Uploaded February 2020 | Updated September 2026, 3 weeks ago
Kalun Leung will develop a methodology for movement-based electroacoustic improvisation for the MuBone Augmented Trombone. The Mubone is a new, proprietary hybrid instrument created by Kalun outfitted with orientation sensors, tactile controls, and integrated loudspeakers. The Max patch environment 3D Granular Synthesis (3DGS) works in tandem with the MuBone, tracking any movements via an instrument-mounted sensor and enables the performer to control live processing.
Kalun Leung is a trombonist, improvisor, composer and creative technologist based in Brooklyn, New York. His work as an instrumentalist is motivated by the exploration of new and unexpected contexts in which the trombone can thrive. This ongoing research-based approach has manifested in audiovisual performances of Keith Haring’s unpublished computer art and a Fluxusinspired trombone sound sculpture. He is a member of the movement and sound improvisation collective ECHOensemble, Eco-Music Big Band, and has a solo project involving electroacoustic improvisation.
Kalun Leung will develop a methodology for movement-based electroacoustic improvisation for the MuBone Augmented Trombone. The Mubone is a new, proprietary hybrid instrument created by Kalun outfitted with orientation sensors, tactile controls, and integrated loudspeakers. The Max patch environment 3D Granular Synthesis (3DGS) works in tandem with the MuBone, tracking any movements via an instrument-mounted sensor and enables the performer to control live processing.
Kalun Leung is a trombonist, improvisor, composer and creative technologist based in Brooklyn, New York. His work as an instrumentalist is motivated by the exploration of new and unexpected contexts in which the trombone can thrive. This ongoing research-based approach has manifested in audiovisual performances of Keith Haring’s unpublished computer art and a Fluxusinspired trombone sound sculpture. He is a member of the movement and sound improvisation collective ECHOensemble, Eco-Music Big Band, and has a solo project involving electroacoustic improvisation.
![Womens Labor Performance
A feminist activist project, Women’s Labor repurposes domestic tools to become new musical instruments using embedded technologies, explored in interactive installations, commissioned compositions, and performances. Traditionally relegated to the private sphere, we interrogate domesticity through public engagement.
The first instrument featured in installation/performance is Embedded Iron, based on an early-20th century wooden ironing board and antique iron.
Compositions that will be premiered at this event are Ladan by Niloufar Nourbakhsh and Chelsea Loew and Housework Lock (her) Down by Jocelyn Ho and Margaret Schedel, written for Embedded Irons. Performers: Robert Cosgrove, Dianna Hnatiw, Taylor Long and Alina Tamborini.
• DATE and TIME: September 18, 2021 @ 4 pm. Duration: 30 minutes
• LOCATION: The Workings of Media [art and artists] at the Harvestworks Art and Technology House. Building 10a, Nolan Park, Governors Island
Artist(s):
Jocelyn Ho, creative director with Margaret Schedel, Rob Cosgrove, Melody Loveless, Omkar Bhatt, Matthew Blessing. Commissioning Niloufar Nourbakhsh and Chelsea Loew.
A feminist activist project, Women’s Labor repurposes domestic tools to become new musical instruments. Using embedded technologies, these domestic-tools-turned instruments are explored in interactive installations, commissioned compositions, and performances. Traditionally relegated to the private sphere, we interrogate domesticity through public engagement and performative spectacle.
The new instruments are based on laundering tools that highlight gender performativity through clothing. Thefirst instrument featured in installation/performance is Embedded Iron, based on an early-20th century wooden ironing board and antique iron. Both the public and musicians can “iron” fabrics, including their own pieces of clothing, to make music.
Using spectroscopy and machine learning, the Embedded Iron has a color-sensing ability—‘seeing’ the color of the fabric to play different timbres. The iron’s placement on the XY-axis of the ironing board determines pitch using LIDAR and ultrasonic technology.
The Embedded Iron is an Embedded Acoustic Instrument which means it includes all necessary components for performer interaction, data-mapping, synthesis, and sound generation in a single self-contained body. A Raspberry Pi, speaker and a transducer are attached to the underside of the wooden ironing board acting as a resonator. Because it is not dependent on computers or speakers that are used for other tasks, it gains more agency and identity.
The Embedded Iron installation is made possible in part by funds from the City Artist Corps Grants program, presented by The New York Foundation for the Arts (NYFA) and the New York City Department of Cultural Affairs (DCLA), with support from the Mayor’s Office of Media and Entertainment (MOME) as well as Queens Theatre; UCLA Herb Alpert School of Music Deans Opportunity Fund; and UCLA Library Hugo and Christine Davise Fund for Contemporary Music and the Harvestworks Artist in Residence Program. Womens Labor Performance](https://i.ytimg.com/vi/ahvG4zA_XVs/mqdefault.jpg)




![Live A/V Performance by Ginny Benson
Ginny Benson presents an improvisational work for audio and video. This live performance will pair audio synthesis with real-time video collage and image manipulation, resulting in an immersive audiovisual experience.
DATE and TIME: October 23, 2021 @ 3 pm. Duration: 30 minutes
LOCATION: The Workings of Media [art and artists] at the Harvestworks Art and Technology House. Building 10a, Nolan Park, Governors Island
BIO
Ginny Benson is an intermedia artist who explores techniques of audiovisual collage. She utilizes synthesis, sampling, and thrift electronics to create immersive compositions and live performances. She has toured extensively under the moniker VX Bliss, and has presented work at New York institutions including Lincoln Center, Pioneer Works, Electronic Arts Intermix, Roulette Intermedium, and The Museum of Modern Art. She lives and works in Queens, NY.
“This program is made possible by the New York City Artist Corps.”
excerpt from solo Roulette show (2018): https://vimeo.com/311599312
Full length Roulette performance with Kiran Arora (2021): https://vimeo.com/504448444
Solo performance as VX Bliss at H0L0 (2020): https://youtu.be/bqMMpEqbBsk
Studio visit (2018): https://vimeo.com/298682889
‘Static Pleasures’ excerpt: https://vimeo.com/321534001
SOCIAL MEDIA LINKS
Insta: @ginbe
Facebook: facebook.com/vxbliss
Soundcloud: http://soundcloud.com/vxbliss Live A/V Performance by Ginny Benson](https://i.ytimg.com/vi/bEWBzz6bN_M/mqdefault.jpg)




