My blooming fair (Solomon – recitative) 52:16 18. Haste to the cedar grove (Solomon – air) 55:32 19. When thou art absent (Queen – recitative) 55:51 20. With thee th’unshelter’d moor (Queen – air) 58:44 21. May no rash intruder ("Nightingale Chorus") (chorus)
ACT II 1:02:19 22. From the censer curling rise (chorus) 1:07:13 23. Prais’d be the Lord (Solomon – recitative) 1:08:21 24. When the sun o’er yonder hills (Solomon – air) 1:12:50 25. Great prince (Levite – recitative) 1:13:16 26. Thrice bless’d that wise discerning king (Levite – air) 1:16:34 27. My sovereign liege (Attendant, Solomon – recitative) 1:17:21 28. Thou son of David (First harlot – recitative) 1:18:38 29. Words are weak (First and second harlot, Solomon – trio) 1:24:38 30. What says the other (Solomon, second harlot – recitative) 1:25:56 31. Thy sentence, great king (Second harlot – air) 1:27:56 32. Withhold, withhold the executing hand (First harlot – recitative) 1:28:09 33. Can I see my infant gor’d (First harlot – air) 1:33:08 34. Israel attend (Solomon – accompagnato) 1:34:52 35. Thrice bless’d be the king (First harlot, Solomon – duet) 1:38:25 36. From the east unto the west (chorus) 1:40:57 37. From morn to eve (Zadok – recitative) 1:41:25 38. See the tall palm (Zadok – air). 1:46:47 39. No more shall armed bands (First harlot – recitative) 1:47:08 40. Beneath the vine (First harlot – air) 1:52:25 41. Swell, swell the full chorus (chorus)
ACT III 1:55:11 42. Sinfonia ("Arrival of the Queen of Sheba") 1:58:03 43. From Arabia’s spicy shores (Queen of Sheba, Solomon – recitative) 1:59:16 44. Ev’ry sight these eyes behold (Queen of Sheba – air) 2:03:44 45. Sweep, sweep the string (Solomon – recitative) 2:04:00 46. Music spread thy voice around (Solomon and chorus) 2:07:27 47. Now a different measure (Solomon and chorus) 2:09:07 48. Then at once from rage remove (Solomon – recitative) 2:09:48 49. Draw the tear from hopeless love (chorus) 2:12:29 50. Next the tortur’d soul release (Solomon – recitative) 2:12:44 51. Thus rolling surges rise (Solomon and chorus) 2:15:54 52. Thy harmony’s divine (Queen of Sheba – recitative) 2:17:02 53. Pious king (Levite – air) 2:20:13 54. Thrice happy king (Zadok – recitative) 2:21:07 55. Golden columns (Zadok – air) 2:25:03 56. The name of the wicked (chorus) 2:27:17 57. Gold now is common (Solomon – recitative) 2:27:45 58. How green our fertile pastures look (Solomon – air) 2:30:27 59. May peace in Salem (Queen of Sheba – recitative) 2:31:16 60. Will the sun forget to streak (Queen of Sheba – air) 2:36:56 61. Adieu, fair queen (Solomon – recitative) 2:37:15 62. Ev’ry joy that wisdom knows (Queen of Sheba, Solomon – duet) 2:40:03 63. Praise the Lord (chorus)G. Spontini - La Vestale (De Marchi, 2015)Opera Orange2023-12-01 | LA VESTALE Tragédie lyrique in 3 acts Composer: Gaspare Spontini (1774-1851) Libretto: Victor-Joseph Étienne de Jouy (1764-1846), after Johann Joachim Winckelmann's "Monumenti antichi inediti" (1767). First performance: Salle Montansier, Paris, 15 December 1807.
Julia: Alexandra Deshorties La Grande Vestale: Sylvie Brunet-Grupposo Licinius: Yann Beuron Cinna: Julien Dran Le Souverain Pontife: Jean Teitgen
Conductor: Alessandro De Marchi Chœur et Académie de chœur de la Monnaie Orchestre symphonique de la Monnaie Recorded live at the Cirque Royal, Brussels (October 2015)
Libretto available at: http://www.operalib.eu/zpdf/vestale.pdf
00:00 Act I 44:34 Act II 1:23:43 Act III
Picture: Set design for La Vestale by Antonio Basoli.G.F. Händel - Israel in Egypt (Jacobs, 2022)Opera Orange2023-11-24 | ISRAEL IN EGYPT (HWV 54) Biblical oratorio in 3 acts Composer: Georg Friedrich Händel (1685-1759) Libretto: Charles Jennens (1700 – 1773) First performance: King's Theatre, London, 4 April 1739
Soprano: Robin Johannsen Soprano: Emmanuelle de Negri Contertenor: Alberto Miguélez Rouco Tenor: Jeremy Ovenden Bass: Neal Davies Bass: Yannick Debus
Conductor: René Jacobs Zürcher Sing-Akademie Freiburger Barockorchester Recorded live from the Konzerthaus, Freiburg (18 June 2022)
Libretto (part II and III only) available at: http://opera.stanford.edu/iu/libretti/israel.htm
Picture: "Departure of the Israelites" by (David Roberts, 1829)
PART I – The Lamentation of the Israelites for the Death of Joseph 00:00 I. Symphony 02:25 II. Chorus “The sons of Israel do mourn” 07:27 III. Chorus “How is the mighty fall’n” 10:42 IV. Chorus “He put on righteousness” 12:30 V. Chorus “When the ear heard him” 15:13 VI. Chorus “How is the mighty fall’n” 15:53 VII. Chorus “He deliver’d the poor” 20:57 VIII. Chorus “How is the mighty fall’n” 21:36 IX. Chorus “The righteous shall be” 24:53 X. Chorus “Their bodies are buried in peace” 28:51 XI. Chorus “The people will tell of their wisdom” 30:21 XII. Chorus “They shall receive a glorious kingdom” 33:39 XIII. Chorus “The merciful goodness of the Lord"
37:27 Funeral March, excerpt from the oratorio Saül (HWV 53)
PART II – Exodus 39:43 Recitative “Now there arose a new king” 40:08 XIV. Solo and Chorus “And the children of Israel sigh’d” – 43:20 Recitative “Then sent he Moses” 43:48 XV. Chorus “They loathed to drink” 45:31 XVI. Aria “Their land brought forth frogs” 47:55 XVII. Chorus “He spake the word” 49:54 XVIII. Chorus “He gave them hailstones” 51:46 XIX. Chorus “He sent a thick darkness” 54:09 XX. Chorus “He smote all the firstborn” 56:19 XXI. Chorus “But as for his people” 1:00:20 XXII. Chorus “Egypt was glad” 1:02:13 XXIII. Chorus “He rebuked the Red Sea” 1:04:53 XXIV. Chorus “And Israel saw the great work”
PART III – Moses’ Song 1:07:25 XXV. Chorus/Introitus “Moses and the children of Israel” 1:11:24 XXVI. Duet “The Lord is my strength” 1:15:10 XXVII. Chorus “He is my God” 1:17:37 XXVIII. Duet “The Land is a man of war” 1:23:26 XXIX. Chorus “The depths have cover’d them” 1:24:50 XXX. Chorus “Thy right hand” 1:28:03 XXXI. Chorus “And with the blast” 1:30:54 XXXII. Aria “The enemy said” 1:33:06 XXXIII. Aria “Thou dids’t blow” 1:35:02 XXXIV. Chorus “Who is like unto thee” 1:36:34 XXXV. Duet “Thou in thy mercy” 1:40:26 XXXVI. Chorus “The people shall hear” 1:45:21 XXXVII. Aria “Thou shalt bring them in” 1:48:07 XXXVIII. Chorus “The Lord shall reign” – Recitative “For the horse of the Pharaoh” – Chorus (da capo) “The Lord shall reign” – Recitative “And Miriam the prophetess" 1:49:57 XXXIX. Solo and Chorus “Sing ye to the Lord”C.W. Gluck - Armide (Bolton, 2013)Opera Orange2023-09-05 | ARMIDE Drame héroïque en 5 actes Composer: Christoph Willibald Gluck (1714-1787) Libretto: Philippe Quinault (1635-1688) First performance: Académie Royale de Musique, Paris, 23 September 1777.
Armide: Karina Gauvin Renaud: Frédéric Antoun Phénice: Karin Strobos Sidonie: Ana Quintans La Haine: Diana Montague Hidraot: Andrew Foster-Williams Le chevalier Danois: Sébastien Droy Ubalde: Henk Neven
Conductor: Ivor Bolton Chor der Nederlandse Opera Niederländisches Kammerorchester Live recording from Netherlands Opera (14 October 2013)
Quinault's full libretto (including the Prologue cut by Gluck) is available at: http://www.operalib.eu/zpdf/armide_lully.pdf
00:00 Act I 24:56 Act II 52:32 Act III 1:17:59 Act IV 1:30:22 Act V
Picture: "Armida Abandoned by Rinaldo" by Giambattista Tiepolo (1742/45).G.F. Händel - Giulio Cesare in Egitto (Jacobs, 2008)Opera Orange2023-09-01 | GIULIO CESARE IN EGITTO (HWV 17) Dramma per musica in 3 acts Composer: Georg Friedrich Händel (1685-1759) Libretto: Nicola Francesco Haym (1678-1729), after Giacomo Francesco Bussani's libretto for Antonio Sartorio. Sartorio's version can be heard here: youtube.com/watch?v=iNXNdI-usmA First performance: King's Theatre, London, 20 February 1724.
Cleopatra: Sandrine Piau Cesare: Lawrence Zazzo Cornelia: Kristina Hämmarström Sesto: Malena Ernman Tolomeo: Christophe Dumaux Achilla: Nicolas Rivenq Nireno: Andrew Radley Curio: Andrew Davis
Conductor: René Jacobs Freiburger Barockorchester Recorded live from Salle Pleyel, Paris (14 June 2008)
Libretto available at: http://www.librettidopera.it/zpdf/giulio_ces.pdf
Picture: "Cleopatra" by Wilhelm Kotarbiński.
00:00 ACT I 2:45 "Viva il nostro Alcide" (Coro I, 1) 4:10 "Presti omai l'egizia terra" (Cesare I, 1) 9:56 "Empio, dirò, tu sei" (Cesare I, 3) 14:57 "Priva son d'ogni conforto" (Cornelia I, 4) 21:02 "Svegliatevi nel core" (Sesto I, 4) 27:41 "Non disperar; chi sa?" (Cleopatra I, 5) 33:16 "L'empio, sleale, indegno" (Tolomeo I, 6) 41:27 "Non è sì vago e bello" (Cesare I, 7) 45:19 "Tutto può donna vezzosa" (Cleopatra I, 7) 50:29 "Nel tuo seno, amico sasso" (Cornelia I, 8) 56:19 "Cara speme, questo core" (Sesto I, 8) 1:02:30 "Va tacito e nascosto" (Cesare I, 9) 1:11:12 "Tu sei il cor di questo core" (Achilla I, 9) 1:16:20 "Son nata a lagrimar" (Cornelia, Sesto I, 9)
1:23:39 ACT II 1:26:59 "V'adoro pupille" (Cleopatra II, 2) 1:33:34 "Se in fiorito ameno prato" (Cesare II, 2) 1:41:50 "Deh piangete, oh mesti lumi" (Cornelia II, 3) 1:44:31 "Se a me non sei crudele" (Achilla II, 4) 1:50:57 "Cessa omai di sospirar" (Cornelia II, 6) 1:55:10 "L'angue offeso mai riposa" (Sesto II,6) 2:00:53 "Venere bella" (Cleopatra II, 7) 2:06:57 "Al lampo dell'armi" (Cesare II, 8) 2:11:42 "Se pietà di me non senti" (Cleopatra II, 8) 2:20:58 "Belle dee di questo core" (Tolomeo II, 9) 2:26:41 "L'aura che spira tiranno e fiero" (Sesto II, 11)
2:31:16 ACT III 2:33:07 "Domerò la tua fierezza" (Tolomeo III, 2) 2:38:24 "Piangerò la sorte mia" (Cleopatra III, 3) 2:46:43 "Aure, deh, per pietà spirate" (Cesare III, 4) 2:58:25 "Da tempeste il legno infranto" (Cleopatra III, 7) 3:09:17 "Caro! - Bella!" (Cesare, Cleopatra III, 10) 3:13:37 "Ritorni omai nel nostro core" (Coro III, 10)C.W. Gluck - Iphigénie en Aulide (Bolton, 2002)Opera Orange2023-08-28 | IPHIGÉNIE EN AULIDE Tragédie en 3 actes Composer: Christoph Willibald Gluck (1714-1787) Libretto: François-Louis Gand Le Bland Du Roullet (1716-1786) First performance: Académie royale de musique, Paris, 19 April 1774.
Conductor: Ivor Bolton Orchestra of the Age of Enlightenment Live recording from Glyndebourne Festival (8 June 2002)
Libretto available at: http://www.operalib.eu/zpdf/iphiau_1774.pdf
00:00 Act I 46:45 Act II 1:36:28 Act III
Picture: "The Sacrifice of Iphigenia" by Giambattista Tiepolo (1747/1750).A. Campra - LEurope Galante (Christie, 2005)Opera Orange2023-08-17 | L'EUROPE GALANTE Opéra-ballet en 1 Prologue et 4 Entrées. Composer: André Campra (1660-1744) Libretto: Antoine Houdar de La Motte (1672-1731) First performance: Théâtre du Palais-Royal, Paris, 24 October 1697.
Vénus: Violaine Kiefer La Discorde: Clémentine Margaine Les 2 grâces: Elizabeth Dobbin Céphise: Stefanie True Doris: Lina Markeby Philène, un espagnol: Mark Spyropoulos Sylvandre: Guillaume Olry Une bergère, Olimpia: Clara Coutouly Une autre bergère, Une espagnole, Vénitienne: Anna Sanchez Un berger: Frédéric Burdet Dom Pedro: Anthony Lo Papa Dom Carlos: Aidan Smith Octavio: Lisandro Nesis Femme du bal, Zaïde: Isabelle Druet Vénitien: Ludovic Provost Roxanne: Sarah Breton Zuliman: Sydney Fierro Bostangi: Jérémie Lesage
Conductor: William Christie Académie baroque européenne d’Ambronay Live recording from October 2005.
This performance uses the 17th century French pronunciation. A recording of "L'Europe Galante" with modern French pronunciation is available at: youtube.com/watch?v=ko58YD0-Pt0
Libretto available at: https://static1.chateauversailles-spectacles.fr/files/2/16/72/@/23912122-l-europe-galante-002-livret-121x118mm-interactif.pdf
00:00 Prologue 21:09 Entrée I - La France 42:11 Entrée II - L'Espagne 1:04:20 Entrée III - L'Italie 1:28:50 Entrée IV - La Turquie
Picture: "L'Escarpolette" by Jean-Honoré Fragonard (1767-68).W.A. Mozart - La Betulia Liberata (Rousset, 2003)Opera Orange2023-08-17 | LA BETULIA LIBERATA (K. 118/74c) Azione sacra in 2 parts Composer: Wolfgang Amadeus Mozart (1756-1791) Libretto: Pietro Metastasio (1698-1792) Composition: 1771
Giuditta: Ann Hallenberg Amital: Jaël Azzaretti Cabri/Carmi: Ingela Bohlin Ozia: John MacVeigh Achior: João Fernandes
Conductor: Christophe Rousset Les Talens Lyriques Live recording from the Théâtre des Champs-Elysées (20 November 2003)
Libretto available at: https://dme.mozarteum.at/libretti-edition/pdf/LV_250.pdf
00:00 PART I 04:40 "D’ogni colpa la colpa maggiore" (Ozia) 13:03 "Ma qual virtù non cede" (Cabri) 19:05 "Non hai cor" (Amital) 25:02 "Pietà, se irato sei" (Ozia, Coro) 31:37 "Del pari infeconda" (Giuditta) 40:28 "Pietà, se irato sei" (Ozia, Coro) 46:31 "Terribile d’aspetto" (Achior) 51:53 "Parto inerme, e non pavento" (Giuditta) 58:37 "Oh prodigio! Oh stupor!" (Coro)
1:00:58 PART II 1:03:23 "Se Dio veder tu vuoi" (Ozia) 1:13:47 "Quel nocchier che in gran procella" (Amital) 1:28:01 "Prigionier che fa ritorno" (Giuditta) 1:37:48 "Te solo adoro" (Achior) 1:42:13 "Con troppa rea viltà" (Amital) 1:49:01 "Quei moti che senti" (Carmi) 1:52:00 "Lodi al gran Dio" (Giuditta, Coro)
Picture: "Judith Beheading Holofernes" by Caravaggio (c. 1598–1599 or 1602).A. Sartorio - Giulio Cesare in Egitto (Cremonesi, 2004)Opera Orange2023-08-12 | GIULIO CESARE IN EGITTO Dramma per musica in 3 acts Composer: Antonio Sartorio (1630-1680) Libretto: Giacomo Francesco Bussani. The libretto was later adapted by Nicola Francesco Haym for Georg Friedrich Händel's Giulio Cesare. Handel's version can be heard here: youtube.com/watch?v=p4XJVbR7c-M First performance: Teatro San Salvador, Venice, 17 December 1676.
Cleopatra: Laura Alonso Cornelia: Claire Brua Giulio Cesare: Alexandrina Pendatchanska Sesto: Amel Brahim-Djelloul Nireno: Maria Cristina Kiehr Tolemeo: Dominique Visse Achilla: Federico Sacchi Curio: Andries Cloete Rodisbe: Steven Cole
Conductor: Attilio Cremonesi La Cetra Barockorchester Basel Live recording from Innsbruck Festival (25 August 2004)
Picture: "Caesar giving Cleopatra the Throne of Egypt" by Pietro da Cortona (circa 1637).J.-M. Leclair - Scylla et Glaucus (Rousset, 2005)Opera Orange2023-08-07 | SCYLLA ET GLAUCUS Tragédie lyrique en un prologue et cinq actes Composer: Jean-Marie Leclair (1697-1764) Libretto: d'Albaret First performance: Académie royale de musique, Paris, 4 October 1746.
Scylla: Gaëlle Le Roi Circé: Karina Gauvin Venus, Dorine, une Sicilienne: Salomé Haller L’Amour, Témire: Céline Scheen Glaucus: Robert Getchell Le chef des peuples, Licas, Hécate: Nicholas Achten Un Sylvain: Didier Chevalier Une Bergère: Cécile Dibon-Lafarge Une Dryade: Solange Añorga 1er Propétide: Jean-Christophe Henry 2ème Propétide: Marc Manodritta
Conductor: Christophe Rousset Les Talens Lyriques Chœur Les Élémens Live recording from the Opéra Royal, Versailles (27 September 2005)
Apologies for the the 20 seconds technical glitch that unfortunately affects the recording around 1 hours 54 min.
00:00 Prologue 27:50 Act I 53:09 Act II 1:15:25 Act III 1:45:29 Act IV 2:15:38 Act V
Picture: "Glauco e Scilla" by Jacopo Chimenti (1551-1640).G.P. Telemann - Der Geduldige Sokrates (Jacobs, 2007)Opera Orange2023-08-02 | DER GEDULDIGE SOKRATES ("The patient Socrates") (TVWV 21:9) Musikalisches Lustspiel in 3 acts Composer: Georg Philipp Telemann (1681-1767) Libretto: Johann Ulrich König (1688-1744), after Nicolò Minato's "La patienza di Socrate con due moglie" First performance: Theater am Gänsemarkt, Hamburg, 28 January 1721.
Rodisette, Cupido: Sunhae Im Edronica: Birgitte Christensen Xantippe: Inga Kalna Amitta: Kristine Hansson Melito: Donat Havar Antippo: Matthias Rexroth Sokrates: Marcos Fink Nicia: Marteen Koningsberger Pitho: Daniel Jenz Aristophanes: Alexey Kudrya Plato: Michael Kranebitter Alcibiades: Sun-Hwan Ahn Xenophon: Richard Klein
Conductor: René Jacobs Akademie für Alte Musik Berlin Innsbruck Festival Chorus Live recording from Cité de la Musique, Paris (13 October 2007)
00:00 ACT I 03:15 "Vergnüge dich, mein stiller Mut!" (Sokrates I, 1) 10:07 "Lieta son io" (Amitta, Xantippe I, 2) 12:49 "Weg, weg, Müßiggang" (Alcibiades, Xenophon, Plato, Pitho, Sokrates I, 3) 17:19 "L’huom che posto nel mondo fù" (Melito, Coro I, 4) 20:37 "Corpus meus exaltabo" (Pitho I,4) 23:02 "Che far si può" (Rodisette I, 5) 26:34 "O ihr Sonnen, mehr als Sterne" (Edronica I, 5) 31:17 "Die Sonne brennet dem verliebt entgegen" (Antippo I, 6) 33:25 "Da me non lo sperar" (Rodiseta, Edronica I, 6) 38:48 "Core, core, senza amore" (Melito I, 9) 43:32 "Küsse, wähl" (Nicia I, 10) 47:50 "Ja, ja, ich hoffe noch" (Rodisette, Edronica I, 10)
52:16 ACT II 52:49 "Verjaget die Missgunst, verbannet das Zanken!" (Sokrates II, 1) 58:20 "Io no, io non cederò, no, no!" (Xantippe, Amitta II, 1) 1:03:00 "Das Glas zur Hand! Sa! Sa!" (Pitho II, 3) 1:05:32 "Ein Mann, der sich zwo Frauen angetrau" (Sokrates II, 3) 1:10:33 "Mich tröstet die Hoffnung mit schmeichelnden Scherzen" (Rodisette II, 4) 1:16:53 "In sembianza di lieta donzella" (Edronica II, 4) 1:21:27 "Blitzet, strahlet holde Blicke" (Antippo II, 5) 1:25:44 "Entschließe dich für mich" (Rodisette, Edonica II, 6) 1:26:52 "Es fesseln mich zwo allzu schöne Ketten" (Melito II, 6) 1:31:52 "Hoffet nur, getreue Seelen" (Aristophanes, Nicia II, 7) 1:37:29 "Zum Streit, zum Streit! Die Feder her" (Aristophanes II, 8) 1:42:08 "Oh mio caro il mio cor" (Xantippe, Amitta II, 9) 1:46:37 "Son pur bella, son pur vaga" (Xantippe II, 10) 1:51:07 "Ein Mädchen und ein Gläschen Wein" (Pitho II, 12)
1:54:18 ACT III 1:54:18 "Ach, Adon" (Coro III, 1) 1:57:33 "Weg Kummer, weg Sorgen!" (Cupido, Coro II, 1) 2:01:50 "Schauet diese sanften Quellen" (Sokrates, Xantippe, Amitta III, 2) 2:04:38 "Nimm mich hin, mein wertes Leben" (Amitta III, 2) 2:09:03 "Voi, sfiorandovi ci mostrate" (Sokrates, Xenophon, Alcibiades, Pitho, Plato III, 3) 2:13:31 "Die Sehnsucht stürmt auf mein Gemüte" (Melito III, 4) 2:16:46 "Contenti o pene" (Edronica III, 5) 2:20:39 "Il mio core" (Rodisette III, 5) 2:21:51 "Willst du dich ihr ergeben" (Edronica, Melito, Rodisette III, 5) 2:23:47 "S’io ami, o non ami" (Antippo III, 6) 2:29:42 "Pastorello tutto bello" (Xantippe III, 7) 2:34:52 "Mores, Mores, Mores!" (Pitho III, 7) 2:35:55 "Contrastar con l’impossibile" (Nicia III, 8) 2:39:32 "Auf! Erscheinet, ihr fröhliche Stunden" (Melito III, 8) 2:43:31 "Mir schmeichelt die Hoffnung, mich tröstet das Glücke" (Edronica III, 9) 2:47:11 "No, non si può soffrir" (Rodisette III, 10) 2:52:38 "Che volete? Non l’intendo" (Rodisette, Melito III, 10) 2:54:22 "Quest’io sò, che nulla sò" (Sokrates III, 11) 2:58:46 "Ist Lieben ein Verlangen?" (Sokrates III, 11) 3:00:54 "Hegt dein Herze kein Erbarmen" (Antippo III, 12) 3:05:10 "Liebe, deine Schmeicheleien" (Coro III, 13)
Picture: "The School of Athens" by Raphael (1509–1511).M.-A. Charpentier - David et Jonathas (Haïm, 2004)Opera Orange2023-07-28 | DAVID ET JONATHAS (H. 490) Tragédie en musique en un prologue et cinq actes Composer: Marc-Antoine Charpentier (1643-1704) Libretto: François de Paule Bretonneau (1660-1741) First performance: Collège Louis-le-Grand, Paris, 28 February 1688.
David: Mark Padmore Jonathas: Jaël Azzaretti Saül: Laurent Naouri Achis: Andrew Foster-Williams L'Ombre de Samuel: Richard Savage La Pythonisse: Daniel Auchincloss Joabel: Richard Burkhard
Conductor: Emmanuelle Haïm Choir and Orchestra of the Age of Enlightenment Recorded live from the Théâtre des Champs-Elysées, Paris (20 March 2004)
00:00 Prologue 17:45 Act I 43:50 Act II 1:01:13 Act III 1:17:12 Act IV 1:38:06 Act V
Picture: "David et Jonathas" by Gustave Doré.G.F. Händel - Teseo (Cohën-Akenine, 2011)Opera Orange2023-07-24 | TESEO (HWV 9) Opera seria in 5 Acts Composer: Georg Friedrich Händel (1685-1759) Libretto: Nicola Francesco Haym, after Philippe Quinault's Thésée. First performance: Queen's Theatre, London, 10 January 1713.
Agilea: Emmanuelle de Negri Medea: Mary-Ellen Nesi Clizia: Ana Quintans Teseo: Max Emanuel Cencic Egeo: Xavier Sabata Arcane: Damien Guillon
Conductor: Patrick Cohën-Akenine Les Folies Françoises Recorded live from the Théâtre des Champs-Elysées, Paris (12 February 2011)
00:00 ACT I 05:48 "E’pur bello in’nobil core" (Agilea I, 2) 12:12 "Ti credo sì ben mio" (Clizia I, 4) 15:22 "Ah cruda Gelosia" (Arcane I, 4) 20:38 "Addio, mio caro bene" (Arcane, Clizia I, 4) 25:23 "Ricordati o bella" (Egeo I, 5) 30:01 "M’adora l’idol mio" (Agilea I, 6)
34:51 ACT II 34:51 "Dolce riposo, ed innocente pace." (Medea II, 1) 38:49 "Quell’Amor ch’è nato a forza" (Medea II, 1) 42:47 "Sì, ti lascio" (Medea, Egeo II, 2) 48:20 "Quanto che a me sian care" (Teseo II, 5) 52:40 "Non so più che bramar" (Teseo II, 5) 55:05 "Ira, sdegno, e furore" (Medea II, 6) 55:46 "O stringerò nel sen" (Medea II, 6)
59:23 ACT III 1:00:05 "Risplendete amiche stelle" (Clizia III, 1) 1:03:43 "Più non cerca libertà" (Arcane III, 1) 1:06:38 "Vieni, torna idolo mio" (Agilea III, 2) 1:11:52 "S’armi il fato, s’armi Amor" (Teseo III, 2) 1:19:52 "Sibilando, ululando" (Medea III, 4)
1:23:21 ACT IV 1:24:39 "Voglio Stragi, e Voglio morte" (Egeo IV, 1) 1:28:06 "Benchè tuoni, e L’etra avvampi" (Arcane IV, 1) 1:31:53 "Deh v’aprite, o Luci belle" (Agilea IV, 3) 1:35:51 "Dal cupo Baratro, Venite o Furie" (Medea IV, 3) 1:39:12 "Chi ritorna alla mia mente" (Teseo IV, 4) 1:43:12 "Qual Tigre o qual Megera" (Teseo IV, 5) 1:46:11 "Amarti io sì vorrei" (Agilea IV, 5) 1:52:38 "Cara, caro, ti dono in pegno il cor" (Teseo, Agilea IV, 7)
1:57:58 ACT V 1:59:08 "Morirò, ma vendicata" (Medea V, 1) 2:04:40 "Non è da Re quel Cor" (Egeo V, 2) 2:07:22 "Ho per mano il mio tesor" (Teseo V, 4) 2:11:53 "Si t'amo, oh caro, quanto un dì t'amai" (Agilea V, 4) 2:15:27 "Unito ad un puro affetto" (Clizia, Arcane V, 4) 2:22:28 "Goda ogn’or Alma in sì bel giorno" (Coro V, 6)
Picture: "Thésée retrouve l'épée de son père" by Nicolas Poussin and Jean Le Maire (around 1638).M.-A. Charpentier - Médée (Alarcón, 2019)Opera Orange2023-07-19 | MÉDÉE (H.491) Tragédie lyrique en un prologue et cinq actes Composer: Marc-Antoine Charpentier (1643-1704) Libretto: Thomas Corneille (1625-1709) First performance: Théâtre du Palais Royal, Paris, 4 December 1693.
Note: This performance (unfortunately) omits the Prologue.
Médée: Anna Caterina Antonacci Jason: Cyril Auvity Créuse, 1er fantôme: Keri Fuge Nérine: Alexandra Dobos-Rodriguez Cléone, Amour, 1ère captive: Magali Léger Oronte: Charles Rice Créon: Willard White Arcas, Argien, Vengeance: Alban Legos Un corinthien, Jalousie, 3ème captive, 2ème corinthien: Jérémie Schütz Une femme italienne, 2ème fantôme: Mi-Young Kim 1er corinthien, argien: José Pazos
Conductor: Leonardo García Alarcón Cappella Mediterranea Chœur du Grand Théâtre de Genève Recorded live from the Grand Théâtre de Genève (11 May 2019)
00:00 Act I 38:27 Act II 1:18:53 Act III 1:53:38 Act IV 2:27:40 Act V
Picture: "Medea an der Urne” by Anselm Feuerbach (1873).J.A. Hasse - MarcAntonio e Cleopatra (Dantone, 2018)Opera Orange2023-07-13 | MARC'ANTONIO E CLEOPATRA Serenata in 2 parts Composer: Johann Adolf Hasse (1699–1783) Libretto: Francesco Ricciardi First performance: Carlo Carmignano's house, Naples, September 1725. The famous castrato Farinelli was singing Cleopatra and the contralto Vittoria Tesi was singing Marc'Antonio.
00:00 PART I 06:00 "Pur ch’io possa a te, ben mio" (Marc'Antonio) 11:20 "Morte col fiero aspetto" (Cleopatra) 16:20 "Fra le pompe peregrine" (Marc'Antonio) 23:31 "Un sol tuo sospiro" (Cleopatra) 30:31 "Attendi ad amarmi" (Cleopatra, Marc'Antonio)
34:35 PART II 37:10 "A Dio trono, impero a Dio" (Cleopatra) 41:31 "Come veder potrei" (Marc'Antonio) 47:40 "Quel candido armellino" (Cleopatra) 55:24 "Là tra i mirti degli Elisi" (Marc'Antonio) 1:05:18 "Bella etade avventurosa" (Cleopatra, Marc'Antonio)
Picture: "The Meeting of Antony and Cleopatra" by Giovanni Battista Tiepolo (ca. 1745–47).A. Stradella - San Giovanni Battista (Luks, 2018)Opera Orange2023-07-07 | SAN GIOVANNI BATTISTA Oratorio in 2 parts Composer: Alessandro Stradella (1643-1682) Libretto: Ansaldo Ansaldi (1651-1719) First performance: Basilica di San Giovanni Battista dei Fiorentini, Rome (31 March 1675). Revived in 1688 (Modena), 1693 (Florence) and 1698 (Rome).
San Giovanni Battista: Christophe Dumaux Erodiade la Figlia: Giulia Semenzato Erodiade la Madre: Lucile Richardot Consigliere: Krystian Adam Erode: Kresimir Strazanac
Conductor: Vaclav Luks Collegium 1704 Live recording from Salzburg Festival (26 July 2018)
Picture: "The Head of Saint John the Baptist Presented to Salome" by Peter Paul Rubens (1609).L. Lully & M. Marais - Alcide (Corréas, 2006)Opera Orange2023-07-02 | ALCIDE ou LE TRIOMPHE D’HERCULE Tragédie lyrique en un prologue et cinq actes Composers: Louis Lully (1664-1734) and Marin Marais (1656-1728) Libretto: Jean Galbert de Campistron (1656-1723) First performance: Académie Royale de Musique, 3 February 1693
Alcide: Paul Agnew Déjanire: Aurélia Legay Iole: Salomé Haller Philoctète: Nicolas Cavallier Thestilis: Brigitte Balleys Aeglé: Stéphanie Révidat L’Amour: Sophie Landy Une Bergère: Béatrice Gobin
Conductor: Jérôme Corréas Les Paladins Les Chantres du Centre de Musique Baroque de Versailles Stage Director: Olivier Simonnet Filmed at the Théâtre Royal, Versailles (7 October 2006)
00:00 Prologue 21:18 Act I 40:23 Act II 1:05:26 Act III 1:29:14 Act IV 1:48:45 Act VM. Marais - Alcione (Christie, 1991)Opera Orange2023-06-30 | ALCIONE Tragédie lyrique en un prologue et cinq actes Composer: Marin Marais (1656-1728) Libretto: Antoine Houdar de la Motte (1672-1731) First performance: Théâtre du Palais-Royal, Paris, 18 February 1706
Alcione: Agnès Mellon Ismene, Magicienne: Françoise Semellaz Une Matelote, Une Bergère: Donatienne Michel-Dansac Céphise, 2eme Matelote: Caroline Pelon Une Eolienne: Béatrice Malleret Doris, La Prêtresse de Junon: Isabelle Schoenheit Céix, Morphée: Gerd Türk Pelée: Jérôme Corréas Phorbas, Magicien: Nicolas Cavallier Suivant de Ceix, Le Sommeil, Phosphore: Charles Daniels Timole: Jean-Claude Saragosse Pan, Le Grand Prêtre de l’Hymen, Neptune: Nicholas Isherwood Apollon: Bernard Loonen
Conductor: William Christie Les Arts Florissants Live recording from Concertgebouw, Amsterdam (30 May 1991)
00:00 Prologue 23:18 Act I 47:03 Act II 1:05:50 Act III 1:24:35 Act IV 1:45:09 Act V
Picture: "Ceyx and Alcyone" by Richard Wilson (1768). Engraved by William Woollett.A. Scarlatti - Mitridate Eupatore (Noally, 2017)Opera Orange2023-06-22 | IL MITRIDATE EUPATORE Opera seria in 5 acts Composer: Alessandro Scarlatti (1660-1725) Libretto: Gerolamo Frigimelica Roberti (1653-1732) First performance: Teatro San Giovanni Grisostomo, Venice (5 January 1707)
Laodice: Blandine Staskiewicz Stratonica: Mary Ellen Nesi Pelopida: Sacha Hatala Mitridate Eupatore: Anthéa Pichanick Antigono: Lucile Richardot Nicomede: Anna Kasyan Farnace: Victor Sicard
Conductor: Thibault Noally Les Accents Live recording from Beaune Festival (21 July 2017)
00:00 ACT I 05:21 "Sì un adultero è nel soglio" (Laodice I, 1) 09:56 "Tra i perigli, i timori, e le morti" (Laodice, I, 2) 17:07 "O mai se n' vada il piè" (Antigono I, 4) 19:59 "Se il trono dimando" (Eupatore I, 5) 25:53 "Quante furie ha il crudo Averno" (Stratonica I, 6) 28:59 "L'allegrezza, chi ben l'intende" (Farnace I, 7) 33:30 "Bella gloria d'un gran re" (Nicomede I, 8)
37:09 ACT II 38:05 "Patrii numi, amici dèi" (Eupatore II, 1) 44:17 "Il mondo mal sospetta" (Stratonica II, 2) 49:43 "Ottenga la paura" (Farnace II, 5) 52:04 "Ingiusta fortuna" (Nicomede II, 7) 57:07 "Dolce stimolo al tuo bel cor" (Laodice II, 8) 1:02:42 "Sì, sì spera, o caro sposo" (Antigono, Eupatore II, 9)
1:05:14 ACT III 1:09:31 "Ciò che al regno è beneficio" (Farnace III, 1) 1:13:48 "Voi vedete o dèi d'Egitto" (Eupatore III, 2) 1:18:35 "Esci ommai, che più non v'hai loco" (Stratonica III, 3) 1:24:23 "Vado sì con pronto piè" (Nicomede III, 5) 1:34:02 "Chi ben opra ben confida" (Laodice, Nicomede III, 8)
1:36:39 ACT IV 1:39:52 "Stelle, se il vostro lume" (Eupatore IV, I) 1:47:20 "Cara tomba del mio diletto" (Laodice IV, 2) 1:55:12 "Sì per sempre ancor ti abbraccio" (Laodice, Eupatore IV, 3) 1:59:59 "Tu caro in questo dì" (Laodice IV, 4) 2:03:32 "All'armi, a battaglia" (Nicomede IV, 5) 2:09:09 "Odiata, disprezzata" (Stratonica IV, 6)
2:11:04 ACT V 2:13:58 "Uccidete, distruggete" (Eupatore V, 2) 2:17:08 "Tu sei l'anima del mio core" (Antigono V, 4) 2:21:14 "Come dolce un sicuro diletto" (Stratonica V, 5) 2:29:40 "Del pien diletto" (Laodice V, 7) 2:37:10 "Primo oggetto, e primo onore" (Eupatore V, 8) 2:38:55 "Viva pur sempre beato" (Tutti V, 8)
Picture: "Capriccio with figures among classical ruins and ships beyond" by Gennaro Greco (between 1683 and 1714).J.-B. Lully - Thésée (Haïm, 2008)Opera Orange2023-06-19 | THÉSÉE Tragédie lyrique en un prologue et cinq actes Composer: Jean-Baptiste Lully (1632-1687) Libretto: Philippe Quinault (1635-1688) First performance: Académie Royale de Musique, 15 January 1675
Médée: Anne Sofie von Otter Aeglé: Sophie Karthaüser Cérès, Cléone, Une Bergère: Jaël Azzaretti Vénus, Dorine: Aurélia Legay La Prêtresse: Salomé Haller Thésée: Paul Agnew Egée: Jean-Philippe Lafont Mars, Arcas: Nathan Berg Bacchus, Un Plaisir, Un Berger: Cyril Auvity
Conductor: Emmanuelle Haïm Le concert d’Astrée Live recording from the Théâtre des Champs-Elysées, Paris (22 February 2008)
Libretto available at: http://www.theatre-classique.fr/pages/pdf/QUINAULT_THESEE.pdf
00:00 Prologue 26:55 Act I 1:02:54 Act II 1:29:10 Act III 1:52:48 Act IV 2:21:11 Act V
Pictures: Illustations accompagnant l'édition de 1711 de la partition.A. Salieri - Prima la musica e poi le parole (Bareza, 1973)Opera Orange2023-06-16 | PRIMA LA MUSICA E POI LE PAROLE ("First the music and then the words") Divertimento teatrale in 1 act Composer: Antonio Salieri (1750-1825) Libretto: Giovanni Battista Casti (1824-1903) First performance: Orangery of Schönbrunn Palace, Vienna (7 February 1786)
Eleonora: Durdevka Cakarevic The Composer: Enrico Fissore The Poet: Vladimir Druzdak Tonina: Nada Linda Siriscevic
Conductor: Nicza Bareza Festival Opera Ensemble City of Dubrovnik Symphony Orchestra Live recording from Rector's Palace Atrium, Dubrovník (6 August 1973)
Libretto available at: http://www.librettidopera.it/zpdf/primamus_bn.pdf
Picture: "Schönbrunn Palace viewed from the gardens" by Bernardo Bellotto (1759/1760).A. Salieri - Falstaff (Jacobs, 2016)Opera Orange2023-06-16 | FALSTAFF Dramma giocoso in 2 acts Composer: Antonio Salieri (1750-1825) Libretto: Carlo Prospero Defranceschi after William Shakespeare's The Merry Wives of Windsor. First performance: Kärntnertortheater, Vienna (3 January 1799)
Sir John Falstaff: Christoph Pohl Mr. Ford: Maxim Mironov Mrs. Alice Ford: Annett Fritsch Mr. Slender: Arttu Kataja Mrs. Slender: Alex Penda Bardolf: Robert Gleadow Betty: Mirella Hagen
Conductor: René Jacobs Akademie für Alte Musik Live recording from Theater an der Wien (October 2016)
Libretto available at: http://www.librettidopera.it/zpdf/falstaffs.pdf
00:00 Act I 1:24:44 Act II
Picture: "Falstaff" by Eduard von Grützner.A. Campra - LEurope Galante (Minkowski, 1993)Opera Orange2023-06-14 | L'EUROPE GALANTE Opéra-ballet en 1 Prologue et 4 Entrées. Composer: André Campra (1660-1744) Libretto: Antoine Houdar de La Motte (1672-1731) First performance: Théâtre du Palais-Royal, Paris (24 October 1697) Restitution by Jérôme de La Gorce from the 1724 score.
Vénus, Fleur Rose, Doris, Musicien: Jennifer Smith Céphise, L’Espagnol: Sally Bradshaw Grace: Julie Hassler Berger: Sophie Jolice Philene, Don Pedro: Jean-Paul Fouchécourt Silvandre, Don Carlos: Laurent Naouri Discorde: Philippe Huttenlocher
Conductor: Marc Minkowski Ensemble Vocal Sagittarius Les Musiciens du Louvre Live recording from Royal Opera, Versailles (13 June 1993)
This performance uses the modern French pronunciation. A recording of "L'Europe Galante" with the 17th century French pronunciation is available at: youtube.com/watch?v=fW90Ez_dCN8
00:00 Prologue 25:16 Entrée I - La France 45:28 Entrée II - L'Espagne 1:08:25 Entrée III - L'Italie 1:39:02 Entrée IV - La Turquie
Picture: "Embarquement pour Cythère" by Jean Antoine Watteau (1718).J.-P. Rameau - Les Indes Galantes (Reyne, 2013)Opera Orange2023-06-12 | LES INDES GALANTES Ballet héroïque en 1 Prologue et 4 Entrées. Composer: Jean-Philippe Rameau (1683-1764) Libretto: Louis Fuzelier (1674-1752) First performance: Théâtre du Palais-Royal, Paris (23 August 1735) Full and original version based on the sources of the library of the Opéra de Paris.
Conductor: Hugo Reyne Le Chœur du Marais La Simphonie du Marais Recorded in concert and final rehearsal in Vienna Konzerthaus at the Resonanzen Festival in January 2013.
Libretto available at: https://static1.chateauversailles-spectacles.fr/files/6/17/06/@/23912122-indes-galantes-031-livret-cd-121x118mm.pdf
0:00:00 Prologue 0:41:31 Première Entrée « Le Turc Généreux » 1:17:21 Deuxième Entrée « Les Incas Du Pérou » 1:55:07 Troisième Entrée « Les Fleurs, Fête Persane » 2:41:08 Quatrième Entrée « Les Sauvages »
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Picture: "Les Indes Galantes, 1re entrée : Le turc généreux" by Bernardo Bellotto (1758).J.-B. Lully - Atys (Reyne, 2009)Opera Orange2023-06-07 | ATYS Tragédie lyrique en un prologue et cinq actes Composer: Jean-Baptiste Lully (1632-1687) Libretto: Philippe Quinault (1635-1688), after Ovid's Fasti First performance: Saint-Germain-en-Laye, 10 January 1676
Conductor: Hugo Reyne La Simphonie du Marais Recording: August 2009
Libretto available at: https://www.theatre-classique.fr/pages/pdf/QUINAULT_ATYS.pdf
00:00 Prologue 18:47 Act I 55:53 Act II 1:16:51 Act III 1:53:00 Act IV 2:16:29 Act V
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Pictures: Illustrations accompagnant l'édition de 1720 de la partition.A. Sacchini - Œdipe à Colone (Latham-Koenig, 1992)Opera Orange2023-06-07 | ŒDIPE À COLONE Opera in 3 acts Composer: Antonio Sacchini (1730-1786) Libretto: Nicolas-François Guillard after Sophocles First performance: Versailles, 4 January 1786
Œdipe: Marcel Vanaud Antigone: Valérie Millot Polynice: Jean-Luc Viala Eriphile: Mireille Delunsch Thésée: Daniel Galvez-Vallejo Une athénienne: Valérie Lecoq Le grand prêtre: Laurent Naouri
Conductor: Jan Latham-Koenig Ensemble Orchestral de Paris Ensemble Vocal Audite Nova de Paris Live recording from Festival de Montpellier (17 July 1992)
Picture: "Œdipe à Colone" by Jean-Antoine-Théodore Giroust (1788).J.-B. Lully - Persée (Rousset, 2001)Opera Orange2023-05-30 | PERSÉE Tragédie lyrique en un prologue et cinq actes Composer: Jean-Baptiste Lully (1632-1687) Libretto: Philippe Quinault (1635-1688), after Ovid’s Metamorphoses First performance: Académie Royale de Musique, 17 April 1682
Persée: Paul Agnew Andromède: Anna-Maria Panzarella Mérope, la Fortune: Salomé Haller Phinée: Jérôme Corréas Céphée: Vincent Billier Cassiope, Imène: Monique Simon Mercure, Megathyme: Robert Getchell La Vertu, Vénus: Béatrice Mayo Felip Méduse, Phronime: Laurent Slaars Euryale, Corite: Cyril Auvity Sténone: Bruno Rostand
Conductor: Christophe Rousset Les Talens Lyriques Les Chantres de la Chapelle Recording: Cité de la Musique, Paris, 16 September 2001
Libretto available at: http://www.theatre-classique.fr/pages/pdf/QUINAULT_PERSEE.pdf
00:00 Prologue 22:47 Act I 52:22 Act II 1:29:15 Act III 1:48:24 Act IV 2:19:34 Act V
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Pictures: Illustrations accompagnant l'édition de 1710 de la partition.J.-B. Lully - Isis (Reyne, 2005)Opera Orange2023-05-30 | ISIS Tragédie lyrique en un prologue et cinq actes Composer: Jean-Baptiste Lully (1632-1687) Libretto: Philippe Quinault (1635-1688), after Ovid's Metamorphoses First performance: Académie Royale de Musique, 5 January 1677
Io (Isis): Françoise Masset La Renommée, Iris, Hébé, Première Parque: Isabelle Desrochers Calliope, Mycène, Syrinx: Valérie Gabail Junon, Seconde Parque: Guillemette Laurens Mercure, Second Berger, Premier conducteur des Chalybes: Howard Crook Hierax, Pan: Bertrand Chuberre Jupiter: Bernard Deletré Neptune, Argus, Second conducteur des Chalybes: Renaud Delaigue Apollon, Pirante, Premier Berger, Erinnis: Robert Getchell
Conductor: Hugo Reyne La Simphonie du Marais Choeur du Marais Recording: 6 July 2005
Libretto available at: http://www.theatre-classique.fr/pages/pdf/QUINAULT_ISIS.pdf
00:00 Prologue 26:24 Act I 52:37 Act II 1:19:44 Act III 1:52:36 Act IV 2:10:16 Act V
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Picture: "Juno Discovering Jupiter with Io" by Pieter Lastman (1618).J.-B. Lully - Amadis (Reyne, 2006)Opera Orange2023-05-29 | AMADIS Tragédie lyrique en un prologue et cinq actes Composer: Jean-Baptiste Lully (1632-1687) Libretto: Philippe Quinault (1635-1688) First performance: Académie Royale de Musique, 18 January 1684
Arcabonne: Céline Ricci Oriane: Guillemette Laurens Amadis: François-Nicolas Geslot Florestan: Bertrand Chuberre Arcalaüs: Florian Westphal Urgande: Camille Poul Alquif, un Geôlier, l’Ombre d’Ardan: Matthieu Heim Suivante d’Urgande, une Bergère: Agathe Boudet Suivante d’Urgande, une Bergère, une Captive: Hélène Richer Une Captive: Maïlys de Villoutreys Un Captif: Benoît Porcherot Un Berger: Daniel Lalandre Un Berger, un Captif: Thomas Van Essen
Conductor: Hugo Reyne La Simphonie du Marais Choeur du Marais Recording: 11 July 2006
Libretto available at: http://www.theatre-classique.fr/pages/pdf/QUINAULT_AMADIS.pdf
00:00 Prologue 21:31 Act I 47:47 Act II 1:26:32 Act III 1:57:13 Act IV 2:21:58 Act V
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Pictures: Illustrations accompagnant la seconde édition de la partition (1711).N. Jommelli - Armida Abbandonata (Rousset, 1994)Opera Orange2023-05-27 | ARMIDA ABBANDONATA Dramma per musica in 3 acts Composer: Niccolò Jommelli (1714-1774) Libretto: Francesco Saverio De Rogatis First performance: Teatro San Carlo, Naples (30 May 1770).
Conductor: Christophe Rousset Les Talens Lyriques Recording: 24 July - 2 August 1994
00:00 ACT I 07:16 "Non è viltà" (Tancredi I, 2) 18:09 "Da quel primiero istante" (Erminia I, 4) 23:44 "Ma lasciatemi alfin" (Rinaldo I, 6) 30:16 "Resta, ingrata; io parto" (Rinaldo I, 6) 39:11 "Non ti sdegnar" (Rambaldo I, 7) 47:45 "Se la pietà" (Armida I, 8) 58:01 "Odo che un zefiro" (Dano I, 9) 1:14:48 "Ah! tornate" (Rinaldo, Armida I, 11)
1:23:41 ACT II 1:27:09 "Cercar fra i perigli" (Ermina II, 2) 1:34:49 "Caro mio ben" (Rinaldo II, 3) 1:44:25 "Troppo da me pretendi" (Rambaldo II, 4) 1:52:13 "Ah! ti sento" (Armida II, 5) 2:01:24 "L'arte e l'ingegno" (Ubaldo II, 6) 2:08:23 "Fra l'orror" (Tancredi II, 8) 2:22:21 "Guarda chi lascio" (Rinaldo II, 10) 2:29:24 "Odio, furor, dispetto" (Armida II, 12)
2:37:05 ACT III 2:39:50 "Vieni ove onor ti chiama" (Tancredi III, 2) 2:43:52 "L'onor tradito" (Rambaldo III, 4) 2:48:22 "Giusto cielo" (Rinaldo III, 5) 2:53:52 "Ah! non ferir!" (Armida III, 6)
Picture: "Renaud dans les jardins d'Armide" by Jean-Honoré Fragonard (1763).J.-F. Rebel - Ulysse (Reyne, 2007)Opera Orange2023-05-26 | ULYSSE Tragédie lyrique en un prologue et cinq actes Composer: Jean-Féry Rebel (1666-1747) Libretto: Henry Guichard First performance: Académie Royale de Musique, 21 January 1703
Circé: Guillemette Laurens Pénélope: Stéphanie Révidat Ulysse: Bertrand Chuberre Orphée, un Génie, Euriloque, Mercure, Télémaque: Vincent Lièvre-Picard Céphalie, Pallas: Céline Ricci Urilas: Bernard Deletré Euphrosine, Junon: Eugénie Warnier Un Sauvage: Thomas van Essen
Conductor: Hugo Reyne La Simphonie du Marais Le Chœur du Marais Recording: 9-10 July 2007
00:00 Prologue 11:35 Act I 36:24 Act II 58:28 Act III 1:22:51 Act IV 1:43:22 Act V
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Picture: "Pénélope et Ulysse sortant de Sparte pour retourner à Ithaque ou La Pudeur" from Jean-Jacques-François Le Barbier (1789). Engraving by Jean-Jacques Avril.T. Traetta - Ippolito ed Aricia (Rousset, 2001)Opera Orange2023-05-25 | IPPOLITO ED ARICIA Opera in 5 acts Composer: Tommaso Traetta (1727-1779) Libretto: Carlo Innocenzo Frugoni (1692 – 1768), after the libretto, Hippolyte et Aricie, by Simon-Joseph Pellegrin First performance: Teatro Ducale, Parma, 9 May 1759
Ippolito: Madeline Bender Aricia: Patrizia Cioffi Fedra: Laura Claycomb Teseo: John McVeigh Cacciatrice, Enone, Mercurio: Gaële Le Roi Diana: Anne-Lise Sollied Plutone: Daniel Salas Caccatrice, Sacerdotessa, Marinaia: Helene le Corry
Conductor: Christophe Rousset Les Talens Lyriques Choeurs des Opéras de Montpellier Live recording from Montpellier (23 February 2001)
00:00 ACT I 12:35 "Se ai vaghi lumi tuoi cara m'accese cara m'accese amore" (Ippolito I, 2) 22:18 "Fuggi amor, perfido amore: che fan qui che fan qui le tue saette?" (La Gran Sacerdotessa I, 3) 34:50 "Se vede rapace girare l'artiglio" (Diana I, 5) 41:07 "Furie del cor geloso" (Fedra I, 6)
47:40 ACT II 51:05 "Per onor dell'offeso mio regno" (Plutone II, 3) 1:00:39 "Vi lascio, v'abbandono squallide ingrate arene" (Teseo II, 6)
1:12:22 ACT III 1:16:39 "Povero core che ardendo stai" (Fedra III, 2) 1:23:54 "Va' dove Amor ti chiama" (Aricia III, 3) 1:34:54 "Deh! Questo cor lasciate" (Ippolito III, 6) 1:41:30 "A funestarmi il ciglio tutto tutto diventa orrore (Teseo III, 9)" 1:48:02 "Nettun sull'onde sol puo regnare" (Una Marinaia III, 9)
1:55:35 ACT IV 1:56:37 "Intendimi: pavento gli die con me tiranni" (Fedra IV, 1) 2:01:06 "Padre ascolta: reo non sono" (Ippolito IV, 2) 2:10:02 "Parli al mio cor lo sdegno" (Teseo IV, 3) 2:15:21 "In questo estremo addio, caro, mancar mi sento" (Aricia IV, 3) 2:27:16 "Che bel piacere, in lieta caccia" (Una Cacciatrice IV, 5)
2:32:54 ACT V 2:35:02 "Dove son io? Che tardo, e come ancora sopravvivo al mio ben?" (Aricia V, 2) 2:40:09 "Volate, o zefiri, l'ali agitate" (Diana V, 3) 2:44:40 "Torna la pace all'alma" (Aricia, Ippolito V, 4)
Picture: "Phèdre et Hippolyte" by Pierre-Narcisse Guérin (1802). Engraving by Auguste-Gaspard-Louis Desnoyers.