S.A Music
Overworld Theme - Super Mario Bros. 2 (Super Mario Bros. Super Show) Remake
updated
The story behind this one, I was commissioned to replicate a piece of 'actiony' and upbeat music for a Battle Theme for 'Jack Be Lethal, Jack Be Slick'.
I was given an old episode of 'The Real Ghostbusters' which had a theme with some similarities and was told to write something of a similar feel, so I went to work.
I chose the name because this just sounds like borderline Fighting Game menu music.
Some of this was inpsired by some of the music from the Dragon Ball series, especially some of the game OSTs which I'm a big fan of.I'd absolutely love to get into making both Faulconer and Kikuchi type stuff, both soundtracks are amazing.
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0:36 Edited Version
Commissioned by @SegaMario who wanted two variants of the opening theme from 'Bulgy'.
Just to clarify, this is named the Bank Holiday Theme just to be more accurate to the RWS. 'Special Holiday' is just weird haha.
This piece is essentially just Thomas' Theme or The Post Train Theme but shorted down as some sort of 'transitioning music' which is always a nice element in the series. I've done the original version with the ominious note from Bulgy on the end and a more lighthearted one.
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This was commissioned for an upcoming release of a TVS Style Ivo Hugh model on TSI, I was asked specifically for it to be in a Series 4 style so I thought the best approach was a Skarloey Railway type of vibe so he'd fit in with the rest of the crew at least. One thing people have pointed out here is the usage of the oboe from 'TUGS', I can't lie it does have a very nice tone.
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This was a commission by FrostyWelcome who wanted me to create a theme that represented this character. The key notes were that his engine makes a lot of noise and that instantly drove me to give the theme some clanging and some shuffling percussion to stick to the tradition of what Mike and Junior would do for their themes. Very underrated sound design on their behalf if you ask me, Terence and Trevor's Themes are perfect examples of that.
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Tbh this was a VERY last minute idea that came around to compensate for the other ones that didn't get done in time. I try not to have two themes that belong to the same characters in the run of 'Xmas Mashups' (referring to the Winter Theme uploaded earlier this month) but I put these two songs in my head and it instantly became a thing.
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Thanks to Jessie once again for the amazing thumbnail!
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So here is an idea I had, extending the 'Winter' Theme to have the verses of the original Branchline Theme. It's fun to expand on these shorter themes and give them more depth.
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It's loosley based on the 'Discovery' version but done in the structure on the Series 1 theme mixed with Series 4's. I like Toby's theme a lot, very quaint and humble and suits him to a tee. Genius writing by O'Donnell and Campbell.
Commission for Blue15bomber.
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Here is a recreation of the infamous Mr. Hankey theme from the Season 3 episode 'Mr Hankey's Christmas Classics' as well as the album of the same name. I always like the tradtional classic Christmas song sound this has, doesn't sound out of place from the ones we all know if you ask me. Trey Parker really is a genius when it comes to both musical and comedic satire.
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I thought I'd follow the meme trend of Wallace hammering, it's funny to me lol.
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Since it's been pretty quiet this month, I thought I'd treat you guys to another mashup. This time, it's an idea that was brought up by a few of you lot and I thought it was fitting to do so. Here is a remix of Mr Sandman mixed with 'Thomas' Jazzy Theme' from Series 1.
I'm so glad I was able to think of a solid pun this time around though haha.
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A remix of the classic 'Great Big Rolling Railroad' by Pacific Union ITSO of the original Thomas Theme. The original theme is in double time like the bridge of the Thomas theme but you can hear how the two can go together in some parts of the melody which is one of the tricky things with mashups, knowing if things will blend or not.
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In terms of sound, I wanted the music to sound like a S5-7 '50s, white picket fence, dad with glasses and cheesy smiles' music, with a blend of Mavis. Although it sounds a little christmassy too, which suits the season I suppose haha.
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The sound of 70s disco hadn't fully disappeared by this point and evolved into a slightly more electronic sound as showcased here. Synthesizers had been around long by this point but we all know the 80s is where everyone went crazy and replaced a lot of acoustic sound with analog and digital ones.
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So I was commissioned by Ibobro4 to write a theme for The Flying Scotsmnan using influence from Gordon and Spencer's Themes. I thought we had to have the percussion from Gordon but with the more orchestral timbre of Spencer.
I have always wanted to write a theme for Scotsman and I'm glad its come to reality.
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I think this one really highlights the beautiful chord progression in this theme as well as that powerful percussion which I made sure to be a bit more present in my mix.
That string run at 1:11 was an absolute nightmare to figure out but I think I got it down, one of the few times they really went all out to make a theme feel 'classical' pre Series 3. An iconic theme indeed.
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The long awaited Harold The Helicopter Theme in it's full length from Series 2! This is probably the most majestic theme in all of Thomas (next to Stepney's Escape to Sodor, for me anyways)
There was always the one from the games that was easily accessible for years but the verse that was heard in the Runaway was only ever heard in that episode and I think it's probably the best piece from the entirety of Season 2.
This, Daisy and Donald and Douglas were true showcases of what Mike and Junior could do with a Jupiter 6.
Some of us do think that the Prophet 2000 sampler (the one used in TUGS) debuted in the music for Series 2 of Thomas with some of the percussion samples but it's also a possibility that they rented some instruments for the studio to record acoustically.
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But hearing this again, it reminds me a little of Mavis' Theme so I finally decided to label it as The Quarry Theme. It feels fitting for a scene of Mavis & Co bustling around carrying their stone trucks to and fro.
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The inspiration behind this was Pachelbel's Canon and some of those annoying classical music pieces they play when you get put on hold on the phone lol. I thought the style of those would go with this in a way.
And yes, the real name of this is 'Autumn on Sodor' as I discovered through the official cue sheets.
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For such a bouncy and catchy theme, it was only used twice. I guess they thought it wasn't needed much but for me, it makes great montage music so I decided to extend it a little. Just added in a bridge section in typical Thomas/Pat/Wommit fashion.
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A commission for 'Faf at 2am' who introduced me to the obscure series known as Terrahawks, created by Gerry Anderson (Creator of Thunderbirds) in 1983. He has discovered a bunch of unseen B Roll footage for the show which I'll link here:
www.youtube.com/watch?v=r2pZne9ykyY
I've never actually watched this properly but the few clips I've seen are decent and has interesting cinematography and effects.
The music does bang though, composed by Richard Harvey who was reported to have used sampled synth patches from a Fairlight CMI and Synclavier for this soundtrack. I've used a bit of those here from Arturia's versions but I do like the Emulator II for these types of things too. Plenty of nice rough sounding 80s orchestral instruments in there.
The last bit was improvised by me just to give it some sort of ending.
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So Dan came with the idea of originally mashing up this Pokemon classic with Henry's Theme but after hearing it, I realised that Oliver was probably the best candidate to mix that with. The triumphant sound was too reminiscent of the 'Escape' Theme to me.
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Here is a mashup of Edward and Percy's Themes. For Edward's Theme, I was heavily inspired by Leo's S4 Remix which was given as the reference. Like his, it's a blend of Edward's Theme throughout the years. Using the Series 1 percussion, Series 2 tempo and arrangement, Series 3 and 6's orchestral additions.
Which then leads into the Percy segment, still using the Edward beat but now having a remix of Percy's Series 5 Theme over the top of that which allows me to blend the Edward Theme back in if necessary.
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This was my first take on a 70's stock music, moog type track. Something really old school and nostalgic. I feel this has mutli-purpose though, jolly enough to be used in many sequences.
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For the key change, I've decided to do a callback to the 'Day Out Theme' because it just felt right to have the softer brass while the theme was in that key. Also, it just make this one a little more different than the old one.
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This one feels a bit more traditional, so many City Pop, slowed down R&B videos and vaporwave videos use these all the time as we all know but this song was written to be some sort of 80s anime closing credit type of tune anyway.
Like Coconut Paradise, I prefer this without out the lead as now it feels more like the backing to an actual song without having a digital synth in the way making it sound more like game music or a karaoke track. It also allows Carson's wicked guitar solo to shine more in the final chorus sections. It does feel a little empty without the horns but hey ho, many instrumentals feel like that once the vocals are gone.
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This one is so minimal when you take the primary strings and xylo away. Kinda reminds me of like a little band of assorted instruments just frantically trying keep up with each other lol.
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But onto the video, I've been wanting to get some old shopping footage for ages for an original but I thought Shopping Trip was obviously the one for it. Similar to the whole 'Sounds for the Supermarket' vibe. But yeah, this is my first 'music video' lol.
Credit to ThamesTV for the footage, it was literally perfect.
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See, this one I actually prefer without the lead because it sounds like one of those instrumentals to an 80s 'get up and dance with the words on the screen' type of songs where all the characters appear and do miscellaneous poses to the camera while also waving goodbye. But it also sounds like an instrumental to some sort of Disney track from the mid 90s in some areas to me.
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So now when you take that lead synth away, it sounds more like an instrumental to an actual song. Maybe even one of those post disco tracks from the early 80s before they fizzled that out.
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This is one of my favorite themes though, so slick with a dash of suave.
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