Sondheim! The Birthday Concert was a concert celebrating the 80th birthday of Broadway composer Stephen Sondheim. The concert was directed by Lonny Price and hosted by David Hyde Pierce. The event was performed at Avery Fisher Hall within Lincoln Center in New York City on March 15 and 16 in 2010.
Some Days Youre Barbra
Sondheim's 80th Birthday Celebration - Theme From Reds - NY Philharmonic, ABT Dancers (Maria and Blaine)
Sondheim! The Birthday Concert was a concert celebrating the 80th birthday of Broadway composer Stephen Sondheim. The concert was directed by Lonny Price and hosted by David Hyde Pierce. The event was performed at Avery Fisher Hall within Lincoln Center in New York City on March 15 and 16 in 2010.
Sondheim! The Birthday Concert was a concert celebrating the 80th birthday of Broadway composer Stephen Sondheim. The concert was directed by Lonny Price and hosted by David Hyde Pierce. The event was performed at Avery Fisher Hall within Lincoln Center in New York City on March 15 and 16 in 2010.
updated 3 years ago
Sondheim! The Birthday Concert was a concert celebrating the 80th birthday of Broadway composer Stephen Sondheim. The concert was directed by Lonny Price and hosted by David Hyde Pierce. The event was performed at Avery Fisher Hall within Lincoln Center in New York City on March 15 and 16 in 2010.
Count Basie
Mel Torme
Bobby Darin
Lena Horne
Barbara Streisand
Ethel Merman
Tony Bennett
Jack Jones
Frank Sinatra & Dean Martin
Barbra Streisand
Mickey Rooney
Peggy Lee
Vic Damone
Liza Minnelli
An extra on the DVD - 'Duets with Judy'
It is fitting that "The Producers", an homage to the making of Broadway musicals, is one the biggest hits to end this era of Broadway musicals as the producer once again comes to the forefront. Three producers dominate the era. Nicknamed the Abominable Showman, David Merrick, who was at the tail end of his career, was known as the type of producer who would do anything needed to get what publicity he wanted for his shows. Cameron Mackintosh, the producer of four of the top six most successful musicals ever in "Cats", "The Phantom of the Opera", "Les Misérables" and "Miss Saigon", revolutionized the idea of bringing overseas productions to Broadway, which in turn brought them to the rest of the world via touring companies. And Michael Eisner brought the popular entertainment of the Disney Corporation's animated musical movies to the stage, which introduced the notion of corporate investment in Broadway itself. Other notable musicals of the era include "Sunday in the Park with George", the first collaboration between composer Stephen Sondheim and director James Lapine and whose development mirrors the story of the making of art; "La Cage aux folles", based on the movie La Cage aux folles (1978), the stage production which is old fashioned in score but revolutionary in story as the first successful show featuring a gay romance at its core; and the Pulitzer Prize winning "Rent", the death of its creator, Jonathan Larson, on the day before the first preview echoing what was being presented on stage. Two events shape the era. The first is the AIDS crisis, which took the lives of many of those associated with Broadway. The second is 9/11, which had the initial effect of making Broadway a ghost town, but whose longer term effect has been the resurgence of the musical comedy and using recognizable titles for new productions, such as "Hairspray" and "Wicked", the latter which has the known connection for the public to The Wizard of Oz (1939).
—Huggo
West Side Story not only brings untraditional subject matter to the musical stage, it ushers in a new breed of director/choreographer who insists on performers who can dance, sing and act. But by the time Jerome Robbins’ last original musical, Fiddler on the Roof, closes after a record run of 3,242 performances in 1972, the world of Broadway has changed forever. Rock ‘n’ roll, civil rights and Vietnam usher in new talents, many trained by the retiring masters, taking musical theater in daring new directions with innovative productions like Hair, the first Broadway musical with an entire score of rock music. The non-linear narrative of George Furth and Stephen Sondheim’s Company plunges the musical into a new era. Hal Prince’s conceptual staging showcases John Kander and Fred Ebb’s dynamic score for Cabaret. Bob Fosse captures a sexuality and cynicism ahead of its time with Chicago, but it is director/choreographer Michael Bennett who spearheads the biggest blockbuster of all – A Chorus Line. “It totally changed the musical theater,” says Shubert Organization chairman Gerald Schoenfeld. “It was a catalyst for the improvement of this area, and of course this area is now the most desirable area in New York.” With Sondheim’s Sweeney Todd, the Broadway musical reaches unexpected new heights in style and material with a tale of slaughter and cannibalism set in 19th-century London. By the end of the 1970s, Broadway becomes the centerpiece of a remarkably successful public relations campaign that will lure tourists to New York for years to come.
The episode features interviews with actor Joel Grey, composer Marvin Hamlisch, actor Jerry Orbach, producer Hal Prince, writer Frank Rich, lyricist Stephen Sondheim, director Julie Taymor, and actor Ben Vereen. Highlights include rare footage of Ethel Merman rehearsing for Gypsy and home movies from the original stage production of Chicago.
The new partnership of Richard Rodgers and Oscar Hammerstein II changes the face of Broadway forever, beginning with the record-breaking Oklahoma! in 1943, featuring a landmark ballet by Agnes De Mille. Carousel and South Pacific then set the standard for decades to come by pioneering a musical where story is all-important. For challenging the country to confront its deep-seated racial bigotry, South Pacific wins the Pulitzer Prize. In On the Town, an exuberant team of novices – Leonard Bernstein, Betty Comden, Adolph Green, and Jerome Robbins – capture the energy, humor and pathos of New York City during World War II. Irving Berlin triumphs again with Annie Get Your Gun, featuring Ethel Merman and the unofficial anthem of the American musical theater, “There’s No Business Like Show Business.” In shows like Guys and Dolls, My Fair Lady and Kiss Me, Kate, sophisticated adaptations of literary material prevail. “Cole Porter led the way in writing adult songs about love and sex,” says theater historian Robert Kimball. “He defied the censors. He, probably more than any other songwriter in this century, made it possible for the openness that we have in all popular music.” In 1956, Alan Jay Lerner and Frederick Loewe triumph with My Fair Lady, featuring a 20-year-old Julie Andrews. TV’s The Ed Sullivan Show becomes the most important showcase for Broadway musicals. Yet with the death of Oscar Hammerstein II soon after the premiere of The Sound of Music in 1959, the curtain begins to lower on a golden age.
The episode features interviews with actor Julie Andrews, writer/lyricist Betty Comden, choreographer Agnes De Mille, writer/lyricist Adolph Green, Oscar Hammerstein’s grandson Andy Hammerstein, choreographer Michael Kidd, author James Michener, theater historian Steve Nelson, musician John Raitt, choreographer Jerome Robbins, composer Mary Rodgers Guettel, and conductor Michael Tilson-Thomas. Highlights include never-before-broadcast footage of Jerome Robbins’ choreography for On the Town, 1960 TV footage of Rex Harrison re-enacting “I’m an Ordinary Man” from My Fair Lady, and the first American broadcast of 1950 footage of the original Guys and Dolls cast performing in London.
The Great Depression proves to be a dynamic period of creative growth on Broadway, and a dichotomy in the musical theater emerges. Productions like Cole Porter’s Anything Goes offer glamour and high times as an escape, while others – such as Of Thee I Sing, which satirizes the American political system, and the remarkable WPA production of The Cradle Will Rock, about a steel strike – deal directly with the era’s social and political concerns. When Bing Crosby records “Brother, Can You Spare a Dime,” the doleful Broadway ballad takes the hit parade by surprise. “This song spoke to the hearts, and to the minds, and to the emotions and thoughts, of everybody who lived during that Depression,” says lyricist Yip Harburg’s son, Ernie. Rodgers and Hart return to New York to create a string of new shows, including the sexually frank Pal Joey, a genuine departure that stars newcomer Gene Kelly. In the gloom of the Depression, Porter offers Broadway audiences such unforgettable songs as “You’re the Top,” which serves as an effervescent tonic to a weary nation. In 1935, George Gershwin creates his epic masterpiece, Porgy and Bess, which becomes, in the words of one critic, “the most American opera that has yet been seen or heard.” The onset of World War II galvanizes the country and America’s troubadour, Irving Berlin, rallies the troops with This Is the Army.
The episode features interviews with actor and original “Bess” Anne Brown, playwright Jerome Chodorov, actor Carol Channing, film director Stanley Donen, actor and original “Porgy” Todd Duncan, writer Philip Furia, actor Kitty Carlisle Hart, actor June Havoc, actor/producer John Houseman, actor/director Tim Robbins, and composer/lyricist Stephen Sondheim. Highlights include rarely seen home movies of the Gershwin brothers from the 1930s, and 1950s TV footage of the incomparable Ethel Waters singing Irving Berlin’s “Suppertime.”
Gossip columnist Walter Winchell gives Broadway a nickname that becomes synonymous with all of New York: “It is the Big Apple, the goal of all ambitions, the pot of gold at the end of a drab and somewhat colorless rainbow….” With the advent of Prohibition and the Jazz Age, America convulses with energy and change, and nowhere is the riotous mix of classes and cultures more dramatically on display than Broadway. “There was this period in which everybody was leaping across borders and boundaries,” says director/producer George C. Wolfe. “There was this incredible cross-fertilization, cultural appropriation.” While brash American women flapped their way to newfound freedoms, heroines of Broadway like Marilyn Miller become a testament to pluck and luck. It’s the age of “Whoopee” and the “Charleston,” Runnin’ Wild and the George White Scandals. In 1921, a jazz show like no other arrives: Shuffle Along, which features a rich, rousing score by Noble Sissle and Eubie Blake, reopening Broadway’s doors to black talent. Unique talents like the Marx Brothers and Al Jolson – a Jewish immigrant and Prohibition’s biggest star – rocket to stardom. The Gershwin brothers, the minstrels of the Jazz Age, bring a “Fascinating Rhythm” to an entire nation. Innovative songwriting teams like Richard Rodgers and Lorenz Hart ignite a new age of bright, clever lyrics with the massive hit “Manhattan.” But as the Roaring Twenties come to a close, Broadway’s Jazz Age suffers the one-two punch of the “talking picture” and the stock market crash, triggering a massive talent exodus to Hollywood and putting an end to Broadway’s feverish expansion.
The episode features interviews with actor Carol Channing, Gershwin sister Frances Gershwin Godowsky, Al Jolson & Co. creator Stephen Mo Hanan, critic Margo Jefferson, writer Miles Krueger, New Yorker theater critic John Lahr, radio host/music critic Jonathan Schwartz, theater historians Max Wilk and Robert Kimball, and director/producer George C.Wolfe. Highlights include rare performance footage of composer Eubie Blake and a specially animated sequence of Rodgers and Hart’s 1927 hit “Thou Swell” from A Connecticut Yankee.
When Florenz Ziegfeld, Jr. arrives New York in 1893, the intersection of Broadway and 42nd is nobody’s idea of “the crossroads of the world.” But by 1913, “The Ziegfeld Follies really were an amalgamation of everything that was happening in America, in New York, at that time,” says writer Philip Furia. “Flo Ziegfeld was like the Broadway equivalent of the melting pot itself.” Ziegfeld’s story introduces many of the era’s key figures: Irving Berlin, a Russian immigrant who becomes the voice of assimilated America; entertainers, like Jewish comedienne Fanny Brice and African American Bert Williams, who become America’s first “crossover” artists; and the brash Irish-American George M. Cohan, whose song-and-dance routines embody the energy of Broadway. This is also the story of the onset of a world war, and the Red Summer of 1919, when labor unrest sweeps the nation – and Broadway. Episode One culminates in Ziegfeld’s 1927 production of Jerome Kern and Oscar Hammerstein II’s far-sighted masterpiece, Show Boat. “The history of the American musical theater is divided quite simply into two eras: everything before Show Boat, and everything after Show Boat,” says writer Miles Kreuger.
The episode features interviews with Irving Berlin’s daughter Mary Ellen Barrett, Ziegfeld Follies girls Doris Eaton and Dana O’Connell, New Yorker critic Brendan Gill, theater artist Al Hirschfeld, composer/lyricist Stephen Sondheim, and Ziegfeld daughter Patricia Z. Stephenson. Highlights include newly-restored color footage of The Ziegfeld Follies and footage of Fanny Brice singing “My Man.”
Prom is short for promenade concert, a term which originally referred to outdoor concerts in London's pleasure gardens, where the audience was free to stroll around while the orchestra was playing. In the context of the BBC Proms, promming refers to the use of the standing areas inside the hall (the Arena and Gallery) for which ticket prices are much lower than for the seating. Proms concert-goers, particularly those who stand, are sometimes referred to as "Prommers" or "Promenaders".
Few shows in the history of the musical theatre have attained the cult status enjoyed by Follies. The Stephen Sondheim-James Goldman extravaganza – about a class reunion of former chorines of the legendary Weismann Follies (a metaphor for the Ziegfeld revues) – premiered on April 4, 1971 at the Winter Garden and closed a year later after having lost its entire investment of $800,000. While the show was fondly remembered by all who love the musical theatre, most deplored the fact that it had never received a recording worthy of its complex and magnificent score. A star-studded concert production was staged at New York’s Avery Fisher Hall for two nights only, September 6th and 7th, 1985. Among the participants, whose performances elicited enthusiastic reactions from the audience, were Barbara Cook, George Hearn, Lee Remick, Carol Burnett, Liliane Montevecchi, Elaine Stritch, Betty Comden, Adolph Green, Phyllis Newman, and Mandy Patinkin, with Paul Gemignani conducting the New York Philharmonic Orchestra. Years later, this unique concert stands out among all available recorded versions as one of the most perfect expressions of that extraordinary musical. On Disc 2 of this album, the songs from Follies are complemented by Sondheim’s score to the 1974 Alain Resnais film Stavisky.
A reunion for all the past members of “Weismann’s Follies” (a fictional musical revue modeled on the Ziegfeld Follies) is being held in a derelict Broadway theatre, scheduled for demolition, that was once home to the revue. The spare plot revolves around two couples at the party, Sally Durant and her husband Buddy Plummer, and Phyllis Rogers, married to Ben Stone. Sally and Phyllis, like many other guests, were once showgirls in the Follies; their mates were stage-door Johnnys. Both of their marriages are headed for the rocks: Buddy, a traveling salesman, has a mistress in another town, and Ben, a prosperous businessman, is so distracted by his own demons that his wife Phyllis feels abandoned. To make matters worse, Sally has been in love with Ben ever since her old days as a showgirl. During the first half of the show, the old belters and hoofers reprise their musical numbers from the “Follies,” often accompanied by the ghosts of their youthful selves. (The songs borrow their styles from popular 1930s songwriters like George Gershwin, Irving Berlin, Jerome Kern, and Cole Porter.) The last part of the show comprises a series of vaudevillian numbers that explore the personal turmoils of the main characters, interrelating both with each other and with their own avatars in the past. The party-reunion ends with a big production number in praise of “Beautiful Girls.” Stavisky (1974) In the course of his brilliant career as a Broadway composer, Stephen Sondheim made infrequent forays into the movie world, notably contributing the songs Madonna performed in Dick Tracy, directed by Warren Beatty in 1990; writing the score for Reds, also directed by Beatty in 1981; or co-writing the script for the puzzle thriller The Last of Sheila, directed by Herbert Ross in 1971. But one of his most eloquent efforts was the series of cues he created for Stavisky, the film directed by Alain Resnais in 1974, about a con artist and swindler whose life in crime almost toppled the government of the French Third Republic. Set in the 1930s, the story found an echo in the score Sondheim composed for the occasion, replete with catchy tunes that evoke the period even as they provide the right musical ambiance.
Kenny Rogers & Carrie Underwood singing Islands In The Stream
Alison Krauss, Suzanne Cox & Cheryl White singing Jolene
Shania Twain & Alison Krauss singing Coast of Many Colors
Dolly recognized for lifetime contribution to American culture
Dolly was honored with the Kennedy Center Honors on Dec. 3, 2006, along with classical music conductor Zubin Mehta, musical artist Smokey Robinson, motion picture director Steven Spielberg, and composer Andrew Lloyd Webber. The award recognizes a performing artist’s lifetime contribution to American culture.
Steve Buckingham, Dolly’s longtime record producer, was not surprised by the honor at all because he feels Dolly’s impact has been “huge… not just because of her body of work as a singer and songwriter and an actress but her philanthropic work… That impact isn’t limited to this country [U.S.]… I’ve been around different parts of the world with her, the U.K., Switzerland, Amsterdam, Paris… There’s no place you go… that people don’t know her. I always say, the one thing you never hear when you’re anywhere with her is, `I wonder if that’s Dolly Parton?’ because there’s no doubt.”
Artists who performed or delivered remarks on Dolly’s behalf at the ceremony were actress Reese Witherspoon and musical performers Reba McEntire, Kenny Rogers, Carrie Underwood, Alison Krauss, Suzanne Cox, Cheryl White, Shania Twain, Vince Gill and Jessica Simpson.
President George W. Bush praised the honorees for “enriching the cultural life of our country.”
Cee-Lo singing Tears Of A Clown
India Arie singing Second That Emotion
Sam Moore & Jonny Lang singing The Tracks Of My Tears
The Temptations singing My Girl
The Kennedy Center Honors is an annual honor given to those in the performing arts for their lifetime of contributions to American culture. The honors have been presented annually since 1978, culminating each December in a star-studded gala celebrating the honorees in the Kennedy Center Opera House in Washington, D.C.
Honoree recommendations are accepted from the general public and the Kennedy Center initiated a Special Honors Advisory Committee, which comprises two members of the Board of Trustees as well as past honorees and distinguished artists. The Executive Committee of the Board of Trustees selects the honoree recipients based on excellence in music, dance, theater, opera, motion pictures or television. The selections are typically announced sometime between July and September.
While Zubin Mehta was still in his teens, his teacher, the venerable Hans Swarowsky, called him "a born conductor." Years later in 1981, the year Mehta was named Music Director for Life of the Israel Philharmonic Orchestra, Harold C. Schonberg wrote in The New York Times that "his beat must be an orchestra player's delight. It is almost textbook in its motions, moving in fairly large arcs in an unfussy manner…. There is something Toscaninian in Mr. Mehta's beat." And yet there always has been something more than the control of even the great Toscanini in Mehta's conducting. Mehta's passion on the podium is all his own. His musical integrity is legend, and his love of freedom is as great as his love of music. "It is not politics," Mehta has said, "it is humanity. I don't campaign for anybody." He makes sublime music for everybody, often carrying it where it is most needed: from the ruins of the Bosnian National Library in war-torn Sarajevo to Tel Aviv during the Gulf War, in Moscow's Gorky Park during the twilight of the Soviet era, in India with his Israeli musicians breaking a decades-long absence of cultural dialogue and diplomatic ties. In 1999, Mehta's passion brought together for the first time the Israel Philharmonic and the Bavarian State Opera Orchestra for a historic performance of Mahler's Resurrection Symphony No. 2 in what had been a concentration camp in Weimar. Mehta has spread the sheer sensual joy of great music from American coast to coast at the helm of the New York Philharmonic and the Los Angeles Philharmonic, and also at festival time in Florence, and through season after glorious season in his home theater in Munich. Mehta led the Three Tenors Concerts in Rome and Los Angeles. Together with his friends and fellow soccer fans José Carreras, Placido Domingo and Luciano Pavarotti, he created the most wildly sensational classical music success story of our time. Always a showman but also indefatigably a servant of the score, Mehta has a rich and growing discography that attests to the breadth of his musical genius. While Zubin Mehta, who is Parsee by heritage and Indian by birth, currently resides in Los Angeles, he was born in Bombay—now called Mumbai-in 1936. He grew up in a time of national strife, of India's hard-won independence but also of the painful partition and birth of Pakistan, of Gandhi's assassination and its aftermath, a time of fragile peace. He received his musical early education from his father Mehli Mehta, violinist and co-founder of the Bombay Symphony Orchestra and later music director of the American Youth Symphony in Los Angeles. His younger brother Zarin Mehta is today executive director of the New York Philharmonic. Neither Zarin nor Zubin set out originally for careers in music, however, and young Zubin in fact began training in medicine. After only two s esters ofemedical school, Zubin Mehta launched into music in earnest, studying conducting with Swarowsky at the Music Academy in Vienna. Zubin Mehta won the Liverpool International Conducting Competition in 1958, shortly afterwards also winning the Koussevitzky Competition in Tanglewood. By his mid-20s, Mehta already had conducted both the Vienna Philharmonic and the Berlin Philharmonic. His rise in the music world was swift. Zubin Mehta was music director of the Montreal Symphony Orchestra from 1961 to 1967. In 1962 he became music director of the Los Angeles Philharmonic, a position he held until 1978 and a relation he still holds dear: in 2006, after a Philharmonic concert in the new Disney Hall where Mehta received a special award from the city of Los Angeles, Mark Swed wrote in the Los Angeles Times that "something strong and evidently indestructible runs deep between him and this community."
Steven Allan Spielberg is an American film director, producer, and screenwriter. He began his career in the New Hollywood era, and is currently the most commercially successful director. Spielberg is the recipient of various accolades, including two Academy Awards for Best Director, a Kennedy Center honor, and a Cecil B. DeMille Award.
Spielberg was born in Cincinnati, Ohio, and grew up in Phoenix, Arizona. He later moved to California and studied film in college. After directing television episodes and several minor films for Universal Studios, he became a household name for directing 1975's summer blockbuster Jaws. He then directed box office successes Close Encounters of the Third Kind (1977), E.T. the Extra-Terrestrial (1982), and the adventure films in the Indiana Jones series. Spielberg later explored drama in The Color Purple (1985) and Empire of the Sun (1987).
After a brief hiatus, he directed back to back box office successes with the acclaimed science fiction action film Jurassic Park and the holocaust drama Schindler's List (both 1993). In 1998, he directed the World War II epic Saving Private Ryan, which was both a critical and commercial success. Spielberg continued in the 2000s with science fiction, including A.I. Artificial Intelligence (2001), Minority Report (2002) and War of the Worlds (2005). He has since directed several fantasy films including The Adventures of Tintin (2011), and Ready Player One (2018), and the historical dramas War Horse (2011), Lincoln (2012), and The Post (2017).
In addition to filmmaking, he co-founded Amblin Entertainment and DreamWorks, and has served as a producer for many television series and films. Spielberg is also known for his long time collaboration with composer John Williams, with whom he has worked for all but five of his feature films. Several of Spielberg's works are among the highest-grossing films of all time and have received acclaim; seven of his films have been inducted into the National Film Registry by the Library of Congress as being "culturally, historically, or aesthetically significant".
Corey Glover singing Jesus Christ Superstar
Chrtistine Ebersole singing As If We Never Said Goodbye
Elena Roger singing Buenos Aires
Josh Groban singing The Music Of The Night
Betty Buckley & Sarah Brightman singing Memory
On 3rd December 2006, some of the biggest names in American entertainment and politics paid tribute to Andrew at the 29th annual Kennedy Center Honors, which recognise artists for their extraordinary lifetime contributions to American culture.
Andrew received the highly coveted Honor alongside conductor Zubin Mehta, country singer-songwriter Dolly Parton, singer-songwriter Smokey Robinson and film director Steven Spielberg.
The Honorees were received by the then-President of the United States of America George Bush at the White House, before attending a gala performance at the Kennedy Center Opera House.
Among the artists on stage for the gala were Betty Buckley – who won a Tony Award for her performance as Grizabella in “[_Cats_]”:/shows/cats – and Sarah Brightman, who together performed one of Andrew’s most instantly recognizable songs, “Memory”. Broadway actress Christine Ebersole sang “As If We Never Said Goodbye” from “[_Sunset Boulevard_]”:/shows/sunset-boulevard/, while Elena Roger, the Argentine actress who wowed audiences with her showstopping performance in the 2006 West End revival of “[_Evita_]”:/shows/Evita made her U.S. stage debut.
The Honorees were joined in Washington D.C. by some of Hollywood’s biggest names including actor Tom Hanks and his wife Rita Wilson, Oscar-winning actress Reese Witherspoon, Joan Collins, George Lucas and Liam Neeson.
The 2006 Kennedy Center Honors ceremony was later broadcast in the United States on the CBS network, December 26, 2006.
Starring:
Bernadette Peters
Liza Minnelli
Kevin Anderson
George Lee Andrews
Harolyn Blackwell
Peter Blanchet
The Boys Choir of Harlem
Daisy Eagan
Madeline Kahn
Glenn Close
Studio:
Filmed: 1992 - Released: 1992
Starring:
Bernadette Peters
Liza Minnelli
Kevin Anderson
George Lee Andrews
Harolyn Blackwell
Peter Blanchet
The Boys Choir of Harlem
Daisy Eagan
Madeline Kahn
Glenn Close
Studio:
Filmed: 1992 - Released: 1992
Starring:
Bernadette Peters
Liza Minnelli
Kevin Anderson
George Lee Andrews
Harolyn Blackwell
Peter Blanchet
The Boys Choir of Harlem
Daisy Eagan
Madeline Kahn
Glenn Close
Studio:
Filmed: 1992 - Released: 1992
Starring:
Bernadette Peters
Liza Minnelli
Kevin Anderson
George Lee Andrews
Harolyn Blackwell
Peter Blanchet
The Boys Choir of Harlem
Daisy Eagan
Madeline Kahn
Glenn Close
Studio:
Filmed: 1992 - Released: 1992
Starring:
Bernadette Peters
Liza Minnelli
Kevin Anderson
George Lee Andrews
Harolyn Blackwell
Peter Blanchet
The Boys Choir of Harlem
Daisy Eagan
Madeline Kahn
Glenn Close
Studio:
Filmed: 1992 - Released: 1992
Starring:
Bernadette Peters
Liza Minnelli
Kevin Anderson
George Lee Andrews
Harolyn Blackwell
Peter Blanchet
The Boys Choir of Harlem
Daisy Eagan
Madeline Kahn
Glenn Close
Studio:
Filmed: 1992 - Released: 1992
Starring:
Bernadette Peters
Liza Minnelli
Kevin Anderson
George Lee Andrews
Harolyn Blackwell
Peter Blanchet
The Boys Choir of Harlem
Daisy Eagan
Madeline Kahn
Glenn Close
Studio:
Filmed: 1992 - Released: 1992
Starring:
Bernadette Peters
Liza Minnelli
Kevin Anderson
George Lee Andrews
Harolyn Blackwell
Peter Blanchet
The Boys Choir of Harlem
Daisy Eagan
Madeline Kahn
Glenn Close
Studio:
Filmed: 1992 - Released: 1992
Starring:
Bernadette Peters
Liza Minnelli
Kevin Anderson
George Lee Andrews
Harolyn Blackwell
Peter Blanchet
The Boys Choir of Harlem
Daisy Eagan
Madeline Kahn
Glenn Close
Studio:
Filmed: 1992 - Released: 1992
Starring:
Bernadette Peters
Liza Minnelli
Kevin Anderson
George Lee Andrews
Harolyn Blackwell
Peter Blanchet
The Boys Choir of Harlem
Daisy Eagan
Madeline Kahn
Glenn Close
Studio:
Filmed: 1992 - Released: 1992
Starring:
Bernadette Peters
Liza Minnelli
Kevin Anderson
George Lee Andrews
Harolyn Blackwell
Peter Blanchet
The Boys Choir of Harlem
Daisy Eagan
Madeline Kahn
Glenn Close
Studio:
Filmed: 1992 - Released: 1992
Starring:
Bernadette Peters
Liza Minnelli
Kevin Anderson
George Lee Andrews
Harolyn Blackwell
Peter Blanchet
The Boys Choir of Harlem
Daisy Eagan
Madeline Kahn
Glenn Close
Studio:
Filmed: 1992 - Released: 1992
Starring:
Bernadette Peters
Liza Minnelli
Kevin Anderson
George Lee Andrews
Harolyn Blackwell
Peter Blanchet
The Boys Choir of Harlem
Daisy Eagan
Madeline Kahn
Glenn Close
Studio:
Filmed: 1992 - Released: 1992
Starring:
Bernadette Peters
Liza Minnelli
Kevin Anderson
George Lee Andrews
Harolyn Blackwell
Peter Blanchet
The Boys Choir of Harlem
Daisy Eagan
Madeline Kahn
Glenn Close
Studio:
Filmed: 1992 - Released: 1992
Starring:
Bernadette Peters
Liza Minnelli
Kevin Anderson
George Lee Andrews
Harolyn Blackwell
Peter Blanchet
The Boys Choir of Harlem
Daisy Eagan
Madeline Kahn
Glenn Close
Studio:
Filmed: 1992 - Released: 1992
Starring:
Bernadette Peters
Liza Minnelli
Kevin Anderson
George Lee Andrews
Harolyn Blackwell
Peter Blanchet
The Boys Choir of Harlem
Daisy Eagan
Madeline Kahn
Glenn Close
Studio:
Filmed: 1992 - Released: 1992
Starring:
Bernadette Peters
Liza Minnelli
Kevin Anderson
George Lee Andrews
Harolyn Blackwell
Peter Blanchet
The Boys Choir of Harlem
Daisy Eagan
Madeline Kahn
Glenn Close
Studio:
Filmed: 1992 - Released: 1992
This program features the music of Broadway composer Stephen Sondheim in a 1992 performance at Carnegie Hall. An American Musical Theatre writer for over 40 years, Stephen Sondheim has created the scores for hits such as Passion, Assassins, Bounce, Into The Woods, Sunday In The Park With George, Merrily We Roll Along, Sweeney Todd and Pacific Overtures.
Starring:
Bernadette Peters
Liza Minnelli
Kevin Anderson
George Lee Andrews
Harolyn Blackwell
Peter Blanchet
The Boys Choir of Harlem
Daisy Eagan
Madeline Kahn
Glenn Close
Studio:
Filmed: 1992 - Released: 1992
Barbra Streisand in Concert is Barbra Streisand's First full tour which ran from 1993 through 1994. The tour consisted of 26 shows starting on New Year's Eve 1993 in Las Vegas and ended Anaheim, California in July 1994. The 18 shows that went on sale following the new year concerts in Las Vegas sold out in 1 hour. This tour was also the first time Barbra toured anywhere in Europe and was the last until her Timeless tour in 2000.
Until this tour Barbra had only toured once in 1966, where she cut an initially planned 20 city tour, to 4 dates, due to her pregnancy.[3] Although she has sung concerts this was her first tour after a suggested 28 year bout of Stage Fright.
According to Barbra's official website, the tour set attendance and box office records in every city it played in with the first 18 dates selling out within 1 hour. The phone requests for tickets reached 5 million within the first hour the tour went on sale. The tour grossed $50 million in 1994.
Barbra: The Concert was broadcast on HBO August 21, 1994 and received a television audience of 11.2 million viewers and became the highest-rated musical event in HBO's history. It was later released on VHS and Laserdisc (a DVD of the show was later released in 2009). A live album The Concert was also released in 1994 and was composed of songs from the New York City concert series at Madison Square Garden, where it reached number 10 on the Billboard Album Chart and was certified 3x Platinum by the RIAA.
In 2004, Sony BMG released a DVD version of the New Year's Eve Concert in Las Vegas entitled The Concert: Live at the MGM Grand which was previously unreleased.
"As If We Never Said Goodbye"
"I'm Still Here"
"Can't Help Lovin' That Man"
"I'll Know"
"People"
"Lover Man (Oh, Where Can You Be?)"
"Will He Like Me?"
"He Touched Me"
"Evergreen"
"The Man That Got Away"
"On A Clear Day (You Can See Forever)"
"The Way We Were"
"You Don't Bring Me Flowers"
"Lazy Afternoon"
"Once Upon A Dream" / "When You Wish upon a Star" / "Someday My Prince Will Come"
"Not While I'm Around"
"Ordinary Miracles"
"Where Is It Written?" / "Papa, Can You Hear Me?" / "A Piece of Sky"
"Happy Days Are Here Again"
"My Man"
"For All We Know"
"Somewhere"
Barbra Streisand in Concert is Barbra Streisand's First full tour which ran from 1993 through 1994. The tour consisted of 26 shows starting on New Year's Eve 1993 in Las Vegas and ended Anaheim, California in July 1994. The 18 shows that went on sale following the new year concerts in Las Vegas sold out in 1 hour. This tour was also the first time Barbra toured anywhere in Europe and was the last until her Timeless tour in 2000.
Until this tour Barbra had only toured once in 1966, where she cut an initially planned 20 city tour, to 4 dates, due to her pregnancy.[3] Although she has sung concerts this was her first tour after a suggested 28 year bout of Stage Fright.
According to Barbra's official website, the tour set attendance and box office records in every city it played in with the first 18 dates selling out within 1 hour. The phone requests for tickets reached 5 million within the first hour the tour went on sale. The tour grossed $50 million in 1994.
Barbra: The Concert was broadcast on HBO August 21, 1994 and received a television audience of 11.2 million viewers and became the highest-rated musical event in HBO's history. It was later released on VHS and Laserdisc (a DVD of the show was later released in 2009). A live album The Concert was also released in 1994 and was composed of songs from the New York City concert series at Madison Square Garden, where it reached number 10 on the Billboard Album Chart and was certified 3x Platinum by the RIAA.
In 2004, Sony BMG released a DVD version of the New Year's Eve Concert in Las Vegas entitled The Concert: Live at the MGM Grand which was previously unreleased.
"As If We Never Said Goodbye"
"I'm Still Here"
"Can't Help Lovin' That Man"
"I'll Know"
"People"
"Lover Man (Oh, Where Can You Be?)"
"Will He Like Me?"
"He Touched Me"
"Evergreen"
"The Man That Got Away"
"On A Clear Day (You Can See Forever)"
"The Way We Were"
"You Don't Bring Me Flowers"
"Lazy Afternoon"
"Once Upon A Dream" / "When You Wish upon a Star" / "Someday My Prince Will Come"
"Not While I'm Around"
"Ordinary Miracles"
"Where Is It Written?" / "Papa, Can You Hear Me?" / "A Piece of Sky"
"Happy Days Are Here Again"
"My Man"
"For All We Know"
"Somewhere"
Barbra Streisand in Concert is Barbra Streisand's First full tour which ran from 1993 through 1994. The tour consisted of 26 shows starting on New Year's Eve 1993 in Las Vegas and ended Anaheim, California in July 1994. The 18 shows that went on sale following the new year concerts in Las Vegas sold out in 1 hour. This tour was also the first time Barbra toured anywhere in Europe and was the last until her Timeless tour in 2000.
Until this tour Barbra had only toured once in 1966, where she cut an initially planned 20 city tour, to 4 dates, due to her pregnancy.[3] Although she has sung concerts this was her first tour after a suggested 28 year bout of Stage Fright.
According to Barbra's official website, the tour set attendance and box office records in every city it played in with the first 18 dates selling out within 1 hour. The phone requests for tickets reached 5 million within the first hour the tour went on sale. The tour grossed $50 million in 1994.
Barbra: The Concert was broadcast on HBO August 21, 1994 and received a television audience of 11.2 million viewers and became the highest-rated musical event in HBO's history. It was later released on VHS and Laserdisc (a DVD of the show was later released in 2009). A live album The Concert was also released in 1994 and was composed of songs from the New York City concert series at Madison Square Garden, where it reached number 10 on the Billboard Album Chart and was certified 3x Platinum by the RIAA.
In 2004, Sony BMG released a DVD version of the New Year's Eve Concert in Las Vegas entitled The Concert: Live at the MGM Grand which was previously unreleased.
"As If We Never Said Goodbye"
"I'm Still Here"
"Can't Help Lovin' That Man"
"I'll Know"
"People"
"Lover Man (Oh, Where Can You Be?)"
"Will He Like Me?"
"He Touched Me"
"Evergreen"
"The Man That Got Away"
"On A Clear Day (You Can See Forever)"
"The Way We Were"
"You Don't Bring Me Flowers"
"Lazy Afternoon"
"Once Upon A Dream" / "When You Wish upon a Star" / "Someday My Prince Will Come"
"Not While I'm Around"
"Ordinary Miracles"
"Where Is It Written?" / "Papa, Can You Hear Me?" / "A Piece of Sky"
"Happy Days Are Here Again"
"My Man"
"For All We Know"
"Somewhere"