Maxon Red Giant
VFX and Chill | Jurassic Cruise: Fallout Kingdom
updated
00:00 - Introduction
00:46 - Starting with Trapcode Form in Adobe After Effects
02:28 - Creating a basic shape
04:08 - Driving Form with our shape
06:58 - Creating the look with VFX Optical Glow
08:36 - Animating to sound with Trapcode Sound Keys
11:13 - Enhancing the look with Magic Bullet Looks
12:53 - Animating to sound with reactors in Trapcode Form
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To conclude this series about compositing with AOVs, Master Trainer Lionel Vicidomini will show everything you need to know about masking. You will learn how to combine Puzzle Mattes, Cryptomatte, and advanced AOVs to unleash amazing creativity. You'll also learn how to deal with transparency and matte shadows, how to change your background, and how to add titles to your scene so that they respect the ACES workflow.
Made in After Effects with Trapcode Mir, Cinema 4D, Keen Tools GeoTracker, and Vranos Lockdown... plus some good old-fashioned compositing on VFX and Chill. Watch the live episode that led to the creation of this ridiculous video: youtube.com/watch?v=0rGFFRqbT1E
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Less of a tutorial and more of a "let's learn together", the gang use After Effects, Cinema 4D, and Red Giant tools to take apart Hollywood visual effects and put them back together.
0:00:00 - Intro music and banter
0:09:51 - Looking at some of the trailers from the big game
0:44:30 - Seth doing the floor flip from IF and Hashi doing a Twister
1:13:25 - Seth doing the Wicked title card and Hashi doing the Deadpool and Wolverine title card
1:36:00 - Seth crawls through a window and Hashi creates a person in a bubble
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0:00 - Intro
0:37 - Using DaVinci Resolve and ACES with Magic Bullet Looks
2:59 - Using Adobe Premiere Pro and ACES with Magic Bullet Looks
4:34 - Some tips for color matching in Premiere Pro with Colorista
5:51 - Using Adobe After Effects and ACES with Magic Bullet Looks
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Did you know that you can get many different glitches with various plug-ins in Universe?
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Also, Seth and Hashi are not good at ZBrush.
Under the pressure of a timer, they sculpt Stripe from Gremlins, the Killer Rabbit of Caerbannog from Monty Python and the Holy Grail, Elliott from Pete's Dragon, Audrey II from Little Shop of Horrors, and Po from Kung Fu Panda.
0:00:00 - Waiting music and intro graphic
0:01:29 - Welcome and Introduction
0:06:48 - Opening ZBrush and getting familiar with it
0:20:37 - Prompt 1: Introduction
0:22:52 - Prompt 1: The Killer Rabbit from Monty Python in 20 minutes
0:42:57 - Prompt 1: Results
0:46:16 - Prompt 2: Introduction
0:49:11 - Prompt 2: Po from Kung Fu Panda in 10 minutes
0:59:20 - Prompt 2: Results
1:03:47 - Prompt 3: Introduction
1:04:49 - Prompt 3: Stripe from Gremlins in 10 minutes
1:14:56 - Prompt 3: Results
1:17:03 - Prompt 4: Introduction
1:19:04 - Prompt 4: Audrey II from Little Shop of Horrors in 10 minutes
1:29:27 - Prompt 4: Results
1:31:51 - Prompt 5: Introduction
1:32:43 - Prompt 5: Elliott from Pete's Dragon (1977) in 20 minutes
1:52:50 - Prompt 5: Results
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PLUS he shows how to work with it on text layers in After Effects without getting ugly (and annoying) warning popups.
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See more info about the new release here: maxon.net/article/maxon-red-giant-update-delivers-fast-beautiful-bokeh-and-realistic-lens-flares
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It's a new year, a new you, and a new Chill! JUST KIDDING. It's the same show you know and love - just a bit rounder after all of that holiday candy. It's not an After Effects or Cinema 4D tutorial, but an exploration where we all learn something - and, in this case, that something might be the legal definition of Fair Use.
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That means the technique in this tutorial should work in Avid Media Composer, DaVinci Resolve, Adobe Premiere Pro, Adobe After Effects, Apple Final Cut Pro, Apple Motion, and Magix Vegas Pro!
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It's Christmas time and Hashi and Seth are ready to play with holiday movies! Will they add raptors to them? Will they recreate the visual effects? Will they get distracted making increasingly epic drops? Watch and find out! Less of a tutorial and more of a, "Let's figure it out together", VFX and Chill is a friendly, fun time!
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It's Christmas time and Hashi and Seth are ready to play with holiday movies! Will they add raptors to them? Will they recreate the visual effects? Will they get distracted making increasingly epic drops? Watch and find out! Less of a tutorial and more of a, "Let's figure it out together", VFX and Chill is a friendly, fun time!
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For a more in-depth particle looping tutorial, check out this classic tutorial: youtu.be/mGyhioXprBM
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Do you love Ghostbusters? Not as much as Hashi and Seth! This episode, the VFX and Chill crew returns to pick up where they left off with a continued exploration of the VFX of Ghostbusters: Frozen Empire! Less of a tutorial and more of a collaborative exploration, learn how to digitally freeze your environment with Cinema 4D and After Effects!
Here's the scene reconstruction tutorial they referenced a lot: youtu.be/RveCOuErY8Q
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Do you love Ghostbusters? Not as much as Hashi and Seth! This episode, the VFX and Chill crew returns to pick up where they left off with a continued exploration of the VFX of Ghostbusters: Frozen Empire! Less of a tutorial and more of a collaborative exploration, learn how to digitally freeze your environment with Cinema 4D and After Effects!
Here's the scene reconstruction tutorial they referenced a lot: youtu.be/RveCOuErY8Q
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The replay of the LUT webinar Michael refers to is here: youtube.com/watch?v=LjqMn_7xNLM
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In this Tip Tuesday tutorial, Michael shows how you can really push your color grade in your NLE! Remember: Magic Bullet Looks works in DaVinci Resolve, Avid Media Composer, Adobe After Effects, Premiere Pro, Apple Final Cut Pro, Apple Motion, VEGAS Pro, and even Cinema 4D and Unreal!
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There's something strange (and...cold) in the neighborhood! In this episode, Hashi and Seth are being inspired by the visual effects of Ghostbusters: Frozen Empire! It's less of a tutorial and more of a "let's all figure this out together".
They'll use After Effects, Cinema 4D, and maybe other things to create ghostly world VFX, cold effects, or whatever else they decide to do! You can't tell them what to do you're not a god. Are you?
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There's something strange (and...cold) in the neighborhood! In this episode, Hashi and Seth are being inspired by the visual effects of Ghostbusters: Frozen Empire! It's less of a tutorial and more of a "let's all figure this out together". Hashi shows making a cool, dynamic rig in Cinema 4D, Michael shares some tricks for growing frost in After Effects, and Seth shares his tips for compositing realistic snow.
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This solves a sticky step in the After Effects compositing to color grading workflow. With Supercomp from Red Giant's VFX Suite, you can comp in After Effects and send it to your colorist working in DaVinci Resolve keeping all of that wide gamut loveliness. Now visual effects is happy and color is happy. EVERYONE is happy (except the producers; they're always grumpy).
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Check out the film here: maxon.net/en/article/somethings-awry-productions-new-3d-halloween-short-a-haunting-in-candyland
Hashi and Seth explore ZBrush for the very first time - all LIVE!
What? Is? THIS!?
Sorry, we just watched the Nightmare before Christmas and that song is still in our heads.
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Hashi and Seth explore ZBrush for the very first time - all LIVE!
What? Is? THIS!?
Sorry, we just watched the Nightmare before Christmas and that song is still in our heads.
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In this episode, Hashi also shows techniques for making smoky ghosts, bloody text, popping balloons, faces in smoke, and more using simulations in Cinema 4D. VFX and Chill is less of a tutorial and more "let's figure this out together!".
Scripts:
bit.ly/FrameDetect is for working with animation that isn't on 1s
bit.ly/3DStamp2 is an update to his popular 3D Plane Stamp script
And, if you want to see Michael's Trapcode Particular tip, here it is: instagram.com/p/CtuvJv6LrDV
0:00:00 - Waiting screen
0:02:32 - Intro followed by technical difficulties
0:12:35 - Introducing the Frame Detect script for compositing animation with different frame rates
0:32:08 - 3D Plane Stamp version 2!
0:52:00 - Hashi shows off his raptor jet pack animation
0:54:04 - Making procedural dynamic balloon text in Cinema 4D
1:10:46 - Michael's dynamic procedural slime text in Cinema 4D
1:14:14 - Hashi makes procedural dynamic dripping blood text in Cinema 4D
1:26:20 - Making a smoky character in Cinema 4D
1:34:03 - Making a smoky face in Cinema (like in The Mummy or Voldemort's face in clouds)
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Learn more about what makes Real Lens Flares so unique here: maxon.net/red-giant/vfx/real-lens-flares
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