Score: The PodcastScore: The Podcast welcomes composer John Powell, Academy Award nominated composer of How To Train Your Dragon and How To Train Your Dragon 2, the Bourne franchise of films, Shrek, Antz, Happy Feet, Ice Age series, Rio, and the new Solo: A Star Wars Story (May 25).
Robert and Kenny begin the show talking about Deadmau5’s new comments about wanting to become a film composer and how often popular recording artists can cross over successfully. Robert gives examples of artists who’ve broken out into film music success immediately, including Trent Reznor and Atticus Ross, Junkie XL (Tom Holkenborg), Daft Punk and Joseph Trapanese and others.
Then John Powell enters the studio to talk about his new score for Solo: A Star Wars Story and working alongside John Williams. Plus, the groove of the Bourne series and why Powell says he thanks “Matt Damon’s backside” for making the music work.
A new episode of The Inside Track with Music Psychologist Dr. Siu-Lan Tan explores the musical foundation of film scores and how rhythms of twos and threes are the building blocks for great music.
Then John and the guys talk about How To Train Your Dragon and sitting next to Hans Zimmer when Trent Reznor and Atticus Ross’ The Social Network beat him for the Academy Award. Plus, his approach for getting multiple cues “spinning” until the last minute on an animated film where things can change until the very end, and his work with Blue Man Group and Rio.
Lastly, John and the guys play an animated film score edition of Name That Score, where you — yes, you! — could be a winner! Plus, John teases the unique sound of vuvuzelas he recorded for Solo: A Star Wars Story.
Score: The Podcast S1E9 | John Powell, The Inside Track with Dr. Siu-Lan Tan & Name That ScoreScore: The Podcast2018-05-15 | Score: The Podcast welcomes composer John Powell, Academy Award nominated composer of How To Train Your Dragon and How To Train Your Dragon 2, the Bourne franchise of films, Shrek, Antz, Happy Feet, Ice Age series, Rio, and the new Solo: A Star Wars Story (May 25).
Robert and Kenny begin the show talking about Deadmau5’s new comments about wanting to become a film composer and how often popular recording artists can cross over successfully. Robert gives examples of artists who’ve broken out into film music success immediately, including Trent Reznor and Atticus Ross, Junkie XL (Tom Holkenborg), Daft Punk and Joseph Trapanese and others.
Then John Powell enters the studio to talk about his new score for Solo: A Star Wars Story and working alongside John Williams. Plus, the groove of the Bourne series and why Powell says he thanks “Matt Damon’s backside” for making the music work.
A new episode of The Inside Track with Music Psychologist Dr. Siu-Lan Tan explores the musical foundation of film scores and how rhythms of twos and threes are the building blocks for great music.
Then John and the guys talk about How To Train Your Dragon and sitting next to Hans Zimmer when Trent Reznor and Atticus Ross’ The Social Network beat him for the Academy Award. Plus, his approach for getting multiple cues “spinning” until the last minute on an animated film where things can change until the very end, and his work with Blue Man Group and Rio.
Lastly, John and the guys play an animated film score edition of Name That Score, where you — yes, you! — could be a winner! Plus, John teases the unique sound of vuvuzelas he recorded for Solo: A Star Wars Story.
Hosts: Robert Kraft and Kenny Holmes. Executive Producer: Matt Schrader. Copyright 2018 Epicleff MediaHans Zimmer on using music to invite viewers inScore: The Podcast2024-10-08 | Legendary film composer Hans Zimmer says scoring a failed musical taught him an important lesson about audiences, and led him to write his iconic opening to ‘The Lion King,’ a score which won him his first Academy Award.Dario Marianelli explains John Williams impact on Close EncountersScore: The Podcast2024-10-03 | Oscar-winning composer Dario Marianelli recalls a pivotal moment at the theater hearing John Williams’ ‘Close Encounters of the Third Kind’ that forever changed his perspective on film music.Trent Reznor and Atticus Ross on their music writing processScore: The Podcast2024-10-03 | Oscar-winning composers Trent Reznor & Atticus Ross approach each film and television score the same as their ‘Nine Inch Nails’ albums: find a cohesive style specific for that project, then once that project is complete, leave it behind and start fresh.Beauty and the Beasts rich musical influencesScore: The Podcast2024-10-01 | The iconic songs and score of ‘Beauty and the Beast’ pay homage to many classical European traditions and composers, like Beethoven. Oscar-winning composer Alan Menken details his musical approach on Score: The Podcast.James Gunns musical filmmaking trick on GuardiansScore: The Podcast2024-09-23 | Composer Tyler Bates (Guardians of the Galaxy Vol. 1 & 2) reveals Director James Gunn’s musical filmmaking trick that had Chris Pratt beaming on set.Danny Elfman reveals original Batman score involved Michael Jackson and Prince.Score: The Podcast2024-09-13 | Composer Danny Elfman reveals he initially quit when he learned the original music plans for Tim Burton’s ‘Batman’ featured themes by Michael Jackson, George Michael and Prince.A.R. Rahmans mother invested in him, the rest is history.Score: The Podcast2024-09-13 | Oscar-winner A.R. Rahman’s father, also a composer, died when he was 9. His mother decided to keep his dad’s old musical equipment for A.R. so he could learn his father’s trade.Blake Lively influenced Deadpool & Wolverine soundtrackScore: The Podcast2024-09-13 | ‘Deadpool & Wolverine’ composer Rob Simonsen reveals that Blake Lively was actually the mastermind behind many of the song choices for the film’s soundtrack.
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#deadpool #deadpoolandwolverine #ryanreynolds #hughjackman #mcu #marvel #marvelstudios #marvelcinematicuniverse #lfg #composer #filmmusic #filmcomposer #filmscore #soundtrack #scorethepodcast #kevinfeige #disney #blakelively #davejordanScore: The Podcast S5 Finale | Rob Simonsen (Deadpool & Wolverine)Score: The Podcast2024-09-03 | In Score’s season 5 finale, composer Rob Simonsen talks about having the #1 and #2 films in the world on the same weekend (DEADPOOL & WOLVERINE; IT ENDS WITH US), and how one film led to the other being done inside of one month — the biggest time crunch he’s ever had. Plus, what is was like working with Ryan Reynolds and Blake Lively, poking fun at Marvel in the sound booth with Kevin Feige during recordings, and what’s next with his scoring a major upcoming Pixar release. Interview by Kenny Holmes and Robert Kraft.Score: The Podcast S5E12 | Andrea Datzman (Inside Out 2)Score: The Podcast2024-07-09 | Breakout composer Andrea Datzman (INSIDE OUT 2) talks about her initial rejection from film scoring industry, and what led her to persevere. How her struggle with Lyme disease threatened to upend her initial breakthrough with Michael Giacchino on INSIDE OUT, and led to a surprising new revelation about her own brain and neuropsychology. She also discusses her experience learning from Michael Giacchino as a student, during the scoring sessions for ABC’s LOST. Interview by Robert Kraft and Kenny Holmes.Score: The Podcast S5 Bonus | Andrew Gordon Macpherson (Dark Side of the Ring, Who Killed WCW?)Score: The Podcast2024-06-25 | In this bonus interview episode, Andrew Gordon Macpherson talks about his music and TV editing career leading to his career scoring television documentaries, including the hit Vice series DARK SIDE OF THE RING, and WHO KILLED WCW produced by Dwayne “The Rock” Johnson. How the world of professional wrestling drama created a canvas for an epic soap-opera-esque musical approach, finding ways to blend spaghetti western with zen meditation bowls, and making a sub-culture of pro wrestling drama something for the average person to be able to appreciate. Plus, the influence of Jim Johnston on the iconic music all wrestling fans know. Bonus interview by Kenny Holmes and Matt Schrader. (Note: Technical difficulties interrupted the interview several times. We have edited to trim out some of these interruptions.)Score: The Podcast S5E11 | Andrew Lockington (Atlas, Mayor of Kingstown)Score: The Podcast2024-06-11 | Composer Andrew Lockington (ATLAS, MAYOR OF KINGSTOWN) joins SCORE to talk about Toronto, working with and under the tutelage of fellow Canadian Mychael Danna after wanting to start a rock band, and how his interest in orchestration led to his composing breakthroughs. Plus, working with Jennifer Lopez, creating “suites” of music, what makes temps so tricky to work with, and how he’s built a relationship with director Brad Peyton across multiple big-budget action films. Interview by Kenny Holmes and Robert Kraft.Score: The Podcast S5E10 | Christophe Beck (Unfrosted, Road House)Score: The Podcast2024-05-23 | We catch up with composer extraordinaire Christophe Beck (UNFROSTED, ROAD HOUSE) for the first time in six years! Christophe shares how early piano lessons led to dreams of making his own album (now in the works). Plus, how years leading a composer team on major films refreshed his love of teaching and sharing, his creative rapport with director Doug Liman, and working with comedy icon Jerry Seinfeld in his directorial debut on the Netflix satire/“Pop Tart biopic” UNFROSTED. Interview by Kenny Holmes, Matt Schrader, and Robert Kraft.
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#scarface #tonymontana #sayhellotomylittlefriend #giorgiomoroder #filmmusic #filmscore #filmhistory #composer #music #synth #alpacino #musicproducer #scorethepodcastScore: The Podcast S5E9 | Chris Benstead (Ministry of Ungentlemanly Warfare)Score: The Podcast2024-04-19 | Composer Chris Benstead talks about being Guy Ritchies’ musical maestro on multiple projects, including THE GENTLEMEN on Netflix and THE MINISTRY OF UNGENTLEMANLY WARFARE. How his musical education led him into music mixing and eventually working in the “sound” departments on major projects, before his work with Patrick Doyle, Steven Price, Alan Menken and Hans Zimmer brought him back into the “composer” role for Guy Ritchie. Why Guy sometimes asks him to be “braver” with a cue, and how to delegate (aka “let go”) of certain parts of the music composition process that you’re good at. Interview by Kenny Holmes and Matt Schrader.Hans Zimmer still feels imposter syndromeScore: The Podcast2024-04-12 | Oscar-winning composer @Hans Zimmer still feels “imposter syndrome” when beginning on a new film. (Scene from SCORE: A Film Music Documentary)
#hanszimmer #composer #johnwilliams #filmmusic #filmscore #score #orchestra #filmmaking #hollywood #cinema #scorethepodcastHow Hans Zimmer discovered rockstar cellist Tina GuoScore: The Podcast2024-04-10 | Grammy-nominated cellist Tina Guo spent her life savings producing a music video which led to legendary maestro Hans Zimmer discovering her talent on YouTube.
#tinaguo #hanszimmer #hanszimmerlive #cello #cellist #composer #filmmusic #filmhistory #orchestra #score #filmscore #scorethepodcast #metal #hanszimmer #classical #electriccello #practice #classicalmusic #classicalmusician #celloplayer #violin #viola #bass #symphony #strings #stringplayer #music #musician #soundtrackSeinfelds original theme song didnt cut itScore: The Podcast2024-04-10 | Seinfeld composer Jonathan Wolff reveals he wasn't the first composer on the iconic television series, and while the original theme was good, it wasn't the sonic brand Jerry had hoped for.
#seinfeld #film #filmhistory #music #filmmusic #filmscore #documentary #scorethepodcast #obama #composer #larrydavid #jerryseinfeld #jonathanwolff #tvthemesRudy Mancuso explains his synesthesiaScore: The Podcast2024-04-10 | ‘Musica’ director and star Rudy Mancuso explains his synesthesia and why it’s not always fun.
#musica #synesthesia #rudymancuso #camilamendes #primevideo #awkwardpuppets #diego #score #composer #filmmusic #filmscore #filmhistory #soundtrack #scorethepodcastUsing original scores outside of their original film - SCORE: A Film Music DocumentaryScore: The Podcast2024-04-09 | A film score can be emotionally powerful even outside of its original film. (Scene from SCORE: A Film Music Documentary)
#rememberthetitans #film #filmhistory #music #filmmusic #filmscore #trevorrabin #documentary #scorethepodcast #obama #president #moby #composer #barackobamaDemo House of Cards theme revealed by composer Jeff BealScore: The Podcast2024-04-09 | Emmy-winning ‘House of Cards’ composer Jeff Beal shares never-before-heard demo of the main title theme he first presented to David Fincher.
#houseofcards #jeffbeal #davidfincher #netflix #composer #filmscore #filmmusic #score #themesong #soundtrack #scorethepodcastRudy Mancusos Musica had 100 microphones on setScore: The Podcast2024-04-08 | Rudy Mancuso’s breakout directorial debut ‘Música’ took an enormous amount of planning, including using upwards of 100 live microphones on set.
#musica #rudymancuso #camilamendes #primevideo #awkwardpuppets #diego #score #composer #filmmusic #filmscore #filmhistory #soundtrack #scorethepodcast @RudyMancusoDevo frontman on The Simpsons Whip It parodyScore: The Podcast2024-04-05 | Film composer and DEVO frontman Mark Mothersbaugh says The Simpsons aren’t the only ones to parody his hit song “Whip It” from 1980.
#whipit #devo #simpsons #markmothersbaugh #composer #score #filmmusic #filmhistory #parody #music #scorethepodcast #filmscore #soundtrackScore: The Podcast S5E8 | Rudy Mancuso (Música)Score: The Podcast2024-04-04 | YouTuber Rudy Mancuso has been following SCORE for years, as a musician and composer in his own right. He joins Kenny Holmes and Matt Schrader to discuss his breakout hit film from SxSW ‘MÚSICA’ — a semi-autobiographic film years in the making that pushes musical possibilities to refreshingly brilliant musical storytelling. Directed as only a composer could, MÚSICA (also starring Camila Mendes and J.B. Smoove) is an exploration of synesthesia, in which Rudy experiences real life in semi-musical form. Rudy discusses how his content creator life was the perfect practice for navigating his own feature film, why puppets (yes, puppets) are so integral to his film, and why he never had any doubt he would direct AND compose the music himself. Interview by Kenny Holmes and Matt Schrader.Succession composer plays theme with sub-par keyboard setupScore: The Podcast2024-04-04 | Emmy-winning Succession composer Nicholas Britell stopped by Score: The Podcast and we were embarassed to ask the maestro play on a keyboard with no sustain pedal. He still crushed it! 🎹 @nicholasbritell
#succession #successionhbo #boaronthefloor #fuckoff #nicholasbritell #composer #filmmusic #soundtrack #themesong #emmyHow Danny Elfman became Jack SkellingtonScore: The Podcast2024-04-03 | Oscar-nominated film composer and global rockstar Danny Elfman wasn’t initially going to sing as Jack Skellington in Tim Burton’s The Nightmare Before Christmas, but over time, Danny sort of became Jack and he wasn’t going to have it any other way.
#nightmarebeforechristmas #dannyelfman #elfman #jackskellington #sally #disney #timburton #filmmusic #score #filmscore #soundtrack #musical #scorethepodcastParasite composer plays Opening cue on a keyboardScore: The Podcast2024-04-03 | ‘Parasite’ and ‘Squid Game’ composer Jung Jae Il playing the ‘Parasite’ cue “Opening” from the 2020 Best Picture winner.
#squidgame #parasite #composer #filmmusic #filmscore #score #scorethepodcast #piano #oscars #bestpicture #soundtrack #jungjaeilParasite composer plays Belt of Faith on a keyboardScore: The Podcast2024-04-03 | ‘Parasite’ and ‘Squid Game’ composer Jung Jae Il came on Score: The Podcast and we couldn’t let him go without playing 🎹 for us! Here is “The Belt of Faith” from the 2020 Best Picture winner, ‘Parasite.’ @jungjaeil8989
#squidgame #parasite #composer #filmmusic #filmscore #score #scorethepodcast #piano #oscars #bestpicture #soundtrack #jungjaeilScream composer Marco Beltrami had never seen a horror filmScore: The Podcast2024-04-03 | Emmy-winning film composer Marco Beltrami told Wes Craven he had never seen a horror film… while in a screening of Scream, the film he was about to score. 😱
#film #music #filmscore #composer #horrormovie #screammovie #wescraven #scarymovie #scream #scorethepodcast #scoreGiorgio Moroder was confused when working with Daft PunkScore: The Podcast2024-04-02 | Oscar-winning composer, songwriter and producer Giorgio Moroder shares the unique way Daft Punk recorded his life story on the record “Giorgio By Moroder” for their Grammy-winning album Random Access Memories.
#daftpunk #randomaccessmemories #ram #giorgiobymoroder #giorgiomoroder #score #filmscore #music #productionOscar-winning composer Hans Zimmer reveals scary part of scoring films.Score: The Podcast2024-04-02 | Oscar-winning composer Hans Zimmer on the importance of failing in private. (from SCORE: A Film Music Documentary)Score: The Podcast S5E7 | Laura KarpmanScore: The Podcast2024-02-22 | Composer Laura Karpman joins Score to talk about her work on the Oscar-nominated score for AMERICAN FICTION. How jazz informed a story rich in satire and wit to give it a unique musical edge and voice intertwined with characters. Then she discusses her path from likely music professor into at one point one of the only women working in film and TV composing. Plus, Robert shares the personal influence Thelonious Monk had on his own life and love for jazz.Score: The Podcast S5E6 | David Fleming (Mr. & Mrs. Smith)Score: The Podcast2024-02-06 | Composer David Fleming (The Last of Us, Blue Planet II) talks about his inventive score for Prime Video’s new Mr. & Mrs. Smith, working with Donald Glover, coming up through the Remote Control composer system with Atli Orvarsson, Steve Jablonsky and Hans Zimmer, and why the new Jim Henson documentary will melt everyone’s hearts. Interview by Kenny Holmes, Matt Schrader and Robert Kraft.Score: The Podcast TrailerScore: The Podcast2024-01-25 | Hosts Kenny Holmes & Robert Kraft take you inside the studios of Hollywood's greatest composers and musical storytellers.
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SUBSCRIBE 🎧 Apple http://apple.co/2Zl02W8 Spotify http://spoti.fi/2Fb8DDvScore: The Podcast S5E5 | Carlos Rafael Rivera (Griselda)Score: The Podcast2024-01-25 | The Miami-based Carlos Rafael Rivera joins to talk about his breakout of The Queen’s Gambit, followed by Hacks, Lessons in Chemistry, Monsieur Spade and Griselda, out now on Netflix. How he manages to maintain his Miami location for an industry that is largely located in Los Angeles. Plus, he revisits his 2017 adventure to go see Score: A Film Music Documentary in New York, and how he’s brought some of his teaching skills (and musicians) into his music work.
Before that, Kenny and Matt break down the Oscar nominees, as Robert joins a few minutes later to explain why Oppenheimer’s score (by Ludwig Gorannsson) is so groundbreakingly original.Score: The Podcast S5E4 | Richard Reed Parry (The Iron Claw)Score: The Podcast2023-12-27 | One of the original members of the indie band Arcade Fire, Richard Reed Parry (THE IRON CLAW, EILEEN) discusses his jump into film scoring, the importance of finding “mojo” and “vibe,” and how the wrestling biopic The Iron Claw nearly stumped him musically — until he unlocked the rich, layered sound that carries the film. How Spike Jonze’s film “Her” prepared him for the next stage in his career, and why he believes it’s important to be as musically dynamic with other musicians as possible.Score: The Podcast S5E3 | Geoff Zanelli (Leo)Score: The Podcast2023-12-20 | Geoff Zanelli makes his long-awaited Score debut after one of Netflix’s most watched animated films of all-time, the Adam Sandler-produced LEO. In this episode, Kenny and Robert discuss the long-awaited arrival of MAESTRO, the Leonard Bernstein biopic, which we discussed on the 2nd episode of SCORE: THE PODCAST back when it was to be directed by Spielberg. Then, Robert and Geoff reminisce about drinking absinthe in Paris, before jumping into the challenge of making Adam Sandler laugh, and the paradox of writing “funny” music in animation. Plus, Geoff talks about his path from music school to being an intern at Hans Zimmer’s Remote Control Productions in the early (Lion King era) 1990s, sitting in on Alan Meyerson mixes, and getting his first opportunities while working for John Powell on the movie Face/Off.Score: The Podcast S5E2 | Martin Phipps (Napoleon)Score: The Podcast2023-12-05 | Composer of the new historical epic NAPOLEON Martin Phipps joins Score for the first time! How he located a piano once owned by Napoleon himself for the score. Plus, his path to film and television music, his work on Peaky Blinders, Black Mirror and The Crown, and establishing trust with the great Ridley Scott. How Martin overcame his early doubts about musical approach for NAPOLEON to meet its spectacular giant sets, and musically signaling Napoleon as an ambitious outsider rising to power. Interview by Robert Kraft and Kenny Holmes.Score: The Podcast S5E1 | James Newton Howard (Hunger Games)Score: The Podcast2023-11-17 | Score returns with composer James Newton Howard, who currently has four projects releasing this month, including the Hunger Games prequel that he says asked him not to use synths (“they haven’t been invented yet”). Plus, how working with Hans Zimmer helped pull him out of a period of depression, when to fight for your musical opinion, and why he likes the rush of being asked to “save” blockbuster films in the final weeks before release. Interviewed by Robert Kraft and Matt Schrader.Gustavo Santaolalla | Score: The Podcast (Full Interview)Score: The Podcast2023-08-21 | Academy Award-winning composer, producer, and multi-instrumentalist Gustavo Santaolalla joins Score: The Podcast for a lively conversation about the phenomenon his music helped create in The Last of Us, and why it's different than any of his other work. Plus, writing the score to Brokeback Mountain prior to anything being filmed, how the records he made with the band Arco Iris (at age 18) become a blueprint for his career, and how he put the instrument "ronroco" on the map. Gustavo also shares details about his upcoming projects, including a performance in October at the World Soundtrack Awards in Ghent, Belgium, where he will be with our own Robert Kraft.Daniel Pemberton (Spider-Man: Across The Spider-Verse) Full InterviewScore: The Podcast2023-07-05 | In this special summer episode, Daniel Pemberton, composer of Spider-Man: Across The Spider-Verse, Daniel discusses his unique approach to the hit sequel's postmodern score, the success he’s had since his last appearance on Score: The Podcast — including SLOUGH HOUSE and The Trial of the Chicago 7 — and details about the upcoming tour of his Spider-Verse score, live to picture! Interview by Robert Kraft.Carter Burwell (Banshees of Inisherin) Full InterviewScore: The Podcast2023-03-01 | In this special pre-Oscars episode of Score: The Podcast, Oscar-nominated composer Carter Burwell speaks with Robert Kraft about his latest score for The Banshees of Inisherin. Will his third nomination be the charm? Carter talks about meeting the other nominees at the Academy luncheon, recording at Abbey Road, and working with directors.On possibly earning two more Oscar nominations | composer Hildur GuðnadóttirScore: The Podcast2023-01-18 | Oscar-winning composer Hildur Guðnadóttir talks about her 2019 success on JOKER and CHERNOBYL and how she responded to pandemic slowdown at the breakout moment of her career. Why becoming a mother is something she holds so dearly and credits for some of her approach. Plus, why WOMEN TALKING challenged her to find a quiet inner strength, and TÁR created a mirror opposite of Hildur’s approach to her music. Interview by Robert Kraft and Matt Schrader.
MORE SCORE is a fan-supported show available on Patreon, Apple Podcast and Spotify. To support for $10/month and get full episodes from inside the film score world, use the links below:
Patreon: http://Patreon.com/MoreScoreThe musical struggle of Tár tells a story | Hildur GuðnadóttirScore: The Podcast2023-01-17 | Oscar-winning composer Hildur Guðnadóttir talks about her 2019 success on JOKER and CHERNOBYL and how she responded to pandemic slowdown at the breakout moment of her career. Why becoming a mother is something she holds so dearly and credits for some of her approach. Plus, why WOMEN TALKING challenged her to find a quiet inner strength, and TÁR created a mirror opposite of Hildur’s approach to her music. Interview by Robert Kraft and Matt Schrader.
MORE SCORE is a fan-supported show available on Patreon, Apple Podcast and Spotify. To support for $10/month and get full episodes from inside the film score world, use the links below:
Patreon: http://Patreon.com/MoreScoreHow parenthood changed Hildur Guðnadóttirs musical approachScore: The Podcast2023-01-16 | Oscar-winning composer Hildur Guðnadóttir talks about her 2019 success on JOKER and CHERNOBYL and how she responded to pandemic slowdown at the breakout moment of her career. Why becoming a mother is something she holds so dearly and credits for some of her approach. Plus, why WOMEN TALKING challenged her to find a quiet inner strength, and TÁR created a mirror opposite of Hildur’s approach to her music. Interview by Robert Kraft and Matt Schrader.
MORE SCORE is a fan-supported show available on Patreon, Apple Podcast and Spotify. To support for $10/month and get full episodes from inside the film score world, use the links below:
Patreon: http://Patreon.com/MoreScoreThe pandemic hiatus after winning an Oscar | composer Hildur GuðnadóttirScore: The Podcast2023-01-12 | Oscar-winning composer Hildur Guðnadóttir talks about her 2019 success on JOKER and CHERNOBYL and how she responded to pandemic slowdown at the breakout moment of her career. Why becoming a mother is something she holds so dearly and credits for some of her approach. Plus, why WOMEN TALKING challenged her to find a quiet inner strength, and TÁR created a mirror opposite of Hildur’s approach to her music. Interview by Robert Kraft and Matt Schrader.
MORE SCORE is a fan-supported show available on Patreon, Apple Podcast and Spotify. To support for $10/month and get full episodes from inside the film score world, use the links below:
Patreon: http://Patreon.com/MoreScoreHildurs unforgettable theme from Women TalkingScore: The Podcast2023-01-11 | Oscar-winning composer Hildur Guðnadóttir talks about her 2019 success on JOKER and CHERNOBYL and how she responded to pandemic slowdown at the breakout moment of her career. Why becoming a mother is something she holds so dearly and credits for some of her approach. Plus, why WOMEN TALKING challenged her to find a quiet inner strength, and TÁR created a mirror opposite of Hildur’s approach to her music. Interview by Robert Kraft and Matt Schrader.
MORE SCORE is a fan-supported show available on Patreon, Apple Podcast and Spotify. To support for $10/month and get full episodes from inside the film score world, use the links below:
Patreon: http://Patreon.com/MoreScoreCircular breathing for saxophone | composer Colin StetsonScore: The Podcast2023-01-09 | Composer Colin Stetson (The Menu, Hereditary, Color Out of Space) talks about capturing a fresh sound for The Menu, trying not to collapse while playing saxophone, and why it makes for terrible bar tricks. Interview by Kenny Holmes and Matt Schrader.
MORE SCORE is a fan-supported show available on Patreon, Apple Podcast and Spotify. To support for $10/month and get full episodes from inside the film score world, use the links below:
Patreon: http://Patreon.com/MoreScoreHow saxphonist-composer Colin Stetson writes a score | More Score clipScore: The Podcast2023-01-05 | Composer Colin Stetson (The Menu, Hereditary, Color Out of Space) talks about capturing a fresh sound for The Menu, trying not to collapse while playing saxophone, and why it makes for terrible bar tricks. Interview by Kenny Holmes and Matt Schrader.
MORE SCORE is a fan-supported show available on Patreon, Apple Podcast and Spotify. To support for $10/month and get full episodes from inside the film score world, use the links below:
Patreon: http://Patreon.com/MoreScoreIs it ever TOO early to write music | composer Colin StetsonScore: The Podcast2023-01-03 | Composer Colin Stetson (The Menu, Hereditary, Color Out of Space) talks about capturing a fresh sound for The Menu, trying not to collapse while playing saxophone, and why it makes for terrible bar tricks. Interview by Kenny Holmes and Matt Schrader.
MORE SCORE is a fan-supported show available on Patreon, Apple Podcast and Spotify. To support for $10/month and get full episodes from inside the film score world, use the links below: