Sonic Peak StudioIn this video I'll take the viewer through most of the work that went into creating this mix and master There's a couple of compressors and details I don't mention, but to keep it within 1 hour, I had to do some sorting.
1:21 Playthrough with solo'ing 6:05 The 1st Kick-Drum, Transient Designer / Shaping 7:52 Snare 1, stereo-widening using the Haas-effect 9:28 Snare 2, Limiting 10:42 The Fat Snare Trick 13:51 The Big Huge Claps 15:35 Some volume-automation in the end 16:16 Bass 1 17:15 1st part Lead-Synth 17:42 Autopanner-tricks 18:56 The Synth-PowerChord 21:02 The Pads, a little about reverbs 23:33 The Missing Breakdown 24:18 The Phaser-Pad in the No-Longer-Missing-Anymore-Breakdown (NLMAB) 25:22 The Formant-Synth 26:08 A Message From Alex Ball. 26:30 The Big Synth-Leads 28:31 The AutoPanner-Trick, used again. 29:34 The Sequencer-Synths, a bit about Limiting. 31:24 The Vocals 32:09 A Vocal-Compressor-Trick, and "My Almost Standard-Vocal Chain" 33:00 Dynamic EQ on Vocals 34:15 Mastering Overview 34:47 Low Cut 34:56 Linear Multiband Compressor (Waves LinMB) 35:26 Waves Vitamin 35:54 Stereo Spread 35:58 L2 Ultramaximizer 36:02 Youlean Metering - To get the right loudness for streaming.
Behind The Mix : Nexus by Alex BallSonic Peak Studio2020-05-08 | In this video I'll take the viewer through most of the work that went into creating this mix and master There's a couple of compressors and details I don't mention, but to keep it within 1 hour, I had to do some sorting.
1:21 Playthrough with solo'ing 6:05 The 1st Kick-Drum, Transient Designer / Shaping 7:52 Snare 1, stereo-widening using the Haas-effect 9:28 Snare 2, Limiting 10:42 The Fat Snare Trick 13:51 The Big Huge Claps 15:35 Some volume-automation in the end 16:16 Bass 1 17:15 1st part Lead-Synth 17:42 Autopanner-tricks 18:56 The Synth-PowerChord 21:02 The Pads, a little about reverbs 23:33 The Missing Breakdown 24:18 The Phaser-Pad in the No-Longer-Missing-Anymore-Breakdown (NLMAB) 25:22 The Formant-Synth 26:08 A Message From Alex Ball. 26:30 The Big Synth-Leads 28:31 The AutoPanner-Trick, used again. 29:34 The Sequencer-Synths, a bit about Limiting. 31:24 The Vocals 32:09 A Vocal-Compressor-Trick, and "My Almost Standard-Vocal Chain" 33:00 Dynamic EQ on Vocals 34:15 Mastering Overview 34:47 Low Cut 34:56 Linear Multiband Compressor (Waves LinMB) 35:26 Waves Vitamin 35:54 Stereo Spread 35:58 L2 Ultramaximizer 36:02 Youlean Metering - To get the right loudness for streaming.Behind The Mix : TableauSonic Peak Studio2021-04-14 | An in-depth-view of how Alex Ball's song "Tableau" was mixed and mastered Also linked is a wet/dry sample-pack of all of the drums. Thanks to Alex Ball and Jonathan Wills, facebook.com/jontoothuk, on drums. Importing the samples into a DAW should get you close - although not 100%, due to the nature of aux-send/returns.
00:00 Intro 01:20 Master Channel 04:41 Return Channels / FX 14:44 Track-details intro 17:20 Kick 22:57 Snare(s) 38:33 HiHat 41:09 Toms 42:17 Drums Finale/The Drums In The End 44:12 Basses 48:12 Polysynths 50:04 "Sequence-Synth" 51:11 Polysynths In The End 52:52 : Vocals
Sample-pack: dropbox.com/s/n8eu9g4ywsw8iyw/TableauDrums.zip?dl=0Behind The Mix : Four Play by Alex BallSonic Peak Studio2020-06-06 | Here I will build upon my previous videos, as my EQ/Comp/Limiting-technique has already been covered in the previous ones, which then let's me focus on the importance of short reverbs, blended with dashes of long ones. Both things that help the elements of this fine tune to stand out even more sonically. Enjoy
Source : youtu.be/jD6HabU5TeQDavid Young / Technomantra - With Pre and Post treatmentSonic Peak Studio2020-05-12 | A very nice performance by David Young. A bit of dynamic EQ needed, and some automation of reverbs, but in all, it turned out really nice. Originally made for Instragram, hence the formatA Glimpse Of A Mix : Alex Ball / By DesignSonic Peak Studio2020-05-12 | A video originally made for Instagram, that I thought might be interesting to you as well. It shows a bit of the scale, scope and complexities that Alex Ball put's into these recordings.
Source : youtu.be/T7PsnvMgTGUBehind The Mix : Where You Lie by Alex BallSonic Peak Studio2020-04-01 | In this video I'll take the viewer through most of the work that went into creating this mix and master. It'll also form the basis for future videos in the series. Timestamps below : Source : youtu.be/TDNvsfAGtLU
1:15 Playthrough with soloing and un-grouping 5:30 Basic EQ details 9:58 : Parallel Compression - more on that later 11:56 : Compression/Limiting/Transient Designing/Clipping 17:33 : Vokal Processing 18:34 : De-essing 18:43 : Dynamic EQ 19:32 : EQ 19:39 : Limiting 20:01 : Bus Compression/Limiting vs "Normal" Compression/Limiting 20:54 : Acoustic Guitars, bussing and processing 21:39 : Send/Returns 21:55 : A Word of Warning.... 22:35 : Parallel Compressor 22:45 : Chorus 24:34 : Tal Chorus demo using acoustic guitars 25:10 : Waves Doubler 26:50 : Short Reverb 31:24 : Long Reverb 32:48 : Automation of Reverbs 36:27 : Delay 38:16 : MasteringDynamic Processing : The GateSonic Peak Studio2020-03-02 | A introduction into Dynamic Processing, using a gate We'll go over the controls and use it to clear up an acoustic kick and snare-track. Later we will explorer how we can use it to make the bass really tight to the kick, and other creative uses.
https://www.reaper.fm/reaplugs/
fb.me/SonicPeak instagram.com/sonicpeakEQ : Clear The Mids, Get the HighsSonic Peak Studio2020-03-01 | (Re-upload. There was a small problem with the voice-over) In this second video in the series "Mixing Basics", I cover the topic of removing harsh and unpleasant frequencies of signals with a parametric EQ. This is of paramount importance to a nice sounding mix, as you will see and hear. I'm using Alex Balls song "Four Play", that I mixed and mastered youtu.be/jD6HabU5TeQ I'll be using the free plugin from TDR called Nova : tokyodawn.net/tdr-nova
fb.me/SonicPeak instagram.com/sonicpeakEQ : Clear The Mud, Get The SubSonic Peak Studio2020-02-28 | In this video, we'll be taking a look at cleaning up "boxyness" in the 300-500hz range, and muddiness, which is often found in the 100-200hz range. We'll build a bit on the last video, so the material is the same : Alex Balls song "Four Play" (linked below) I'll look into getting the kickdrum, snare and bass to "fit", and to do this, we will use some of the techniques we learned in the last video, and learn some new ones as well. I'll be using the free plugin from TDR called Nova : tokyodawn.net/tdr-nova
fb.me/SonicPeak instagram.com/sonicpeakProject ManagementSonic Peak Studio2020-02-23 | In this first video of the series "Mixing Basics", I cover the topics of grouping, coloring and naming of tracks for easier workflow. I'm using Alex Ball's track "By Design" that I mixed and mastered, as our example. youtu.be/T7PsnvMgTGU
fb.me/SonicPeak instagram.com/sonicpeakWell, You Found Me.Sonic Peak Studio2019-09-30 | Before and after mix&master @ Sonic Peak Studio Artist : Alex BallThere Will Be ModulationSonic Peak Studio2019-09-16 | Remix of Alex Ball's "There Will Be Modulation" youtu.be/6sih97w7yTA New drums, arrangement, mix and masterAlex Ball : Living In The MatrixSonic Peak Studio2019-09-16 | A peek at a remix of Alex Ball's "Living in the Matrix" A video originally made for Instagram, that I thought might be interesting to you as well. It shows a bit of the scale, scope and complexities that Alex Ball put's into these recordings. youtu.be/TJe-0io8bFs New drums, arrangement, mix and master