The Art Institute of Chicago
Artist Talk: Sara Cwynar at the Art Institute of Chicago
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Kameelah Janan Rasheed (American, born 1985) uses printmaking, photography, painting, and video to explore alternative systems of reading, writing, and learning. For "Unsewn Time," Rasheed worked with mark making, rubbing, folding, chemical reactions, and other material explorations to consider how meaning is conveyed in forms that are created through intimate rituals and improvisational processes. Moving between poetic fragments, annotations, and marks to other modes of storytelling, she considers our relationships to unpredictable change and ruptures in time.
This lecture is made possible by the Frank J. Mooney Memorial Fund.
Join principal architects of AD-WO Emanuel Admassu and Jen Wood for a presentation of their recent projects. After the presentation, Admassu and Wood will join visual artist Dawit L. Petros in a conversation on how the entanglement of colonialism and migration connects Africa, Europe, and North America, and demands new forms of spatial imagination.
In her discussion of this research, Becker shares what Pliny can tell us about the marketing and use of pigments during this period of Roman history before sitting down with Art Institute conservation scientist Giovanni Verri and curator Katharine Raff to search the museum’s collection for traces of ancient color.
This examination is particularly opportune, as we celebrate the 2000th anniversary of Pliny’s birth, and as the Art Institute, like many institutions, engages in ongoing research on ancient painting techniques.
This program is generously sponsored by the Boshell Family Foundation.
In the summer of 1932, the art world eagerly awaited Picasso’s first retrospective exhibition, curious to see how he would build on the innovations of his early career. The artist did not disappoint. In his 50th year, Picasso produced some of his most iconic works, drawing from personal experience and from an interest in the wider issues of the day. In celebration of Picasso: Drawing from Life, this lecture offers a journey through Picasso’s “Year of Wonders.”
Support for this program is provided by the Allan McNab Endowed Fund.
Archeologists and historians are still uncovering Dvāravatī—an Indianized culture, kingdom, and art style that emerged in Southeast Asia. Though grounded in neighboring Indic artistic traditions, this 7th–8th century material culture also encompasses local innovations. In this talk, Revire maps what we know about Dvāravatī art and the history of early Thailand.
Representing a woman of rank balancing a load on her head, this drum celebrates women’s prominence in Senufo society, where they act as family founders and spiritual mediators and guardians.
Keep reading and learn more about this incredible drum on the artwork page: https://www.artic.edu/artworks/111401/female-caryatid-drum-pinge.
These museum acquisitions are part of an ongoing effort to expand narratives, create space for, and revalue female makers in the galleries. Madsen delves into how, as curator, she endeavors to surface the stories and voices of women and the ways in which their historical artworks can connect to the present.
#5WomenArtists refers to a social media campaign launched in 2016 by the National Museum of Women in the Arts in Washington, DC to raise awareness about gender inequity in museums, the art market, and narratives of art history. Simply put, it issues a challenge: can you name (even) five women artists? Of course, we should be able to name many, many more!
00:00 - Introduction
00:18 - Prelude: Awakening
01:59- Rodin
06:27 - La Valse
11:23 - Shakuntala
16:45 - La Petite Chatelaine
21:34 - The Gossips
26:12 - L'age Mur
29:20 - Epilogue: Jessie Lipscomb visits Camille Claudel, Montdevergues Asylum, 1929
34:11 - Credits
The exhibition Picasso: Drawing from Life shines a light on the fascinating people that were often obscured by the artist’s far-reaching shadow. These individuals, such as his lovers, friends, dealers, and printers, contributed in varying ways to Picasso’s success and continuing mystique. However, one area the exhibition doesn’t explore is Picasso’s collectors. This talk will celebrate the men and women, like Robert Allerton, Margaret Day Blake, and Elizabeth Goodspeed, who helped make the Art Institute of Chicago’s Picasso collection one of the finest in the world.
Video of Picasso and Bobsy Goodspeed: Chapman Films, 1934–43, directed by Mrs. Gilbert W. Chapman (formerly Bobsy Goodspeed). With thanks to Robert Storr.
Into the Fire dives deep into the romantic, rebellious world of artist Camille Claudel, transforming her powerfully emotive sculptures and tragic life into music.
Camille Claudel: Into the Fire
Music by Jake Heggie
Lyrics by Gene Scheer
Copyright © 2011 by Bent Pen Music. All Rights Reserved. Sole Agent: Bill Holab Music.
Joyce DiDonato appears courtesy of Warner Classics.
The Brentano String Quartet features Misha Amory on viola, Serena Canin on violin, Nina Lee on cello, and Mark Steinberg on violin.
Generously supported by the Green Research Fund and the Carol Given Winston Fund.
Lead support for Camille Claudel is provided by an anonymous donor.
Major funding is provided by the Walter and Karla Goldschmidt Foundation, an anonymous donor, Amy and Paul Carbone, Marion A. Cameron-Gray, Nancy and Sanfred Koltun, Barbara and James MacGinnitie, Monika A. McLennan, Robin and Sandy Stuart, and Diane M. Tkach and James F. Freundt.
Members of the Luminary Trust provide annual leadership support for the museum's operations, including exhibition development, conservation and collection care, and educational programming. The Luminary Trust includes an anonymous donor, Karen Gray-Krehbiel and John Krehbiel, Jr., Kenneth C. Griffin, the Harris Family Foundation in memory of Bette and Neison Harris, Josef and Margot Lakonishok, Ann and Samuel M. Mencoff, Sylvia Neil and Dan Fischel, Cari and Michael J. Sacks, and the Earl and Brenda Shapiro Foundation.
Canova carved a modern portrait of the ancient past in stone. Inspired by classical antiquities and the birth of archeology, he created works that brought mythic characters of Greece and Rome to life in 18th-century Europe. Even as he sought to rival the beauty of ancient art, he also fought to preserve it, revealing a forward-thinking sensibility at the heart of his indebtedness to the past.
Emerson Bowyer, Searle Curator in Painting and Sculpture of Europe, discusses Canova’s complex and creative practice.
Janice Katz, Roger L. Weston Associate Curator of Japanese Art, discusses this stunning show.
Eiko Kishi documentary: Ufer! Art Documentary, "Eiko Kishi 岸 映子 2008," vimeo.com/175676077
Hosono Hitomi interview: TEFAF, "Inside the Studio of ceramicist Hitomi Hosono," youtu.be/iEykgrYrgDQ?si=v5mxHZQqNyxvhZAT
From blotting and decalcomania to soufflage and sgraffito, Varo employed a vast array of methods to achieve her singular and otherworldly paintings. Through close examination of her notebooks, preparatory drawings, and finished paintings, Broadway and Rush created the first comprehensive taxonomy of her approach to art-making. The result was something like a periodic table of painterly methods detailing Varo’s diverse process.
In conversation with editor Sheila Majumdar, the conservators share how this visual taxonomy of the artist’s techniques included in the exhibition’s catalogue offers unique guidance for viewers navigating Varo’s intricate landscapes.
Caravaggio’s light, dramatic and revealing, gripped and repelled audiences throughout Rome. His light illuminated the divine in the same strokes as it did the city’s grit. Caravaggio navigated the Eternal City’s sometimes violent underworld not only as an observer but as a person who belonged to it, and his intimate understanding informed his artistic expression.
Today, contemporary nightclub photography by artists like Nan Goldin and Wolfgang Tillmans continue the tradition, playing with light and shadow to capture pain, pleasure, violence, love, divination, sin, and redemption, offering a window into worlds that continue to captivate us.
Museum educator Marielle Epstein, hosted a conversation about Among Friends and Rivals: Caravaggio in Rome. In this unique program, inspired by public tours and discussions taking place in the Art Institute galleries, Marielle created an interactive opportunity to discuss, question, and reflect on the Baroque master’s unique life and practice, in hope that together, they could unlock Caravaggio.
This program is supported as part of the Dutch Culture USA program by the Consulate General of the Netherlands in New York.
Featuring over 60 works—drawings and prints, along with a handful of paintings and a sculpture—the exhibition spans Picasso’s rich and varied 70-year career, exploring the professional and personal partnerships that allowed him to gain international renown.
Printmaking process video: Linocut Elina Artist, "Reduction linocut 'Sunflowers' 2023," youtu.be/TvpsJaj0hfY?si=T680I0u8WW2rHM1C
This video was created in support of "Canova: Sketching in Clay," the first exhibition to focus on the Italian sculptor's lesser-known but unforgettable work in clay.
See "Canova: Sketching in Clay" at the Art Institute of Chicago, Nov 19, 2023–Mar 18, 2024.
A renegade artist, sculptor Camille Claudel fought against the social currents of her time to pursue her fiercely independent artistic vision. Her inventive and expressive depictions of the human form—whether in clay, plaster, bronze, and stone—tackled emotionally charged themes of love, loss, and desire that resonate loudly over a century later.
Born in Ohio, Dan Friedman trained at legendary design schools in Ulm, Germany, and Basel, Switzerland with mentors Armin Hofmann and Wolfgang Weingart. When he returned to the United States in 1969, Friedman taught graphic design at Yale University and took on high-profile design commissions, including now-iconic branding and logos for Citibank.
His work evolved in the late 1970s, fueled by the unbridled environment of New York’s East Village. There he immersed himself in alternative galleries and clubs and joined a community of like-minded radicals, including artists Jean-Michel Basquiat, Keith Haring, and Tseng Kwong Chi. Leaving behind his early career, Friedman created genre-bending works of assemblage and furniture using found objects, vibrantly painted surfaces, and diverse cultural references that pushed his graphic sensibilities into three dimensions.
This exhibition is the first museum retrospective focused on Dan Friedman’s extraordinary and underrecognized career. Featuring over 50 works drawn primarily from the Art Institute collection, the presentation showcases Friedman’s unbounded and subversive creativity—a sensibility that resonates with the stylistic and political directions of art and design today.
Known for his dramatic lighting effects and novel interpretations of well-known subjects, Caravaggio pioneered an original painting style that attracted powerful patrons and followers in Italy and abroad. This lecture follows the course of Caravaggio's career in Rome, as the artist created a name for himself with both his larger-than-life personality and his artistic achievements.
Curator Madhuvanti Ghose discusses this speech and the immense relevance of Vivekananda’s words today.
The first museum exhibition dedicated to the artist in the United States since 2000—brings together more than 20 paintings Varo created in Mexico from 1955 until her death in 1963. Additional materials from the artist’s archive—large-scale cartoons for paintings, notebooks, sketches, detailed studies, ephemera, and personal possessions—offer an even deeper understanding of her distinct and diverse practice. The exhibition’s subtitle, Science Fictions, alludes to the tensions and possibilities Varo brought together in her work as she searched to visualize hidden orders and unseen truths.
Learn more about the Remedios Varo "Science Fictions" exhibition on our website:
https://www.artic.edu/exhibitions/9935/remedios-varo-science-fictions
Presented in partnership with the Chicago chapter of The American Institute of Architects (AIA Chicago) and the Chicago Architecture Center (CAC) with additional support from Chicago Women in Architecture and the Art Institute’s Solomon Fund.
Patrick G. and Shirley W. Ryan Associate Curator of European Painting and Sculpture Rebecca Long explores how these relationships are reflected in the exhibition Among Friends and Rivals: Caravaggio in Rome.
Ferrill photographed these events regularly for 10 years (1970–80), creating images that demonstrate a relaxed relationship between her and her subjects—members of a close-knit community who saw the Garage as a space for the uninhibited personal expression of Black identity.
Keep reading and learn more about Mikki Ferrill on our artist page: https://www.artic.edu/artists/53221/mikki-ferrill
Bringing together more than 60 of Varo’s paintings, drawings, and sketchbooks from 1955 until her death in 1963, this show considers the artist’s practice of combining science, alchemy, magic, and mysticism with Surrealist automatic techniques.
Chapters
00:00 - Intro
00:17 - Background
01:05 - AIC Textile Conservation Department
02:47 - Teen Interns
05:43 - Outro
06:44 - Credits
Supplemental lesson plans and student resources:
https://www.artic.edu/collection/resources/educator-resources/rlc-presents-art-science-videos-and-curricula
Learn more about Textiles Conservation:
https://www.artic.edu/about-us/departments/conservation/textile-conservation
Chapters
00:00 - Intro
00:27 - Background
00:49 - SAIC Contemporary Practices
01:22 - Optics
03:11 - Teen Interns
05:47 - Outro
06:58 - Credits
Supplemental lesson plans and student resources:
https://www.artic.edu/collection/resources/educator-resources/rlc-presents-art-science-videos-and-curricula
Learn more about photography conservation:
https://www.artic.edu/about-us/departments/conservation/photograph-conservation
Chapters
00:00 - Intro
00:16 - Background
00:48 - AIC Object Conservation Department
01:50 - Ultraviolet Light
02:34 - Teen Interns
04:41 - Outro
06:17 - Credits
Supplemental lesson plans and student resources:
https://www.artic.edu/collection/resources/educator-resources/rlc-presents-art-science-videos-and-curricula
Learn more about objects conservation:
https://www.artic.edu/about-us/departments/conservation/objects-conservation
Chapters
00:00 - Intro
00:15 - Background
01:06 - AIC Frame Conservation Department
02:46 - Teen Interns
05:12 - Outro
06:22 - Credits
Supplemental lesson plans and student resources:
https://www.artic.edu/collection/resources/educator-resources/rlc-presents-art-science-videos-and-curricula
Learn more about frames conservation:
https://www.artic.edu/about-us/departments/conservation/frames-conservation
See works by Francisco de Zubaran:
https://www.artic.edu/artists/42406/francisco-de-zurbaran
Episode 1 - In the Lab: Frame It in Gold
youtu.be/JEC97_cu5qo
Episode 2 - In the Lab: UV Investigations
youtu.be/HdWAhQHxWGI
Episode 3 - In the Lab: Art and Optics
youtu.be/--Y2gcU-FLY
Episode 4 - In the Lab: Under the Microscope
youtu.be/_TycgGkhkNY
Learn more about conservation:
https://www.artic.edu/about-us/departments/conservation
Learn more about the Ryan Learning Center:
https://www.artic.edu/learn-with-us/ryan-learning-center
In this discussion of Ellsworth Kelly: Portrait Drawings, chair and curator of Prints and Drawings Kevin Salatino considers these little-known portraits—brought together as a coherent body of work for the first time in this exhibition—within the context of Kelly’s 70-year career. Salatino uncovers the complex relationships between these experimental, self-exploratory drawings and Kelly’s more public-facing work.
Support for Ellsworth Kelly: Portrait Drawings is generously provided by an anonymous donor.
Read more about "Van Gogh and the Avant-Garde: The Modern Landscape" on our website: https://www.artic.edu/exhibitions/9639/van-gogh-and-the-avant-garde-the-modern-landscape
Bringing together more than 30 paintings, drawings, photos, and surrealist objects, as well as a rich selection of printed matter, books, and artists ephemera to explore this critical period, the exhibition considers Dalí’s work in light of two defining, if contradictory, impulses: an immense desire for visibility and the urge to disappear.
Bringing together more than 75 paintings and drawings, this exhibition follows five interconnected artists—Vincent van Gogh, Georges Seurat, Paul Signac, Émile Bernard, and Charles Angrand—as they retreated to the working-class suburbs of Paris in the 1880s and found there an evolving industrial and social landscape that fueled intense creativity and experimentation.
Kwame Brathwaite came to photography through music. In 1956, after seeing photographs taken in the dim light of a club during a music event organized by AJASS (African Jazz-Art Society and Studios), a group that he co-founded, Brathwaite was inspired to pick up a camera himself. Initially, he took pictures in support of a larger cause—uplifting the “Black is Beautiful” movement, which he helped to shape by organizing fashion shows and concerts in New York that celebrated African beauty, culture, and heritage and subverted Western beauty standards. These beginnings set the stage for a prolific, seven-decade career documenting the visual culture unfolding alongside the Civil Rights and Black Power movements.
Generously supported by the Carol Given Winston Fund.
Lead support for "Van Gogh and the Avant-Garde: The Modern Landscape" is generously provided by
THE KENNETH C. GRIFFIN CHARITABLE FUND
Lead foundation support is generously contributed by the Harris Family Foundation in memory of Bette and Neison Harris.
Major support is provided by the Shure Charitable Trust, the Jentes Family, the Pepper Family Foundation, Julie and Roger Baskes, The Manitou Fund, and Margot Levin Schiff and the Harold Schiff Foundation.
Additional funding is provided by the Jack and Peggy Crowe Fund, the Suzanne and Wesley M. Dixon Exhibition Fund, and The Regenstein Foundation Fund.
Members of the Luminary Trust provide annual leadership support for the museum’s operations, including exhibition development, conservation and collection care, and educational programming. The Luminary Trust includes an anonymous donor, Karen Gray-Krehbiel and John Krehbiel, Jr., Kenneth C. Griffin, the Harris Family Foundation in memory of Bette and Neison Harris, Josef and Margot Lakonishok, Robert M. and Diane v.S. Levy, Ann and Samuel M. Mencoff, Sylvia Neil and Dan Fischel, Cari and Michael J. Sacks, and the Earl and Brenda Shapiro Foundation.
This exhibition is supported by an indemnity from the Federal Council on the Arts and the Humanities.
Lui Shou-Kwan (1919–1975) is commonly recognized as a leading artist of Hong Kong’s New Ink painting movement. Today, this style of painting is often aligned with the sort of spatter-and-daub Abstract Expressionism anchored by Jackson Pollock, but this alignment gives short shrift to the Hong Kong movement. With this lecture, Wang tells a fuller story of the movement and Shou-Kwan’s place in it, as well as those of his artistic soulmates, Irene Chou and Liu Kuo-sung.
Learn more about Gio Swaby's "Fresh Up" exhibition on our website:
https://www.artic.edu/exhibitions/9869/gio-swaby-fresh-up
Join the artist for a conversation with Melinda Watt, chair and curator of Textiles, textile conservator Isaac Facio, and assistant director of interpretation Loren Wright. Together they discuss "Gio Swaby: Fresh Up" and the significance of care in mounting an exhibition that is, at heart, a love letter to Black women.
The museum’s lions have been a fixture of Michigan Avenue since 1894, but years of exposure to the elements altered their appearance. Last summer, for the first time in decades, they were removed from their pedestals for extensive conservation. From steam-cleaning to wax-coating, learn what was done to ensure that the lions will watch over Michigan Avenue for years to come.
Van Gogh and the Avant-garde: The Modern Landscape
May 14–Sep 4, 2023
https://www.artic.edu/exhibitions/9639/van-gogh-and-the-avant-garde-the-modern-landscape


