Tim Arnold NASA Man, Fox News Reporter, Neighbor T.J. Besler Jerry Gorman Leslie Charipar FAA Agent Meredith Taylor DuBon Neighbor Megan Turner Ginsberg Neighbor Ellen Hart Neighbor Jeff Jablonski Leonardo da Vinci, Neighbor Kate Knutson Blaire Janelle Lauer Gracie Emily Nelson Neighbor Zach Parker Charles Lindbergh, Neighbor Jane Pini Mother Gorman Steve Rezabek Mr. Frankel, Neighbor Traci Rezabek Neighbor Alex Schulte WalMart Clerk, Neighbor Scott Schulte Big Jack Preston, French Narrator Nina Swanson French Boy, Amelia Earhart Dominique Wooten TV Reporter, Neighbor
ARTISTIC STAFF Conductor Daniel Kleinknecht Stage Director Robert Lindsey-Nassif Stage Manager Christina Patramanis Technical Director Jason Lester Scenery Quinn Fortune for Cumberland Cty.Playhouse/Walt Spangler Costumes Curtis Phillips for Cumberland Cty. Playhouse Choreographer Amy Blades Chorusmaster Janelle Lauer Lighting Design Scott Olinger Sound Engineer Gerard Estella Costumer Risa Alecci Properties Manager Ann Sullivan
Tim Arnold NASA Man, Fox News Reporter, Neighbor T.J. Besler Jerry Gorman Leslie Charipar FAA Agent Meredith Taylor DuBon Neighbor Megan Turner Ginsberg Neighbor Ellen Hart Neighbor Jeff Jablonski Leonardo da Vinci, Neighbor Kate Knutson Blaire Janelle Lauer Gracie Emily Nelson Neighbor Zach Parker Charles Lindbergh, Neighbor Jane Pini Mother Gorman Steve Rezabek Mr. Frankel, Neighbor Traci Rezabek Neighbor Alex Schulte WalMart Clerk, Neighbor Scott Schulte Big Jack Preston, French Narrator Nina Swanson French Boy, Amelia Earhart Dominique Wooten TV Reporter, Neighbor
ARTISTIC STAFF Conductor Daniel Kleinknecht Stage Director Robert Lindsey-Nassif Stage Manager Christina Patramanis Technical Director Jason Lester Scenery Quinn Fortune for Cumberland Cty.Playhouse/Walt Spangler Costumes Curtis Phillips for Cumberland Cty. Playhouse Choreographer Amy Blades Chorusmaster Janelle Lauer Lighting Design Scott Olinger Sound Engineer Gerard Estella Costumer Risa Alecci Properties Manager Ann SullivanOPAL SUITERobert Lindsey-Nassif2023-03-08 | Opal Suite by Robert Lindsey-Nassif Inspired by the Childhood Diary of Opal Whiteley (aka Françoise D'Orleans) Opal Narrator: Angelique Van Dorpe
1. The Lumber Camp - 0:00 2. The Diary - 6:15Opera SceneRobert Lindsey-Nassif2023-01-16 | In four sections
Music by Robert Lindsey-Nassif
Section 1 - 0:00 Section 2 - 4:45 Section 3 - 9:56 Section 4 - 12:32Requiem for Fathers and SonsRobert Lindsey-Nassif2023-01-16 | In three movements
Music by Robert Lindsey-Nassif
Movement 1 - 0:00 Movement 2 - 8:34 Movement 3 - 13:51AMERICAN GOTHICAL - Opera in One Act by Robert Lindsey-NassifRobert Lindsey-Nassif2023-01-15 | AMERICAN GOTHICAL - Opera in One Act by Robert Lindsey-Nassif AMERICAN GOTHICAL tells the unlikely story that led to creation of one of the most famous paintings in the world. Commissioned by the Cedar Rapids Opera Theatre and Nan Riley
The comical-but-true story begins when Grant Woods is at his dentist’s office and notices the power and beauty of Dr. McKeeby’s hands. Grant explains those hands go with the house he saw in Eldon, Iowa two weeks prior – a “cardboardy” farm house with an enormous gothic window. Grant must convince his somber, elderly dentist and reluctant sister to pose for what we know will become his masterpiece. When Grant finally reveals that his dentist resembles Grant’s deceased father, the opera takes a poignant turn and ends reverentially as the final iconic pose comes together for what is perhaps the most beloved painting in the world.
Movement 1 - Theme from HOLLYWOOD ARMS 0:00 Movement 2 - The Rooftop and Jody's Theme 1:24 Movement 3 - Slapstick 5:27 Movement 4 - Dreams 8:04Who Was Opal Whiteley? by Elizabeth Bradburne LawrenceRobert Lindsey-Nassif2019-06-24 | Elizabeth Bradburne Lawrence was a radio journalist for the British Broadcasting Company and a renowned expert in childhood development, authoring two series of reading books that were the standard teaching system throughout Britain.
(Adapted from Opal Whiteley: The Unsolved Mystery by Elizabeth Bradburne Lawrence)
Opal lived in the home of a lumberman and his wife in the woods of Oregon at the turn of the 20th century, where she wrote her childhood diary on scraps of paper – brown paper bags, the backs of envelopes – anything she could get hold of.
After leaving University, she wrote a nature book, which she took to the Atlantic Monthly hoping it might be published. The editor was intrigued by Opal’s vivid childhood recollections and asked her if she had kept a diary.
The diary had been torn up, but Opal had kept the pieces. She painstakingly put them together and it was published in 1920, in America and England. Then it was forgotten, until introduced by a B.B.C. broadcast forty years later. [Elizabeth Bradburne was the B.B.C. journalist who found the diary and the diarist.]
In the meantime, Opal’s attend had been drawn to a number of French words and phrases in her diary. Eventually she came to feel that her real father had been Prince Henri D’Orleans, the one-time heir to what would have been the throne of France.
Since then, she has been known in England as Princesse Françoise Marie d Bourbon Orleans. She died in February 1992, in a hospital near London, where she lived well into her nineties, still certain that her father was Henri D’Orleans and that her name was Françoise.
The importance of Opal and her diary is not the mystery of who she was, fascinating as this is, but in the insight her diary gives into the inner life of childhood.
-------------------------------- My Friend, Opal Whiteley (aka Françoise D’Orleans) by Robert Lindsey-Nassif
I knew Franoçoise D’Orleans (as she preferred to be called) for the last twelve years of her life. I visited her many times and countless spent hours with her talking about her past and her diary.
It all began when a family friend telephoned one day in the 1980s. She was laughing and crying at the same time and said she had just discovered a published diary written by a young girl in and Oregon lumber camp in 1904. She read me some passages and I was smitten. My Opal odyssey had begun.
I found out that Coe College had a copy of the diary as it was originally published by the Atlantic Monthly in 1920. I borrowed and Xeroxed the diary, spending the next years cutting and pasting pages together to create a musical narrative. The musical led me to New York, where I acquired the dramatic rights to the British copyright of the diary and sought out producers.
Meantime, I discovered that Franoçoise was still alive and living in a care center England. I made the journey to meet her and returned many times for the next twelve years. We would sit together for hours, her caregivers often serving us tea and biscuits, as Françoise told me about her diary and her life. I asked her many questions and played her songs from my musical, that she called my “opera.” And whenever I due for a visit, she would tell her nurses, “Robert from New York is coming. Robert with the moustache!” I would bring her chocolates, fruit, and teddy bears. She became a dear friend and gave me actual pages from her diary, which I cherish to this day. Her solicitor and biographer also became close, trusted friends.
During one of my trips, I visited the Honorable Mrs. Douglas Woodruff, who had known Françoise since the 1930s. My sister was with me on that visit. She met Mrs. Woodruff’s nephew, Richard Acton (later Lord Acton), and married him within a year.
OPAL won the Richard Rodgers Award (chairman, Stephen Sondheim), which provided funding for a New York production. It opened at the Lamb’s Theatre just off Times Square in 1992, where it received four Outer Critics Circle Award nominations and subsequently the AT&T Award. Sadly, died Françoise during the rehearsals for the off-Broadway production. My brother-in-law read a eulogy at her funeral.
After the New York production, the Shubert Organization presented OPAL at the George St. Playhouse and Broadway director/choreographer Lynne Taylor-Corbett premiered a new production in Dallas. OPAL published by Samuel French, Inc. and continues to have performances around the country.Eliot Ness in Cleveland - Clean CityRobert Lindsey-Nassif2019-05-14 | Eliot Ness in Cleveland Book by Peter Ullian Music & Lyrics by Robert Lindsey-Nassif Co-Adaptation by Nick Corley Based on the Play In the Shadow of the Terminal Tower by Peter Ullian
1. Save Us, Eliot 2. There’s Always Tomorrow 3. A Land Whose Name is Peace 4. Clean City 5. Let’s Do Some Arithmetic 6. Stoneham’s Song 7. Once Upon a Time 8. New Man in Town 9. Bad Tattoo 10. House of Mirrors 11. Who is this Man? 12. Whatever Happened to Organized Crime? 13. Starting to Disappear 14. Morgue Scene 15. Billboard Ghosts 16. Will It Matter That I Was? 17. A Land Whose Name is Peace (reprise) 18. Curtain Call 19. Will It Matter That I Was? (instrumental)
1. Save Us, Eliot 2. There’s Always Tomorrow 3. A Land Whose Name is Peace 4. Clean City 5. Let’s Do Some Arithmetic 6. Stoneham’s Song 7. Once Upon a Time 8. New Man in Town 9. Bad Tattoo 10. House of Mirrors 11. Who is this Man? 12. Whatever Happened to Organized Crime? 13. Starting to Disappear 14. Morgue Scene 15. Billboard Ghosts 16. Will It Matter That I Was? 17. A Land Whose Name is Peace (reprise) 18. Curtain Call 19. Will It Matter That I Was? (instrumental)
1. Save Us, Eliot 2. There’s Always Tomorrow 3. A Land Whose Name is Peace 4. Clean City 5. Let’s Do Some Arithmetic 6. Stoneham’s Song 7. Once Upon a Time 8. New Man in Town 9. Bad Tattoo 10. House of Mirrors 11. Who is this Man? 12. Whatever Happened to Organized Crime? 13. Starting to Disappear 14. Morgue Scene 15. Billboard Ghosts 16. Will It Matter That I Was? 17. A Land Whose Name is Peace (reprise) 18. Curtain Call 19. Will It Matter That I Was? (instrumental)
1. Save Us, Eliot 2. There’s Always Tomorrow 3. A Land Whose Name is Peace 4. Clean City 5. Let’s Do Some Arithmetic 6. Stoneham’s Song 7. Once Upon a Time 8. New Man in Town 9. Bad Tattoo 10. House of Mirrors 11. Who is this Man? 12. Whatever Happened to Organized Crime? 13. Starting to Disappear 14. Morgue Scene 15. Billboard Ghosts 16. Will It Matter That I Was? 17. A Land Whose Name is Peace (reprise) 18. Curtain Call 19. Will It Matter That I Was? (instrumental)
1. Save Us, Eliot 2. There’s Always Tomorrow 3. A Land Whose Name is Peace 4. Clean City 5. Let’s Do Some Arithmetic 6. Stoneham’s Song 7. Once Upon a Time 8. New Man in Town 9. Bad Tattoo 10. House of Mirrors 11. Who is this Man? 12. Whatever Happened to Organized Crime? 13. Starting to Disappear 14. Morgue Scene 15. Billboard Ghosts 16. Will It Matter That I Was? 17. A Land Whose Name is Peace (reprise) 18. Curtain Call 19. Will It Matter That I Was? (instrumental)
1. Save Us, Eliot 2. There’s Always Tomorrow 3. A Land Whose Name is Peace 4. Clean City 5. Let’s Do Some Arithmetic 6. Stoneham’s Song 7. Once Upon a Time 8. New Man in Town 9. Bad Tattoo 10. House of Mirrors 11. Who is this Man? 12. Whatever Happened to Organized Crime? 13. Starting to Disappear 14. Morgue Scene 15. Billboard Ghosts 16. Will It Matter That I Was? 17. A Land Whose Name is Peace (reprise) 18. Curtain Call 19. Will It Matter That I Was? (instrumental)
1. Save Us, Eliot 2. There’s Always Tomorrow 3. A Land Whose Name is Peace 4. Clean City 5. Let’s Do Some Arithmetic 6. Stoneham’s Song 7. Once Upon a Time 8. New Man in Town 9. Bad Tattoo 10. House of Mirrors 11. Who is this Man? 12. Whatever Happened to Organized Crime? 13. Starting to Disappear 14. Morgue Scene 15. Billboard Ghosts 16. Will It Matter That I Was? 17. A Land Whose Name is Peace (reprise) 18. Curtain Call 19. Will It Matter That I Was? (instrumental)
1. Save Us, Eliot 2. There’s Always Tomorrow 3. A Land Whose Name is Peace 4. Clean City 5. Let’s Do Some Arithmetic 6. Stoneham’s Song 7. Once Upon a Time 8. New Man in Town 9. Bad Tattoo 10. House of Mirrors 11. Who is this Man? 12. Whatever Happened to Organized Crime? 13. Starting to Disappear 14. Morgue Scene 15. Billboard Ghosts 16. Will It Matter That I Was? 17. A Land Whose Name is Peace (reprise) 18. Curtain Call 19. Will It Matter That I Was? (instrumental)
1. Save Us, Eliot 2. There’s Always Tomorrow 3. A Land Whose Name is Peace 4. Clean City 5. Let’s Do Some Arithmetic 6. Stoneham’s Song 7. Once Upon a Time 8. New Man in Town 9. Bad Tattoo 10. House of Mirrors 11. Who is this Man? 12. Whatever Happened to Organized Crime? 13. Starting to Disappear 14. Morgue Scene 15. Billboard Ghosts 16. Will It Matter That I Was? 17. A Land Whose Name is Peace (reprise) 18. Curtain Call 19. Will It Matter That I Was? (instrumental)
1. Save Us, Eliot 2. There’s Always Tomorrow 3. A Land Whose Name is Peace 4. Clean City 5. Let’s Do Some Arithmetic 6. Stoneham’s Song 7. Once Upon a Time 8. New Man in Town 9. Bad Tattoo 10. House of Mirrors 11. Who is this Man? 12. Whatever Happened to Organized Crime? 13. Starting to Disappear 14. Morgue Scene 15. Billboard Ghosts 16. Will It Matter That I Was? 17. A Land Whose Name is Peace (reprise) 18. Curtain Call 19. Will It Matter That I Was? (instrumental)
1. Save Us, Eliot 2. There’s Always Tomorrow 3. A Land Whose Name is Peace 4. Clean City 5. Let’s Do Some Arithmetic 6. Stoneham’s Song 7. Once Upon a Time 8. New Man in Town 9. Bad Tattoo 10. House of Mirrors 11. Who is this Man? 12. Whatever Happened to Organized Crime? 13. Starting to Disappear 14. Morgue Scene 15. Billboard Ghosts 16. Will It Matter That I Was? 17. A Land Whose Name is Peace (reprise) 18. Curtain Call 19. Will It Matter That I Was? (instrumental)
1. Save Us, Eliot 2. There’s Always Tomorrow 3. A Land Whose Name is Peace 4. Clean City 5. Let’s Do Some Arithmetic 6. Stoneham’s Song 7. Once Upon a Time 8. New Man in Town 9. Bad Tattoo 10. House of Mirrors 11. Who is this Man? 12. Whatever Happened to Organized Crime? 13. Starting to Disappear 14. Morgue Scene 15. Billboard Ghosts 16. Will It Matter That I Was? 17. A Land Whose Name is Peace (reprise) 18. Curtain Call 19. Will It Matter That I Was? (instrumental)
1. Save Us, Eliot 2. There’s Always Tomorrow 3. A Land Whose Name is Peace 4. Clean City 5. Let’s Do Some Arithmetic 6. Stoneham’s Song 7. Once Upon a Time 8. New Man in Town 9. Bad Tattoo 10. House of Mirrors 11. Who is this Man? 12. Whatever Happened to Organized Crime? 13. Starting to Disappear 14. Morgue Scene 15. Billboard Ghosts 16. Will It Matter That I Was? 17. A Land Whose Name is Peace (reprise) 18. Curtain Call 19. Will It Matter That I Was? (instrumental)
1. Save Us, Eliot 2. There’s Always Tomorrow 3. A Land Whose Name is Peace 4. Clean City 5. Let’s Do Some Arithmetic 6. Stoneham’s Song 7. Once Upon a Time 8. New Man in Town 9. Bad Tattoo 10. House of Mirrors 11. Who is this Man? 12. Whatever Happened to Organized Crime? 13. Starting to Disappear 14. Morgue Scene 15. Billboard Ghosts 16. Will It Matter That I Was? 17. A Land Whose Name is Peace (reprise) 18. Curtain Call 19. Will It Matter That I Was? (instrumental)
1. Save Us, Eliot 2. There’s Always Tomorrow 3. A Land Whose Name is Peace 4. Clean City 5. Let’s Do Some Arithmetic 6. Stoneham’s Song 7. Once Upon a Time 8. New Man in Town 9. Bad Tattoo 10. House of Mirrors 11. Who is this Man? 12. Whatever Happened to Organized Crime? 13. Starting to Disappear 14. Morgue Scene 15. Billboard Ghosts 16. Will It Matter That I Was? 17. A Land Whose Name is Peace (reprise) 18. Curtain Call 19. Will It Matter That I Was? (instrumental)
1. Save Us, Eliot 2. There’s Always Tomorrow 3. A Land Whose Name is Peace 4. Clean City 5. Let’s Do Some Arithmetic 6. Stoneham’s Song 7. Once Upon a Time 8. New Man in Town 9. Bad Tattoo 10. House of Mirrors 11. Who is this Man? 12. Whatever Happened to Organized Crime? 13. Starting to Disappear 14. Morgue Scene 15. Billboard Ghosts 16. Will It Matter That I Was? 17. A Land Whose Name is Peace (reprise) 18. Curtain Call 19. Will It Matter That I Was? (instrumental)
Time -- Autumn 1904 to Summer 1905 Place -- An Oregon Lumber Camp
1. Just Beyond the Horizon 2. Mother, Father 3. To Conquer the Land 4. Sears & Roebuck Wedding Band 5. Search for a Sign 6. Little Lamb 7. Night of Shooting Stars 8. Opal 9. To Conquer the Land (reprise) 10. Someone 11. What Might Have Been 12. Everybody’s Looking for Love 13. Why Do I See God? 14. Finale 15. Just Beyond the Horizon (reprise)
The musical OPAL is licensed for performance worldwide by Samuel French, Inc. www.SamuelFrench.com www.RobertLindseyNassif.com
The international copyright for the Opal Whiteley diary is still in effect throughout the world until 2065. It is owned and administered by the University of London Library by order of the Supreme Court of Protection, London.
The dramatic rights (for stage, film, television, and all dramatic media) to the worldwide British copyright are owned exclusively by Robert Lindsey-Nassif. Unauthorized dramatization of the Opal Whiteley diary is illegal and subject to prosecution.Opal - Everybodys Looking for LoveRobert Lindsey-Nassif2018-10-27 | Book, music and lyrics by Robert Lindsey-Nassif Based on the Childhood Diary of Opal Whiteley (aka Françoise D'Orleans)
Time -- Autumn 1904 to Summer 1905 Place -- An Oregon Lumber Camp
1. Just Beyond the Horizon 2. Mother, Father 3. To Conquer the Land 4. Sears & Roebuck Wedding Band 5. Search for a Sign 6. Little Lamb 7. Night of Shooting Stars 8. Opal 9. To Conquer the Land (reprise) 10. Someone 11. What Might Have Been 12. Everybody’s Looking for Love 13. Why Do I See God? 14. Finale 15. Just Beyond the Horizon (reprise)
The musical OPAL is licensed for performance worldwide by Samuel French, Inc. www.SamuelFrench.com www.RobertLindseyNassif.com
The international copyright for the Opal Whiteley diary is still in effect throughout the world until 2065. It is owned and administered by the University of London Library by order of the Supreme Court of Protection, London.
The dramatic rights (for stage, film, television, and all dramatic media) to the worldwide British copyright are owned exclusively by Robert Lindsey-Nassif. Unauthorized dramatization of the Opal Whiteley diary is illegal and subject to prosecution.Opal - Search for a SignRobert Lindsey-Nassif2018-10-27 | Book, music and lyrics by Robert Lindsey-Nassif Based on the Childhood Diary of Opal Whiteley (aka Françoise D'Orleans)
Time -- Autumn 1904 to Summer 1905 Place -- An Oregon Lumber Camp
1. Just Beyond the Horizon 2. Mother, Father 3. To Conquer the Land 4. Sears & Roebuck Wedding Band 5. Search for a Sign 6. Little Lamb 7. Night of Shooting Stars 8. Opal 9. To Conquer the Land (reprise) 10. Someone 11. What Might Have Been 12. Everybody’s Looking for Love 13. Why Do I See God? 14. Finale 15. Just Beyond the Horizon (reprise)
The musical OPAL is licensed for performance worldwide by Samuel French, Inc. www.SamuelFrench.com www.RobertLindseyNassif.com
The international copyright for the Opal Whiteley diary is still in effect throughout the world until 2065. It is owned and administered by the University of London Library by order of the Supreme Court of Protection, London.
The dramatic rights (for stage, film, television, and all dramatic media) to the worldwide British copyright are owned exclusively by Robert Lindsey-Nassif. Unauthorized dramatization of the Opal Whiteley diary is illegal and subject to prosecution.Opal - Just Beyond the HorizonRobert Lindsey-Nassif2018-10-27 | Book, music and lyrics by Robert Lindsey-Nassif Based on the Childhood Diary of Opal Whiteley (aka Françoise D'Orleans)
Time -- Autumn 1904 to Summer 1905 Place -- An Oregon Lumber Camp
1. Just Beyond the Horizon 2. Mother, Father 3. To Conquer the Land 4. Sears & Roebuck Wedding Band 5. Search for a Sign 6. Little Lamb 7. Night of Shooting Stars 8. Opal 9. To Conquer the Land (reprise) 10. Someone 11. What Might Have Been 12. Everybody’s Looking for Love 13. Why Do I See God? 14. Finale 15. Just Beyond the Horizon (reprise)
The musical OPAL is licensed for performance worldwide by Samuel French, Inc. www.SamuelFrench.com www.RobertLindseyNassif.com
The international copyright for the Opal Whiteley diary is still in effect throughout the world until 2065. It is owned and administered by the University of London Library by order of the Supreme Court of Protection, London.
The dramatic rights (for stage, film, television, and all dramatic media) to the worldwide British copyright are owned exclusively by Robert Lindsey-Nassif. Unauthorized dramatization of the Opal Whiteley diary is illegal and subject to prosecution.Opal - To Conquer the Land (Reprise)Robert Lindsey-Nassif2018-10-27 | Book, music and lyrics by Robert Lindsey-Nassif Based on the Childhood Diary of Opal Whiteley (aka Françoise D'Orleans)
Time -- Autumn 1904 to Summer 1905 Place -- An Oregon Lumber Camp
1. Just Beyond the Horizon 2. Mother, Father 3. To Conquer the Land 4. Sears & Roebuck Wedding Band 5. Search for a Sign 6. Little Lamb 7. Night of Shooting Stars 8. Opal 9. To Conquer the Land (reprise) 10. Someone 11. What Might Have Been 12. Everybody’s Looking for Love 13. Why Do I See God? 14. Finale 15. Just Beyond the Horizon (reprise)
The musical OPAL is licensed for performance worldwide by Samuel French, Inc. www.SamuelFrench.com www.RobertLindseyNassif.com
The international copyright for the Opal Whiteley diary is still in effect throughout the world until 2065. It is owned and administered by the University of London Library by order of the Supreme Court of Protection, London.
The dramatic rights (for stage, film, television, and all dramatic media) to the worldwide British copyright are owned exclusively by Robert Lindsey-Nassif. Unauthorized dramatization of the Opal Whiteley diary is illegal and subject to prosecution.Opal - Sears & Roebuck Wedding BandRobert Lindsey-Nassif2018-10-27 | Book, music and lyrics by Robert Lindsey-Nassif Based on the Childhood Diary of Opal Whiteley (aka Françoise D'Orleans)
Time -- Autumn 1904 to Summer 1905 Place -- An Oregon Lumber Camp
1. Just Beyond the Horizon 2. Mother, Father 3. To Conquer the Land 4. Sears & Roebuck Wedding Band 5. Search for a Sign 6. Little Lamb 7. Night of Shooting Stars 8. Opal 9. To Conquer the Land (reprise) 10. Someone 11. What Might Have Been 12. Everybody’s Looking for Love 13. Why Do I See God? 14. Finale 15. Just Beyond the Horizon (reprise)
The musical OPAL is licensed for performance worldwide by Samuel French, Inc. www.SamuelFrench.com www.RobertLindseyNassif.com
The international copyright for the Opal Whiteley diary is still in effect throughout the world until 2065. It is owned and administered by the University of London Library by order of the Supreme Court of Protection, London.
The dramatic rights (for stage, film, television, and all dramatic media) to the worldwide British copyright are owned exclusively by Robert Lindsey-Nassif. Unauthorized dramatization of the Opal Whiteley diary is illegal and subject to prosecution.Opal - Mother, FatherRobert Lindsey-Nassif2018-10-27 | Book, music and lyrics by Robert Lindsey-Nassif Based on the Childhood Diary of Opal Whiteley (aka Françoise D'Orleans)
Time -- Autumn 1904 to Summer 1905 Place -- An Oregon Lumber Camp
1. Just Beyond the Horizon 2. Mother, Father 3. To Conquer the Land 4. Sears & Roebuck Wedding Band 5. Search for a Sign 6. Little Lamb 7. Night of Shooting Stars 8. Opal 9. To Conquer the Land (reprise) 10. Someone 11. What Might Have Been 12. Everybody’s Looking for Love 13. Why Do I See God? 14. Finale 15. Just Beyond the Horizon (reprise)
The musical OPAL is licensed for performance worldwide by Samuel French, Inc. www.SamuelFrench.com www.RobertLindseyNassif.com
The international copyright for the Opal Whiteley diary is still in effect throughout the world until 2065. It is owned and administered by the University of London Library by order of the Supreme Court of Protection, London.
The dramatic rights (for stage, film, television, and all dramatic media) to the worldwide British copyright are owned exclusively by Robert Lindsey-Nassif. Unauthorized dramatization of the Opal Whiteley diary is illegal and subject to prosecution.Opal - To Conquer the LandRobert Lindsey-Nassif2018-10-27 | Book, music and lyrics by Robert Lindsey-Nassif Based on the Childhood Diary of Opal Whiteley (aka Françoise D'Orleans)
Time -- Autumn 1904 to Summer 1905 Place -- An Oregon Lumber Camp
1. Just Beyond the Horizon 2. Mother, Father 3. To Conquer the Land 4. Sears & Roebuck Wedding Band 5. Search for a Sign 6. Little Lamb 7. Night of Shooting Stars 8. Opal 9. To Conquer the Land (reprise) 10. Someone 11. What Might Have Been 12. Everybody’s Looking for Love 13. Why Do I See God? 14. Finale 15. Just Beyond the Horizon (reprise)
The musical OPAL is licensed for performance worldwide by Samuel French, Inc. www.SamuelFrench.com www.RobertLindseyNassif.com
The international copyright for the Opal Whiteley diary is still in effect throughout the world until 2065. It is owned and administered by the University of London Library by order of the Supreme Court of Protection, London.
The dramatic rights (for stage, film, television, and all dramatic media) to the worldwide British copyright are owned exclusively by Robert Lindsey-Nassif. Unauthorized dramatization of the Opal Whiteley diary is illegal and subject to prosecution.Opal - Why Do I See GodRobert Lindsey-Nassif2018-10-27 | Book, music and lyrics by Robert Lindsey-Nassif Based on the Childhood Diary of Opal Whiteley (aka Françoise D'Orleans)
Time -- Autumn 1904 to Summer 1905 Place -- An Oregon Lumber Camp
1. Just Beyond the Horizon 2. Mother, Father 3. To Conquer the Land 4. Sears & Roebuck Wedding Band 5. Search for a Sign 6. Little Lamb 7. Night of Shooting Stars 8. Opal 9. To Conquer the Land (reprise) 10. Someone 11. What Might Have Been 12. Everybody’s Looking for Love 13. Why Do I See God? 14. Finale 15. Just Beyond the Horizon (reprise)
The musical OPAL is licensed for performance worldwide by Samuel French, Inc. www.SamuelFrench.com www.RobertLindseyNassif.com
The international copyright for the Opal Whiteley diary is still in effect throughout the world until 2065. It is owned and administered by the University of London Library by order of the Supreme Court of Protection, London.
The dramatic rights (for stage, film, television, and all dramatic media) to the worldwide British copyright are owned exclusively by Robert Lindsey-Nassif. Unauthorized dramatization of the Opal Whiteley diary is illegal and subject to prosecution.Opal - Night of Shooting StarsRobert Lindsey-Nassif2018-10-27 | Book, music and lyrics by Robert Lindsey-Nassif Based on the Childhood Diary of Opal Whiteley (aka Françoise D'Orleans)
Time -- Autumn 1904 to Summer 1905 Place -- An Oregon Lumber Camp
1. Just Beyond the Horizon 2. Mother, Father 3. To Conquer the Land 4. Sears & Roebuck Wedding Band 5. Search for a Sign 6. Little Lamb 7. Night of Shooting Stars 8. Opal 9. To Conquer the Land (reprise) 10. Someone 11. What Might Have Been 12. Everybody’s Looking for Love 13. Why Do I See God? 14. Finale 15. Just Beyond the Horizon (reprise)
The musical OPAL is licensed for performance worldwide by Samuel French, Inc. www.SamuelFrench.com www.RobertLindseyNassif.com
The international copyright for the Opal Whiteley diary is still in effect throughout the world until 2065. It is owned and administered by the University of London Library by order of the Supreme Court of Protection, London.
The dramatic rights (for stage, film, television, and all dramatic media) to the worldwide British copyright are owned exclusively by Robert Lindsey-Nassif. Unauthorized dramatization of the Opal Whiteley diary is illegal and subject to prosecution.Opal - OpalRobert Lindsey-Nassif2018-10-27 | Book, music and lyrics by Robert Lindsey-Nassif Based on the Childhood Diary of Opal Whiteley (aka Françoise D'Orleans)
Time -- Autumn 1904 to Summer 1905 Place -- An Oregon Lumber Camp
1. Just Beyond the Horizon 2. Mother, Father 3. To Conquer the Land 4. Sears & Roebuck Wedding Band 5. Search for a Sign 6. Little Lamb 7. Night of Shooting Stars 8. Opal 9. To Conquer the Land (reprise) 10. Someone 11. What Might Have Been 12. Everybody’s Looking for Love 13. Why Do I See God? 14. Finale 15. Just Beyond the Horizon (reprise)
The musical OPAL is licensed for performance worldwide by Samuel French, Inc. www.SamuelFrench.com www.RobertLindseyNassif.com
The international copyright for the Opal Whiteley diary is still in effect throughout the world until 2065. It is owned and administered by the University of London Library by order of the Supreme Court of Protection, London.
The dramatic rights (for stage, film, television, and all dramatic media) to the worldwide British copyright are owned exclusively by Robert Lindsey-Nassif. Unauthorized dramatization of the Opal Whiteley diary is illegal and subject to prosecution.Opal - What Might Have BeenRobert Lindsey-Nassif2018-10-27 | Book, music and lyrics by Robert Lindsey-Nassif Based on the Childhood Diary of Opal Whiteley (aka Françoise D'Orleans)
Time -- Autumn 1904 to Summer 1905 Place -- An Oregon Lumber Camp
1. Just Beyond the Horizon 2. Mother, Father 3. To Conquer the Land 4. Sears & Roebuck Wedding Band 5. Search for a Sign 6. Little Lamb 7. Night of Shooting Stars 8. Opal 9. To Conquer the Land (reprise) 10. Someone 11. What Might Have Been 12. Everybody’s Looking for Love 13. Why Do I See God? 14. Finale 15. Just Beyond the Horizon (reprise)
The musical OPAL is licensed for performance worldwide by Samuel French, Inc. www.SamuelFrench.com www.RobertLindseyNassif.com
The international copyright for the Opal Whiteley diary is still in effect throughout the world until 2065. It is owned and administered by the University of London Library by order of the Supreme Court of Protection, London.
The dramatic rights (for stage, film, television, and all dramatic media) to the worldwide British copyright are owned exclusively by Robert Lindsey-Nassif. Unauthorized dramatization of the Opal Whiteley diary is illegal and subject to prosecution.Opal - Little LambRobert Lindsey-Nassif2018-10-27 | Book, music and lyrics by Robert Lindsey-Nassif Based on the Childhood Diary of Opal Whiteley (aka Françoise D'Orleans)
Time -- Autumn 1904 to Summer 1905 Place -- An Oregon Lumber Camp
1. Just Beyond the Horizon 2. Mother, Father 3. To Conquer the Land 4. Sears & Roebuck Wedding Band 5. Search for a Sign 6. Little Lamb 7. Night of Shooting Stars 8. Opal 9. To Conquer the Land (reprise) 10. Someone 11. What Might Have Been 12. Everybody’s Looking for Love 13. Why Do I See God? 14. Finale 15. Just Beyond the Horizon (reprise)
The musical OPAL is licensed for performance worldwide by Samuel French, Inc. www.SamuelFrench.com www.RobertLindseyNassif.com
The international copyright for the Opal Whiteley diary is still in effect throughout the world until 2065. It is owned and administered by the University of London Library by order of the Supreme Court of Protection, London.
The dramatic rights (for stage, film, television, and all dramatic media) to the worldwide British copyright are owned exclusively by Robert Lindsey-Nassif. Unauthorized dramatization of the Opal Whiteley diary is illegal and subject to prosecution.