latent body - test00 (2022) daito manabe 2022-09-26 | Direction , Visual programminig, Prompt engineering : Daito MNabeDancer : Shingo Okamoto and Sara(ELEVENPLAY)Server side programming: 2bit
mansai wireframe - test (2014) daito manabe 2022-05-08 | 4D Scan of Nomura MansaiPrototyping for Form
traders in madrid (2018) daito manabe 2021-12-19 | traders 2018Daito Manabe + You Tanaka + Kenichiro Shimizu + Shogo Kawata (GORAKU) + Takao Inouegenerated audio and visuals based on financial data from October 7, 2016. 2018.On Friday, October 7, 2016 starting at 08:04 am, the British pound/US dollar suddenly fell, momentarily reaching a drop of 6.1%.Many speculations were made, such as whether it was caused by "fat finger" errors or chain reactions from algorithmic and high-frequency trading, but none have provided a definitive investigation.This momentary crash has been referred to as a Flash Crash since May 6, 2010, when the 30 stocks of Dow Jones Industrial Average fell about 1,000 dollars (9%) in a few minutes,and recorded the biggest such drop during a trading session.This work visualizes and auralizes various data from the moment when the Flash Crash took place.It provides a direct experience of AI-led automated trading coming in contact with the fragility of a highly advanced information society, despite the continuing lack of definitive measures.
真鍋大度 Daito Manabe │ ELEVENPLAY《TONE》〈Third movement〉 daito manabe 2021-11-10 | 新視野藝術節 New Vision Arts Festival 2021真鍋大度 │ ELEVENPLAY《TONE》〈First movement〉《TONE》〈First movement〉by Daito Manabe and ELEVENPLAY這部網上影片由ELEVENPLAY與Rhizomatik製作。他們合作無間，項目計有《border》、《phosphere》和《discrete figures》。對身體、形體表達，以及相關媒體藝術進行深入研究後，ELEVENPLAY與Rhizomatik運用多種裝置和創新技術，創作出這部表演作品，將疫情期間變通衍生的線上觀看經驗和知識，發揮得淋漓盡致。これまで“border”, “phosphere”, “discrete figures”をはじめとする様々な作品でコラボレーションを重ねてきたELEVENPLAYとRhizomatiksであるが、今回はオンライン視聴のためのビデオ作品を制作する。身体表現やそれに関わるMedia Artなどの入念なリサーチの元で、様々なデバイスや最新技術を活用したパフォーマンスを制作してきたが、COVID-19の時代に、それらのノウハウを生かしたオンライン視聴の作品を制作する。This online work is a video created by ELEVENPLAY and Rhizomatiks, who have been collaborating on many projects such as border, phosphere, and discrete figures, just to name a few.Based on elaborate research on body and physical expression and related media arts, ELEVENPLAY and Rhizomatiks have created performance pieces utilising various devices and innovative technologies. This piece is a distillation of experience and knowledge designed for online viewing in the COVID-19 era.《TONE》播放清單：bit.ly/3BE3aiV《TONE》Playlist: bit.ly/3BE3aiV詳情：https://www.nvaf.gov.hk/zh/programmes/8/Programme Details: https://www.nvaf.gov.hk/programmes/8/#新視野藝術節 #NVAF #NewVisionArtsFestival #TONE #Dance #MultiArts #ArtTech #DaitoManabe #MIKIKO #ELEVENPLAY #Rhizomatiks
真鍋大度 Daito Manabe │ ELEVENPLAY《TONE》〈Second movement〉 daito manabe 2021-11-10 | 新視野藝術節 New Vision Arts Festival 2021真鍋大度 │ ELEVENPLAY《TONE》〈First movement〉《TONE》〈First movement〉by Daito Manabe and ELEVENPLAY這部網上影片由ELEVENPLAY與Rhizomatik製作。他們合作無間，項目計有《border》、《phosphere》和《discrete figures》。對身體、形體表達，以及相關媒體藝術進行深入研究後，ELEVENPLAY與Rhizomatik運用多種裝置和創新技術，創作出這部表演作品，將疫情期間變通衍生的線上觀看經驗和知識，發揮得淋漓盡致。これまで“border”, “phosphere”, “discrete figures”をはじめとする様々な作品でコラボレーションを重ねてきたELEVENPLAYとRhizomatiksであるが、今回はオンライン視聴のためのビデオ作品を制作する。身体表現やそれに関わるMedia Artなどの入念なリサーチの元で、様々なデバイスや最新技術を活用したパフォーマンスを制作してきたが、COVID-19の時代に、それらのノウハウを生かしたオンライン視聴の作品を制作する。This online work is a video created by ELEVENPLAY and Rhizomatiks, who have been collaborating on many projects such as border, phosphere, and discrete figures, just to name a few.Based on elaborate research on body and physical expression and related media arts, ELEVENPLAY and Rhizomatiks have created performance pieces utilising various devices and innovative technologies. This piece is a distillation of experience and knowledge designed for online viewing in the COVID-19 era.《TONE》播放清單：bit.ly/3BE3aiV《TONE》Playlist: bit.ly/3BE3aiV詳情：https://www.nvaf.gov.hk/zh/programmes/8/Programme Details: https://www.nvaf.gov.hk/programmes/8/#新視野藝術節 #NVAF #NewVisionArtsFestival #TONE #Dance #MultiArts #ArtTech #DaitoManabe #MIKIKO #ELEVENPLAY #Rhizomatiks
真鍋大度 Daito Manabe │ ELEVENPLAY《TONE》〈First movement〉 daito manabe 2021-11-10 | 新視野藝術節 New Vision Arts Festival 2021真鍋大度 │ ELEVENPLAY《TONE》〈First movement〉《TONE》〈First movement〉by Daito Manabe and ELEVENPLAY這部網上影片由ELEVENPLAY與Rhizomatik製作。他們合作無間，項目計有《border》、《phosphere》和《discrete figures》。對身體、形體表達，以及相關媒體藝術進行深入研究後，ELEVENPLAY與Rhizomatik運用多種裝置和創新技術，創作出這部表演作品，將疫情期間變通衍生的線上觀看經驗和知識，發揮得淋漓盡致。これまで“border”, “phosphere”, “discrete figures”をはじめとする様々な作品でコラボレーションを重ねてきたELEVENPLAYとRhizomatiksであるが、今回はオンライン視聴のためのビデオ作品を制作する。身体表現やそれに関わるMedia Artなどの入念なリサーチの元で、様々なデバイスや最新技術を活用したパフォーマンスを制作してきたが、COVID-19の時代に、それらのノウハウを生かしたオンライン視聴の作品を制作する。This online work is a video created by ELEVENPLAY and Rhizomatiks, who have been collaborating on many projects such as border, phosphere, and discrete figures, just to name a few.Based on elaborate research on body and physical expression and related media arts, ELEVENPLAY and Rhizomatiks have created performance pieces utilising various devices and innovative technologies. This piece is a distillation of experience and knowledge designed for online viewing in the COVID-19 era.《TONE》播放清單：bit.ly/3BE3aiV《TONE》Playlist: bit.ly/3BE3aiV詳情：https://www.nvaf.gov.hk/zh/programmes/8/Programme Details: https://www.nvaf.gov.hk/programmes/8/#新視野藝術節 #NVAF #NewVisionArtsFestival #TONE #Dance #MultiArts #ArtTech #DaitoManabe #MIKIKO #ELEVENPLAY #Rhizomatiks
A tiny drone - test (2018) daito manabe 2021-11-04 | We used this for"discrete figures drone scene" at Grayarea(2018)youtube.com/watch?v=k7Wnx7KKeS8
An interactive moving truck system - test (2019) daito manabe 2021-11-04 | We used this tech for Leading with Lightyoutube.com/watch?v=xK38u6Ol5zc
A wireless moving truck system - test (2018) daito manabe 2021-11-04 | We used this tech for ELEVENPLAY x Rhizomatiks x Kyle McDonald "discrete figures intro" (2019) at Sapporo Hitaruyoutube.com/watch?v=VO4nCojmb_k&t=326s
discrete figures generative dancer (2018) daito manabe 2021-08-30 | research.rhizomatiks.com/s/works/discrete_figures/engithub.com/pkmital/dance2dance
Super Flying Tokyo 2019 daito manabe 2021-08-04 | https://super-flying.tokyo/STATEMENTSuper Flying Tokyo 2019 is series of forum and event sessions where world-leading creators gather to explore augmentation of "driving force of innovative creativity" by imagining its near future of digital creative world from Tokyo.We predict that possibilities for next generations of creativity will be assured by merging creative oriented mind and contents management at a higher level. But it is questionable if the environment and infrastructure for creation are fully provided. In other words, do awareness of the results of those creative challenges and the ripple effect of education prevail enough publically in the society? In the era of deformation and transition in any field, SFT 2019 will introduce various approaches from all over the world as model cases demonstrating specification of current problems, organization for problem-solving, collaboration, and crossover of styles. Creators find increasing importance of open environment of co-creation and sharing it publicly for realization of creativity and the bigger object of diverse society. The talk session of SFT 2019 will not only focus on those social topics from the context of art and creation but also discuss such themes as crossing of specialized researches relating science and advanced technologies and close relationships of businesses, industries, and urban planning together with opinions from specialists of each field to share current problems. Lets finds our next steps and share a bigger picture together.-------------------------------------------------------------------------------------------------------------------------WORKSHOP8.23（Fri）12:00-18:00Workshop for Junior and senior high school studentsby Kyle McDonald and Lauren McCarthy(USA)TALK SESSION- International Artist Presentation and Talk8.24（Sat）10:00 - 19:20Guests: 目［mé］Haruka Kojin+Kenji Minamigawa(JP), VT ProDesign(USA), Kyle McDonald(USA), Lauren McCarthy(USA), Ian Simon (Strangeloop Studios/USA), Pink;Money(HK& CHN), Kode9(UK), Nosaj Thing(USA), MIKIKO+Daito Manabe+Motoi Ishibashi(JP) *simultaneous interpretationCROSS TALK8.25（Sun）PART 1 : CollaborationDaito Manabe ＆MIKIKO, Kyle McDonald＆Lauren McCarthy, Pink;MoneyMC: Kazunao Abe (Curator, Professor of Tokyo Polytechnic University) *simultaneous interpretationPART 2 : Global contents development and its challengesMika Takagi (Director, Media and Content Industry Division, Ministry of Economy, Trade and Industry Japan), Ken Matsumoto (Managing Director, COOL JAPAN FUND, Investment Group), Hidenori Chiba (Rhizomatiks)MC: Mariko Nishimura (HEART CATCH)PART 3 : Urabanization and creativityKeisuke Toyoda (noiz architects), Erika Nakagawa(Architect), Seiichi Saito (Rhizomatiks)MC: Mariko Nishimura (HEART CATCH), Kazunao Abe (Curator, Professor of Tokyo Polytechnic University)SFT NIGHT PARTY at UNIT8.24（Sat）OPEN / START 23:00(*Entrance is restricted to those above 20.)Venue: UNITPerformance : Nosaj Thing + Daito Manabe [Audio/Visual set], Kode9, Holodec, foodman, Saskiatokyo, OL Killer, Ichiro YamaguchiVJ: Rhizomatiks ResearchSALOON DJ: Setsuya Kurotaki, MAA, Sakiko Osawa, shinichi mita, Nozomi Acid(Rhizomatiks)
ENDLESS IMAGINALY by Rhizomatiks x EVEVENPLAY x Young Artists(2021) daito manabe 2021-08-04 | rhizomatiks.com/s/event/endlessimaginaryOverviewProposal of an open environment for emergence and creation to the next generation - An exhibition “ENDLESS IMAGINARY” is an exhibition where Rhizomatiks and young creators will be connected.The situation surrounding media technologies has changed drastically as more creators are emerging, and they create unique arts with various ideas no matter how well-known they are.At “ENDLESS IMAGINARY”, Rhizomatiks will lead the creation of a new audio-visual work using immersive space consisting of three large screens. Additionally, works from young creators including students from junior high school to college who are to lead the future will be exhibited as an installation.Through events such as “Super Flying Tokyo”, which is the talk session event that aims the near future of the digital creative scene starting from Tokyo, Rhizomatiks has been introducing leading artists from around the world to examine and extend “the power of new creative”. Rhizomatiks also has eagerly supported young creators and educational programs to develop creators and environment through intensive workshops and open discussion.In the age when we face changes and transition in every area globally, it is urgent to establish the environment for young creators from the upcoming generation to be able to show their works to expand their talents and possibilities. Rhizomatiks challenge to change the current situation with an open and participatory system, to provide open opportunities to young generations including students, and to propose an environment leading to self-formation of the community.Rhizomatiks is calling openly for young creators who create works with us for this exhibition. We are waiting for applications from those aspiring young creators. Other special events are also planned. Please see the website for more detailed information, which we will publish accordingly.Please enjoy works from original and unique creators beyond generations at Panasonic Center Tokyo.
particles 2021 at The Museum of Contemporary Art Tokyo(rough edit ver) daito manabe 2021-06-16 | RhizomatiksWIP
Digest of ELEVENPLAY x Rhizomatiks border 2021 daito manabe 2021-04-29 | https://border.dance/en/ELEVENPLAY x Rhizomatiks "border 2021"FEB 13—14SPIRAL HALL (TOKYO),SPECIAL ONLINE VENUEINTRODUCTIONElaboration and update of our attempts in 2015to establish the expression modelthat can adapt to both of on-siteand online viewing experience after COVID19A dance company, ELEVENPLAY, a director-choreographer, MIKIKO, and a collective led by Daito Manabe and Motoi Ishibashi, Rhizomatiks has presented a dance piece "border" in 2015.We elaborate and update our attempts in 2015 to build a new expression model for both online and offline experience after COVID-19.At an on-site venue, we have created a viewing environment where you can keep social distance to watch a dance performance integrated with mobility and mixed reality technologies from multiple viewpoints.In addition, we offer a new way of enjoying a dance performance by allowing online access, which leads to get rid of the capacity limitations of the venue.Project to Strengthen Earning Capacity of Cultural Arts- OrganizersAgency for Cultural Affairs Visual Industry Promotion Organization (VIPO)Agency for Cultural AffairsVisual Industry Promotion Organization (VIPO)Rhizomatiks- Planning and OperationVisual Industry Promotion Organization (VIPO)Rhizomatiks- Stage Direction | ChoreographyMIKIKO(ELEVENPLAY)- Performersteam A SAYA,MARU,NANAKO,YU,MAI (ELEVENPLAY)team B KAORI,emmy,TOMO,MIKU,MAYU (ELEVENPLAY)- Technical Development | Visual ProductionRhizomatiks- Creative Direction | Technical Direction | Software EngineeringDaito Manabe (Rhizomatiks)- Technical Direction | Hardware EngineeringMotoi Ishibashi (Rhizomatiks)- Musicevala- Lighting DesignTakayuki Fujimoto (Kinsei R&D)- Stage ManagerSo Ozaki, Kazuya Kushimoto- Stage Manager AssistantIkumi Ijiri- MR System EngineeringYuya Hanai (Rhizomatiks)- Visual ProgrammingSatoshi Horii (Rhizomatiks)Futa Kera (Rhizomatiks)- Hardware EngineeringKatsuhiko Harada (Rhizomatiks)Hideaki Tai (Rhizomatiks)- FabricationToshitaka Mochizuki (Rhizomatiks)Kyohei Mouri (Rhizomatiks)Saki Ishikawa (Rhizomatiks)- Motion Capture SystemMomoko Nishimoto (Rhizomatiks)- HPL Binaural ProcessingJiro Kubo (ACOUSTIC FIELD)- Sound Technical SupportKinya Takayanagi2bitKosaku Namikawa- Operation SupportNaoki Ishizuka (Rhizomatiks)- Technical SupportMuryo Homma (Rhizomatiks)Shintaro Kamijo (Rhizomatiks)Shino Higuchi- CG ProductionAkira Iio (1 inc)Kazuki Kuroiwa (1 inc)- 4D Views & Motion Capture Recording(Pre-Recorded)Crescent- StylistYae-pon- Multi-Angle Streaming SystemGnzo- On-Site ProductionHiroki Takeshita (TOW)Hiroshi Sanpei (TOW)- On-Site OperationELEVENPLAY- PR DesignHiroyasu Kimura (Rhizomatiks)Kaori Fuji (Rhizomatiks)Miku Maruno (Rhizomatiks)- Web Front-End DevelopmentHirofumi Tsukamoto (Rhizomatiks)Kentaro Mito (armsnox)- Web Back-End DevelopmentTatsuya Takemasa (Rhizomatiks)Hajime Sasaki (mountposition)Shunsuke Shiino (mountposition)- entrance designTakahito Hosono (Rhizomatiks)- PRMomoko Aoyagi (Rhizomatiks)- Project ManagementKahori Takemura (Rhizomatiks)Yoko Shiraiwa (ELEVENPLAY)- ProducerTakao Inoue (Rhizomatiks)- Venue SupportWacoal Art Center- Equipment SupportColor Kinetics JapanELSA Japan IncNishikawa Communications Co. Ltd.ASK Corporation, ACOUSTIC FIELD INC.
Gold Rush - Visualization + Sonification of Opensea activity (2021) daito manabe 2021-04-05 | "Gold Rush" - Visualization + Sonification of Opensea activity (2021)Audio-Visual Installation at Museum of Contemporary Art Tokyo本インスタレーションでは、BeepleがChristiesで出品したNFTをMetaKovaが$69,346,250で落札した3/11 10am ESTの前後1日のOpenseaのeventのデータ使用しています。CryptoArtにとって非常に象徴的な事件を機械学習技術(Convolutional Neural Network, t-SNE)、データビジュアリゼーションを用いて振り返ります。This installation uses event data from Opensea around the day of 3/11 10am EST, when MetaKova won the Beeple 's NFT at Christies for $69,346,250.We look back at this symbolic event of CryptoArt by using machine learning techniques (Convolutional Neural Network, t-SNE) and data visualization.Concept, Sound design, Technical direction: Daito ManabeVisual design and programming: Futa KeraSystem Programing, Serverside Design: 2bitServerside Programing: Kosaku NAMIKAWASpecial Thanks to Mai Fujimoto (KIZUNA) and Yu Ayato (KIZUNA)https://kizuna.institute/jp/
Visualization + Sonification of Opensea activity test-00 daito manabe 2021-03-14 | the first test.concept + audio: Daito ManabeSystem Programing, Serverside Design2bitServerside Programing Kosaku NAMIKAWA
ELEVENPLAY x Rhizomatiks border2021 online teaser daito manabe 2021-02-13 | https://border.dance/en/2月13日・14日に開催する『border 2021』のオンライン会場をちょこっとチラ見せ。全部で６カメあり、好きなカメラに切り替えながらご覧いただけます。リアル会場では見れない俯瞰視点や、オペレーション卓の制御画面など！オンライン会場のタイムスケジュールは以下の通り。[第一部 12:00-14:10][第二部 16:00-18:10][第三部 19:00-19:40]※第一部から第三部まで、1日を通してお楽しみ頂けます（出入りも自由）※チケットは各日で販売しております※ヘッドフォン・イヤフォン推奨是非オンライン会場にお越しください！Teaser movie for live streaming for border 2021!!!The performance will be streamed from multiple perspectives while you can freely select your viewpoint.You can have unique viewing experience that you can have access to only on online streaming, such as a bird's eye view of the entire venue and the operation screen of controlling software, which cannot be seen in the on-site experience.***We recommend that you wear headphones for online viewing.- Stage Time (Each Day)*All stage time is shown in Japan standard time.[Part1 12:00pm - 2:10pm][Part2 4:00pm - 6:10pm][Part3 7:00pm - 7:40pm] More details please visit link.https://border.dance/en/#border2021 #elevenplay #rhizomatiks #vr #ar #evala #takayukifujimoto #danceoerformance
Playing Tokyo Vol.08 2020.09.04 (Fri) 22:00 - 24:00 (JST) daito manabe 2020-12-31 | ゆるいtalkのアーカイブShinichi Mita, Yuni Yoshida, Yusuke Tanaka, MIKIKO, and Daito Manabe
エイブル presents 第73回全日本フェンシング選手権大会決勝戦 Fencing Visualized daito manabe 2020-12-16 | more info research.rhizomatiks.com/s/works/fencing_tracking
Home Sync Light daito manabe 2020-11-26 | 「Home Sync Light」は、自宅などでライブ配信を視聴しながら楽しむことのできる、配信音源に高精度で同期して光るデバイスです。ライブの映像演出や、照明、レーザー等に合わせたLEDの光が部屋中に広がり、配信視聴体験をより臨場感あふれるものに拡張します。これまでライブエンターテイメントの演出では、無線通信を利用した装着型LEDデバイス等が利用されてきました。COVID-19の感染流行により大人数が集まるライブ実施が制限される中、自宅で配信ライブを視聴する機会が増えています。自宅でも楽しめる、ライブ演出に同期するデバイスなどを提供する場合、事前にデバイスの設定が必要であったり、同期のためにスマホアプリをインストール、あるいは専用Webページからの視聴が必要だったりと、体験者の負担や視聴環境の制約が大きいのが現状でした。「Home Sync Light」では、エヴィクサー社による音響通信「Another Track(R)」を利用することで、デバイス単体で音声を通じて同期が行われます。デバイスの電源を入れて配信の音が聞こえるだけで、自動的にLEDの明滅が楽曲に同期して始まります。また、配信ライブを途中どこから視聴しても、おおよそ1秒以内に同期が完了します。デバイスとの通信のために専用スマホアプリや特設ウェブページ等を利用しないため、配信プラットフォームを限定しません。音響通信を利用しているため、今後、実際のライブとオンライン配信とが同時に行われた場合にも、会場と配信視聴で全く同じ光を楽しむことができ、一体感の向上が期待できます。今回制作したデバイスは、円筒形の筐体にLEDを巻きつける形状とし、そのまま置いてライトスタンドのように楽しむことや、LEDを伸ばしてモニタに貼り付けるなど、自宅で多様な楽しみ方のできるデザインになっています。また、内部の回路構成を変えずに、全く新たなデザインでオリジナル筐体を制作することも可能です。実証実験では、「ABEMA」「ニコニコ生放送」「U-NEXT」「LINE LIVE-VIEWING」を通じた配信を、回線状況の異なる日本国内の約80箇所で視聴。確実に同期が取れ、また、配信ライブの臨場感向上に有効であることが確認されました。
DJ KRUSH x DAITO MANABE collaboration Connected World daito manabe 2020-11-14 | DJ KRUSH x Daito Manabe "Connected world vol.1”世界の一線で活躍するDJ KRUSHとライゾマティクスの真鍋大度のコラボレーションプロジェクト「Connected World」の第1弾。DJ KRUSHによる新しいSETと音の可視化、映像の可聴化など視覚と聴覚の関係性を探求する真鍋大度による映像がぶつかり合うAUDIO VISUAL Special Showcaseとなる。This was the Connected world vol.1: a collaboration project of DJ KRUSH, who has been at the forefront of the world, and Daito Manabe from Rhizomatiks. DJ KRUSH and Daito Manabe went head-to-head in the AUDIO VISUAL Special Showcase with a new live set by DJ KRUSH and new visuals by Daito Manabe, who explores the relationship between visual and sound, or the visualization of sound and the sonification of images. AUDIO VISUAL Special Showcase Sound : DJ KRUSHVisual : Daito Manabe Team RhizomatiksUE4 Engineering : Tatsuya Ishii Realtime Keying system development : Yuya Hanai Visual Programming : Satoshi Horii Futa Kera CG Engineering : Aya Takamatsu Video Engineering : Muryo Homma Technical Support : Shintaro Kamijo KekeCG asset team : Toshihiko Sakata Junichi EbeProject Management & Translator : Naoki IshizukaPR : Momoko Aoyagi Key Visual : Hiroyasu Kimura Miku Maruno Producer : Takao Inoue Team KRUSH Camera & Edit : Toshihiko Morosawa Camera : Daisuke Ohya Taku TanakaTranslator : Masafumi Kajitani PR : Naoya Ikeda Junichi NishiboriProducer : Noriko Asano Artist management : Es・U・Es Corporation Special Thanks Toyokazu Yoshioka CircusKoji Hamada CircusZERO-SANc Co.,LtdULTRA-VYBE, INC.cheer for art！Produced by Es・U・Es Corporation & Rhizomatiks© 2020 Es・U・Es Corporation & Rhizomatiks.
TMS + MOCAP + MRI test 00 ( at Keio SFC) daito manabe 2020-10-01 | Thank you Dr. Fuji for this opportunity.
ELEVENPLAY x Rhizomatiks S . P . A . C . E . (2020) daito manabe 2020-09-26 | Music Main : KAZU - Salty // Nosaj Thing Remixadult-baby-records.lnk.to/AdultBabyIDyoutube.com/watch?v=dHgY2VyUgjwMusic Intro : "Zoom In Out" DAITO MANABE (Rhizomatiks)本作品はソーシャル・ディスタンスを保ちながら特殊なカメラ装置とハイスペック PC による画像処理を組み合わせて新たな身体表現、映像表現の可能性を提案するインテル PC FES 2020のための新作です。ダンサーの身体構造と動きによって作られる身体情報をさまざまなルールを用いて分解し再構築を行うことで、身体そのものだけでは作ることが出来ない幾何学的世界を生成します。This is a new work that proposes new possibilities of physical and visual expression by combining a special camera device and image processing capability of high spec PC at Intel PC FES 2020 while keeping a social distance.By decomposing and reconstructing information of the dancer's body structure and movements using various rules, this work creates a geometric world that cannot be created by the body alone.Credit :Creative and Technical Director : DAITO MANABE (Rhizomatiks)Choreographer : MIKIKO (ELEVENPLAY)Dancer : SAYA (ELEVENPLAY) KOHMEN (ELEVENPLAY)KAORI (ELEVENPLAY)MARU (ELEVENPLAY)YU (ELEVENPLAY)EMMY (ELEVENPLAY)NANAKO (ELEVENPLAY)SHOKO (ELEVENPLAY)MAI (ELEVENPLAY)Machine Learning Engineer : YUTA ASAI (Rhizomatiks)Visual Programmer : YOU TANAKA (Rhizomatiks)Videographer + Editor : MURYO HOMMA (Rhizomatiks)Stylist : SHINICHI MITER (KiKi inc.), YAEPON, SAQULAI, IncLocation Coordinator : YOKO ISHIDATE (Freelance), KEI TERAYAMA, SATSUKI SATO, ZHANG RUIJUN (THINKR)Behind The Scene Videographer + Editor : TOKUHIRO YASUKAWA, UBUNA HAMASAKI (Freelance)Sound Operator : NAOKI OHNISHI (SOUND CREW)Project Manager : KAHORI TAKEMURA, NAOKI ISHIZUKA (Rhizomatiks)Producer : TAKAO INOUE (Rhizomatiks)#Rhizomatiks#DaitoManabe#ELEVENPLAY#KAZU #Salty #AdultBabyRecords
ELEVENPLAY x Rhizomatiks x Kyle McDonald Contact from discrete figures scene at Sapporo Hitaru daito manabe 2020-06-12 | ...
Ultraviolet video image test (2014) daito manabe 2020-05-29 | removing a filter.using for tracking invisible markers.
MANSAI:Kaitai-Shinsho No.30 Special Edition “5W1H” - scene3 daito manabe 2020-05-23 | MANSAI:Kaitai-Shinsho No.30 Special Edition “5W1H”Planned by Mansai NomuraVisual Design / Technical Direction：Daito Manabe＋Motoi Ishibashi＋Rhizomatiks ResearchMusic : Daito Manabe + HopeboxCast： Mansai Nomura, Yuichi Otsuki, Mansaku no kaiVenue：Setagaya Public Theatre
Mansai Nomura :Kaitai-Shinsho No.30 Special Edition “5W1H” - scene 2 daito manabe 2020-05-23 | MANSAI:Kaitai-Shinsho No.30 Special Edition “5W1H”Planned by Mansai NomuraVisual Design / Technical Direction：Daito Manabe＋Motoi Ishibashi＋Rhizomatiks ResearchMusic : Daito Manabe + HopeboxCast： Mansai Nomura, Yuichi Otsuki, Mansaku no kaiVenue：Setagaya Public Theatre
MRI + TMS + Mocap test 00 daito manabe 2020-05-12 | Transcranial magnetic stimulation + Motion Capture System Test.tested on January 14th, 2020at SFC
Ustream Live of やくしまるえつこ『ルル』(2011) daito manabe 2020-05-10 | Etsuko Yakushimaru's "Lulu" (2011) held on May 17, 2011with Ustream Live.There were a camera and a projector attached to the end of the robot arm.We did doing projection mapping on a model of an imaginary small town.Viewers could tweet with the hashtag on Twitter andthey could take part in the video.There are secret commands , "cat", "star", "raccoons", etc.They will be converted to a graphic.Also, if the word "large/medium/small" is included, the size of the graphic will bechanged.Control of a robot arm:Motoi IshibashiModel making: Yoichi SakamotoEverything about software: Daito ManabeTranslated with www.DeepL.com/Translator (free version)2011/5/17に行われたやくしまるえつこ『ルル』(2011)のUstream Liveです。ロボットアームの先にカメラとプロジェクターがついており小さな架空の街の模型にプロジェクションマッピングをしています。鑑賞者はTwitterでハッシュタグをつけて呟くと映像に参加することが出来ます。秘密コマンドがあり猫、星、狸、などはグラフィックに変換されます。また、大/中/小という単語が入っているとグラフィックのサイズを変更出来るなど細かな演出を行いました。2011年当時、Ustream LiveとTwitter APIを使うことが面白く企画してから1日で実装して発表しました。ロボットアームの制御:Motoi Ishibashi模型製作: Yoichi Sakamotoそれ以外全部: Daito Manabe
BTS of やくしまるえつこ『ルル』(2011) daito manabe 2020-05-10 | Robot Arm + Camera + ProjectionBTS of やくしまるえつこ『ルル』（short ver.）/ Etsuko Yakushimaru - "LULU"youtube.com/watch?v=JfpzwNDScxs
Olafur Eliasson x Yuko Hasegawa (Staying TOKYO Vol.3) daito manabe 2020-04-28 | Staying TOKYOライゾマティクス主催のStaying TOKYOにアーティストのオラファー・エリアソン氏とキュレーターの長谷川祐子氏が出演したスペシャルトークセッションの収録動画です。エリアソン氏は、東京都現代美術館で個展「オラファー・エリアソン ときに川は橋となる」を3月14日から開催予定でしたが、展覧会の開幕が延期となっています（2020年4月28日現在）。今回は、お二人をお招きし「アート」を取り巻く現在の状況についてディスカッションいただきました。▼出演者オラファー・エリアソン氏（アーティスト）長谷川祐子氏（キュレーター）通訳：田村かのこ（Art Translators Collective）▼放送日2020年4月24日（金）Rhizomatiksrhizomatiks.comMOTmot-art-museum.jp/exhibitions/olafur-eliassonスタジオ・オラファー・エリアソンolafureliasson.net▼ 音声についてMAC1.“システム環境設定” - “サウンド”2.“出力”のタブを選択3.外部ヘッドフォンか内蔵スピーカーを選択4.英語で聴きたい場合は左へ,日本語で聴きたい場合は右へイヤフォンなしでお聞きになられる方の操作方法は👆👆👆お持ちのイヤフォンをつけてご視聴いただくのが一番よいですが、左からは英語が、右からは日本語がそれぞれ聞こえます。ご希望の言語に合わせて、左か右か選んでください。WINDOWS1.“コントロールパネル” - “サウンド”2.お使いの“スピーカー”や”ヘッドフォン”を選択3.レベルのタブを選択4.バランスをクリック5.英語で聴きたい場合は左へ,日本語で聴きたい場合は右へイヤフォンなしでお聞きになられる方の操作方法は👆👆👆お持ちのイヤフォンをつけてご視聴いただくのが一番よいですが、左からは英語が、右からは日本語がそれぞれ聞こえますのでご希望の言語に合わせて、左か右か選んでください。Staying TOKYOThis is a special talk session with artist Olafur Eliasson and curator Yuko Hasegawa on Staying TOKYO, hosted by Rhizomatiks.Olafur Eliasson's solo exhibition "Olafur Eliasson: Sometimes the river is the bridge" was to be held at the Museum of Contemporary Art Tokyo from March 14, but the opening of the exhibition has been postponed (as of April 28th, 2020).This time, we invited both of them to discuss the current situation surrounding "art".#newart #ecology #sustainability #artsofthetimesofcorna▼CastOlafur Eliasson (Artist)Yuko Hasegawa (Curator)Interpreter: Kanoko Tamura (Art Translators Collective)▼DateApril 24th, 2020 (Fri)Rhizomatiksrhizomatiks.comMOTmot-art-museum.jp/exhibitions/olafur-eliassonStudio Olafur Eliassonolafureliasson.net▼ About soundMAC1.Go to “System Preference” - “Sound”2.Select the “Output” tab3.Choose Headphone / Internal Speaker4.Slide to the left for ENGLISH, Slide to the right for JAPANESEIf you want to listen without earphones👆👆👆The talk will be available in English and Japanese with simultaneous interpretation. You can hear English from the left channel and Japanese from the right. Using headphones is the best. You can choose left or right, depending on your preferred language.WINDOWS1.Go to “Control Panel” - “Sound”2.Click the headphone or speakers that you are using3.Select the “Level” tab.4.Click the “Balance”.5.Slide to the left for ENGLISH, Slide to the right for JAPANESEIf you want to listen without earphones👆👆👆The talk will be available in English and Japanese with simultaneous interpretation. You can hear English from the left channel and Japanese from the right. Using headphones is the best. You can choose left or right, depending on your preferred language.
Tokyo Tokyo Festival Special 13 Light and Sound Installation Coded Field daito manabe 2020-04-08 | Tokyo Tokyo FESTIVAL Special 13Light and Sound installation"Coded Field"Date & Time: Saturday, November 16, 2019 at 6:00pm - 9:00pmVenues: Daihonzan of Japanese Pure Land Buddhism Zojoji, Minato City Shiba Park and Metropolitan Shiba ParkOrganizers: Tokyo Metropolitan Government and Arts Council Tokyo (Tokyo Metropolitan Foundation for History and Culture)Support: Minato Ward, TokyoPlanning and production: RhizomatiksProduction: TOW Co.,LTD.Technological support: SPRESENSE™ by Sony Semiconductor Solutions Corporationhttps://coded-field.tokyo/https://coded-field.tokyo/en/
ARTECHOUSE - Lucid Motion by Daito Manabe x Rhizomatiks Research daito manabe 2020-04-08 | "Lucid Motion" by Daito Manabe x Rhizomatiks ResearchSeptember 28th, 2019 - December 1st, 2019ARTECHOUSE / Washington, DCLucid Motion aims to examine human motion from various standpoints using next-level technologies and expression methods to elaborate into three unique installations. Visitors will get to engage with dance performances themed on human motion, lights and shades as they experience these through multiple rooms. dc.artechouse.com/lucidmotion
Takamadomiya Cup JAL PRESENTS FENCING WORLD CUP 2019 daito manabe 2020-04-08 | Rhizomatiks developed the “Points of a sword visualization system”, was presented at the “Takamadomiya Cup JAL PRESENTS FENCING WORLD CUP 2019”. The “Points of a sword visualization system” is a joint project with Dentsu Lab Tokyo that detects fencing sword tips that cannot be followed by human eyes, performs real-time AR synthesis, and immediately visualizes trajectory. Under the initiative of Yuya Hanai (Rhizomatiks), this system can visualize the tip of the sword without a marker improved accuracy of sword detection and updated visual expression by using deep learning.ライゾマティクスが開発した「Points of a sword visualization system」が「高円宮杯 JAL PRESENTS FENCING WORLD CUP 2019」で披露されました。「Points of a sword visualization system」は、人間の視覚では追いきれないフェンシングの剣先を検出、リアルタイムでAR合成し、即時に軌跡のビジュアライズを行う、Dentsu Lab Tokyoとの共同プロジェクトです。深層学習を用いることで、マーカレスで剣先を可視化出来る本システムはライゾマティクス花井裕也主導のもと、剣先検出の精度向上やビジュアライズド表現をアップデートさせました。
