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Dan Slott Superman Spider-Man Crossovers FF and More
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But that’s just the start—Chip and I explore his Marvel catalog as well, from the gritty, character-driven drama of Daredevil to the cosmic and family-centered Marvel Two-In-One with the Thing and the Human Torch. And of course, we talk about his creator-owned stories, where he continues to push boundaries and surprise readers with inventive, personal storytelling.
He reflects on the early days of Man of Action Studios and the wild success of Ben 10: co-creating universally beloved characters and building stories that bridge generations.
Kelly doesn’t sugarcoat how different today’s landscape is—from the golden age of cable to today’s streaming-dominated, content-saturated ecosystem. He talks about how creative freedom has evolved, from strict network pitches to the flexibility—and fierce competition—of streaming platforms and short length content.
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Bakshi also teased potential new sequences for cult favorites like Wizards, Coonskin, and Heavy Traffic, including a long-imagined Wizards scene where the pacifist hero Peace halts a WWII German-style train full of captives. Bakshi shared candid updates on the rumored live-action remake of his 1983 fantasy Fire and Ice, co-created with Frank Frazetta. According to Bakshi, director Robert Rodriguez was eyeing a Sin City-style adaptation, aiming to begin shooting after wrapping Sin City 2.
Along the way, Bakshi reflected on his groundbreaking career, from his early years at TerryToons to his enduring influence on animation. This conversation captures Bakshi at his fiery best—unfiltered, defiant, and still pushing boundaries.
He also dives into his years shaping the Star Wars expanded universe, launching Grimjack and breaking new ground at First Comics. Beyond comics, Ostrander shares stories from his earlier life as an actor and playwright in Chicago, painting a vivid picture of a career that spans stages, panels, and galaxies far, far away.
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Bios Of The Creators... Jennifer Sterner is a screenwriter and producer with a mix of academic and creative experience. she’s developed a manga for Seven Seas Entertainment, created the web series Searching for Eden, and wrote on the YouTube drama Apartment 30. She serves as Associate Chair of Screenwriting at the New York Film Academy, where she teaches courses on storytelling.
Nunzio DeFilippis and Christina Weir are a writing duo known for their acclaimed runs at Marvel and DC, as well as creator-owned projects like Skinwalker and Three Strikes from Oni Press. Beyond comics, they’ve brought their storytelling skills to television on HBO’s Arli$$ and serve as educators at the New York Film Academy, where they mentor aspiring writers.
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What if time travel wasn’t about saving the world, but about stealing its most mysterious moments? Cheating History is a bold audio drama that mixes high-stakes adventure with historical intrigue, following a secretive crew who slip through time to snatch people, objects, and events right out of history. Along the way, they cross paths with legendary figures who vanished without a trace — from Amelia Earhart disappearing into the Pacific, to D.B. Cooper leaping into the night sky with his stolen fortune, to Jack the Ripper melting into London’s fog.
This isn’t just history — it’s history rewritten, stolen, and fought over. With sharp writing, cinematic sound design, and a concept that dares to ask “what if the past was up for grabs?,” Cheating History delivers a binge-worthy blend of science fiction, mystery, and thriller drama.
Bios Of The Creators...
Jennifer Sterner is a screenwriter and producer with a mix of academic and creative experience.
she’s developed a manga for Seven Seas Entertainment, created the web series Searching for Eden, and wrote on the YouTube drama Apartment 30. She serves as Associate Chair of Screenwriting at the New York Film Academy, where she teaches courses on storytelling.
Nunzio DeFilippis and Christina Weir are a writing duo known for their acclaimed runs at Marvel and DC, as well as creator-owned projects like Skinwalker and Three Strikes from Oni Press. Beyond comics, they’ve brought their storytelling skills to television on HBO’s Arli$$ and serve as educators at the New York Film Academy, where they mentor aspiring writers.
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Humberto Ramos, now illustrating Marvel’s current Fantastic Four with writer Ryan North, shared how he’s balancing the Kirby legacy with his energetic, modern style. He spoke about designing new adventures while keeping the Richards family’s emotional core intact.
Walter Simonson reflected on his late ’80s run, when he boldly reshaped Reed Richards, experimented with the lineup, and injected the series with the same cosmic energy that defined his acclaimed Thor.
Steve Englehart recalled his 1980s stories full of Skrull intrigue, soap-opera tension, and attempts to modernize the FF amid Marvel’s editorial shifts.
Chris Claremont, best known for X-Men, discussed his early 2000s tenure exploring Sue Richards’ evolution as leader and giving fresh dimension to Ben Grimm’s humanity.
C.B. Cebulski, Marvel’s Editor-in-Chief, rounded out the conversation by talking about the FF’s place in Marvel’s publishing future and the responsibility of shepherding “The World’s Greatest Comic Magazine” in today’s marketplace.
Together, the panel offered candid stories, behind-the-scenes context, and a sweeping look at how the Fantastic Four has endured — and evolved — across decades of creators.
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We dig into how he balances nostalgia with fresh storytelling, the challenges of updating pulp and animated icons for modern readers, and what fans can expect from his bold takes on these beloved franchises. From high-octane racing to cosmic adventure and environmental heroism, Pepose shares his vision for breathing new life into these properties while keeping their heart intact. If you’re a fan of classic cartoons, Saturday morning heroes, or the modern comics scene, this interview is packed with insights, behind-the-scenes stories, and exciting teases of what’s to come.
Whether you’re a lifelong fan of Chaykin’s controversial takes, a collector exploring comic book history, or a pop culture junkie looking for insider stories about the creators who shaped modern comics, this live Terrificon session delivers bold conversation and unforgettable moments.
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Support The Show
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We break down the writing choices that made Azzarello’s scripts so sharp and dangerous, the noir-infused art style that Eduardo Risso brought to the page, and why this book still stands as one of the most influential titles of the late ’90s. Along the way, we share our own reviews, insights, and reactions to the characters, themes, and morality play at the heart of the story.
Whether you’re discovering 100 Bullets for the first time or revisiting it with fresh eyes, this discussion highlights why Vol. 1 remains such an essential piece of modern comics history.
But Rylend’s storytelling doesn’t stop with comics—we also dive into his film career, including his work on movies starring Emile Hirsch and Nicolas Cage. From the high-wire act of crowdfunding to the art of writing for both panels and the big screen we cover it all in this conversation.
We also dive into the origins of Amadeus Cho, the boy genius who would become the Totally Awesome Hulk, and discuss the character’s impact on readers and representation. Greg speaks candidly about the sense of responsibility that comes with writing modern takes on Asian heroes, balancing authenticity with the larger-than-life demands of superhero storytelling.
From there, we shift to his work on Dynamite’s Supernatural comic, a series rooted in the show’s first year that captures the raw energy of Sam and Dean’s earliest battles with the things that go bump in the night.
We also revisit his acclaimed Superman run in Action Comics during DC’s New 52 era, exploring how he brought both epic spectacle and heartfelt humanity to the Man of Steel.
And no Greg Pak talk would be complete without a look back—he shares heartfelt memories of the late, great Peter David, reflecting on their shared legacy as writers of Marvel’s Incredible Hulk and how David’s example continues to inspire his own craft. Planet Hulk is celebrating it's 20th anniversary with a new one shot chapter of the epic story. Details on that in Part 2
We also dive into his collaboration with Paul Dini on DC Comics’ adaptation of the series, where the two carried the show’s tone and visual style onto the comic page. Burnett explains how the book’s run—often praised for standing shoulder-to-shoulder with the animated classic—expanded the mythology, introduced new dimensions to fan-favorite villains, and helped bridge the gap between animation and comics. This interview offers rare insight into how Burnett balanced studio mandates, creative instincts, and long-term storytelling, all while working alongside some of the most influential voices in modern Batman history.
From campy ’60s TV to grim ’80s reinventions, and into Batman’s role as a billion-dollar movie icon, Glen traces how this one character became a mirror for changing tastes, anxieties, and obsessions in American culture. We’ll dig into what makes Batman such a singular figure, what The Caped Crusade uncovers about us as fans, and where Gotham’s greatest detective might be headed next. This talk happened in 2016
In this on-camera AMA with my Patreon supporters and live chat audience, we dug into every corner of geek and sports culture:
• Boxing: The big focus was on the much-anticipated Canelo vs. Crawford bout, with breakdowns of styles, stakes, and legacy.
• Comics: We spanned the decades — from the Silver Age of the 1960s through today’s modern runs, talking creators, characters, and the shifts in storytelling across generations.
• Television: Plenty of love for sci-fi and genre TV — Star Trek, Babylon 5, classic reruns, and today’s wave of streaming shows.
• Film: We reflected on the passing of the legendary Robert Redford, looked ahead at some of the biggest upcoming releases, and revisited the old-school geek movies that set the stage for today’s pop culture landscape.It was a lively back-and-forth with fans driving the discussion, mixing history, commentary, and plenty of fun tangents — the perfect example of what happens when the Word Balloon community gets together to talk shop.
With next month’s Conan the Barbarian #25, he delivers a special, self-contained story—an epic one-book adventure that promises to showcase everything readers love about the Cimmerian warrior in a single, unforgettable issue. It’s the perfect jumping-on point for new fans and a rich reward for long-time readers.
Jim and I had some technicla issues on youtube, so we'll do part 2 later this week
At the heart of the series’ enduring charm is the voice of Rob Paulsen, the endlessly versatile actor who brought the dim-witted yet lovable Pinky to life with his unforgettable “Narf!” catchphrase. But Pinky is only one jewel in Paulsen’s long career behind the microphone.
From his heroic turns as Raphael (and later Donatello) in Teenage Mutant Ninja Turtles, to the wisecracking wit of Yakko Warner in Animaniacs, Paulsen’s voice has become an essential part of the soundtrack to multiple generations’ childhoods. In this interview, he reflects on the legacy of Pinky and the Brain, shares stories from his many other iconic roles, and reminds us why, after decades in the booth, he remains one of animation’s most beloved and prolific performers.
Sterling opens up about the challenges of balancing editorial direction with his and Jamal’s creative instincts, and how they fought to give Kara her own identity separate from Superman. From comics, we shift back to television as Sterling talks about his time writing for The Flash on The CW.
He expands on his contributions to the ambitious Crisis on Infinite Earths crossover, explaining the difficulties of squeezing the vast scope of Marv Wolfman and George Pérez’s 1985 comic series into a handful of TV hours. Sterling reveals which classic comic beats he tried to sneak into the script.
Sterling also discusses his most recent creative venture: filmmaking. His short film Just the Janitor has begun its run on the festival circuit and at comic conventions, and he talks candidly about making the leap from comics and TV to directing this riveting action film.
He shares the story behind the film, the lessons he’s learning as a first-time filmmaker, and why he believes conventions are the perfect place for genre fans to discover it. This continuation showcases Sterling Gates as a storyteller constantly moving between mediums, bringing the same passion to a 22-page comic, a TV superhero epic, or a low-budget short action film.
Sterling also reflects on how he first broke into writing Supergirl and later The Flash for the CW, bringing his comic book sensibilities into live-action storytelling.
We look back at the ambitious Crisis on Infinite Earths TV crossover, where Sterling played a key role in guiding actor John Wesley Shipp through an emotional moment—reprisal of his 1990s Barry Allen Flash and the character’s poignant final scene. This episode captures Sterling’s unique perspective bridging the worlds of comics and television, while celebrating both the legacies of Supergirl The Flash and the enduring power of DC’s multiverse storytelling.
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We also preview his upcoming collaboration with Mike and Laura Allred on Wonder Woman Golden Age, where Russell puts his spin on Diana’s earliest stories through a 1985 crisis alternate earth lens, paired with the Allreds’ unmistakable pop-art visuals.
Along the way, Mark and I revisit highlights from his past work: the biting satire of his AHOY comedy comics (Second Coming, My Bad, Billionaire Island), his sharp reinterpretations of Hanna-Barbera icons (The Flintstones, Snagglepuss Chronicles), and his heartfelt take on DC’s Wonder Twins. Plus, he teases a bold new sci-fi anthology series coming from Mad Cave Studios—Vanishing Point.
But it’s not all doom and gloom — Greg is genuinely excited about his latest DC work, the upcoming Cheetah and Cheshire Rob the Justice League, with his usual collaborator Nicola Scott. Greg makes it clear how much better the current editorial regime feels, compared to the past.
We also dive into Greg’s prose side, where he’s just finished a brand-new Atticus Kodiak novel ready to hit publishers, and he teases the possibility of new Queen & Country stories on the horizon. He addresses the current state of the book market.
On top of that,Greg shares fresh updates on Lazarus, his long-running Image Comics series with Michael Lark, and reflects on how that world continues to devolve. It’s a mix of hard truths, exciting projects, and the kind of thoughtful perspective you only get from a creator like Greg Rucka and a show like Word Balloon
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