Back to the Future - Original Teaser Trailer in HDavalanchealonso2010-09-19 | The original 1985 teaser trailer with Michael J. Fox as Marty Mcfly for Robert Zemeckis's Back to the Future.Beach House - Space Song Live at The Fonda on 12/11/2015avalanchealonso2015-12-13 | ...The Master - Philip Seymour Hoffmans confrontation scene of The Causeavalanchealonso2014-02-02 | ...Home Wreckage by a Toyota Runner (SUV).avalanchealonso2012-12-10 | Christmas sure came early this year, and Santa drove right into our home on an SUV sled and left the gift of wreckage all around.Bikeavalanchealonso2012-10-02 | ...Zoé - Deja Te Conectoavalanchealonso2012-08-24 | The first single from their studio album debut by the Latin Grammy Award-winning alternative rock band, Zoé. Released in 2002.Ferris Buellers Day Off - Art Institute of Chicago sceneavalanchealonso2011-11-21 | According to John Hughes, the scene at the Art Institute of Chicago was "a self-indulgent scene of mine—which was a place of refuge for me, I went there quite a bit, I loved it. I knew all the paintings, the building. This was a chance for me to go back into this building and show the paintings that were my favorite." The museum had not been shot in, until the producers of the film approached them. "I remember Hughes saying, 'There are going to be more works of art in this movie than there have ever been before,'" recalled Jennifer Grey
"And then this picture (Georges Seurat's A Sunday Afternoon on the Island of La Grande Jatte), which I always thought this painting was sort of like making a movie," explained Hughes. A pointillist style, which at very very close to it, you don't have any idea what you've made until you step back from it. I used it in this context to see that he's (Cameron) looking at that little girl. Again, it's a mother and child. The closer he looks at the child, the less he sees. Of course, with this style of painting. Or any style of painting really. But the more he looks at, there's nothing there. I think he fears that the more you look at him the less you see. There isn't anything there. That's him." According to editor Paul Hirsch, in the original cut, the museum scene fared poorly at test screenings until he switched sequences around and Hughes changed the soundtrack.
"The piece of music I originally chose was a classical guitar solo played on acoustic guitar. It was nonmetrical with a lot of rubato. I cut the sequence to that music and it also became nonmetrical and irregular. I thought it was great and so did Hughes. He loved it so much that he showed it to the studio but they just went "Ehhh." Then after many screenings where the audience said "The museum scene is the scene we like least," he decided to replace the music. We had all loved it, but the audience hated it. I said, 'I think I know why they hate the museum scene. It's in the wrong place.' Originally, the parade sequence came before the museum sequence, but I realized that the parade was the highlight of the day, there was no way we could top it, so it had to be the last thing before the three kids go home. So that was agreed upon, we reshuffled the events of the day, and moved the museum sequence before the parade. Then we screened it and everybody loved the museum scene! My feeling was that they loved it because it came in at the right point in the sequence of events. John felt they loved it because of the music. Basically, the bottom line is, it worked."Stereolab - Escape Pod (From the World of Medical Observations)avalanchealonso2011-11-08 | From The Free Design EP, later re-released on their Oscillons from the Anti-Sun compilation. This is one of my many favorite Stereolab tracks, and this is a video project I made an honor of the band, Apple computers, and the late Steve Jobs.The Films of Tim Burtonavalanchealonso2011-10-31 | ...Jason Schwartzman introduces the New Yorker iPad Appavalanchealonso2011-10-21 | Directed by Roman CoppolaKavinsky - Nightcall (Drive Original Movie Soundtrack)avalanchealonso2011-10-12 | "Risky Nightcall". When I saw Drive, it instantly reminded me of this film and felt like I had to do this video and combine it with "Nightcall" by Kavinsky since the title credit opening to 1984's Risky Business is a whole lot similar to the one in Drive.The Lost 1984 Video young Steve Jobs introduces the Macintoshavalanchealonso2011-10-06 | ...Talking Heads - Once In A Lifetimeavalanchealonso2011-09-21 | ...Wes Anderson: American Express My Life, My Card in HDavalanchealonso2011-09-03 | Anderson starred in and directed an American Express "My Life, My Card" commercial, which chronicled the "filming" of an action movie starring Jason Schwartzman. Anderson acts as if he is being interviewed by someone from American Express for the ad, while walking around completing tasks on set, a scene paying homage to the movie "Day for Night" by Francois Truffaut. It was aired on television and in movie theaters in both a short and extended version, during and shortly after the theatrical 2004 release of "The Life Aquatic: with Steve Zissou".Wes Anderson: SoftBank Commercial with Brad Pittavalanchealonso2011-09-02 | In 2008, Wes Anderson teamed up with Brad Pitt for a commercial for Japanese cell phones. The commercial takes inspiration from Jacques Tati's Les Vacances de Monsieur Hulot. Anderson filmed Pitt in one continuous shot at a French seaside town.Sparks - Beat the Clockavalanchealonso2011-09-02 | Written by Ron and Russell Mael, and produced by Giorgio Moroder. Named after the game show, Beat the Clock was released in 1979. The song peaked at #10 in August 1979 and spent six weeks in the UK top forty singles chart. It was their third and final top ten single in the UK.
The song was lifted from the album No. 1 In Heaven and produced by Giorgio Moroder for Mellow B.V. During the late seventies he was one of the premier producers, his working relationship grew from Sparks appreciation of Donna Summer's dynamic "I Feel Love" which Moroder co-wrote and co-produced. The 12 inch remix was the first of the groups extended remixes. The remix utilised the drum pattern from the songs mid-section and added a new keyboard melody line during the chorus. The "long version" as it was dubbed was edited to three and a half minutes and released as the B-side to seven inch single. Long versions of "The Number One Song in Heaven" and "Tryouts for the Human Race" - both singles from the same album as "Beat the Clock" were merely the standard album versions.
An additional B-side on twelve inch versions was a commercial promoting the album No. 1 in Heaven, which featured clips of most of the tracks. The advert was narrated by Peter Cook. Twelve inch versions came as colored picture discs, the inner seven inch was a picture disc while the outer five inches came in a variety of differing colors such as blue, pink, green, and yellow.Coca-Cola: What Goes Around Comes Around by Jack Whiteavalanchealonso2011-08-23 | Coca-Cola ad. Music by Jack White. Directed by Nagi Noda.Spike Jonze Adidas Commercial - Hello Tomorrow (feat. Karen O)avalanchealonso2011-08-23 | Hello Tomorrow is the title of a 2005 Adidas television advertisement, and also the name of the song used in the commercial. The 90-second spot was created by Oscar-nominated film director Spike Jonze for ad agency TBWA\Chiat\Day to advertise the adidas_1 "intelligent" sneakers. The title song was composed specifically for the advertisement by Jonze's brother, Sam "Squeak E. Clean" Spiegel, and its lyrics were sung by Jonze's then-girlfriend, Karen O of the Grammy-nominated rock band Yeah Yeah Yeahs. Proving to be an incredibly successful commercial, Hello Tomorrow received many honors; these include two Gold Lions at the 2005 Cannes Lions International Advertising Festival, three 2006 Silver Clio Awards, and a 2006 Gold EFFIE Award.Skittles: Karate Chopavalanchealonso2011-08-23 | ...Röyksopp - Remind Meavalanchealonso2011-08-23 | Röyksopp song "Remind Me" plays in the background in the classic GEICO insurance commercial. A caveman on a moving sidewalk at an airport spots a GEICO billboard featuring an overly silly representation of a caveman, along with the insulting phrase: "So easy, a caveman could do it".BBC Radio 2: Elvis Presleys dream line-upavalanchealonso2011-08-23 | The King introduces an amazing all-star line up as his backing band.wovdmravalanchealonso2011-05-06 | ...Michael Scott - Thats What She Saidavalanchealonso2011-04-29 | Michael Scott's quote that stands above them all in The Office.Radiohead - Weird Fishes/Arpeggi [OFFICIAL VIDEO]avalanchealonso2011-02-12 | Music video directed by Tobias Stretch. One of the winners of the Aniboom Animation Contest For Radiohead's In Rainbows.
"Weird Fishes/Arpeggi", originally known as "Arpeggi", is a song written by Radiohead, appearing on their album In Rainbows as the fourth track. The name comes from the chorus "I get eaten by the worms/And weird fishes" and the plural of the Italian word 'Arpeggio'.Cut Copy - Feel the Love [UNOFFICIAL VIDEO]avalanchealonso2011-01-22 | Work out those buns of steel and don't stop until you feel that burn to CUT///COPY's "Feel the Love".Broadcast - Lunch Hour Popsavalanchealonso2011-01-21 | A video project I put together in memory of the of the beautiful Trish Keenan. A tribute to both the music of Broadcast and Albert Lamorisse' 1956 children's classic, The Red Balloon.
Song taken off Broadcast' 2003 critically acclaimed release, "Haha Sound" on Warp Records.Michel Gondy: HP Computers Commercialavalanchealonso2011-01-13 | Eternal Sunshine of a Spotless Mind director Michel Gondry is the focus of a new HP commercial directed by his brother Oliver "Twist" Gondry. The new ad titled "Michel Gondry, Eternal Dreamer" mixes live action, stop-motion animation and computer animation to create an incredibly visual short that could only come from the mind of someone with the last name Gondry.Black Swan - Theatrical Trailer (Maneater Edition)avalanchealonso2010-12-17 | In the tradition of Flashdance and Footloose, here comes Natalie Portman in Black Swan. A 2010 psychological thriller film directed by Darren Aronofsky, also co- starring, Mila Kunis, and Vincent Cassel. Thomas Leroy (Cassel) is the director of a New York City ballet production of Swan Lake, in which he has cast Nina Sayers (Portman) as the Swan Queen and Lily (Kunis) as her alternate. The role requires a dancer who can play both the White Swan with innocence and grace, and the Black Swan, who represents guile and sensuality. Nina fits the White Swan role perfectly, while Lily is the ideal personification of the Black Swan. As the two young dancers expand their rivalry into a twisted friendship, Nina grows more in touch with her dark side, with a recklessness that threatens to destroy her.Conan OBrien VS. Jeff Bridges in TRON: LEGACYavalanchealonso2010-12-04 | Talk show host: Conan O'Brien comes face to face with Jeff Bridges in this Light Cycle Chase scene in the upcoming Tron: Legacy film.Beetlejuice: The Animated Series introavalanchealonso2010-12-03 | Beetlejuice: The Animated Series is an American-Canadian animated television series loosely based on the film of the same name; it aired from September 9, 1989 to December 6, 1991. The television series was produced by Nelvana for The Geffen Film Company, with distribution handled by Warner Bros. Television, and starred Stephen Ouimette as Beetlejuice and Alyson Court as Lydia Deetz. The music and score for the series was composed by Danny Elfman, Ray Parker, and Tom Szczesniak.Luis F. Alonso in TRON: LEGACYavalanchealonso2010-12-03 | Luis F. Alonso's Light Cycle chase scene in the upcoming Tron: Legacy . A 2010 science fiction film produced by Walt Disney Pictures to be released on December 17, 2010 in the United States. It is a sequel to the 1982 film Tron. Joseph Kosinski makes his feature film directorial debut with Tron: Legacy, while the previous film director, Steven Lisberger, returns as a producer. Jeff Bridges reprises his role as Kevin Flynn, and Bruce Boxleitner reprises his role as Alan Bradley and Tron, while Garrett Hedlund portrays Flynn's now-adult son, Sam. The other cast members include Olivia Wilde, Beau Garrett, Michael Sheen and John Hurt. According to the latest trailer, the film will be presented in IMAX 3D and Disney Digital 3D. The film will also be released with D-BOX motion code in select theaters. According to Box Office Mojo, it has been rated PG due to "sequences of sci-fi action violence and brief mild language."At the Drive-In - Arcarsenalavalanchealonso2010-11-19 | Relationship of Command is the third and final studio album by the post-hardcore band At the Drive-In, and was released in the fall of 2000. The band reached mainstream success through the album, if only for a short time before their indefinite break-up.
The album combines a hardcore aggressive edge with a melodic drive and harmonious and emotive, if surreal lyrics. While the album continues in the alternative style of At the Drive-In's previous albums, Relationship of Command is seen as a more well-rounded album than its predecessors. Initially, the album was received positively by critics, and the album is now seen as one of the most influential post-hardcore, if not rock albums of the decade. Relationship of Command was voted 12th out of 50 in the Albums of the Decade by NME and the 37th most influential album of all time by Kerrang.
Iggy Pop performs back-up vocals on "Rolodex Propaganda", and also appears as the kidnapper in the beginning of "Enfilade"The Monkees - Last Train to Clarksvilleavalanchealonso2010-10-08 | The Monkees debuted September 12, 1966, on the NBC television network. The series was sponsored on alternate weeks by Kellogg's Cereals and Yardley of London.Jason Schwartzman introduces the New Yorker iPad Appavalanchealonso2010-10-03 | Directed by Roman CoppolaWes Anderson: AT&T Commercial (Reporter)avalanchealonso2010-09-19 | In September 2007, Wes Anderson oversaw a series of six commercials for AT&T: "College Kid," "Reporter," "Mom," "Architect," "Actor" and "Businessman." The campaign also includes online, print and outdoor advertising. These TV spots are part of AT&T's "Your Seamless World" national campaign from BBDO/New York. Each ad embodies Anderson's distinct style by focusing on a subject and having the environment around them change. Each of the six AT&T commercials introduces us to a different AT&T customer. As each of these people comes before the camera and talks about the different, far-reaching locales where he or she needs cell-phone service, the visuals behind the customer change dramatically to reflect the different destinations.The Simpsons Come to Lifeavalanchealonso2010-09-19 | The famous intro for America's most beloved family comes alive in a promotional spot for Sky1 Broadcasting Network.Yeah Yeah Yeahs - Date with the Nightavalanchealonso2010-09-17 | A BBC One promotional spot featuring "Date with the Night" by the Yeah Yeah Yeahs.Wes Anderson: American Express My Life, My Cardavalanchealonso2010-09-17 | I uploaded an HD version of this here: http://www.youtube.com/watch?v=JOhDo2ZoOig
Anderson starred in and directed an American Express "My Life, My Card" commercial, which chronicled the "filming" of an action movie starring Jason Schwartzman. Anderson acts as if he is being interviewed by someone from American Express for the ad, while walking around completing tasks on set, a scene paying homage to the movie "Day for Night" by Francois Truffaut. It was aired on television and in movie theaters in both a short and extended version, during and shortly after the theatrical 2004 release of "The Life Aquatic: with Steve Zissou".Starburst (Sours) - Prom Dateavalanchealonso2010-09-17 | Starburst® Commercial about an unlikely prom date gone awfully wrong.Air - Playground Loveavalanchealonso2010-02-14 | A beauty of a dreamy song to get lost to. Taken from the original soundtrack to Sofia Coppola's directorial debut, The Virgin Suicides