HENI Talks
Discover Gaudis Art Nouveau Masterpieces In Barcelona
updated
Robert Storr in conversation with the Art writer Aimee Dawson, discusses the first three books in the new series: Bruce Nauman, Ad Reinhardt and Between a Rock and a Hard Place.
heni.com/publishing/robert-storr-focal-points-ad-reinhardt
heni.com/publishing/robert-storr-focal-points-between-a-rock-and-a-hard-place.
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#henitalks #inconversation #author #robertstorr
When you arrive at Shepherdess Walk, you are met with three wall panels and two floor mosaics, with the colours, style, materials, and themes, reminiscent of the style commonly used in Roman Britain.
The medium of mosaics around since the ancient Roman world, are shown to still be capable of harmonising with an ancient tradition to create something approachable in a space for everyone.
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CHAPTERS
0:00 Introduction
0:33 Tessa Hunkin and the Westminster Cathedral mosaics
01:26 Introduction to the Shepherdess Walk Mosaics
02:02 Materials, skills and techniques
03:07 Roman influences
05:08 Conclusion
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#henitalks #publicart #mosaic #arthistory #romanempire
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CHAPTERS
00:00 Introduction to the Whitworth
00:35 The Ghost Tree
00:55 Nature in Anya Gallaccio’s work
01:43 The inspiration behind the Ghost Tree
02:03 Analysis of the sculpture
02:36 The positioning of the Ghost Tree
03:02 Significance
03:28 Conclusion
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#henitalks #publicart #sculpture #nature #contemporaryart
The position of the sculpture and where it faces is pivotal to its legacy and its roots in Rome.
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CHAPTERS
00:00 Introduction to 17th-century Britain
00:15 The statue of Charles I
00:34 Background: Charles I’s personal rule
00:53 Analysis of the sculpture
01:17 Depicting a monarch
01:48 Accusations of popery
02:27 The Civil War and execution of Charles I
03:09 How the statue survived
03:28 The plinth
04:11 The location
04:42 Influence: an equestrian tradition
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#henitalks #publicart #sculpture #monarchy #kingcharles
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His selection is consistently unpredictable, and include works by Cézanne, Manet, Seurat, Pissarro, Renoir, Gaugin and Monet, represented not by a landscape but by “Camille on Her Death Bed” (1879).
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CHAPTERS
00:00 Introducing the exhibition space at the Musée d’Orsay
00:34 The background of the exhibition
01:25 Selecting works from the museum’s collection
02:50 Jean-Léon Gérôme, The Cock Fight
04:26 Henri Rosseau, The War
05:24 Comparing Paul Gauguin, The White Horse and Gustave Courbet, Hunters in the Snow
05:56 Gustave Courbet, Hunters in the Snow
06:42 Claude Monet, Camille Monet on her Deathbed
08:10 Honoré Daumier, Crispin and Scapin
08:40 Paul Cezanne, Christ in Limbo
09:40 A comparison with Gérôme’s The Cock Fight
10:07 Conclusion
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#henitalks #peterdoig #arthistory #painting
Completed in July 1969, Passmore named the construction the Apollo Pavilion coinciding with the first Moon landing by the crew of Apollo 11.
Located in the Sunny Blunts housing estate, The Pavilion was never regarded as a stand alone artwork, but as an integral part of the estate’s design within the landscape.
The Pavilion’s presence proved controversial after it fell into disrepair during the 1980s; though the site was refurbished in 2009, gaining a Grade II* Listed Building and is regarded by some as being one of the most significant works of art in Britain.
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CHAPTERS
00:00 The age of wonder
00:46 The bold architecture of the 1960s
01:06 Introduction to the Apollo Pavilion
01:51 Berthold Lubetkin’s designs for Peterlee
02:17 Introduction to Victor Pasmore and his revolutionary art
02:44 Pasmore’s move towards three-dimensional art and ‘an Exhibit’
03:37 Bringing Pasmore’s compositions to life at the Apollo Pavilion
04:06 Analysis of the structure
04:47 The aim of the Pavilion
04:59 Disrepair and tensions with the community
05:56 Saving and restoring the Pavilion
06:17 New ways of engaging with the Pavilion
07:06 Conclusion
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#henitalks #publicart #apollopavillion #architecture
Barbara Hepworth © Bowness
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Chapters
00:00 Introduction of Contrapuntal Forms
00:32 Harlow Art Trust and its aims
01:00 Barbara Hepworth and her work
01:32 The commission of Contrapuntal Forms and its location
02:05 Analysis of the sculpture
02:33 Utopian themes
03:27 The holes in the figures
03:55 Hepworth’s sculptures and musicality
04:40 Her technique and the modernisation of carving
05:22 Hepworth’s force of will and legacy as a female sculptor
05:54 Conclusion
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#henitalks #publicart #sculpture
Offering a fresh take on the history of Europe in the 15th and 16th centuries, Jones uses well-known icons of Renaissance art such as Michelangelo’s David alongside surprising works from the period, such as Martin Schongauer’s print, The Temptations of St. Anthony to delve into an entertaining social history of the time. Why was there suddenly so much nudity in art? What made Renaissance artists so special? And how did the theory of perspective change the way art held a mirror up to the world?
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Archive: Alamy, Music Vine
#publicart #sculpture #publicmonuments #London #henitalks
'The Modernist Alien’ positioned high on the cliffs of the ancient North Yorkshire coast, Ryan Gander’s ‘We Are Only Human (Incomplete Sculpture for Scarborough to be Finished by Snow)’ (2022) is a poignant subject drawing attention to the urgency of the climate crisis through this public art.
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#publicart #sculpture #ryangander #arthistory #henitalks
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Hans Ulrich Obrist, the Artistic Director of the Serpentine Galleries in London, speaks with Joe Hage, about his endeavour to revive the art of handwriting from within an ever-advancing digital age. The result is one of the most comprehensive looks at the art world from the inside, inclusive of artists, writers, designers, musicians, actors, architects and public figures.
In his open-ended project, Obrist collects an abundance of thoughts for the day dreams, drawings, musings, jokes, quotations, questions, answers, poems and puns from some of the world’s greatest contemporary artists, handwritten on everyday Post-it notes. From the reassuringly philosophical to the inspiringly straightforward, the ingeniously funny to the tenderly posthumous.
The book includes contributions from Virgil Abloh, Marina Abramovic, Jane Fonda, Damien Hirst, David Hockney, George Lucas, Paul McCartney, Steve McQueen, Frank Ocean, Yoko Ono, Pharrell and more!
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#author #handwriting #bookreview #booktube
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Archive – Alamy
#venice #painting #arthistory #interview
With unprecedented access to leading artists in the NFT zeitgeist, including Damien Hirst and Beeple, as well as interviews with founders of Art Blocks and The Bored Ape Yacht Club, celebrity collectors, and early adopters like Snoop Dogg. The film explores profound questions about the nature of art, ownership, and community in the digital age.
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00:00:00 Introduction
00:03:05 Damien Hirst
00:05:43 The First NFT
00:08:59 Crypto Kitties
00:12:53 What is an NFT?
00:15:48 NBA Top Shots
00:16:33 Crypto Punks
00:19:51 Art Blocks & Generative Art
00:22:34 The Launch of The Currency
00:29:06 NFT NYC & Bitcoin
00:32:44 Beeple
00:37:34 Discord
00:42:51 Mad Dog Jones
00:45:12 NFTs in Music
00:49:34 What's the Value of an NFT?
00:52:08 The $69M NFT
01:03:45 The Bored Ape Yacht Club
01:15:06 Ukraine
01:19:51 The Currency Burn Event
01:27:20 Epilogue
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Produced and Directed by David Shulman
Produced by Josh Berger
Executive Producer: Zad Rogers, Executive Producers: Lydia Conway & Ben Weston
© BPHL Film Production 1 Limited, 2023
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Art historian and BAFTA nominated broadcaster DrJames Fox explores and uncovers the modernist masterpieces.
00:00 Introduction
02:56 St Michael's Victory over the Devil (1958) by Jacob Epstein
04:14 West Screen by John Hutton
05:17 Tablets of the Word by Ralph Beyer
05:52 Nave Stained Glass Windows by Lawrence Lee, Keith New and Geoffrey Clarke
06:24 Lectern Eagle by Elisabeth Frink
07:26 High Altar Cross by Geoffrey Clarke
08:01 Christ in Glory in the Tetramorph (1962) by Graham Sutherland
10:06 Angel of Agony by Steven Sykes
10:39 Crown of Thorns by Geoffrey Clarke
10:58 Chapel of Unity Floor Mosaics by Einar Forseth
11:23 Baptistery Window by John Piper
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With many thanks to the Dean and Chapter of The Cathedral Church of St Michael Coventry.
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#HENItalks #arthistory #coventry #artwork #painting
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#HeniTalks #arthistory #collage #painting #abstractart #art #contemporaryart #damienhirst
#design #art
Music
MIDI Sans Frontières
Graham Bole, 2017
CC BY-ND 4.0
From crustaceans on top of telephone receivers, to vision obscuring silk hats, the Surrealists adapted everyday, utilitarian objects as a way to expand the idea of reality.
In this film, art historian Professor Dawn Adès CBE explains the meaning and significance of the Surrealist object by way of 5 extraordinary examples; from key artists associated with the movement: Salvador Dalí, Marcel Duchamp, Artur Cruzeiro Seixas, Eileen Agar, and Joseph Cornell.
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Music
MIDI Sans Frontières
Graham Bole, 2017
CC BY-ND 4.0
Mystery
The Lovely Moon, 2013
CC BY-NC-SA 3.0
Treppe 3
Rod Hamilton, 2014
CC BY-ND 4.0
American Coot
Chad Crouch, 2018
CC BY-ND 4.0
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The film explores Clarke’s relationship with collage through the entire trajectory of his career, and how he often uses the medium as a study for his stained-glass work. He first began working in collage aged 14 at the Burnley School of Art, 1967 and cites his early collage influences by Pop Art and artists such as Richard Hamilton and Andy Warhol.
The discussion also examines Clarke’s latest series of work inspired by nature, which began with line drawings of nasturtiums in white pencil on black paper.
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#serpentine #nature
Architect Lina Ghotmeh discusses, shares and reveals the inspiration, the structure, and design of the Pavilion, titled À table – a French call to sit down together at a table to engage and participate in dialogue while sharing a meal. As such, the interior of the Pavilion features a concentric table along the perimeter, inviting us to convene, sit down, think, share and celebrate exchanges that enable new relationships to form.
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Serpentine Pavilion 2023 À table designed by Lina Ghotmeh — Architecture
© Lina Ghotmeh — Architecture.
Photo: Iwan Baan
Courtesy: Serpentine.
Serpentine Pavilion 2023 À table designed by Lina Ghotmeh — Architecture
© Lina Ghotmeh — Architecture
Photo: Stage One Ltd.
Courtesy: Serpentine
Dezeen Serpentine film
Courtesy: Serpentine
Press Images
Serpentine Pavilion 2023 À table designed by Lina Ghotmeh — Architecture
© Lina Ghotmeh — Architecture
Photo: Iwan Baan
Courtesy: Serpentine
#architecture #Serpentine #London
On the occasion of the Barbican's major Basquiat exhibition, which ran between September 2017 and January 2018, curator Eleanor Nairne exposes how Basquiat's multidisciplinary nature springs from his profound engagement with a broad range of source material, from trashy TV, to philosophy, to media representations of black experience.
Nairne unpicks some of the fertile references which feature in canvases by the pioneering prodigy of the 1980s downtown New York art scene. She discusses how Basquiat could have brought these disparate sources together to critique and shed new light on the world around him.
Could the webs of references which feature in Basquiat's works parallel our contemporary experience of the digital age?
#jeanmichelbasquiat #arthistory #punk #graffiti #basquiat
#arthistory #femaleartist #painting
Shantell Martin, best known for her characteristic black-and-white drawings, tells us the legend behind ‘The Sake-drinking Boy’ and how the storytelling qualities of Moronobu’s line inspired her own work.
#japan #drawing #folklore
Whilst in Venice, Richter visited the Scuola Grande di San Rocco where he saw Titian’s scintillating ‘Annunciation’, c. 1539. So entranced by the work, he bought a postcard for keepsake. The following year, Richter began to copy the work, not once, not twice, but five times. With each incarnation, Richter’s soft brushstrokes got hazier, the forms of Titian’s canvas descending into a fuzzy near-monochrome of Venetian red.
Learn more about Richter’s ardent commitment to Titian’s canvas — and the impossibility of such a painting for our times — with writer Robert Storr.
#artist #titian #richter
Curator Vincent Honoré narrates the unfolding of Wojnarowicz’ final film Beautiful People (1988). The film, made in collaboration with Jesse Hultberg, follows Hultberg as he makes himself up, leaves the city and disappears – fully clothed – into a lake, the world erupting into technicolour as he does so. Honoré recognises the beauty and socio-political significance of this work, made ‘at the climax of the aids crisis’.
#arthistory #film #performance
Credits:
‘Treasures from the Wreck of the Unbelievable’
Directed by Sam Hobkinson
Produced by Nicolas Kent / OFTV
© Damien Hirst and Science Ltd. All rights reserved DACS 2023
In this video, writer, architect and designer Edwin Heathcote introduces the theories and aesthetics of the Postmodern through a behind-the-scenes look at Jencks’ Cosmic House of 1978. Driven by the idea that great buildings of the past represented coherent worldviews, the structure of Jencks’ house is based on the solar system and replete with references to history, exploring our relationship to the cosmos.
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#postmodernism #housetour #arthistory #london #architecture
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Defying expectations, Isabel Rawsthorne (1912 – 1992) made a place for herself amongst contemporaries in early 20th century visual art, ending up at the centre of the Paris avant-garde. Her ingenuity as an artists' model won her the freedom to paint, a vocation she would pursue for 75 years. A lifelong natural historian, Rawsthorne’s ephemeral images are informed by her observations of the language of gesture and movement, from her poetic depictions of animals to her embattled self-portraits. Guided by curator Carol Jacobi, discover artist Isabel Rawsthorne, “a missing link of 20th century art”.
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British Museum Director, Hartwig Fischer, delves into the story and inspiration behind these fascinating sculptures, ‘The Progress of Civilisation’, and uncovers their layered narratives as a gateway to the museum. Filmed in glorious detail via drone, HENI Talks was privileged enough to film the sculptures up close.
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Curator Carine Harmand traces how the Surrealist movement was taken up by artists in Egypt, Mexico, and by African American artists in the US, as a way to challenge authority and imagine a new world.
Traditional stories of Surrealism have focused on Paris in the 1920s, but here Harmand demonstrates how artists across the globe have been inspired and united by Surrealism as part of an international network.
Filmed on the occasion of
Surrealism Beyond Borders
Tate Modern
24 February – 29 August 2022
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Art historian Ben Street takes us on a tour of The National Gallery, London, looking at masterworks in the collection by Carlo Crivelli, Hans Memling and Édouard Manet.
Rather than using specialist insight to read and decipher the works, Street focuses on a physical encounter with the paintings — arguing that anyone can find value and enjoyment in art without needing to know an abundance of extra historical information.
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Gerhard Richter is regarded as one of the most important and influential painters working today.
In this HENI Talk, Professor Michael Newman explores Richter’s lesser-known and largely experimental drawing practice. Newman analyses the repertoire of Richter’s mark-making and their connections to his remarkable achievements in painting, looking closely at works in pencil and charcoal, a series of over-painted photographs, and a set of rarely seen painterly works created using coloured inks.
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The film features interviews with some of Finch’s closest friends and family — and stars from the world of art and performance — who share their stories about the artist’s life and work. Contributors include musicians Jools Holland and Richard Strange, artist Brian Clarke, and art historian Martin Harrison.
The Romance of Bricks is a unique record of a remarkable life and Finch’s extensive body of work, from early drawings and surreal paintings to figurative arrangements and riotous performances.
Nichola Bruce is a director, writer and producer who works with moving image, as part of a lifelong archive, which informs her larger works. These include experimental, award-winning dramas and documentaries. Bruce was co-director of The Human Face (1990) featuring Laurie Anderson for BBC Arena as well as director of The Monument (1997) with Rachel Whiteread for BBC Arts and I Could Read the Sky (1999) with poet Dermot Healy.
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This is the third film released in a collaborative series with Articulation celebrating ‘Young Voices’ engaging with art. Articulation is an initiative that provides a platform for students to develop their confidence and ability by expressing their opinions, thoughts and ideas through the arts and public speaking. The initiative seeks to champion young people regardless of background and experience. Articulation began in 2006 at the Roche Court Educational Trust and merged with the National Gallery in 2022.
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#Art #RichardLong #HENITalks
This is the second film in a collaborative series with Articulation, celebrating ‘Young Voices’ engaging with art. Articulation is an initiative that provides a platform for students to develop their confidence and ability by expressing their opinions, thoughts and ideas through the arts and public speaking. The initiative seeks to champion young people regardless of background and experience. Articulation began in 2006 at the Roche Court Educational Trust and merged with the National Gallery in 2022.
Artwork details:
Barbara Hepworth, Family of Man:
Figure I, Ancestor (BH513a); Parent I (BH513d); Youth (BH513c); conceived 1970 and cast 1971-74
Barbara Hepworth © Bowness, courtesy New Art Centre, Roche Court Sculpture Park.
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Award-winning documentaries which reveal the stories of art and art history.
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Find the HENI Talks for you with advanced search options. Explore wider reading around our Talks topics and find that key reference. http://bit.ly/Website_HENITalks
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#Art #BarbaraHepworth #HENITalks
This film is the first in a collaborative series with Articulation celebrating ‘Young Voices’ engaging with art. Articulation is the Roche Court Educational Trust’s national and international public speaking initiative, championing the appreciation and discussion of art. It enables a wide range of students aged between 14 and 23 to develop their confidence and ability to express their opinions, thoughts and reactions to the visual world.
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Award-winning documentaries which reveal the stories of art and art history.
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Keep your finger on the pulse of art. http://bit.ly/Twitter_HENITalks
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Find the HENI Talks for you with advanced search options. Explore wider reading around our Talks topics and find that key reference. http://bit.ly/Website_HENITalks
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#Sculpture #Art #HENITalks
Consisting of a single banana duct-taped to a wall, ‘Comedian’ is a remarkably simple artwork which created an unprecedented sensation when first debuted at Art Basel Miami Beach in 2019.
Although priced at $120,000, Bonami argues that the work’s real value is in the philosophy that it creates around objects, suggesting the work prompts us to think ‘more about what art is and what art is supposed to do in your life. Is art a commodity that people just acquire as anything else? Or is art a container of a message, and it doesn’t matter what the container is, the important thing is what it says, and what is conveyed to the viewer.’
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#BananaArt #MaurizioCattelan #HENITalks
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Award-winning documentaries which reveal the stories of art and art history.
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The artwork has been attributed to the Persian painter Sultan Muhammad, a skilled master at the atelier of the Aqqoyunlu Turkmen in Tabriz. It depicts the hero of the Shahnameh, Rostam, resting unbeknownst that danger lurks nearby… Babaie unpacks the painterly ideas at play in depicting this dramatic moment.
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Award-winning documentaries which reveal the stories of art and art history.
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Political Philosopher Dr Brad Evans explores the concept of ‘Degenerate Art’, a term adopted by the Nazi Party in 1920s Germany to describe art that did not conform to their ideal vision of the world, culminating in the now infamous Degenerate Art exhibition held in Munich in 1937.
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Award-winning documentaries which reveal the stories of art and art history.
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#DegenerateArt #WW2 #HENITalks
Clarke and Foster are longtime friends and fruitful collaborators, working together on notable architectural art commissions for locations around the world, including London's Stansted Airport, the Al-Faisaliyah Complex in Riyadh, a landmark work in the development of modern stained glass, and the Palace of Peace and Reconciliation in Kazakhstan.
In Foster's words, Clarke “uses buildings as a canvas" and his spectacular stained-glass artworks "impart a wonderful sense of poetry to a space."
The conversation was chaired by art critic, curator, and artist Robert Storr, and was recorded on Nov 13, 2020, to celebrate Clarke’s exhibition at the Museum of Arts and Design, New York.
To learn more about Brian Clarke, watch ‘Brian Clarke: The Art of Light’: youtube.com/watch?v=a3b4PFS70CU
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Lauson charts Riley’s oeuvre from her accomplished early sketches rendering the figure, to the painterly lessons she learned from the works of pointillist Georges Seurat, to her seismic break with representation into dazzling abstraction. Lauson also gives insight into the artist’s working methods, exploring how Riley hones the patterns of her compositions to give precise optical effect, for ultimately ‘perception itself is the medium that she’s working through’.
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Award-winning documentaries which reveal the stories of art and art history.
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Distilling the euphoria of form and colour, Clarke’s oeuvre is testament to the fact that ‘artistic practice has the ability to change the shape of things, has the ability to transform the world.’ This film charts his life and career from a modest upbringing in Oldham, through cutting-edge punk years, to producing the single largest pieces of stained glass in the world at this time.
With contributions from Paul Greenhalgh, Director, Sainsbury Centre for Visual Arts; photographer Ralph Gibson; Dame Zaha Hadid; Sir Peter Cook; and June Osborne, DL, Bishop of Llandaff.
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Award-winning documentaries which reveal the stories of art and art history.
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Can we really trust in what we see? Gerhard Richter’s oeuvre makes us cast doubt on the given ‘truth’ before our eyes. The artist has spent much of his sixty-year career confronting the nature of images, questioning their means of representation and their degradation. The result is paintings that do not simply depict the often-charged subject matter at hand — like a painting of the terrorist attack on the World Trade Center in 2011, or of the crematoria at Birkenau — but paintings that depict the mediated circumstances of the representation of that history.
As such, one may feel a sense of unease looking at a work by Richter, but as Robert Storr professes: ‘Doubt is not a negative thing. It's something that pulls the rug out from under certainty. But if certainty is what has brought us any number of ideological and political nightmares, maybe less certainty is a good thing.’
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Award-winning documentaries which reveal the stories of art and art history.
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#Art #Richter #HENITalks


