The Rite Of Spring Jazz Rock Version by Takeshi InomataMrDjango19532017-11-18 | Japanese drummer Takeshi Inomata's Jazz Rock Version of Igor Stravinsky's The Rite of Spring from 1970.Laro Sollero,Boulou Ferre,Matelot Ferre Jacques Montagne play CharmaineMrDjango19532024-10-16 | Private recording mid 60sLaro Sollero,Boulou Ferre,Matelot Ferre All The Things You AreMrDjango19532024-10-16 | Private recording mid 1960sLaro Sollero,Boulou Ferre,Matelot FerreRaphael Fays Plays Minor Swing 1977 (Django Reinhardt)MrDjango19532024-10-13 | Raphael Fays Plays Minor Swing (Django Reinhardt)Tchavolo et Titi - Maria vocalMrDjango19532024-10-12 | Tchavolo et Titi - ''Maria'' vocalTchavolo Schmitt & Titi Bamberger play It Had To Be YouMrDjango19532024-10-12 | Tchavolo Schmitt plays It Had To Be YouTchavolo Schmitt and Titi Bamberger - La Valse Des NiglosMrDjango19532024-10-12 | Tchavolo Schmitt and Titi Bamberger - La Valse Des NiglosTchavolo Schmitt and Friends play Happy BirthdayMrDjango19532024-10-12 | Tchavolo Schmitt and Friends play Happy BirthdayTchavolo Schmitt sings MademoiselleMrDjango19532024-10-12 | Tchavolo Schmitt sings ''Mademoiselle''Tchavolo Schmitt sings Oublie MoiMrDjango19532024-10-12 | Tchavolo Schmitt sings Oublie MoiJazz Guitar Jimmy Wyble with Bob Harrington Quartet - Indecision (1958)MrDjango19532024-10-12 | From the album Bob Harrington Quartet – Vibraphone Fantasy In Jazz (1958) Guitar – Jimmy Wyble Vibraphone – Bob Harrington Acoustic Bass – Bob Carter Drum – Lloyd Morales Los Angeles, 1958.Henri Crolla Selmer Guitar plays O GuitareMrDjango19532024-09-27 | A charming piece arranged and played by guitarist Henri Crolla.Jimmy Webster plays Doodlin Around (Two handed tapping master) (1959) Produced by Chet AtkinsMrDjango19532024-09-27 | Two handed tapping inventor Jimmy Webster.
From the album ''Websters Unabridged''Jimmy Webster plays Night And Day (Two handed tapping master) (1959) Produced by Chet AtkinsMrDjango19532024-09-27 | Two handed tapping inventor Jimmy Webster.
From the album ''Websters Unabridged''Jimmy Webster Plays A Latin In Siam (Two handed tapping master) (1959) Produced by Chet AtkinsMrDjango19532024-09-27 | ...Jimmy Webster plays Ill Remember April (Two handed tapping master) (1959) Produced by Chet AtkinsMrDjango19532024-09-27 | Two handed tapping inventor Jimmy Webster.
From the album ''Websters Unabridged''.Jimmy Webster plays Scarlet Mood (Two handed tapping master) (1959) Produced by Chet AtkinsMrDjango19532024-09-27 | Two handed tapping inventor Jimmy Webster.
From the album ''Websters Unabridged''.Jimmy Webster Plays Lover (Two handed tapping master) (1959) Produced by Chet AtkinsMrDjango19532024-09-27 | Two handed tapping inventor Jimmy Webster.
From the album ''Websters Unabridged'' (1959) Produced by Chet AtkinsJimmy Webster Guitar plays Caravan (Two handed tapping master) (1959) Produced by Chet AtkinsMrDjango19532024-09-26 | Two handed tapping inventor Jimmy Webster.
From the album ''Websters Unabridged''.Jimmy Webster Guitar plays Harbor Song (Two handed tapping master) (1959) Produced by Chet AtkinsMrDjango19532024-09-26 | Two handed tapping inventor Jimmy Webster.
From the album ''Websters Unabridged''.Jimmy Webster Guitar Wonderful Guy (Two handed tapping master) (1959) Produced by Chet AtkinsMrDjango19532024-09-26 | Two handed tapping inventor Jimmy Webster.
From the album ''Websters Unabridged''.Jimmy Webster Guitar Fountain Mist (Two handed tapping master) (1959) Produced by Chet AtkinsMrDjango19532024-09-26 | Two handed tapping inventor Jimmy Webster.
From the album ''Websters Unabridged''.Jimmy Webster plays Needle In The Hay (Two handed tapping ) (1959) Produced by Chet AtkinsMrDjango19532024-09-26 | Two handed tapping inventor Jimmy Webster.
From the album ''Websters Unabridged''.Jimmy Webster Guitar - St Louis Blues (Two handed tapping master) (1959) Produced by Chet AtkinsMrDjango19532024-09-26 | Two handed tapping inventor Jimmy Webster.
From the album ''Websters Unabridged'' (1959) Produced by Chet AtkinsYamandu Costa, Walter e Waldir Silva play Tempo de Criança (Dilermando Reis)MrDjango19532024-09-05 | Yamandu Costa, Walter e Waldir Silva play Tempo de Criança (Dilermando Reis)Denny Dias (Steely Dan) with Hampton Hawes Trio Fly Me To The Moon (San Francisco 1976)MrDjango19532024-09-02 | Denny's solo is @ 7:00 Nothing earth shaking but a really nice melodic Jim Hall-ish solo from Dias.
Hampton Hawes - piano
Denny Dias - guitar
Carol Kaye - electric bass
Al Williams - drums
Denny's solo is 7:00 in Recorded: August 28, 1976 at the Great American Music Hall in San Francisco.Chuck Wayne w/ Dick Katz Trio 1958 Scrapple From The AppleMrDjango19532024-07-31 | Chuck Wayne w/ Dick Katz Trio 1958 'Scrapple From The Apple' (C Parker)
Guitar – Chuck Wayne Piano – Dick Katz Bass – Joe Benjamin Drums – Connie KayJacqueline Eymar Piano plays Debussy Danseuses de Delphes 1965 RARE FOOTAGEMrDjango19532024-07-15 | Magnificent piano playing by French pianist Jacqueline Eymar (23 June 1922 – 6 December 2008) Playing Debussy's prelude ''Danseuses de Delphes'' in 1965.Alcyvando Luz - Canto Sentido (compacto JS Discos - CS/109) (1970)MrDjango19532024-04-15 | Alcyvando Luz,Julio Barata,Celeste – Musico Poesia (JS Discos – CS/109) (1970) Here is ''Canto Sentido'', a very beautiful and haunting song written by Alcyvando Luz e Julio Barata marvellously sung by Alcyvando Luz.Released on the small label JS Discos in 1970.Jacques Fevrier Rare Film Plays Erik SatieMrDjango19532024-04-08 | JACQUES FEVRIER PLAYS ERIK SATIE. I'VE NEVER HEARD SATIE PLAYED BETTER THAN THIS.GIGI - Diz Que Fui Por Ai (Zé Keti) Killer Bossa JazzMrDjango19532024-02-04 | GIGI - Diz Que Fui Por Ai (Zé Keti) Killer Bossa Jazz
A fantastic bossa jazz version of the beautiful samba of Zé Keti ''Diz Que Fui Por Ai'' by obscure Brazilian singer Gigi.GIGI Botando Jazz No Meu Sambão (1964) Killer Bossa JazzMrDjango19532024-02-03 | Brazilian singer Gigi sings ''Botando Jazz No Meu Sambão'' Killer Bossa Jazz from 1964.Wow i wonder what happened to Gigi? She swings so hard.Great big band arrangement too.GERMAINE TALLIEFERRE PLAYS ERIK SATIE (RARE FOOTAGE)MrDjango19532024-01-22 | GERMAINE TALLIEFERRE WAS A FRENCH COMPOSER AND PIANIST. ITS AMAZING TO THINK SHE WAS GOOD FRIENDS WITH SATIE WHO CALLED HER HIS ''MUSICAL DAUGHTER'' ,SO WE CAN BE FAIRLY SURE THIS IS WHAT SATIE WANTED HIS MUSIC TO SOUND LIKE.
MORE INFO: Marcelle Germaine Taillefesse was born at Saint-Maur-des-Fossés, Val-de-Marne, France, but as a young woman she changed her last name from "Taillefesse" to "Tailleferre" to spite her father, who had refused to support her musical studies. She studied piano with her mother at home, composing short works of her own, after which she began studying at the Paris Conservatory where she met Louis Durey, Francis Poulenc, Darius Milhaud, Georges Auric, and Arthur Honegger. At the Paris Conservatory her skills were rewarded with prizes in several categories. Most notably, Tailleferre wrote 18 short works in the Petit livre de harpe de Madame Tardieu for Caroline Luigini, the Conservatory's Assistant Professor of harp.
With her new friends, she soon was associating with the artistic crowd in the Paris districts of Montmartre and Montparnasse, including the sculptor Emmanuel Centore who later married her sister Jeanne. It was in the Montparnasse atelier of one of her painter friends where the initial idea for Les Six began. The publication of Jean Cocteau's manifesto Le coq et l'Arlequin resulted in Henri Collet's media articles that led to instant fame for the group, of which Tailleferre was the only female member.
In 1923, Tailleferre began to spend a great deal of time with Maurice Ravel at his home in Montfort-l'Amaury. Ravel encouraged her to enter the Prix de Rome Competition. In 1926, she married Ralph Barton, an American caricaturist, and moved to Manhattan, New York. She remained in the United States until 1927, when she and her husband returned to France. They divorced shortly thereafter.
Tailleferre wrote many of her most important works during the 1920s, including her First Piano Concerto, the Harp Concertino, the ballets Le marchand d'oiseaux (the most frequently performed ballet in the repertoire of the Ballets suédois during the 1920s), La nouvelle Cythère, which was commissioned by Sergei Diaghilev for the ill-fated 1929 season of the famous Ballets Russes, and Sous les ramparts d'Athènes in collaboration with Paul Claudel, as well as several pioneering film scores, including B'anda, in which she used African themes.
In 1931 she gave birth to her only child, daughter Françoise Lageat, with lawyer Jean Lageat. The couple married one year later and would later divorce in 1955 after years of separation.[2][3]
The 1930s were even more fruitful, with the Concerto for Two Pianos, Chorus, Saxophones, and Orchestra, the Violin Concerto, the opera cycle Du style galant au style méchant, the operas Zoulaïna and Le marin de Bolivar, and her masterwork, La cantate de Narcisse, in collaboration with Paul Valéry. Her work in film music included Le petit chose by Maurice Cloche and a series of documentaries.
At the outbreak of World War II, she was forced to leave the majority of her scores at her home in Grasse, with the exception of her recently completed Three Études for Piano and Orchestra. Escaping across Spain to Portugal, she found passage on a boat that took her to the United States, where she lived the war years in Philadelphia, Pennsylvania.
After the war, in 1946, she returned to her home in France, where she composed orchestral and chamber music, plus numerous other works including the ballets Paris-Magie (with Lise Delarme) and Parisiana (for the Royal Ballet of Copenhagen), the operas Il était un petit navire (with Henri Jeanson), Dolores, La petite sirène (with Philippe Soupault, based on Hans Christian Andersen's story "The Little Mermaid"), and Le maître (to a libretto by Ionesco), the musical comedy Parfums, the Concerto des vaines paroles for baritone voice, piano, and orchestra, the Concerto for Soprano and Orchestra, the Concertino for Flute, Piano, and Orchestra, the Second Piano Concerto, the Concerto for Two Guitars and Orchestra, her Second Sonata for Violin and Piano, and the Sonata for Harp, as well as an impressive number of film and television scores. The majority of this music was not published until after her death. Germaine Tailleferre continued to compose right up until a few weeks before her death, on 7 November 1983 in Paris. She is buried in Quincy-Voisins, Seine-et-Marne, France.[4]